IMDb RATING
7.4/10
32K
YOUR RATING
A semi-autobiographical story about Hubert as a young homosexual at odds with his mother.A semi-autobiographical story about Hubert as a young homosexual at odds with his mother.A semi-autobiographical story about Hubert as a young homosexual at odds with his mother.
- Awards
- 28 wins & 15 nominations total
Hugolin Chevrette-Landesque
- Pensionnaire agressif #1
- (as Hugolin Chevrette)
Émile Mailhiot
- Élève #1
- (as Émile Mailhot)
Mathieau Grimard
- Jeune amant d'Hélène
- (as Mathieu Grimard)
Featured reviews
Maybe, the realism represents the main virtue of this real great film. A film about a love haunting many of us. About an unique age and about, with admirable high honesty, a relation confuse, always, in its essence. For me is simple - J'ai tué ma mère represents just a simple and convincing proof about the genius of Xavier Dolan. Because it is more than a powerful artistic fim. It represents a sort of confession, more of viewer than the director. A sort of large mirror reflection. Short, just great.
Review: I Killed My Mother/J'ai tué ma mère 9*/10
Largely autobiographical, the film details the intensely volatile relationship between a gay 16-year-old, Hubert (Dolan), and his mother, Chantale (Anne Dorval). The film builds through a series of richly hysterical conflicts that find these two characters exceedingly incapable of living with or without one another. Perhaps a viciously honest love story more than anything else, I Killed My Mother gives us an acute and compassionate portrayal of both sides of this complex human interaction.
Dolan stars as a Montreal teen whose relationship with his mother redefines "troubled" — the young hyphenate a natural in front of the camera and a little over-excited behind it.
Seen at the Toronto International Film Festival.
Largely autobiographical, the film details the intensely volatile relationship between a gay 16-year-old, Hubert (Dolan), and his mother, Chantale (Anne Dorval). The film builds through a series of richly hysterical conflicts that find these two characters exceedingly incapable of living with or without one another. Perhaps a viciously honest love story more than anything else, I Killed My Mother gives us an acute and compassionate portrayal of both sides of this complex human interaction.
Dolan stars as a Montreal teen whose relationship with his mother redefines "troubled" — the young hyphenate a natural in front of the camera and a little over-excited behind it.
Seen at the Toronto International Film Festival.
Oh, I wish there were words capable enough to describe this film - to describe how it made me feel. But maybe there aren't. So, we'll make do with those we have.
I saw this movie at the 50th International Film Festival of Thessaloniki - a festival I've been going to for about 8 years, give-or-take. And this is the best movie I've seen in all those years, through all those movies. It's so intense it rips you apart, full of the most sublime poetry, simplicity raging and screaming. The direction is so meticulously studied - nothing left to chance - every single take and scene offering gravity to the characters. Even now, that I see the poster of the film, it's so brilliant is ridiculous how much. It has this sad-looking child on it, when in the film, we only see a child for seconds, and it is a happy-looking child in those seconds.
After the second half I was constantly crying. I can bet that I'm from the few people who have cried in this film - if not the only one. Because there really isn't something in it that can prompt tears. But it is one of the most intense, most human, most real films I've watched in my life. I wanted to explode, to stand up and shout. I kept switching positions in my seat, I shook my head and laughed and wanted it to end because I couldn't take anymore. And when it was over, I wanted to watch it again.
It's so far my favorite movie of this year. No, scratch that. It's my favorite movie of the last few years. If not my favorite movie amongst the few I hold so dear.
I wish Xavier Dolan can be funded to create more, more, more films in the future. Even though, I already think he has created his chef-d'oeuvre.
I saw this movie at the 50th International Film Festival of Thessaloniki - a festival I've been going to for about 8 years, give-or-take. And this is the best movie I've seen in all those years, through all those movies. It's so intense it rips you apart, full of the most sublime poetry, simplicity raging and screaming. The direction is so meticulously studied - nothing left to chance - every single take and scene offering gravity to the characters. Even now, that I see the poster of the film, it's so brilliant is ridiculous how much. It has this sad-looking child on it, when in the film, we only see a child for seconds, and it is a happy-looking child in those seconds.
