Good movie... but should be renamed "A manual for passive/aggressive codependency relationships and how to recognize them and avoid them." A lot of teenage angst for these 20 to 30 somethings. Still need to type about 380 more characters but not much else to say. It's definitely worth the watch though; not a waste of your time like so many movies coming out now. Still need 225 more characters to post this. Go Bears. They suck this season but that's typical. Excited that FIFA has started. Been waiting four years for that. Not expecting much for the American team. They never go very for. Well, that's that. Carry on....
10 Reviews
A Nice Guy
Astaroth2213 October 2022
Warning: Spoilers
The acting was fine and there was decent chemistry between the leads making this whole episode feel real.
Realistically, women like this always run back once they see their power is gone. What Ben (Lee) was telling Walker (Gray) was so true. I was rooting for him to listen, free himself of the stress & aggravation, and to finally be happy.
Then came the wheel and the inevitable apologies that one would expect. The ending was perfect UNTIL he came back. No doubt in my mind it was a chick involved with the production that made the call to go with it. That wasn't "cute" and totally proved he was as weak as Albee (Midthunder) continually accused him of being.
Nice guys finish last and you just know next time around he gets it even worse. If they ended the movie as it should have this rating gets a two point bump.
Realistically, women like this always run back once they see their power is gone. What Ben (Lee) was telling Walker (Gray) was so true. I was rooting for him to listen, free himself of the stress & aggravation, and to finally be happy.
Then came the wheel and the inevitable apologies that one would expect. The ending was perfect UNTIL he came back. No doubt in my mind it was a chick involved with the production that made the call to go with it. That wasn't "cute" and totally proved he was as weak as Albee (Midthunder) continually accused him of being.
Nice guys finish last and you just know next time around he gets it even worse. If they ended the movie as it should have this rating gets a two point bump.
Held my attention
zeelu-895503 December 2022
The thing about a drama is you need a good script and actors that can make the story believable. Both of these are present in this film. The acting is really good all around and at times might carry the script. The story is somewhat original and interesting but could have had a few more twists or events to make the story even better. The casting is well done. The actors did a fantastic job from the leads to supporting and cinematography is well done. Overall, this is a good film. If you like dramas and developing stories of bad relationships and the struggles of keeping one alive you should give this film a watch for sure.
Don't know how to feel
cwesn-2832530 January 2023
Warning: Spoilers
I went into this film blind and came out a little dissatisfied. The acting from the two leads were okay but felt a little weird. Some stuff I didn't like about this film was the cliché sad music with sad people in it, the cinematography wasn't that great, the story was too compacted for a character drama, a little bias until the ending, and some of the characters actions were making me ask "why are you doing this?" I wasn't enjoying the first and second act until the third act which I thought was good and saved the film for me personally. The final conversation at the end made me Somewhat understand the character's reasoning for they're harshness. I still don't know if I would recommend this for anyone.
Good Indie Movie ... if you're into acting and performance.
Antonovich8423 July 2022
I grew up watching films like "sex, lies & videotape" and foreign films that were like slices of life, not epic adventures. This is a beautifully-made film, sensitively directed, and the actors were flawless. It's a significant indie film, and a refreshing break from the countless CGI superhero spectacles that have (pretty much) ruined cinema. It's not an obvious "genre" movie, like a horror film or a mystery. It's simply about feelings and about relationships -- the stuff that cinema was about before Marvel Studios arrived and killed everything.
Anyway, great job by Amber Midthunder and Taylor Gray. Beautiful work! Bethany Anne Lind and Nelson Lee were also terrific in supporting parts. I don't know what other projects these actors were in, but they performed like seasoned veterans. But maybe that had something to do with the director, Steve Pink, who obviously has a way with actors. In fact, I wouldn't be surprised if this started out as a stage play. It has that feel, leaning heavily on dialogue and performance.
I would definitely watch this film again.
By the way, I noticed someone left a review about "low budget phone quality" ... which is absolutely incorrect. It's in fact beautiful shot and edited. So I have no idea what that comment was about -- other than to leave a 1-star review, out of spite. People can be jerks, really.
