Honestly, I am three episodes in and I already applaud the brilliant work done on this series. I absolutely adore the cinematography, the music, the cast, and the atmosphere of the late 1800s created here. The costume are on so on point that I cannot miss a chance to praise how beautiful they are. I should also note that they could not have chosen a better actress for the lead role. I think that she is not only stunning, but she also got incredible acting chops. As for the other two lead actors, they play their respective roles to perfection. One can only root for them as they all take part in investigating the multiple cases being presented. It is a show that reminds me a lot of "A Private Affair" with Aura Garrido and Jean Reno. The only difference is that instead of being serialized, this is a procedural. This format may not be suitable for everyone, but once you get the hang of it, these very inspired stories and cases are an absolute blast to watch for fans of this genre. I would definitely recommend this to anyone who enjoys investigation series accompanied by a great cast, and impecable writing.
52 Reviews
... a Matilda DeAngelis showcase
bjarias18 February 2023
... this series is as good and popular as it is because of its star Matilda DeAngelis... she's really something very special.. in addition to being quite beautiful, she's able to capture the camera's attention, making whatever production she's a part that much better and more interesting
... outside of her work the show is fairly ordinary, none of the episode storylines hold much interest other than just showcasing her part in them... and yes, whoever is responsible for her wardrobe deserves praise, all of her attire throughout the entire first season is quite noteworthy
... it's to be seen if they stick to keeping her from leaving the country, as the real life Lidia never did... either way, most of those who enjoyed the first season look forward to the second wither she stays or travels abroad.
... outside of her work the show is fairly ordinary, none of the episode storylines hold much interest other than just showcasing her part in them... and yes, whoever is responsible for her wardrobe deserves praise, all of her attire throughout the entire first season is quite noteworthy
... it's to be seen if they stick to keeping her from leaving the country, as the real life Lidia never did... either way, most of those who enjoyed the first season look forward to the second wither she stays or travels abroad.
Enjoyable show
N1dhi28 February 2023
The show maybe inspired by a true story but don't go looking for a factual period piece. Instead, its an enjoyable show about a woman who is intelligent, knows what she wants, and refuses to be put in a box by anyone.
Along with her strong moments of proving herself on the show its also endearing to watch her navigate in a man's world that constantly tries to control her and often fails.
I like the lead actress - she brings the right amount of spunk and softness to her role. This is a light show with interesting cases but nothing too intense.
Overall its a fun watch and definitely worth another season.
Along with her strong moments of proving herself on the show its also endearing to watch her navigate in a man's world that constantly tries to control her and often fails.
I like the lead actress - she brings the right amount of spunk and softness to her role. This is a light show with interesting cases but nothing too intense.
Overall its a fun watch and definitely worth another season.
Wonderful lead character
rblument-119 February 2023
I really liked this brief 1st season, finding the production values, cinematography and acting to be first rate all around. I loved the character of Lidia Poet and her portrayal by. Matilda De Angelis. I was constantly charmed by her, finding her strong but vulnerable as well.
This is obviously a jazzed up version of the real life of Lidia Poet, but it is most entertaining. It is quite lush and not for the realistic reenactment crowd. The soundtrack is quite varied, from classical to new agey to downright punkish.
My main objection to this series is that each episode (40-45 mins.) is a complete case in itself. Because of this, the crimes are solved rather quickly and, it appears, very unrealistically. This would have been a much better series if the cases went over 2 episodes, as they do in Vienna Blood.
This is obviously a jazzed up version of the real life of Lidia Poet, but it is most entertaining. It is quite lush and not for the realistic reenactment crowd. The soundtrack is quite varied, from classical to new agey to downright punkish.
My main objection to this series is that each episode (40-45 mins.) is a complete case in itself. Because of this, the crimes are solved rather quickly and, it appears, very unrealistically. This would have been a much better series if the cases went over 2 episodes, as they do in Vienna Blood.
Great Costumes, Direction
dgreene99-495-32382417 February 2023
I'm usually not impressed with costuming in a show, but the hats and clothing they have Matilda wearing is unbelievably beautiful. The stories are pretty simple and dialogue dubbed, but overall it is a well produced show. Very cool music that doesn't fit the era, but helps the show be more current. Also impressed with Matilda's lead in such a feisty role fighting to be the first female attorney in Italy. Excellent job on her part and hopefully producers will continue the series and see the role fulfill the dream. Also although dubbed in English and of course recognizable, the voiceovers are pretty good.
