I had brief hopes that this would be a feature from B. Skow, but once again he opted lazily for another overlong all-sex vehicle for Vivid Video starlets.
Hanna Hilton has humongous hooters, and the brief and pointless story set-up has her moving in with husband Rocco Reed to the title mansion, and letting her ne'er-do-well sister Allyssa Hall move in with her, after Hall shows up on her doorstep, in trouble. No sooner than she warns sis "No boys", the kid phones her friend and David Loso shows up to hump her. Hanna catches them and throws sis out.
Rocco has already insisted on some morning sex with HH, and soon is unfaithful when Rayveness visits as the neighborhood welcome wagon and in a very unconvincing scene seduces him.
Skow commits obvious, glaring continuity errors in an erotic fantasy where HH imagines having sex with her gardener Chris Johnson, followed by Chris having sex with his girlfriend Meggan Mallone, like HH a favored Vivid contract star during Skow's tenure with the label.
It's all tedious, repetitive and phony.
Hanna Hilton has humongous hooters, and the brief and pointless story set-up has her moving in with husband Rocco Reed to the title mansion, and letting her ne'er-do-well sister Allyssa Hall move in with her, after Hall shows up on her doorstep, in trouble. No sooner than she warns sis "No boys", the kid phones her friend and David Loso shows up to hump her. Hanna catches them and throws sis out.
Rocco has already insisted on some morning sex with HH, and soon is unfaithful when Rayveness visits as the neighborhood welcome wagon and in a very unconvincing scene seduces him.
Skow commits obvious, glaring continuity errors in an erotic fantasy where HH imagines having sex with her gardener Chris Johnson, followed by Chris having sex with his girlfriend Meggan Mallone, like HH a favored Vivid contract star during Skow's tenure with the label.
It's all tedious, repetitive and phony.