Mrs. Carey's Concert (2011) User Reviews

Stockholm Syndrome: The Musical!

[Chief_Squirrel · 6/10 · 20 September 2011]

The various internet movie reviews (and the entirely disingenuous DVD cover) suggest MRS. CAREY'S CONCERT is some kind of "exhilarating feature film experience". I had to double-check to see if I had watched the same show.

The movie I saw, a fly-on-the-wall documentary, is more an effective examination of the processes of indoctrination employed by teachers at a private girls' school. Perhaps it's due to the power of dramatic archetypes that critics and viewers alike stopped watching the story that was, and inferred something else entirely. I'm not sure.

I didn't see "determination" or "the power of education to transform lives". I saw bullying and threats, as the teaching staff attempted to shoehorn off-the-rack notions of music into the minds of their callow pupils.

The one notable exception, Iris, has been described elsewhere as "truculent" and "a villain" for no other reason than refusing to conform. Her crime seemed to be simply stating the truth of her feelings: that she was not interested in participating in the concert. What the hell is wrong with that? In almost any other dramatic context, Iris would be considered the hero.

The privileged high school students---appropriately immature and unworldly---are patently unable to appreciate the deeper themes and emotions at the heart of classical music. Yet, are ruthlessly intimidated; if only to the point of appearing as if they do, just to make the intimidation stop.

Emily, the competent violinist at the centre of the story seems to be singled out for additional verbal water-boarding for no other reason than that she is Asian. All of her ability and talent is brought to the school on the back of her own circumstance and dedication; I'm puzzled how anyone could think the teachers should take the credit for it.

With the focus of the two year-long narrative being wholly on the destination (rather than the journey), it's no wonder the final performance is so bereft of joy, especially from the titular Mrs. Carey. By the end of it all, I didn't see kids transformed by the perseverance of one woman. I saw kids who simply seemed to be happy that the whole thing was finally over.

It's impossible to watch this film and not invoke Chris Lilley from ANGRY BOYS or SUMMER HEIGHTS HIGH. Nonetheless, the documentary is recommended viewing... just not for any of the reasons stated in the reviews or the marketing.

To me, MRS. CAREY'S CONCERT demonstrates two things. Firstly, everything that is wrong with the education system, especially private education. Secondly, considering the comments, the insidious power of brainwashing.

Tough, love.

[ptb-8 · 8/10 · 19 April 2011]

This is a wonderful and uplifting new documentary about the year of prep in a Sydney girls high school for a large team of girls to stage a massive orchestra concert in the famed Sydney Opera House. Mrs Carey of the title is a no nonsense music teacher whose focus and commitment allows some unsure girls to trust their talent and instincts and genuinely rise to the occasion. However not all goes to plan and there is a group of mean girls whose taste in life and music is more Paris Hilton than Mrs Carey. The film makers here have struck antagonist gold with a real life roadblock to happiness and success with this group of surly selfish teenage girls determined to passive and aggressively train wreck the show. International viewers will love this Australian reality movie which alludes to Mr HOLLANDS OPUS and the Swedish choir film AS IT IS IN HEAVEN. Even the US teen drama DRUMLINE is in the same territory... and all 4 films are worth your time. This year it is Mrs Carey's turn and the final orchestra sequence shot live in the Sydney Opera house will have you and everyone in the cinema cheering. To Sir With Love? This film is a 2011 version that becomes To Mrs Carey With Music.

A great, uplifting film about passion and learning

[[e-mail] · 8/10 · 11 March 2011]

A great film with which to launch the 2011 Adelaide film festival, Bob Connolly and Sophie Raymond managed to capture the struggles of a headstrong and brilliant music teacher with equally headstrong students, on a journey towards a daunting and ambitious concert at the Sydney Opera House. We follow multiple characters through 18 months of preparation and hard work, but a single failure on anyone's part will jeopardise the whole effort.

This is a great film about ego, passion, learning and commitment.

Bob Connolly's masterful camera work and Sophie Raymond's gorgeous sound recording bring this story to life with an impressive intimacy.