Anyway, great job by Amber Midthunder and Taylor Gray. Beautiful work! Bethany Anne Lind and Nelson Lee were also terrific in supporting parts. I don't know what other projects these actors were in, but they performed like seasoned veterans. But maybe that had something to do with the director, Steve Pink, who obviously has a way with actors. In fact, I wouldn't be surprised if this started out as a stage play. It has that feel, leaning heavily on dialogue and performance.
I would definitely watch this film again.
By the way, I noticed someone left a review about "low budget phone quality" ... which is absolutely incorrect. It's in fact beautiful shot and edited. So I have no idea what that comment was about -- other than to leave a 1-star review, out of spite. People can be jerks, really.
Low budget phone quality
weaverliz1221 November 2021
It is just so low budget that it is bad to look at. A shadow puppet would look better. It looks so fake that I can't even fallow the storyline because of how bad it looks. I hope it was shot on a phone because if not they do not understand how to use a proper camera.
Absolutely loved it
rycota-4126724 July 2022
Way better than I was expecting
ninjafoofighter25 July 2022
Great acting from all cast members and I especially liked the performance from Amber Midthunder. I had not heard of her before this movie but I'm now a fan !!!
If this movie doesn't pull at your heartstrings then you ain't human. Well done to all involved.
If this movie doesn't pull at your heartstrings then you ain't human. Well done to all involved.
Talented acting and all around great film
xppdjjnk5 August 2022
Outstanding, fierce character drama, with exceptional performances
I_Ailurophile7 November 2022
I'm not quite sure which factors are most at play here. It's maybe the music, which seems relatively light in its chords. The lighting which tends to mean plenty of sunlight, perhaps, or Bella Gonzales' cinematography, which in its sharpness seems to accentuate even the faintest bit of illumination in a shot or scene. One way or another, there's something about 'The wheel' that helps it to maintain a weirdly overall bright tone - rather impressive, I think, considering how astoundingly harsh and biting the content is. Trent Atkinson's screenplay is rife with characters, dialogue, and scene writing of intense, acrid, deeply uncomfortable personality. Each successive moment is mostly downright vicious in every word, interaction, facial expression, and specific mood - the anger, the brutal honesty. All the while, as each character tries to reckon with their conflicting feelings, it's fiercely, firmly compelling. I didn't fully know what to expect when I sat to watch, but this is fantastic.
With the narrative centered so concretely on a handful of figures, it rather goes without saying that what's most immediately striking about the picture is the acting. The only cast member I'm particularly familiar with is Amber Midthunder; I thought she somewhat stole the show in her supporting part in Liam Neeson's 2021 action-thriller 'The ice road,' and she was terrific in full-on Action Hero mode in this year's exquisite 'Predator' prequel 'Prey.' I've been excited for the chance to see her in a more dramatic role, and she does not disappoint - young as she is, I dare say Midthunder has been cemented as one of my favorite actors, and absolutely a rising star who deserves ever bigger and better things to come her way, for she's outstanding here. Yet far be it from me to single her out, because while I can't say I know her co-stars, Taylor Gray, Bethany Anne Lind, Nelson Lee, and even Carly Nykanen seem to match Midthunder toe to toe with frankly powerful displays of acting skill. Atkinson's writing provides rich, splendid material, but the ensemble truly, truly, truly brings that material to brilliant life with astonishing, almost thrilling vibrancy. Every spiteful word, brusque brush-off, and destructive tear is summoned with a resonating sincerity that makes 'The wheel' surprisingly hard to watch - yet for that, all the better still.
