The story of Melissa Jesperson-Moore, who at age 15 discovered that her father, Keith Hunter Jesperson, was the serial murderer known as the Happy Face Killer.The story of Melissa Jesperson-Moore, who at age 15 discovered that her father, Keith Hunter Jesperson, was the serial murderer known as the Happy Face Killer.The story of Melissa Jesperson-Moore, who at age 15 discovered that her father, Keith Hunter Jesperson, was the serial murderer known as the Happy Face Killer.
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This series starts with a promising concept and an engaging atmosphere. However, the overall experience is significantly undermined by the illogical and inconsistent behavior of the main characters - they often make decisions that feel forced or completely unreasonable. On top of that, the constant use of shaky hand-held camera work becomes genuinely irritating. It's not used to enhance realism or tension, but rather seems to be a stylistic choice that adds nothing and only distracts. These two major issues prevent the show from reaching its full potential, despite the good premise and decent acting.
The show itself is based on a true story but the story portrayed takes liberties to make it interesting. It's not meant to be a documentary. The "politics" people complain about is not a bad thing; rather it's to highlight the REAL injustices that happen across our beautiful country and it's also worth highlighting how corrupt our justice system can be, why complain? We simply cannot live in a bubble of our own making and then get mad others have different experiences. ANYWAYS, the show is a tad dry, there def should be more Quaid time.. who knew he was so good at acting maniacal! The characters are kind of cheesy, typical but also portrayed in a way that feels more natural for what humans go through in tough situations. The show sets you up to dislike the daughter, and yet empathy (which some of us still have) allows you to see how complex being his daughter was and still is, and that navigating life is never easy or obvious. Some people do not go to therapy despite trauma and that's another part worth noting too. Didn't even notice the pronoun thing, but I also don't let things bother me when they shouldn't. Show is overall worth watching, even if its not the best. The scenes are done well, the transitions are captivating, characters are solid enough and the story will keep you interested (just not the binge worthy type everyone seeks out).
It was an interesting perspective from the vantage point of a serial killer's family member. There is a plethora of true crime serial killer shows out there but very little about being related to one of them and the impact that has. I don't feel that the storyline's intention was to depict the serial killer's story, it was about his actions and the impact that had on those closest to him. In that instance, the series delivered. Quaid does a wonderful job of bringing the narcissistic, manipulative mind of a killer to the viewer and keeps it suspenseful. The show did have a lot of peaks and valleys with regard to maintaining the viewer's interest. Annaleigh Ashford also does excellent work in her portrayal of Melissa. I feel that the story line doesn't dig deep enough into her character to allow it to fully develop. The remaining characters were rather pedestrian and underdeveloped as well. Maybe there will deeper insights into them in further seasons should there be any. One major observation I had that was not addressed in the show was Jesperson's stature. Keith Jesperson was a MASSIVE individual standing 6'8". I discovered this just prior to watching the series and couldn't help but feel how much more intense his character would have been portrayed had this been addressed. The show is good, it's worth watching. It left me wanting a bit more than I was given. Maybe that was the point.
Great to see Dennis Quaid pull through with a creepy and hateable character.
The show is compelling and has got me well booked into where it's going to go
The hateable cast making dumb decisions details the otherwise interesting progression of the case, with the horrible performance by Annaleigh Ashford not doing any favours to my ability to watch more than 5 minutes without absolutely cringing.
Not 1 sentence, not 1 frame, not 1 expression is worthy of giving this woman the title of an "Actor". Absolutely drags the sub par performance of everyone else down with her...
Let's see where this goes...
The show is compelling and has got me well booked into where it's going to go
The hateable cast making dumb decisions details the otherwise interesting progression of the case, with the horrible performance by Annaleigh Ashford not doing any favours to my ability to watch more than 5 minutes without absolutely cringing.
Not 1 sentence, not 1 frame, not 1 expression is worthy of giving this woman the title of an "Actor". Absolutely drags the sub par performance of everyone else down with her...
Let's see where this goes...
The title pulled me in. The premise - a serial killer's daughter hiding her identity - had weight, tension, something dark and promising. And with Analeigh Ashford in the lead, I figured it had the bones to go somewhere. Episode 1 delivered. It leaned into the paranoia, the fear, the secrets.
Then the show took a wrong turn. The original premise faded, replaced by a routine detective drama padded with forgettable side characters and even more forgettable subplots. Melissa, once a compelling center, spirals into something shrill and exhausting. Her husband - a blank. Her daughter - unbearable.
But Dennis Quaid. He does something almost supernatural. As the serial killer - the actual murderer - he becomes the only one you want to watch. Charming, calm, and razor-sharp, he commands every scene with a twisted campy elegance. Somehow, he turns the monster into the magnet. You don't just understand him. You root for him.
It's a masterclass in subversion. The killer becomes the hero. Everyone else fades. And by the end, you realize the most dangerous man in the story is the only one worth following.
Then the show took a wrong turn. The original premise faded, replaced by a routine detective drama padded with forgettable side characters and even more forgettable subplots. Melissa, once a compelling center, spirals into something shrill and exhausting. Her husband - a blank. Her daughter - unbearable.
But Dennis Quaid. He does something almost supernatural. As the serial killer - the actual murderer - he becomes the only one you want to watch. Charming, calm, and razor-sharp, he commands every scene with a twisted campy elegance. Somehow, he turns the monster into the magnet. You don't just understand him. You root for him.
It's a masterclass in subversion. The killer becomes the hero. Everyone else fades. And by the end, you realize the most dangerous man in the story is the only one worth following.
Storyline
Did you know
- TriviaMelissa Jesperson-Moore served as a crime correspondent for the Dr. Oz show. She's also written a book about her experiences.
- GoofsVery early in the first episode, the Melissa character calls her dad in prison to tell him to leave her and her family alone. You cannot call into a prison and leave a message for an inmate, and they don't get voicemail. The most you could do is call the prison during regular hours and hope they get the message to call you back.
Details
- Runtime57 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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