The U.S. and the Holocaust

Yes, it's another in-depth, detailed history from Ken Burns and crew.

But having each episode over 2 hours long really drags out. I watched it bite sized chunks and also found myself fast-forwarding at times. Peter Coyote's narration also drones on.

The narration outline, especially in the first episode, parallels immigration issues the USA is having today. Not sure if this emphasis was intentional or as the saying goes, "nothing ever changes."

There are a lot of still photos and videos, taken by the German soldiers, that will likely be new to anyone viewing the documentary.

The testimony from Eva Geiringer in episode 3 about camp conditions will turn your stomach.

Mr ken burns for his ever so connective and brutally consistent narrative talents and partner in the direction crew together with lynn novick and sara botstein. This documentary doesnt just put the magnifying glass on the usa, indirec tly it tells the story about how the entire globe positioned itself on the jewish and other surpressed minorities going under the term of refugees during the nazi era.

Its just a pitty mr burns (et.co.) that you didnt make this series in 1985 when the war generation still lived, the year you famed the brooklyn bridge forever. I think that the number of reciepients are highly diminished due to digital media platforms, the topic of ww2 is alien and the subject of the jewish destiny is a heavy subject to elaborate and devour for the fast food and fast news generation x and z'ers of today.

I really admire the efforts done searching archives for pictorials and film reels used in this 3 part series, loads of material i havent seen in the past, and i, the grumpy old man, have a sofisticated interest on an amateur level the ww2 history and have seen almost everything that has been issued from english, french, german and japanese language spheres + the italian, and loads and loads of norwegian war history.

Im glad mr burns that you still have many productive years to come, i can not praise enough the impact and inspiration youve released in miself as your products have appeared

so to everyone sceptical to the harrowing title making usa seem like a crook, well then watch and learn, cause the refugee problem will always be there. Its an overwhelming recommend from the g.o.m..

As Episode 1 of "The US and the Holocaust" (2022 release; 3 episodes of about 125 min each) opens, we are in 1933 and a certain Mr. Frank has just bought a brand new 16 mm camera to film some family scenes in Frankfurt. We also get a picture of that family, the husband and wife and their two daughters, the youngest one being... Anna Frank. At this point we are 5 min into Episode 1.

Couple of comments: this is the latest documentary from the Ken Burns factory, co-directed by Ken Burns, Lynn Novick and Sarah Botstein. Here they examine the complicated history of the US towards Jews. Not that this was the first time, as one of the talking heads reminds us that before this, there was the genocide of the native Americans and the forced importation of black people from Africa. But we divert... In excruciating detail, we are reminded how in the 1930s the US was an isolated country not very interested in the rest of the world, let alone the pending refugee drama and later genocide in Europe following the Nazi's ascent to power in Germany in 1933 that was quickly followed by more and more restrictions on Jews in Germany and elsewhere. The US State Department was openly and unapologetically anti-semitic, as were large segments of the US population, much to the chagrin of FDR. We are reminded along the way that there were dozens of pro-Nazi organizations in the US at that time, and that the US happily chose to participate in the 1936 winter and summer Olympics, which were all but major Nazi propaganda events. Meanwhile things get worse and worse for Jews in Germany, leading to "kristalnacht" in 1938...

Episode 1 premiered on PBS last night and is now available on PBS On Demand. The remaining 2 episodes will air on PBS tomorrow (Tue) and Wednesday. Can't wait to see how it plays out, and to what extent today's parallel ("Jews will not replace us"! Charlottesville 2017) frightening extreme right climate will be included (if at all). If you have any interest in US history including its troubled race relations with Jews, I'd readily suggest you check this out, and draw your own conclusion.

*UPDATE 9/23/22* I've now seen all 3 episodes, and this documentary series makes for overall very sobering viewing. In Episode 2 we are reminded of the damage done by isolationists like Charles Lindbergh and US Senator Reynolds, who wants to build a wall on US borders "so tall that it will keep out everyone" (no, really, that is a statement from Reynolds made in 1941). The archive footage of the Warsaw ghetto and the Nazi's killing camps will make you sick. At the tail end of Episode 3, we are reminded that yes, it can happen again, as we get the infamous footage of the White supremacists in Charlottesville in 2017 but also of the mass shooting at the Pittsburgh synagogue.in 2018. This documentary series should be required viewing for all HS and college students.

This Ken Burns documentary was not up to the standards of his previous documentaries. Peter Coyote is a fine narrator and always pleasant to listen to. It was interesting in the first episode dealing with the prejudices and racist attitudes in the US with the influx of immigration concerns.

There were a number of historical inaccuracies that took away from what the documentary was attempting to portray. Historical documentaries need to do more than tell the viewer what happened; they need to ask the question why certain incidences occurred in order to better understand the issues being presented. There were a number of historical omissions that would have explained things more in depth. For instance; how the slaughter of 66 million Christians and Russians by the Bolsheviks influenced the mindset of the Germans during this time. The documentary also lost some credibility by having Deborah Lipstadt as a voice of authority as her input took away from some of the plausible historical accuracies with her repetitive accusatory conjecture presented as fact.

Other than that, there wasn't much revealed that hasn't been covered countless times before.

Perhaps it's because, unlike others like Lanzmann, Resnais, Spielberg, et al., Ken Burns and his crew of expert documentarians come to the subject with all their finely-tuned skills in presenting important historical events, this is, for me, the most powerful, and upsetting rendering of the subject I have ever seen. Although the subject is, ostensibly, the role the United States played--or did not play--in dealing with the murder of millions of innocent civilians merely because they were Jewish, what I found most impressive was the focus on the transformation of ordinary, often happy lives throughout Europe into a brutal, horrifying nightmare. As one of the interviewees puts it, the emphasis on the death-camps, while certainly justified, tends to overlook the everyday brutality of innocent men, women and, equally, children being routinely and heartlessly ostracized by their "friends," humiliated, beaten, thrown from the rooftops of building, burnt, and, if lucky, merely shot.

It's very hard to talk about this film, but one must acknowledge the great achievement of these filmmakers.