The Autobots learn of a Cybertronian spacecraft hidden on the moon, and race against the Decepticons to reach it and to learn its secrets.The Autobots learn of a Cybertronian spacecraft hidden on the moon, and race against the Decepticons to reach it and to learn its secrets.The Autobots learn of a Cybertronian spacecraft hidden on the moon, and race against the Decepticons to reach it and to learn its secrets.
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- 11 wins & 42 nominations total
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After their disastrous second outing, few people had faith in the third part, but Dark of the Moon rights a lot of the narrative faults and feels like the sequel the first film deserved.
A despondent Sam finds himself out of the limelight as the Decepticon threat appears to have lessened, Mikaela and Bumblebee have left him and he struggles to find a job and direction in life. But when Optimus Prime learns that humanity had found a vital Autobot ship crashed on the Moon, he rescues Sentinel Prime from the wreck, just when the Decepticons return with a plan to restore their homeworld of Cybertron.
Watching Dark of the Moon feels like an endurance test by the time it finishes, this is due to a ridiculously drawn out battle set in Chicago for the climax. While it makes up for Revenge of the Fallen's terribly underwhelming finale, it does become a blur of insignificance after a while because there's simply too much happening! But if there is one thing done right this time is a correct use of characters. A lot of the ludicrous padding and fluff from RotF is completely missing; our human characters are involved but not excessively (ie. Sam's parents hardly feature at all!) and let's say this film provides us with humans who aren't noble and just. There's a lot more of the Transformers too (you would hope so) and it feels like they have a lot more respect shown to them now. Decepticons genuinely appear threatening and the Autobots are shown to have personalities again, continuing from the first film's groundwork (a scene with a silent, brooding Optimus-in-truck-mode is a favourite). The action is off the rails too. More in keeping with the original film we see them transform during battles.
There are some deeply unsettling scenes too. The setup involves assassinations against humans who knew about the mission to the Moon, executed by Decepticon Laserbeak (great to see him too), one where he infiltrates a family's house by pretending to be a friendly Autobot playing with their daughter. Woah, woah! RotF was too cheesy, but this is really dark all of a sudden!
As a fan of the Transformer characters, this film sees a lot of deaths. Some are most unforgivable. We haven't seen this many prominent robot deaths since the slaughter that was the 1986 Transformers: The Movie! The only other gripe I mostly have about this film asides deaths and a bloated finale is Carly, Sam's new love interest (the forgettable Rosie-Huntington Whitely) who is given things to do thanks to the plot, but is far less notable than Fox's Mikaela (I cannot believe I just wrote that) but I do believe the film would be stronger without a love interest. But it is Michael Bay, we need a girl for those slow-mo shots.
It is a vast, vast improvement and a faithful sequel to the 2007 film. It is too long, and it does make some unforgivable decisions regarding Transformer characters, so it feels less perfect in those regards. It is still a fun film though.
A despondent Sam finds himself out of the limelight as the Decepticon threat appears to have lessened, Mikaela and Bumblebee have left him and he struggles to find a job and direction in life. But when Optimus Prime learns that humanity had found a vital Autobot ship crashed on the Moon, he rescues Sentinel Prime from the wreck, just when the Decepticons return with a plan to restore their homeworld of Cybertron.
Watching Dark of the Moon feels like an endurance test by the time it finishes, this is due to a ridiculously drawn out battle set in Chicago for the climax. While it makes up for Revenge of the Fallen's terribly underwhelming finale, it does become a blur of insignificance after a while because there's simply too much happening! But if there is one thing done right this time is a correct use of characters. A lot of the ludicrous padding and fluff from RotF is completely missing; our human characters are involved but not excessively (ie. Sam's parents hardly feature at all!) and let's say this film provides us with humans who aren't noble and just. There's a lot more of the Transformers too (you would hope so) and it feels like they have a lot more respect shown to them now. Decepticons genuinely appear threatening and the Autobots are shown to have personalities again, continuing from the first film's groundwork (a scene with a silent, brooding Optimus-in-truck-mode is a favourite). The action is off the rails too. More in keeping with the original film we see them transform during battles.