If you can accept a stretched historical and factual storyline, it is enjoyable
milofergusemily15 February 2023
The main character is destitute but wears the most visually intoxicating Italian influenced outfits, she is sexually active but not worried about pregnancy, in pre-birth control Italy. The opportunity to expose 'breastage' is always taken, adding mixed aura to a supposed interest in women's rights....and there are other liberties taken: Accept these items and it is a fun series. The aesthetics of 19th century Italy are very pleasurable part of the show.
The main character is determined for sure, and caged in the categories which caged women of the time - there is a way in which uncaged women (prostitutes and other) are rather immediately protrayed as good and the women who follow the categories of the time are presented as bad, that seems simplistic. This adds a comic book feel to the series: Again once accepted, the series remains enjoyable. Comic book is an very viable art form so this is not necessarily bad.
The objectification of women, despite the series clear commitment to their liberty, seems confusing. But of course as a gratuitous pleasure device it works- as we are of course very used to this device culturally.
I feel the show however does have its most merit as it penetrates into the continued door closing performed by dominant cultural mechanisms, which forces the heroine's side navigations - the intricate undercover journey to address issues with some effect and integrity. That feels accurate to my experience with dominant culture as it manifest with its continued, even comical support of mechanisms for sidelining needed offerings. This study of cultural sidelining, seems like, the most worthy and authentic exploration of the show.
The main character is determined for sure, and caged in the categories which caged women of the time - there is a way in which uncaged women (prostitutes and other) are rather immediately protrayed as good and the women who follow the categories of the time are presented as bad, that seems simplistic. This adds a comic book feel to the series: Again once accepted, the series remains enjoyable. Comic book is an very viable art form so this is not necessarily bad.
The objectification of women, despite the series clear commitment to their liberty, seems confusing. But of course as a gratuitous pleasure device it works- as we are of course very used to this device culturally.
I feel the show however does have its most merit as it penetrates into the continued door closing performed by dominant cultural mechanisms, which forces the heroine's side navigations - the intricate undercover journey to address issues with some effect and integrity. That feels accurate to my experience with dominant culture as it manifest with its continued, even comical support of mechanisms for sidelining needed offerings. This study of cultural sidelining, seems like, the most worthy and authentic exploration of the show.
took only 10 minutes to love this !
bubbycs15 February 2023
A very very enjoyable series only 2 episodes in and impressed ! Besides being a thinking. Feeling work of art, it injects slight comic, undertones that you actually feel tickled , and giggle , even when you know how important the case is . The leading lady is a superb actress , the costume design for her just brings out her role although where in that period she could have found such fashion , all of that only brings you back to HER and just how good of an actress she is. It's like a law and order of the period. So wished she could have more allies to trust and were in a place of power not that she needs the help. This IS good , very good , I'm already hoping that someone sees a second season ,
A good pastime, nothing too spectacular
Skipfishh20 February 2023
Trying to summarize without spoilers: a light (but not exactly for children, contains nudity sex and dead bodies), fun, simple, silly and superficial fiction centered on a woman who existed in real life, Lidia Poet, born in 1855 and died in 1949. Lidia was an important milestone in the history of women's achievements over the last 100 to 150 years old, the first woman to graduate as a lawyer in Italy (in 1883), but who had her registration revoked from the list of lawyers just because she was a woman, thus provoking many discussions and a great movement that would open the doors for other women to ascend professionally in the country.
The series is not biographical, not least because there are not many detailed accounts of Lidia's real life, it just takes the basic context of the impeachment of her enrollment as a lawyer at a young age to tell small fictional stories of crime and mystery that she will solve every episode, kind of Enola Holmes style.
I would say that the biggest problem with the series lies in the naivety and superficiality of these little crime and mystery tales, they are extremely simple and silly, this prevents a higher rating for the show, but that does not mean that it is a bad product, it has some good stuff. The soundtrack, which I read some people here in the reviews complain about, is great, as well as almost all the actors are very good, especially the main actress. Another good thing about the series is the light and humorous tone of the scenes and dialogues in general, even having one or another moment a little more tense.
One detail that I found unnecessary was the forced nudity in some scenes, I didn't understand why. In fact, I have nothing against nudity in cinema or TV, but I think that in the case of this series this aspect is clearly forced to bring popular appeal, it doesn't fit with the rest.
Anyway, it's a simple and silly series of only 6 episodes, you won't miss much if you don't watch it, but it serves to pass the time in an uncompromising way.
Rate 6 out of 10.
The series is not biographical, not least because there are not many detailed accounts of Lidia's real life, it just takes the basic context of the impeachment of her enrollment as a lawyer at a young age to tell small fictional stories of crime and mystery that she will solve every episode, kind of Enola Holmes style.