I'm not inclined to think the cast needed any helping hand, but I sure think that filmmaker Steve Pink provides robustly capable direction to bring out the best from his actors, and from the production generally. And I need only to highlight a single scene to illustrate the point, as the lengthy, climactic final scene quite appears to be a single, stupendously shot long take. In what is surely the most emotionally taxing minutes of the feature, Midthunder and Gray bear their souls in a display of humanity that's so stunning it's almost haunting. The stars dig deep as, more than was true previously, the dialogue dances across dark topics of lasting trauma and stunted personal growth, and as viewers we feel every second with numbing immensity. Atkinson provides the fuel, the cast build the fire, and Pink shapes it into the form of greatest impact, with fabulous results.
Of course none of this is to discount the swell contributions of hair and makeup artist Sierra Barton, production designer Brianna Ingemi, or anyone else behind the scenes. By all means, however, it's the writing and the acting that stands out most and makes this feature the tremendously satisfying, rewarding experience that is, with Pink's direction only half a step behind. I readily admit it was on account of Midthunder's involvement that I first set about watching, and I assumed from the outset that I'd like it. I just wasn't prepared for how hard this movie would hit, however, with its vexing probe of troubled interpersonal dynamics and human drama. I can appreciate that it won't appeal equally to all comers, and not everyone will get as much out of it as I have. All the same, I can only say that for my part I'm taken aback by the unremitting excellence that all involved demonstrate. I rather think 'The wheel' deserves far more recognition and wider viewership, and it handily earns my most hearty recommendation. If you have the chance to watch, in my book this is a must-see.
With the narrative centered so concretely on a handful of figures, it rather goes without saying that what's most immediately striking about the picture is the acting. The only cast member I'm particularly familiar with is Amber Midthunder; I thought she somewhat stole the show in her supporting part in Liam Neeson's 2021 action-thriller 'The ice road,' and she was terrific in full-on Action Hero mode in this year's exquisite 'Predator' prequel 'Prey.' I've been excited for the chance to see her in a more dramatic role, and she does not disappoint - young as she is, I dare say Midthunder has been cemented as one of my favorite actors, and absolutely a rising star who deserves ever bigger and better things to come her way, for she's outstanding here. Yet far be it from me to single her out, because while I can't say I know her co-stars, Taylor Gray, Bethany Anne Lind, Nelson Lee, and even Carly Nykanen seem to match Midthunder toe to toe with frankly powerful displays of acting skill. Atkinson's writing provides rich, splendid material, but the ensemble truly, truly, truly brings that material to brilliant life with astonishing, almost thrilling vibrancy. Every spiteful word, brusque brush-off, and destructive tear is summoned with a resonating sincerity that makes 'The wheel' surprisingly hard to watch - yet for that, all the better still.
I'm not inclined to think the cast needed any helping hand, but I sure think that filmmaker Steve Pink provides robustly capable direction to bring out the best from his actors, and from the production generally. And I need only to highlight a single scene to illustrate the point, as the lengthy, climactic final scene quite appears to be a single, stupendously shot long take. In what is surely the most emotionally taxing minutes of the feature, Midthunder and Gray bear their souls in a display of humanity that's so stunning it's almost haunting. The stars dig deep as, more than was true previously, the dialogue dances across dark topics of lasting trauma and stunted personal growth, and as viewers we feel every second with numbing immensity. Atkinson provides the fuel, the cast build the fire, and Pink shapes it into the form of greatest impact, with fabulous results.
Of course none of this is to discount the swell contributions of hair and makeup artist Sierra Barton, production designer Brianna Ingemi, or anyone else behind the scenes. By all means, however, it's the writing and the acting that stands out most and makes this feature the tremendously satisfying, rewarding experience that is, with Pink's direction only half a step behind. I readily admit it was on account of Midthunder's involvement that I first set about watching, and I assumed from the outset that I'd like it. I just wasn't prepared for how hard this movie would hit, however, with its vexing probe of troubled interpersonal dynamics and human drama. I can appreciate that it won't appeal equally to all comers, and not everyone will get as much out of it as I have. All the same, I can only say that for my part I'm taken aback by the unremitting excellence that all involved demonstrate. I rather think 'The wheel' deserves far more recognition and wider viewership, and it handily earns my most hearty recommendation. If you have the chance to watch, in my book this is a must-see.
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