There are some deeply unsettling scenes too. The setup involves assassinations against humans who knew about the mission to the Moon, executed by Decepticon Laserbeak (great to see him too), one where he infiltrates a family's house by pretending to be a friendly Autobot playing with their daughter. Woah, woah! RotF was too cheesy, but this is really dark all of a sudden!
As a fan of the Transformer characters, this film sees a lot of deaths. Some are most unforgivable. We haven't seen this many prominent robot deaths since the slaughter that was the 1986 Transformers: The Movie! The only other gripe I mostly have about this film asides deaths and a bloated finale is Carly, Sam's new love interest (the forgettable Rosie-Huntington Whitely) who is given things to do thanks to the plot, but is far less notable than Fox's Mikaela (I cannot believe I just wrote that) but I do believe the film would be stronger without a love interest. But it is Michael Bay, we need a girl for those slow-mo shots.
It is a vast, vast improvement and a faithful sequel to the 2007 film. It is too long, and it does make some unforgivable decisions regarding Transformer characters, so it feels less perfect in those regards. It is still a fun film though.
I have to say I enjoyed watching Transformers 3. If you take it for what it is, a Michael Bay movie with awesome, epic visuals, an over-the- top weak plot, not very deep characters, and classic 'Bay' humor, then it's great. Not as good as the first, but easily better than the 2nd one.
First off, the visual effects are amazing. One of the best, if not the best, that I've seen, both in details on the transformers, in action/fighting sequences, and in more general landscape shots - the views of Chicago when it was being attacked by decepticons were great. I watched it in 3D in the theater, and it was arguably the best 3D effects I've seen, and best use of 3D cameras, and that is including Avatar which i also saw in 3D. This is what Michael Bay is really good at, and this movie shows he is arguably the expert in visual effects and composition.
visual effects and presentation - 10/10
The plot isn't great. When it starts out, it seems like it might develop nicely into a moderately complex story rooted in some historical events that happened very differently than how we thought (kind of like the hoover dam part in the first transformers), but in the end not much is made of that and the plot is relatively direct and over-the-top. However, it does have a few good moments that offer a bit more complexity or emotion, and anyways I didn't watch the movie hoping for a subtle, complex, and nuanced plot.
Plot - 6/10
The characters and acting aren't Oscar-worthy either, to say the least. Rosie Huntington-Whitely is not a great actress, in fact she isn't really an actress, and it shows, but, to be honest, I have seen worse performances. Shia Labeouf is decent in his role as usual. and again there are some new characters, including some for Michael Bay- esque comic relief (which in my opinion is actually funnier than much of the humor in revenge of the fallen, which felt a little too forced to me).
Characters/acting - 6/10
Fun - 8/10
If you're expecting a layered, nuanced movie with deep characterization and a complex and well-written plot, well, then, don't watch this. If, though, you want a fun blockbuster with truly amazing visual effects, a decent (but forgettable) storyline and characterization, and an easy to follow dynamic, well you'll probably like Transformers 3.
First off, the visual effects are amazing. One of the best, if not the best, that I've seen, both in details on the transformers, in action/fighting sequences, and in more general landscape shots - the views of Chicago when it was being attacked by decepticons were great. I watched it in 3D in the theater, and it was arguably the best 3D effects I've seen, and best use of 3D cameras, and that is including Avatar which i also saw in 3D. This is what Michael Bay is really good at, and this movie shows he is arguably the expert in visual effects and composition.
visual effects and presentation - 10/10
The plot isn't great. When it starts out, it seems like it might develop nicely into a moderately complex story rooted in some historical events that happened very differently than how we thought (kind of like the hoover dam part in the first transformers), but in the end not much is made of that and the plot is relatively direct and over-the-top. However, it does have a few good moments that offer a bit more complexity or emotion, and anyways I didn't watch the movie hoping for a subtle, complex, and nuanced plot.
Plot - 6/10
The characters and acting aren't Oscar-worthy either, to say the least. Rosie Huntington-Whitely is not a great actress, in fact she isn't really an actress, and it shows, but, to be honest, I have seen worse performances. Shia Labeouf is decent in his role as usual. and again there are some new characters, including some for Michael Bay- esque comic relief (which in my opinion is actually funnier than much of the humor in revenge of the fallen, which felt a little too forced to me).