I would say that the biggest problem with the series lies in the naivety and superficiality of these little crime and mystery tales, they are extremely simple and silly, this prevents a higher rating for the show, but that does not mean that it is a bad product, it has some good stuff. The soundtrack, which I read some people here in the reviews complain about, is great, as well as almost all the actors are very good, especially the main actress. Another good thing about the series is the light and humorous tone of the scenes and dialogues in general, even having one or another moment a little more tense.
One detail that I found unnecessary was the forced nudity in some scenes, I didn't understand why. In fact, I have nothing against nudity in cinema or TV, but I think that in the case of this series this aspect is clearly forced to bring popular appeal, it doesn't fit with the rest.
Anyway, it's a simple and silly series of only 6 episodes, you won't miss much if you don't watch it, but it serves to pass the time in an uncompromising way.
Rate 6 out of 10.
Stylish female foreign detective series
daniellawton-2698619 February 2023
Enjoyable stories although reasonably simple in design (which makes it easy to follow and watch), good acting, stylish locations, excellent lighting, rich and colourful quality costumes, and beautiful lead actress. Dubbing in English is also quite good.
I was hooked from the 1st episode and enjoyed the scenario of a woman battling against the male prejudice in the legal profession within a period setting. All the men underestimate her and are challenged by her education and ideas. As a man myself I think it is great to watch her succeeding and overcoming the challenges. I do hope that they decide to make more series going forwards.
I was hooked from the 1st episode and enjoyed the scenario of a woman battling against the male prejudice in the legal profession within a period setting. All the men underestimate her and are challenged by her education and ideas. As a man myself I think it is great to watch her succeeding and overcoming the challenges. I do hope that they decide to make more series going forwards.
It should have been 10...but the music...
aldebaran6815 February 2023
Warning: Spoilers
OK first the good points.
It's sumptuous! From the architecture, to the costumes, to the dialogues, to the performances... everything shouts or should I say sings 19C Italy.
I love the Italian, which I get better at catching as the programme progresses. The actors are very well cast.
Everything one would expect and hope to enjoy in a period piece set in 19C Italy is there.
So why did I only give it 6 out of 10?
Spoiler alert!
Because at 26mins into the first, the very first episode...
They introduced... Rock Music!!! Modern 21C Rock Music...
I mean, I ask you. Who in their right minds would spoil a wonderful, beautiful period piece set in the 19C, by introducing 21C Rock Music?!!! I was shocked!
I'm having to consider very seriously whether to carry on with it. I can normally overlook visual gaffs, but such a fundamental anomaly in the audio is just so out of place...
Such a shame, it really is... We shall see...
It's sumptuous! From the architecture, to the costumes, to the dialogues, to the performances... everything shouts or should I say sings 19C Italy.
I love the Italian, which I get better at catching as the programme progresses. The actors are very well cast.
Everything one would expect and hope to enjoy in a period piece set in 19C Italy is there.
So why did I only give it 6 out of 10?
Spoiler alert!
Because at 26mins into the first, the very first episode...
They introduced... Rock Music!!! Modern 21C Rock Music...
I mean, I ask you. Who in their right minds would spoil a wonderful, beautiful period piece set in the 19C, by introducing 21C Rock Music?!!! I was shocked!
I'm having to consider very seriously whether to carry on with it. I can normally overlook visual gaffs, but such a fundamental anomaly in the audio is just so out of place...
Such a shame, it really is... We shall see...
Fiction beats facts
drpetertobin16 February 2023
Don't worry about historical accuracy of the adventures of Lidia. This beautiful period drama has great production values and superb English dubbing. I am already hungry for Season 2.
While Lidia faces challenges with the courts the greater picture emerges in the dealings with her family.
The costume designer for Lidia has created a real feast for the eyes.
As each episode is self-contained there's a sense of satisfaction when looking at each case Lidia tackles in isolation. At the same time some of the continuing story lines act as a golden thread running through the series.
The acting is first class.
You will.
While Lidia faces challenges with the courts the greater picture emerges in the dealings with her family.
The costume designer for Lidia has created a real feast for the eyes.
As each episode is self-contained there's a sense of satisfaction when looking at each case Lidia tackles in isolation. At the same time some of the continuing story lines act as a golden thread running through the series.
The acting is first class.
You will.
Nice, with a few reservations
moofee20 February 2023
I find the recurring issue of women practicing law at that era tiresome; the subject does have it's place but it is repeated every episode ad nauseum. I got it. Enough. Can we move past it?
The costume design is very impressive, but I can't stop wondering how can Lidia afford it while unable to pay her rent? I know that some plot elements are better ignored as they are not essential to telling the story, but being noticed means that they do detract some.
