Directed by
| Lucy Bailey | ||
| Andrew Thompson | ||
Produced by
| Pauline Burt | ... | executive producer |
| Elizabeth Morgan Hemlock | ... | producer |
| Steve Milne | ... | executive producer |
| David Pearson | ... | producer |
Music by
| Jonny Pilcher | ||
Cinematography by
| Andrew Thompson | ||
Editing by
| Tim Lovell | ||
Production Management
| Alan Pritt | ... | post-production manager |
Sound Department
| Sebastian Dunn | ... | sound recordist |
| Claire Ellis | ... | dialogue editor |
| George Foulgham | ... | re-recording mixer |
| James Snowden | ... | sound recordist |
Camera and Electrical Department
| Shankar Addi Mehra | ... | gaffer |
Editorial Department
| Mike Andrews | ... | digital film technician |
| Tim Drewett | ... | digital film technician |
| Justin Eely | ... | on-line editor |
| Matt James | ... | digital film supervisor |
| Justin Lanchbury | ... | di film consultant |
| Jonathan Liebert | ... | digital cinema mastering |
| Andy Richards | ... | senior digital intermediate technician |
| Tim Waller | ... | senior colorist |
Additional Crew
| Kate Crowther | ... | production executive |
| Tabitha Jackson | ... | production executive |
| Daphne Mather | ... | archive researcher |
| Adam Partridge | ... | development executive |
| Fabien Westerhoff | ... | worldwide sales: Hanway Films |
Thanks
| Mark Foligno | ... | special thanks |
| Kenny MacDonald | ... | thanks |
| Deepak Sikka | ... | special thanks |