Characters/acting - 6/10
Fun - 8/10
If you're expecting a layered, nuanced movie with deep characterization and a complex and well-written plot, well, then, don't watch this. If, though, you want a fun blockbuster with truly amazing visual effects, a decent (but forgettable) storyline and characterization, and an easy to follow dynamic, well you'll probably like Transformers 3.
Transformers Dark of the Moon being the third movie of the Transformers series you wouldn't think it would be as good as the first two, well it is. In this movie Megan Fox is no longer to be seen but we are gifted with a beautiful Rosie Huntington-Whiteley playing along side Shia LaBeouf. This movie added some serious effects to it with the robots. just like the first two it combines an action/love/comedy attribute. The action scenes in this movie are without a doubt awesome. The effects they used are amazing and to sort of let you catch up with whats happening they use slow motion to let you see things that are going on. I like how they've taken something that has actually happened like the moon landing and have put there own twist on what actually was happening. this was a very good movie and would recommend it to anyone interested in seeing robots you played with as kid come to life.
Not as fun as the first one, but definitely a step up from Revenge of the Fallen and a fine way to end a trilogy of Shia Lebouf.
It's 'Bayhem' time again - and this time around demolition king Michael Bay presents his trademark 'Six-C's' in glorious 3D! In case you don't know, the six 'Cs' are: chases, clashes, crashes, combustions, carnage and cleavage. Spread over a bottom-numbing two-and-a-half hours, "Transformers: Dark Of The Moon" can also induce mental and metal fatigue, especially with the clanging robots smashing one another - and the whole exercise making little sense.
Technologically, however, "Dark Of The Moon" is Bay's best work so far - and action fans looking to be awed by scenes of massive mayhem and destruction in 3D should be satisfied. Story-wise, this one is better than "Revenge Of The Fallen", but not as fun and emotionally-connecting as the first.
The film opens with a flashback to the Sixties Apollo landing mission where history is rewritten (by Ehren Kruger) to incorporate the cover-up of an alien spaceship crashing on the moon. That spaceship, of course, is one of the remains of the epic battles between the Autobots and the Decepticons, and its 'discovery' sparks off another war that threatens to destroy planet Earth. Or at least the face of Chicago as we know it.
On the human level, we find that Sam Witwicky (Shia LaBeouf) has traded in his girlfriend Mikaela (Megan Fox) for a newer model (a Victoria Secret one, to be exact) in the shape of Rosie Huntington-Whiteley as Carly). Sam is being offered a job by Bruce Brazos (John Malkovich) but we soon learn that Carly's boss Dylan (Patrick Dempsey) may be up to no good. Then, when the conflict between the Autobots and Decepticons hots up, Captain Lennox (Josh Duhamel) and Sergeant Epps (Tyrese Gibson) of the elite Government squad NEST are summarily called into action.
We get lulled into believing that there may somehow be an intelligent plot coming from the conspiracy of the NASA lunar-landing cover-up which also involves the Russian space program and Chernobyl. These turn out to be just an exercise in 'historical name-dropping' to spur our interest before we get to the demolition derby created by the Transformers. Indeed, some of the robots seem to emote better that the live cast. Cybertron leader Sentinel Prime, for example, is even designed to look like Leonard Nimoy (who provides its voice), complete with stuff that looks like beard. Again, the problems of the previous installments recur - like the confusion between the good and bad robots in the clashes.
Unlike the first two movies, there are no more gags about the shock of humans interacting with the mechanical 'bots. Bay, however, insists on some comic sequences and he has hired Ken Jeong to do his in-your-face shtick as Jerry Wang. John Turturro reprises his role as former FBI agent Simmons but this time around, Turturro finds it fit to clown around with his role. The most striking inclusion to the cast is Rosie Huntington-Whiteley as Sam's love interest. However, with limited acting talent, she provides only eye-candy and beside her, Megan Fox would look like an Oscar-caliber actress.