And finally, although titled as a law story, the action is more a detective story with hardly any courtroom scenes.
Over all, it seems as if a full-length movie would've been a better format than a series?
The costume design is very impressive, but I can't stop wondering how can Lidia afford it while unable to pay her rent? I know that some plot elements are better ignored as they are not essential to telling the story, but being noticed means that they do detract some.
And finally, although titled as a law story, the action is more a detective story with hardly any courtroom scenes.
Over all, it seems as if a full-length movie would've been a better format than a series?
Mysogynostic
rina2432 March 2023
A series about a powerful woman who changed the course of history and the legal profession in Italy, and her introduction in episode 1 is with her boobs out on display. The director and writer seem to think her value can be best summed up with her cup size. Netflix has its formula for nudity and sex but this type of an intro for this type of a series was objectionable beyond words. As a woman, I am deeply offended. If it was any other kind of series, I wouldn't care one bit....but a series about a woman pioneer should not reduce Lydia Poet, an amazing woman to Italians and women everywhere, to a sex object.
Refreshing an Delightful
Angicx17 February 2023
I work in a factory in the midwest, Its still very much a man's world~ I couldn't begin to imagine what it would've been like back then, but with shows like this you get a glimpse here an there.
This show is witty, and smart an very well written top notch acting..and I definetly want more! Lidia's very into her work but got two gorgeous fellows very interested in her, I'm on episode 4 an just felt very compelled to write a review in Hope that others as well as myself take notice an want more of this very well told gem of a show! An voice their opinion very loudly too! Bravo I say, Give us more...like double the episodes please..next time 😉
This show is witty, and smart an very well written top notch acting..and I definetly want more! Lidia's very into her work but got two gorgeous fellows very interested in her, I'm on episode 4 an just felt very compelled to write a review in Hope that others as well as myself take notice an want more of this very well told gem of a show! An voice their opinion very loudly too! Bravo I say, Give us more...like double the episodes please..next time 😉
The Law According to Lidia Poët
Tweekums24 February 2023
This Italian series in set in nineteenth century Turin. Protagonist Lidia Poët has passed her exams and qualified to practice law. Unfortunately the male dominated profession isn't ready for its first female member and she finds herself unable to practice. Determined to overturn the decision she decides to 'help' her brother, also a lawyer, with his work... this tends to involve finding cases for him to work on which she ends up doing the work on and proving the client innocent and exposing the real villain.
I thought this series was a delightful romp. While there are plot lines that run through the series each episode concentrates on a single case that will be wrapped up by the time it is over. The characters are a lot of fun, especially our protagonist; Matilda De Angelis does a great job in the role. The rest cast also do a fine job bringing their characters to life. I don't normally think to comment on costumes but here they are definitely comment worthy with their bright colours and period styling... people certainly dressed more stylishly then, at least the wealthy did! For the most part this is suitable for all but there is some strong language and a moderate amount of sex and nudity. Overall I'd definitely recommend this to anybody looking for a light hearted crime drama; I hope we get a second series.
These comments are based on watching the series in Italian with English subtitles.
I thought this series was a delightful romp. While there are plot lines that run through the series each episode concentrates on a single case that will be wrapped up by the time it is over. The characters are a lot of fun, especially our protagonist; Matilda De Angelis does a great job in the role. The rest cast also do a fine job bringing their characters to life. I don't normally think to comment on costumes but here they are definitely comment worthy with their bright colours and period styling... people certainly dressed more stylishly then, at least the wealthy did! For the most part this is suitable for all but there is some strong language and a moderate amount of sex and nudity. Overall I'd definitely recommend this to anybody looking for a light hearted crime drama; I hope we get a second series.
These comments are based on watching the series in Italian with English subtitles.
Pleasant viewing, but hasty round-up of Season 1
BeneCumb26 February 2024
With its final episode, it just seemed that the creators were unsure if other season(s) would follow... Well, but delving into 19th century Turin was rather nice (although I am not familiar with the history that era), the cases seemed realistic and the performances far above mediocrity (Matilda De Angelis as Lidia Poët and Eduardo Scarpetta as Jacopo Barberis were most to my liking). The feminist ideas were out there, but they did not become annoying, no dominant men vs. Women clashes, as Miss Poët felt strong support from several males.
"Only" 7 points from me as I was more eager to see solving the case than personal attitudes and relations; however, it is a trend more evident in the crime series coming from other countries as well. If the characters are very peculiar and contrasting, it may even be a plus (particularly if the cases are not too sophisticated), but not in this Series. Nevertheless, I am pretty sure I will watch Season 2 as well.