School of Hard Knocks

[cassar-1 · 12 July 2014]

The focus of the movie is Mrs Carey who seems to spend most of her time focusing on the behaviour of the students and and how that impinges on her forthcoming concert. She resorts to threats, even to the point of almost dismissing a student from the concert at the last minute. The students themselves are supremely talented, but nothing is ever good enough for the teachers. One teacher is a composer and insists the student reproduce the emotion he felt when he composed the piece but without giving the student any clues or guidelines. The director has very cleverly shown how students are harshly treated and how very talented students are given little or no gratitude by teachers who should know better. The great violin performance towards the end of the documentary illustrates how off the mark the teachers were at the start of the documentary.

a tremendously inspiring and uplifting film

[gregking4 · 7/10 · 6 May 2011]

This is not another of those films like Mr Holland's Opus in which a dedicated teacher transforms the lives of their disadvantaged students through music. Rather this is a fascinating documentary that takes us inside a private girl's school in Sydney and the music department, which holds a huge showcase concert at the Sydney Opera House every two years. Mrs Carey is the formidable head of the school's music department who believes in the power of music to transform the lives of her students and nourish the soul. She insists that all 1200 students participate in the concert. She is also something of a perfectionist and a demanding taskmaster, and the rehearsals are rigorous, the preparations are demanding. However, not all of her students are eager to participate, and this generates a frisson of tension that adds to the material. A major subplot that develops almost by chance sees two girls whose attitudes are changed dramatically through their involvement. One is Emily Sun, a troubled student who is starting to go off the rails behaviour-wise, until Mrs Carey nominates her to play solo violin on a difficult concerto. The personal pain of her private life eventually shapes her brilliant performance on the night. The other is Iris, a rude, surly, rebellious and disruptive student who is reluctant to get involved. Veteran documentary filmmaker Bob Connolly (Rats In The Ranks, etc) and his new collaborator Sophie Raymond have spent the better part of a year embedding themselves in the school and filming the preparation for the concert. Granted an unprecedented level of access, Connolly and his crew are unobtrusive observers who adopt a frank, fly-on-the-wall approach. The cameras follow the students and teachers as they rehearse and plan for the concert, and uncover a journey of self-discovery filled with passion, angst and the occasional conflict. They even manage to capture some moments of self-doubt on the part of Carey as the concert draws near. Connolly shot plenty of footage over the course of three years, and there is more than enough material to turn Mrs Carey's Concert into a fascinating three part television series, culminating in the concert itself. This is Connolly's first film since Facing The Music a decade ago, and is a tremendously inspiring and uplifting film.

Why private schools succeed, this time in music

[timcolebatch · 9/10 · 30 January 2013]

contains spoiler

The first review in this section is such a Rant against Authority that it provokes me to write a rejoinder.

This documentary will particularly interest lovers of classical music, because the film is full of it, and really good music too, edgy music from early 20th century composers (Ravel's string quartet, Vaughan Williams' Variation of a Theme of Thomas Tallis.

It will particularly interest those who have an interest in how kids grow up, and acquire the discipline to achieve things that were once beyond their reach.

And it will particularly interest those who are curious about how interventionist schools shape their students, and why the elite private schools of Australia, Britain and presumably other countries achieve such success in academic and artistic areas.

MLC (Methodist Ladies College) is one of the elite girls' schools of Sydney, with expensive fees, a strong culture of achievement, and a policy to apply this to music. The annual school concert in the iconic Sydney Opera House = Mrs Carey's Concert = is one of the highlights of the school year, in which every student, musical or otherwise, interested or not, is obliged to take part.

Chinese girls make up outsized part of the school's musical talent, and the film strikes a nice balance by focussing on two of them: one who is the school's outstanding violinist, Emily Sun, and another, Iris, who is the cool, defiant one, determined not to take part.

Yes, the girls are pushed to achieve things, to play complex music that at first, and even close to concert night, seems beyond them. But they get swept up in it, push themselves, and they make it. You live it with them, and you share their excitement when the concert comes off.

Reviewer 1 up above was aghast that this is achieved by a subtly authoritarian culture, where it is drummed into the girls that their music must come first in their lives. Well, whether it's football coaches or law firms or financial traders, that is how success is achieved, how promise is translated into achievement. That is why private schools are so good at what they do, and why these teenage girls, by the end of it, belong on the stage of the Sydney Opera House.