Like the first "Transformers", this one is also a live-action cartoon on a grand scale. Scenes of Chicago buildings being toppled and destroyed can be as spectacular and brain-numbing as those of September 11; and the wing-suit flying sequences are breath-taking. Indeed, these are what most of Michael Bay's fans pay for and they will not be disappointed. The only problem for me is that Bay prolongs and repeats the robotic clash sequences to the point of being self-indulgent. Technically brilliant and visually arresting, "Dark Of The Moon" lacks heart and soul. (limchangmoh.blogspot.com)
Technologically, however, "Dark Of The Moon" is Bay's best work so far - and action fans looking to be awed by scenes of massive mayhem and destruction in 3D should be satisfied. Story-wise, this one is better than "Revenge Of The Fallen", but not as fun and emotionally-connecting as the first.
The film opens with a flashback to the Sixties Apollo landing mission where history is rewritten (by Ehren Kruger) to incorporate the cover-up of an alien spaceship crashing on the moon. That spaceship, of course, is one of the remains of the epic battles between the Autobots and the Decepticons, and its 'discovery' sparks off another war that threatens to destroy planet Earth. Or at least the face of Chicago as we know it.
On the human level, we find that Sam Witwicky (Shia LaBeouf) has traded in his girlfriend Mikaela (Megan Fox) for a newer model (a Victoria Secret one, to be exact) in the shape of Rosie Huntington-Whiteley as Carly). Sam is being offered a job by Bruce Brazos (John Malkovich) but we soon learn that Carly's boss Dylan (Patrick Dempsey) may be up to no good. Then, when the conflict between the Autobots and Decepticons hots up, Captain Lennox (Josh Duhamel) and Sergeant Epps (Tyrese Gibson) of the elite Government squad NEST are summarily called into action.
We get lulled into believing that there may somehow be an intelligent plot coming from the conspiracy of the NASA lunar-landing cover-up which also involves the Russian space program and Chernobyl. These turn out to be just an exercise in 'historical name-dropping' to spur our interest before we get to the demolition derby created by the Transformers. Indeed, some of the robots seem to emote better that the live cast. Cybertron leader Sentinel Prime, for example, is even designed to look like Leonard Nimoy (who provides its voice), complete with stuff that looks like beard. Again, the problems of the previous installments recur - like the confusion between the good and bad robots in the clashes.
Unlike the first two movies, there are no more gags about the shock of humans interacting with the mechanical 'bots. Bay, however, insists on some comic sequences and he has hired Ken Jeong to do his in-your-face shtick as Jerry Wang. John Turturro reprises his role as former FBI agent Simmons but this time around, Turturro finds it fit to clown around with his role. The most striking inclusion to the cast is Rosie Huntington-Whiteley as Sam's love interest. However, with limited acting talent, she provides only eye-candy and beside her, Megan Fox would look like an Oscar-caliber actress.
Like the first "Transformers", this one is also a live-action cartoon on a grand scale. Scenes of Chicago buildings being toppled and destroyed can be as spectacular and brain-numbing as those of September 11; and the wing-suit flying sequences are breath-taking. Indeed, these are what most of Michael Bay's fans pay for and they will not be disappointed. The only problem for me is that Bay prolongs and repeats the robotic clash sequences to the point of being self-indulgent. Technically brilliant and visually arresting, "Dark Of The Moon" lacks heart and soul. (limchangmoh.blogspot.com)
Storyline
Did you know
- TriviaThe Driller was composed of 70,000 pieces. It required ILM to use up its entire render farm, and took 122 hours per frame (288 hours in the Driller's attack on the skyscraper).
- GoofsWhen Carly is first brought to Chicago, she has straight hair, light shirt, and white jacket. When Sam rescues her, her outfit has changed and her hair is now wavy. Her clothes continuously change throughout the movie during long scenes when she would have no way to switch outfits.
- Quotes
[last lines]
Optimus Prime: In any war, there are calms between the storms. There will be days when we lose faith, days when our allies turn against us. But the day will never come, that we forsake this planet and its people.
- Crazy creditsThere is a scene in the closing credits: Simmons and Mearing kiss, and then she demands his arrest.
- ConnectionsEdited from The Island (2005)
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Transformers: El lado oscuro de la luna
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $195,000,000 (estimated)
- Gross US & Canada
- $352,390,543
- Opening weekend US & Canada
- $97,852,865
- Jul 3, 2011
- Gross worldwide
- $1,123,794,079
- Runtime2 hours 34 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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