"Only" 7 points from me as I was more eager to see solving the case than personal attitudes and relations; however, it is a trend more evident in the crime series coming from other countries as well. If the characters are very peculiar and contrasting, it may even be a plus (particularly if the cases are not too sophisticated), but not in this Series. Nevertheless, I am pretty sure I will watch Season 2 as well.
Love Matilda's Beautiful Clothes
gpxdlr25 February 2023
Great period piece depicting the s**t women had to put up with then. In almost every one of her scenes, she had a different dress, and they were all beautiful. Kudos to the costume designer. I like their keeping with the authentic and historical production too. The typewriter, the lamps used in the homes, in the street and when using the lamps in searching for clues. Although I usually don't like dark scenes, the director kept it dark and real. Some movies have the scenes suddenly brighten up when a little candle is lit! I hope to see a sequel with Lidia and look forward to netflix producing it very soon.
A small gem of period drama
enitar19 February 2023
A small gem of period drama! I wanted to give it 8 or even 9 but the last episode with lot of politics spoiled the impression. However, it is a brilliant series giving insight into Italy of the 1880s and Italian women fight for their rights during the era when they were rejected all of them.
Beautiful, beautiful costumes! I cannot say how accurate to the era they are but they are gorgeous. And hair, hats, earrings, ties, every detail so nicely create image of the 1880s, era which is long gone.
Matilda de Angelis is great in the leading role and I am looking forward for the next season. But no politics, anarchists and revolutionaries, please.
Beautiful, beautiful costumes! I cannot say how accurate to the era they are but they are gorgeous. And hair, hats, earrings, ties, every detail so nicely create image of the 1880s, era which is long gone.
Matilda de Angelis is great in the leading role and I am looking forward for the next season. But no politics, anarchists and revolutionaries, please.
Amazing costumes
nowishop3 March 2023
I'm up to episode five and will give a few days rest before watching the last episode in this series. It's certainly binge watchable.
The costumes are amazing, i wonder how the leading lady who is poor and not really working wears such fabulous outfits.
It's a shame that those who are doing the dubbing are doing it without any feeling like i am sure the original actors are. It's just like they are reading the dialogue without even seeing the acting.
It is like Enola Homes for sure and that is a positive. It has the Death in Pasture Paradise / House ping moments.
Lots of little twists that keep you entertained, The cheers.
The costumes are amazing, i wonder how the leading lady who is poor and not really working wears such fabulous outfits.
It's a shame that those who are doing the dubbing are doing it without any feeling like i am sure the original actors are. It's just like they are reading the dialogue without even seeing the acting.
It is like Enola Homes for sure and that is a positive. It has the Death in Pasture Paradise / House ping moments.
Lots of little twists that keep you entertained, The cheers.
Fiction but still decent
manoj_rsb19 February 2023
Warning: Spoilers
In the first episode we are introduced to Lidia, a young woman in 1870s Italy who dreams of becoming a lawyer despite societal norms that dictate women should be homemakers and wives. Lidia's chance to prove herself comes when she takes on the case of Pietro Baiocchi, who is accused of murdering a ballerina named Adele Valery.
Despite facing resistance from the male-dominated legal system, Lidia uses her instincts and intelligence to try and crack the case. She attends Adele's funeral to gather information and works with a journalist to publish a fake story to catch the real killer. Ultimately, Lidia's efforts pay off, and she is able to prove Pietro's innocence and catch the true culprit, Carlo's father Ludovico.
Throughout the episode, viewers see the challenges Lidia faces as a woman trying to break into a male-dominated field. She is rejected from the Bar Association, faces criticism from her own brother, and is told that God created women for domestic purposes. Despite all of this, Lidia remains dedicated to her career and her clients, proving that women are just as capable as men when given the opportunity.
In the second episode, Lidia takes on the case of Anita, an anarchist whose carriage was used to dump the body of her friend, Elena De Santis. Despite Lidia's help with the previous case, the authorities still don't allow her to be part of the association. Enrico, Lidia's brother, doesn't agree to proceed with her plans, so Lidia has to figure out the case alone. Lidia investigates the factory owners who have hated anarchists for a long time, and discovers that the factory's commendator had feminine designs around his room, which hinted that the chocolate factory worked according to Elena's wishes, which may have been threatening to the other family members. Lidia concludes that Leone De Santis, the owner's son, had killed Elena out of hatred, as he knew his father would have fallen in love with Elena, but he couldn't have risked his position at the chocolate factory.