There is an optimistic, human story here, as much as an institutional one

[Likes_Ninjas90 · 8/10 · 4 May 2011]

This is a documentary set in MLC High School, looking to record the preparation of the girls school concert, which is held every two years in the Sydney Opera House. The concert is organised by Mrs. Karen Carey. She's an experienced teacher who grew up in the country and believes in the opportunities that these events can hold for students. Her problem is convincing Chinese violinist Emily that she has the confidence to lead the orchestra. Emily lives with just her mother because her father died when she young. A number of the teachers suspect that she internalises her grief and encourage her to release it through her music. But Emily has been led astray at school and misses her music rehearsals. Mrs. Carey believes that if Emily takes on the role of orchestra leader it will be an opportunity to reform her. Meanwhile, Carey is also dealing with a group of students who don't want to participate in singing practice. One of the girls is Iris and she speaks for a minority in saying that they find the practices tedious and that they don't want to be there.

I hope a lot of students watch this absorbing documentary. Some will be deterred by the music and the film's slow start. There are a few too many rehearsal scenes early on. Yet this does little to detract from the film's slowly developed strength: how much it makes you understand. There is an optimistic, human story here, as much as an institutional one. MLC looks like a great school. The students are thoughtful, intelligent and passionate. And their teachers are similar. They're confident in their knowledge but emotionally engaged with the students too. There's a proper sense of care and involvement shared by both parties on screen. But directors Bob Connolly and Sophie Raymond are frank about the school's issues too. There's the announcement that a number of students have been involved with skipping school, drinking and lying to their parents and teachers. The best documentaries are balanced in their subject matter. And Connolly finds this throughout the most personal and intimate stories too. In such a positive environment like this one there is great potential but equally, the risk of throwing it away for the good life. Mrs. Carey recognises this most imminently through the troubled Emily and we see why she's so intent on pushing her out of her comfort zone.

She justifies it as preparation for the real world but also talks openly about how she herself grew up in the country, without music and without the opportunity. She also reflects on the change she has seen in her students when they rise to the occasion, building their confidence and self-image. But impressively, Connolly and his team have also captured the woman's flaws too, in particular, her vulnerability. She's internally conflicted by her own self-doubt, asking if all this time is worth it and there are also moments where students like Iris question Carey's drive towards conformity. Is the school really offering an opportunity if it's imposed on you? Arguably, the less visible the director and their influence on the screen are in a documentary, the more authentic the reality becomes. The lack of transparency or intrusion from Connolly here makes a lot of these conversations feel unrehearsed, more honest and powerful. As such, I found many of Mrs. Carey's confessions to be quite moving and understandable. One of the more abstract and optimistic ideas throughout the documentary is the notion of art as an expression of the self. This alone is a fascinating concept, visualised most elegantly in the film's stirring climatic concert. By building Emily's emotional upbringing so intimately early on, there's so much more at stake here than just one magnificent violin solo.

Eight months leading up to the biennial school concert in the Sydney Opera House.

[TxMike · 30 August 2014]

First a word about the school. MLC school in Sydney, Australia was established in 1886 and educates girls pre-K through Year 12. On several occasions the teachers are stating to the students something about their privilege, and when you look at the fee structure for 2014 you get a hint why. It varies a bit by grade but for teens it is in the order of $26,000 a year. For those who think US dollars that is between $24,000 and $25,000 depending on the exchange rate. Or closer to what one might pay for college. So these kids come from well-off families.

Mrs. Karen Carey is the music director at the school and they usually give a big concert, involving most of the students, every two years in the Sydney Opera house. This film documents that for a recent year, beginning about 8 months before the concert is scheduled.

As some have mentioned it often feels more like a "reality show" than a pure documentary. There are mild disciplinary talks with some of the students who have a habit of getting in trouble. Some talks with groups who don't seem interested in participating. But Mrs Carey feels strongly that such participation can be a "life-changing" experience for them if they go at it with the right attitude.

I was one of those kids once, but at a small town public school. I played in the band, trumpet, and was good enough to be first chair and participate in regional honor bands. I can relate to this content, being in music and in performances during my formative years was a key activity to help form who I became as an adult.

The film ends with the big concert, excerpts of most if not all performances. It ends with Emily, a Chinese-Australian student whose dad was a violinist but died young. Emily clearly grew up in Sydney but is somewhat reserved and, when asked if she would perform a violin concerto with orchestra at the big performance she was reluctant. Oh she knew she could learn the music, she wasn't sure about performing in such a venue for such a big audience.

But Emily did great, in fact it was more like seeing and hearing a professional violinist perform. She was flawless, her pitch was always perfect, she performed with emotion, and she finished with a big smile. Even though some parts of the film might be less thrilling, seeing her performance made the whole viewing great.