UK sales company Wildstar Sales has inked deals on its slate including for romantic comedy F.L.Y..
Rafael Albarran and Trent Kendrick’s film has sold to Breaking Glass Pictures for North America, with the company planning a theatrical release.
F.L.Y. played at US festivals including Outshine Miami and Outfest Film Festival, and plays India’s Kashish Pride Film Festival this month.
Wildstar has sold three films to France’s Optimale - Lucas Santa Ana’s drama Blue Lights, Matias de Leis Correa’s romance Since The Last Time We Met and Marco Berger’s new film The Astronaut Lovers, with...
Rafael Albarran and Trent Kendrick’s film has sold to Breaking Glass Pictures for North America, with the company planning a theatrical release.
F.L.Y. played at US festivals including Outshine Miami and Outfest Film Festival, and plays India’s Kashish Pride Film Festival this month.
Wildstar has sold three films to France’s Optimale - Lucas Santa Ana’s drama Blue Lights, Matias de Leis Correa’s romance Since The Last Time We Met and Marco Berger’s new film The Astronaut Lovers, with...
- 5/19/2024
- ScreenDaily
by Cláudio Alves
Horseplay (2022)
Last week, Marco Berger's Horseplay enjoyed a limited release in American theaters. The film is the Argentinean director's latest purview of queer desire among straight-passing men, full of his trademark languidness and crotch shots galore. In some ways, it represents an Ozu-like return to heretofore explored premises, with both variations and shapeshifting tone making the virtually identical feel radically distinct. For those who've been following Berger's career, it might be a rewarding foray into violent bleakness. For viewers first encountering his oeuvre, it makes for a strange introduction.
With that in mind, let's think back to the auteur's evolution, from blue-balling short exercises to the latent disquiet of Horseplay…...
Horseplay (2022)
Last week, Marco Berger's Horseplay enjoyed a limited release in American theaters. The film is the Argentinean director's latest purview of queer desire among straight-passing men, full of his trademark languidness and crotch shots galore. In some ways, it represents an Ozu-like return to heretofore explored premises, with both variations and shapeshifting tone making the virtually identical feel radically distinct. For those who've been following Berger's career, it might be a rewarding foray into violent bleakness. For viewers first encountering his oeuvre, it makes for a strange introduction.
With that in mind, let's think back to the auteur's evolution, from blue-balling short exercises to the latent disquiet of Horseplay…...
- 6/14/2023
- by Cláudio Alves
- FilmExperience
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