Lidia uncovers another angle to the case: Elena and Anita had feelings for each other, but the concept of two women dating each other was considered taboo, and there was a huge chance that Elena had been killed for this reason. Lidia and Enrico had to bring this angle to light even though it would tarnish Anita's reputation in society and with her family. Lidia breaks into the commendator's office to get some clues, where she finds a knife that had been recently polished, and a dismissal letter written by Elena to dismiss Rodolfo Fumigi, who had been working with the commendator from day one. When Lidia questions Fumigi about the letter, he reacts badly, mainly out of fear. Fumigi eventually accepts that he had been responsible for Elena's death. In the end, Lidia's predictions prove true, and justice is served.
In the third episode, Lidia deals with another murder case involving Vittorio Muraro, a man she was once engaged to. Vittorio's father, Antonio, has been murdered, and Lidia discovers that Vittorio's brother, Alberto, is the killer. After Lidia breaks into the Muraro mansion and uncovers evidence, she and Enrico provide the proof to the judge, and Alberto and his accomplice, Beatrice, are arrested. The episode also explores Lidia's past with Vittorio and reveals that her father had gambling debts with Antonio that led to the sale of their villa. Lidia's success in the case shows that justice can prevail, even for women.
In the fourth episode Lidia worked to prove the innocence of Margherita Sangiacomo, who was accused of murdering Professor Braschi. Lidia discovered that some professors had been using young girls to conduct illegal experiments on them, and she found these details in Margherita's files. She had articles that were at least seventeen years old. Margherita had been the killer, and Antonio and Braschi were responsible for the death of her mother, and she wanted to avenge it. Margherita wanted these professors to pay for their crimes because they had killed poor women who were working to earn money for their families. Even though all the evidence was in favor of Margherita, she still chose to confess her crime. Lidia was unable to solve this case because of its complex nature, which involved contrasting concepts that confused her towards the end.
In the fifth episode Lidia takes the case of Azzura, a prostitute arrested for the murder of wealthy and cruel Achille Castelnuovo. Lidia discovers a connection between Achille and his business partner, Massimo Chiaia, through Madame Crespal, a clairvoyant. Lidia and Crespal try to summon Achille's spirit, but Lidia's father's spirit comes instead. Lidia believes that Crespal is a pathological liar and that she is lying to hide the truth. Lidia discovers that Massimo had been involved in Achille's murder and that he had planned to kill Achille's sister-in-law, Giuditta Ancelli, who had witnessed the murder. Lidia saves Giuditta from Massimo's attack and helps her get the medical attention she needs. Lidia manages to catch Massimo red-handed and solve the case.
The final episode had an emotional impact on Lidia's life. Jacopo had been arrested for the murder of a prostitute named Maya, and Lidia had to save him from a crime he had not committed. Enrico agreed to fight the case, but Lidia had to convince him to visit the brothel to question other girls about Maya's disappearance. Lidia discovered that Maya had been a spy for General Valery and had been fooling Jacopo into confiding in her. Maya was actually Giorgia Villa, who had been working with Nicole and Louis, other anarchists. Lidia managed to find out that Nicole and Louis had killed Maya to get their revenge.
Lidia stole the money to bribe the conductor and gave it to Nicole, but Louis tried to kill her, and in their scuffle, Louis fell from the train. Nicole confessed her crimes to the prosecutor, and the case was solved. Lidia's popularity grew, and many women and journalists came to meet her. However, the court still rejected her appeal to register with the Turin Bar Association. In the end, Lidia chose to leave without Enrico's knowledge. Whether she left or not is ambiguous, but Lidia had been the only woman who fought for her dreams, and if she had left, thousands of Italian women wouldn't be able to follow in her footsteps.
Despite facing resistance from the male-dominated legal system, Lidia uses her instincts and intelligence to try and crack the case. She attends Adele's funeral to gather information and works with a journalist to publish a fake story to catch the real killer. Ultimately, Lidia's efforts pay off, and she is able to prove Pietro's innocence and catch the true culprit, Carlo's father Ludovico.
Throughout the episode, viewers see the challenges Lidia faces as a woman trying to break into a male-dominated field. She is rejected from the Bar Association, faces criticism from her own brother, and is told that God created women for domestic purposes. Despite all of this, Lidia remains dedicated to her career and her clients, proving that women are just as capable as men when given the opportunity.
