Star Trek Into Darkness

After violating the Prime Directive of the Federation interfering with the primitive inhabitants of Planet Nibiru, saving their lives from a volcanic eruption and exposing the Enterprise to them to save Spock (Zachary Quinto), Captain James Kirk (Chris Pine) is summoned by Admiral Christopher Pike (Bruce Greenwood) and loses the command of the Enterprise.

Meanwhile, a Starfleet facility in London is bombed and the high-command has a meeting where the identity of the responsible, the former agent John Harrison (Benedict Cumberbatch), is disclosed. However, Harrison attacks the commanders; kills Spike and flees to Kronos, the land of the Klingons. Admiral Alexander Marcus (Peter Weller) assigns Kirk to kill Harrison and brings seventy-two torpedoes to the Enterprise to accomplish the mission. Chief Engineer Montgomery Scotty (Simon Pegg) refuses to receive the weapons and Pavel Chekov (Anton Yelchin) is relocated to his position and Dr. Carol Wallace (Alice Eve), who is a science officer specialized in weapons, joins the Enterprise crew. When they arrive in Kronos, they are attacked by Klingons but out of the blue, Harrison kills the Klingons and surprisingly surrenders to Kirk after knowing that the torpedoes are on board of the Enterprise. Then he discloses that he is Khan, a superhuman that was awakened by Marcus from a cryogenic pod to prepare the star-ships with powerful weapons for a war against the Klingons. When the Enterprise is intercepted by a mysterious starship commanded by Admiral Marcus, Kirk asks Khan to help him to save his crew.

"Star Trek into Darkness" is a great sci-fi with a good story of Kirk and his crew and a powerful villain. The good acting and direction associated to top-notch special effects make a highly entertaining movie. Surprisingly there are bad reviews in IMDb that must be ignored by those that like this franchise. My vote is eight.

Title (Brazil): "Star Trek Além da Escuridão" ("Star Trek beyond the Darkness")

Golly I think my title sums up everything I wanted to say. As far as basic plot goes, there's nothing particularly new here: a psycho super being plans to kill people and blow up things while the Enterprise is, for the millionth time, "the only ship in the quadrant". This movie is very lazily written, sort of like that homework assignment you slapped together on the bus to school but with a multi zillion dollar budget. But before you transport off this page, bear in mind the film's saving grace...

There are a ton of groan-worthy, yet very effective, references to the old Star Trek universe, making this a pretty entertaining watch even though I sound like I'm slamming it harder than a shuttle craft making Emergency Landing Plan B ("B! As in BARRICADE"). That plus a ton of dazzling special effects and nonstop action prompt me to rate this movie a definite WORTHWHILE WATCH, even though my inner Trek nerd is screaming for you to avoid it like that episode "Spock's Brain".

No, this is NOT a remake of the incomparable "Star Trek II: The Wrath of Khan" (1982) although it does feature the characters Khan as well as Dr. Carol Marcus.

No, Khan does not show off his bulging pecs as only the late great Ricardo Montalban could do.

YES, there is a sneaky remake of the famous radiation "you'll flood the chamber" scene which is fun to watch.

YES, Chris Pine does an admirable job of playing Captain Kirk as the charmingly arrogant young captain who doesn't like to lose.

YES, Zachary Quinto does an admirable job of playing the stoic Mr Spock, and YES there is a cameo by Leonard Nimoy as the original Spock.

YES, Dr, McCoy says "Dammit Jim I'm a doctor not a ---!"

and lastly, YES, at a certain point in the movie someone does, in fact, yell: "KHAAaaAaAAAAAaaANNN!!!"

So what more needs to be said. Great popcorn flick. Fun little nods to the old Trek series. It doesn't require too many brain cells. But then again, neither does "Spock's Brain" and we still love it.

Boldly going where no man (or woman or gender fluid) has gone before, climb aboard the Enterprise and let it fly and soar, as old friends gather, reunite, off to battle and to fight, strange new worlds, civilisations to explore.

A renegade from the future rewrites his score, it's as if he wandered through another door, it's a better incarnation, riven through with lamentation, leaves Ricardo full of wrath just like before.

Embrace it or you'll lose it, change is good, just let your imagination take you away, it's only a story after all.

Abrams is merely an efficient technician, uninteresting as a man of vision. But we need guys like him, conservative and mechanical in their efficiency, who will hold down the paradigm as others more adventurous fight to shift it, who will remind us by the arbitrary limits they impose that there must be a broader space. It's always the routine and familiar that kindles dreaming.

And this is just so routine. Abrams takes the Spielberg-Lucas model of climax after climax, starting with an Indiana Jones prologue. A few simple moral dilemmas form the backbone, inherited with a wink from the Trek genealogy. The hamfisted 9/11 allegory, enforced by terrorist bombings and a final 'plane crash' in Starfleet hq, is that we may covet revenge but we are dehumanized in the process. Khan as a vengeful mujahedeen, 'trained' by the secret military which is headed by a cowboy admiral hellbent on preemptive war. (Interestingly, everything about Khan's handling here bears Nolan's influence.)

Soulless.

So it is fitting that this guy is spearheading the next generation of established cinematic imagination, taking over from Lucas who is now retired, and Spielberg who is 'respectable'. I'm sure that in 20 years time he will be making his own respectable war movies. That kids growing up on stuff like this will fondly elevate the memory. And that his idea of artistry, Welles' action camera dotted by twinkles of color, lasers and flares, will be elaborated on in essays about his aesthetics, maybe.

All of which is just a natural state of things, nothing to get up in arms about. It just means that the interesting stuff will be defined by contrast to him.

The previous Star Trek movie is a tough one to beat. It was (in my eyes) close to perfection (lens flares and all). So this movie had a tough up-hill battle ahead of it. I am happy to report that the writing, direction, cinematography and acting were all terrific. But it's not quite flawless. There are a couple of minor plot holes that distract viewer attention to some degree.

Cumberbatch is brilliant. I won't divulge any spoilers, but I will say that the throw back to the earlier movies is very very clever and well executed. The added depth we see in the characters of Kirk and Spock are icing on an already delicious cake!