Directed by
| Pablo Behrens | ||
Writing Credits
| Pablo Behrens | ... | (written by) |
| Colin Wilson | ... | (novel) |
Cast (in credits order)
Produced by
| Pablo Behrens | ... | producer |
| Owen Drake | ... | producer |
Music by
| Anthony Reynolds | ||
Cinematography by
| Martin Kobylarz | ||
Editing by
| Charlie Hawksworth | ||
| Simon Willcox | ||
Production Design by
| Steven Blundell | ||
Art Direction by
| Daisy Moseley | ||
Costume Design by
| Lisa Duncan | ||
Makeup Department
| Alexandra Jackson | ... | assistant makeup artist |
| Martin McClean | ... | makeup artist |
| Pippa Buist | ... | makeup department head (uncredited) |
Production Management
| Alex Doherty | ... | Production Manager & Steadicam operator |
| Salma Rana | ... | associate producer Nottingham |
| Colin Stanley | ... | associate producer Nottingham |
Second Unit Director or Assistant Director
| Fede Behrens | ... | assistant director pre-production |
| Zachary Fox | ... | second assistant director |
| Charlotte Rose Palmer | ... | first assistant director (as Charlotte Palmer) |
Art Department
| Alexandra Rose Brown | ... | art department assistant |
| Chloe Butler | ... | art intern: daily |
| Maria Hull | ... | art intern: daily |
| Andrew McNeil | ... | set dresser |
| Lerato Moloisane | ... | art intern: daily |
| John Richardson | ... | art department assistant |
Sound Department
| Maximilian Behrens | ... | supervising sound editor |
| Brendan Feeney | ... | sound editor |
| Tom Harris | ... | sound recordist |
| Thomas Zeman | ... | boom operator |
Visual Effects by
| Jack Fisher | ... | visual effects supervisor |
| Lawrence Glew | ... | Hiero |
| Christopher Gray | ... | executive producer |
| Kane Herd | ... | digital compositor |
| Taylor Kennard | ... | visual effects producer |
| Viral Patel | ... | compositor |
| Viral Patel | ... | senior compositor |
| Steffan Perry | ... | colourist |
| Saruta Puff Pisanwalerd | ... | digital compositor (as Saruta Pisanwalerd) |
| Tomas Rosenblatt | ... | opening montage created by / opening title animation/compositing |
| Adam Stannard | ... | Colour Assist |
| Ben Stell | ... | production assistant |
Camera and Electrical Department
| Alex Doherty | ... | steadicam operator |
| Daniel Doherty | ... | lighting technician |
| Ewen Hamilton | ... | data wrangler |
| Rory Harborne | ... | electrician |
| Guy Jenkins | ... | second assistant camera |
| Sebastian Kudanowski | ... | gaffer |
| James George Oshoba | ... | assistant gaffer |
| Kathryn Smith | ... | third camera assistant |
| Jason Wingrove | ... | first assistant camera |
| Derek Gilbert Zacho | ... | second assistant camera (as Derek Zacho) |
Casting Department
| Bernie C. Byrnes | ... | London casting |
Costume and Wardrobe Department
| Luke Hicks | ... | creator of Ironfoot Jack shoe |
| Sandra Wing | ... | wardrobe assistant |
Editorial Department
| Colin Stanley | ... | Colin Wilson and 1950s consultant |
Music Department
| Tom Stanford | ... | music supervisor |
Transportation Department
| Usmaan Amjad | ... | transportation captain |
Additional Crew
| Jess Adcock | ... | production assistant |
| Olivia Bohac | ... | Editor's assistant |
| Jacob Ellis | ... | production assistant |
| Jess Gilby | ... | production assistant |
| Callum Martin | ... | production runner |
| Lucy Antonia Price | ... | production assistant (as Lucy Price) |
| Anna Voronko | ... | production assistant |
| Parvez Zabier | ... | financial controller |
Thanks
| Karen Basset | ... | thanks: horse master: Nottingham |
| Caspar Delaney | ... | thanks |
| Enrique Gruber | ... | thanks |
| Claudio Ingold | ... | grateful thanks |
| Lucinda Ker | ... | special thanks |
| Jeremy McWilliams | ... | thanks |
| Trevor Melvin | ... | thanks |
| Andrés Rosenblatt | ... | grateful thanks |
| Kishor Tahiliani | ... | thanks |