In the second episode, Lidia takes on the case of Anita, an anarchist whose carriage was used to dump the body of her friend, Elena De Santis. Despite Lidia's help with the previous case, the authorities still don't allow her to be part of the association. Enrico, Lidia's brother, doesn't agree to proceed with her plans, so Lidia has to figure out the case alone. Lidia investigates the factory owners who have hated anarchists for a long time, and discovers that the factory's commendator had feminine designs around his room, which hinted that the chocolate factory worked according to Elena's wishes, which may have been threatening to the other family members. Lidia concludes that Leone De Santis, the owner's son, had killed Elena out of hatred, as he knew his father would have fallen in love with Elena, but he couldn't have risked his position at the chocolate factory.
Lidia uncovers another angle to the case: Elena and Anita had feelings for each other, but the concept of two women dating each other was considered taboo, and there was a huge chance that Elena had been killed for this reason. Lidia and Enrico had to bring this angle to light even though it would tarnish Anita's reputation in society and with her family. Lidia breaks into the commendator's office to get some clues, where she finds a knife that had been recently polished, and a dismissal letter written by Elena to dismiss Rodolfo Fumigi, who had been working with the commendator from day one. When Lidia questions Fumigi about the letter, he reacts badly, mainly out of fear. Fumigi eventually accepts that he had been responsible for Elena's death. In the end, Lidia's predictions prove true, and justice is served.
In the third episode, Lidia deals with another murder case involving Vittorio Muraro, a man she was once engaged to. Vittorio's father, Antonio, has been murdered, and Lidia discovers that Vittorio's brother, Alberto, is the killer. After Lidia breaks into the Muraro mansion and uncovers evidence, she and Enrico provide the proof to the judge, and Alberto and his accomplice, Beatrice, are arrested. The episode also explores Lidia's past with Vittorio and reveals that her father had gambling debts with Antonio that led to the sale of their villa. Lidia's success in the case shows that justice can prevail, even for women.
In the fourth episode Lidia worked to prove the innocence of Margherita Sangiacomo, who was accused of murdering Professor Braschi. Lidia discovered that some professors had been using young girls to conduct illegal experiments on them, and she found these details in Margherita's files. She had articles that were at least seventeen years old. Margherita had been the killer, and Antonio and Braschi were responsible for the death of her mother, and she wanted to avenge it. Margherita wanted these professors to pay for their crimes because they had killed poor women who were working to earn money for their families. Even though all the evidence was in favor of Margherita, she still chose to confess her crime. Lidia was unable to solve this case because of its complex nature, which involved contrasting concepts that confused her towards the end.
In the fifth episode Lidia takes the case of Azzura, a prostitute arrested for the murder of wealthy and cruel Achille Castelnuovo. Lidia discovers a connection between Achille and his business partner, Massimo Chiaia, through Madame Crespal, a clairvoyant. Lidia and Crespal try to summon Achille's spirit, but Lidia's father's spirit comes instead. Lidia believes that Crespal is a pathological liar and that she is lying to hide the truth. Lidia discovers that Massimo had been involved in Achille's murder and that he had planned to kill Achille's sister-in-law, Giuditta Ancelli, who had witnessed the murder. Lidia saves Giuditta from Massimo's attack and helps her get the medical attention she needs. Lidia manages to catch Massimo red-handed and solve the case.
The final episode had an emotional impact on Lidia's life. Jacopo had been arrested for the murder of a prostitute named Maya, and Lidia had to save him from a crime he had not committed. Enrico agreed to fight the case, but Lidia had to convince him to visit the brothel to question other girls about Maya's disappearance. Lidia discovered that Maya had been a spy for General Valery and had been fooling Jacopo into confiding in her. Maya was actually Giorgia Villa, who had been working with Nicole and Louis, other anarchists. Lidia managed to find out that Nicole and Louis had killed Maya to get their revenge.
Lidia stole the money to bribe the conductor and gave it to Nicole, but Louis tried to kill her, and in their scuffle, Louis fell from the train. Nicole confessed her crimes to the prosecutor, and the case was solved. Lidia's popularity grew, and many women and journalists came to meet her. However, the court still rejected her appeal to register with the Turin Bar Association. In the end, Lidia chose to leave without Enrico's knowledge. Whether she left or not is ambiguous, but Lidia had been the only woman who fought for her dreams, and if she had left, thousands of Italian women wouldn't be able to follow in her footsteps.
Amazing story, acting and costimography!
jerkaaa19 February 2023
Story is based in Torino, about a young lawyer who is trying to solve cases in men's field, and how whole system went against her but she never gave up her dreams and fight. I loooved the acting and energy between characters. Story is amazing as well, like a female version of Sherlock Holmes. Her costumes are just wow, scenography is on the point as well. As modern women it's really sad to see how women were struggling in men's world in that era, and how hard was to get education and live your life "equal" as men. I love Italian as well, beautiful language and I really hope we will see more seasons from Netflix!