After the second half I was constantly crying. I can bet that I'm from the few people who have cried in this film - if not the only one. Because there really isn't something in it that can prompt tears. But it is one of the most intense, most human, most real films I've watched in my life. I wanted to explode, to stand up and shout. I kept switching positions in my seat, I shook my head and laughed and wanted it to end because I couldn't take anymore. And when it was over, I wanted to watch it again.
It's so far my favorite movie of this year. No, scratch that. It's my favorite movie of the last few years. If not my favorite movie amongst the few I hold so dear.
I wish Xavier Dolan can be funded to create more, more, more films in the future. Even though, I already think he has created his chef-d'oeuvre.
I Killed My Mother (2009) is the first film of Xavier Dolan realized a decade ago. I lately discovered it in order to complete the filmography of this brilliant Quebec director. This film focuses on the stormy and tempestuous relationship between a son and his mother, and turns out to be an autofiction, the autobiographical part remaining undisclosed, as in any secret garden.
We distinctively perceive the characteristic atmosphere of Xavier Dolan's filmography: as an excellent habit, this dark and sensual film is based on a hyper sensitivity and a keen sense of photography. Usually, most of the characters are on edge or even disturbed. In this movie, Hubert Minel is the only one. As if, in this partially autobiographical work, Xavier Dolan wanted to assume alone the chaos emanating from this extreme mother-son relationship. In this respect, it's quite successful: he is indeed sometimes an assh*le and deeply disrespectful with his mum and one almost wants to slap him. An elegant way to publicly and solemnly ask for the forgiveness of his tender mother.
As actors, Anne Dorval, Xavier Dolan and Suzanne Clément are truly excellent. As a director, Xavier Dolan offers us a high-quality first film.
We distinctively perceive the characteristic atmosphere of Xavier Dolan's filmography: as an excellent habit, this dark and sensual film is based on a hyper sensitivity and a keen sense of photography. Usually, most of the characters are on edge or even disturbed. In this movie, Hubert Minel is the only one. As if, in this partially autobiographical work, Xavier Dolan wanted to assume alone the chaos emanating from this extreme mother-son relationship. In this respect, it's quite successful: he is indeed sometimes an assh*le and deeply disrespectful with his mum and one almost wants to slap him. An elegant way to publicly and solemnly ask for the forgiveness of his tender mother.
As actors, Anne Dorval, Xavier Dolan and Suzanne Clément are truly excellent. As a director, Xavier Dolan offers us a high-quality first film.
I attended a screening of "J'ai Tué Ma Mère" at the 2009 Toronto International Film Festival. Based on his own childhood and adolescence in Québec, Xavier Dolan's film probes the relationship between mother and child when the son's sexuality is in question. Awkward early relationships are difficult for any teen, let alone one burdened with his own fears and mother's unwillingness to accept his "difference." Arguments and fight scenes between Dolan and his mom (the stunning Anne Dorval) are painful to watch, but tender love scenes with François Arnaud provide a stark and welcome contrast.
The film is filled with anger, sadness, love, hate, and humor -- lots of it. It's a winner and received a standing ovation here. And some inspiration for budding filmmakers: Dolan wrote, directed, produced, and starred in J'ai Tué Ma Mère at the age of 19.
The film is filled with anger, sadness, love, hate, and humor -- lots of it. It's a winner and received a standing ovation here. And some inspiration for budding filmmakers: Dolan wrote, directed, produced, and starred in J'ai Tué Ma Mère at the age of 19.
Did you know
- TriviaXavier Dolan wrote the script when he was 16 years old. He said in an interview with French-Canadian newspaper 'Le Soleil' that the movie was in part an autobiography.
- Quotes
[subtitled version]
Hubert Minel: [angrily] What would you do if I died today?
Chantale Lemming: [quietly to herself, after Hubert has walked away] I'd die tomorrow.
- Crazy credits'Particular Thanks' is given to 'a person answering the initials of S.P.'
- ConnectionsFeatured in Xavier Dolan: Bound to Impossible (2016)
- SoundtracksDes roses rouges pour toi maman
Written by André Hébert
Performed by André Hébert
© Les disques Mérite Ltée
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Yo maté a mi madre
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- CA$800,000 (estimated)
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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