"Les petits meurtres d'Agatha Christie" La plume empoisonnée (TV Episode 2009) Poster

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7/10
The Moving Finger
TheLittleSongbird8 January 2019
Love Agatha Christie and have been for half my life, my love for detective mysteries is primarily down to reading her books and watching numerous film and television adaptation. 'Les Petits Meutres D'Agatha Christie' is a recently acquainted with French series that is essentially Agatha Christie with a French light comedy twist and a "spoonful of French flair". On its own terms it is fascinating and charming light-hearted entertainment with intriguing stories as long as one doesn't expect complete fidelity as the adaptations are actually quite loose and use her work as a basic frame-work.

Regarding the previous episodes, liked "Les Meurtres ABC" (a loose adaptation of 'The ABC Murders') and liked even more "Am Stram Gram" (loosely adapted from 'Ordeal By Innocence' and for me the only good version of that story), though there was room for improvement for both. Feel the same for 'Les Petits Meurtres D'Agatha Christie's' adaptation of 'The Moving Finger' (which had two previous adaptations, one with Joan Hickson and the other with Geraldine McEwen, and both were done well in my view) "La Plume Empoisonee". Meaning pretty good if uneven.

Do think that there could have been more tension and a slightly more consistent pace for a story as narratively rich as this one.

At this point, the comedic elements have still not completely settled, enough entertains but more calming down would be more welcome.

On the other hand, there is some handsome and evocative period detail, the colours sumptuous and vibrant that could be quite atmospheric when needed. The stylish photography complements loving. The music continues to match the light-hearted and at times very atmospheric tone very well. On the most part, the writing is thoughtful and attention grabbing with the right amount of entertainment value. As said, some of it needed to calm down but didn't feel much staleness here and a lot of it is still fun. The mystery is clever and keeps one guessing and anybody not familiar with the story will find the final solution a complete surprise. Any brutality, and there is more of it than in 'The Moving Finger', doesn't come over as over the top or gratuitous.

Characterisation here in "La Plume Empoisonee" continues the improved variety seen in "Am Stram Gram", even if some characters are still more interesting than others. The pairing of Larosiere and Lampion is already very well settled and the two contrast very well with each other and fascinate as characters. Lampion may be the more likeable character but the series develops Larosiere quite a bit better. The acting is excellent from Antoine Dulery and Marius Colucci, while Frederic Pierrot is a standout as Villiers.

Summarising, pretty good. 7/10 Bethany Cox
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7/10
not a fun holiday for the gendarme
ksf-230 October 2023
The english title of this episode is the moving finger, which was part of a poem by omar khayyam. The french title is actually the poisoned pen. It's en français, with english subtitles. This seems to be one episode in a series of adventures called the little murders of agatha christie. When a copper needs a vacation en france, he stays in a house in the country. And for some reason, his boss, the commissioner stays also. Shenanigans are going on! Everyone is sleeping with everyone. And murders start occurring. Someone is writing obscene letters to everyone. And the bodies start piling up. How are they connected? The first hour seems to be set up, and about one hour in, we start hearing what actually happened. It's entertaining nothing too clever, but we follow the detectives along as they find the clues. Episode directed by eric woreth.
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3/10
Christie survives all, even this very liberal adaptation.
stuka2416 June 2010
As with the other chapters of these series, the technical aspects are very well, but the script sucks. Lesbianism, homophobia, almost pedophilia (Comissaire Jean Larosière. and Louise)... :). These series can have a blissful effect: you'll value more the classical adaptations, like the "Agatha Christie's Marple". Besides the fact this book was supposed to have Marple and not two (?) detectives, and that Poirot doesn't resemble at all Larosière. Anyway, one of his better hunches is to go to mass to find out the town's gossip. Only matched by Lampion's on Kochenko's faked homosexuality.

Louise (the unloved daughter) is beautiful, and succeeds to get from our detective some remarkable phrases, for once, not famous quotations. The nanny Clemence (!), Clara (the dead blonde), Guite (the nosy maid), Rose Viliers in her stern demeanour, and specially Mme. Henriette Simonet -Catherine Wilkening- (who looks like Fanny Ardant, maybe on purpose) are also very nice. Kochenko/ M. is my favourite character, he plays it really well. There are many "Mathildes" in this world, her life summed up by Larosière: "you only have to close the casket, and shut up". And also the tall ugly woman, Angélique, "Corinne Masiero" (Emile Dubreuil's maid), who only gets happy in front of a dead pig or her beloved mother. Maitre André Simonet is also great at being disgusting: "What are your plans? Nothing, as always? Don't think! I won't feed you for long" (to his daughter, when she returns from the boarding school).

Émile Lampions's got a notebook called "DSI" (unimportant details). But to judge what is irrelevant versus stealing ideas has never been that easy: Every film buffs knows there is a really good film also dealing, not surprisingly, with a mysterious character who signs as "the crow" and sows distrust in a tiny village. http://www.imdb.com/title/tt0035753/ Henri-Georges Clouzot is a genius, while this crew seems to have copied only the basic idea, but not the style nor the charm.

Larosière indulges in some tenderness for Lampion: "He's the son I never had... he's got ... qualities I lack". As somebody who's always being treated badly, with scorn in the series, like it usually happens in the genre, it was a pleasant if belated surprise. I am thinking about the masterful "Inspector Morse" but there are others we all can think of.

Trying to be positive, I'll end quoting L's love lines for her unlikely romantic attachment of this occasion: "I won't forget you, but you will, and that's fine". Followed, later, by: "I'd rather have regrets than repentance/ je prefere avoir des regrets que du remords".
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