Generous 7
ResalovsIzzy16 February 2023
The show has a lot going for it but it could have better in depth story lines even if 2 episodes are used per case. I hope there is a season 2 with better writers who know full frontal male nudity does not make any show better.
There is an occasional jump back to a father who disapproved of her studying the law, which may have been true. It is likely that she had some support from someone (maybe a mentor?), they should be included.
Unless she has an annual annuity, her clothing is much to new and fanciful. At least she doesn't break the.4th wall. Her theories and case solving are to simplistic.
There is an occasional jump back to a father who disapproved of her studying the law, which may have been true. It is likely that she had some support from someone (maybe a mentor?), they should be included.
Unless she has an annual annuity, her clothing is much to new and fanciful. At least she doesn't break the.4th wall. Her theories and case solving are to simplistic.
Decent show if it wasn't for
frodojr17 February 2023
Typical murder mystery style show. Nice setting with beautiful costumes and conventionally attractive actors. And it would have been a good show if they didn't feel the need to objectify women like this... They're so desperate to show nudity of females at any given opportunity,where it doesn't add absolutely anything to the scene or storyline. Although it is quite typical for Italian shows and I suppose they were desperate to attract a "certain audience" to watch their show. Disappointing to say the least.
It's 2023,come on now, you can make a good season without the exploitation of females. Please do better in the following seasons!
It's 2023,come on now, you can make a good season without the exploitation of females. Please do better in the following seasons!
Very Fun Show
kupukupumu4 March 2023
As I have wrote it for the title of my comment, this is a very fun show to watch.
This show main theme's are crime show and feminism, and a bit about diversity as in sexual preference and a bit about fanily drama.
As for the first part, the crime show part, it was very good in the sense that the plot and pace are fast, indeed sometimes a bit too fast, that is very good to keep us (or, me) watching never allowing the boredom to come near even a little bit. On the crime show part, this show reminds me a lot of the show Sherlock, which was also very good.
Now, on the feminism part, weirdly this show was also very good, unlike many shows these days that put feminism (and diversity) themed to the like of wokeness and drove many audiences away.
In short, the show was very well written and directed.
The casts were very good, especially Lidia's actor's performance who was amazing.
Last thing, I want to add was the beautiful scenes in the show. The dresses of Lidia were exquisite. Totally. I have watched Avatar 2 in 3D IMAX in theater, and I watched this show on my big OLED screen at home. Maybe just me, but I personally think this show provided better visual entertainment.
Again, in short, it is a very well made show. Kudos.
This show main theme's are crime show and feminism, and a bit about diversity as in sexual preference and a bit about fanily drama.
As for the first part, the crime show part, it was very good in the sense that the plot and pace are fast, indeed sometimes a bit too fast, that is very good to keep us (or, me) watching never allowing the boredom to come near even a little bit. On the crime show part, this show reminds me a lot of the show Sherlock, which was also very good.
Now, on the feminism part, weirdly this show was also very good, unlike many shows these days that put feminism (and diversity) themed to the like of wokeness and drove many audiences away.
In short, the show was very well written and directed.
The casts were very good, especially Lidia's actor's performance who was amazing.
Last thing, I want to add was the beautiful scenes in the show. The dresses of Lidia were exquisite. Totally. I have watched Avatar 2 in 3D IMAX in theater, and I watched this show on my big OLED screen at home. Maybe just me, but I personally think this show provided better visual entertainment.
Again, in short, it is a very well made show. Kudos.
Italian Class
neil-douglas201017 July 2023
Set in Turin in the 1880's (I think) this classy series is based on the real life Lidia Poet, the first female Italian lawyer (1855 - 1949). Whether the storylines are true I don't know (I've not checked), what I do know is this is a very entertaining series. What helps a lot is the modern rock music that plays in the background, it's certainly different.
Matilda De Angelis is excellent as Lidia and she certainly holds her own in all scenes she's in. The rest of the cast are also brilliant, especially Pierluigi Pasino as Lidia's brother Enrico, which could be an unsympathetic role, but he makes the character more likeable and warm.
The stories are good too in a formula which has perhaps been played to death recently. In all a very enjoyable bingeworthy series.
Matilda De Angelis is excellent as Lidia and she certainly holds her own in all scenes she's in. The rest of the cast are also brilliant, especially Pierluigi Pasino as Lidia's brother Enrico, which could be an unsympathetic role, but he makes the character more likeable and warm.
The stories are good too in a formula which has perhaps been played to death recently. In all a very enjoyable bingeworthy series.
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