We're All Going to the World's Fair (2021) User Reviews

A strange film I either didn't get, or there was nothing to get

[jtindahouse · 5/10 · 24 April 2022]

The opening scene in 'We're All Going to the World's Fair' was very strange. I thought to myself, that's fine if that's how you want to set the stage for your film. Then the next scene was equally strange, and then the next as well - and I realised I was just in for a strange film overall. I didn't love this one.

There was a point where I thought the film was setting itself up to be an abstract version of 'Paranormal Activity'. I would've been okay with that. That wasn't the path it was ultimately choosing to go down however. The problem was I don't know what the path it was going down was. I simply didn't understand the film on the first watch. Or maybe I'm overthinking it and it's just as simple as it seems. If so, why was it worthy of making a film about?

The film isn't long at least. It would be hard to argue it outstays its welcome. It didn't work for me though and will be gone from my memory by this time tomorrow. 5/10.

Dark side of YouTube

[Phantasma_the_Black · 4/10 · 24 April 2022]

The inspiration from the "weird" corner of YouTube is present from the first scene and remains throughout the entire movie, intercepted only by the short glimpses into the depressing lives of content creators.

How far would you go for the attention of your viewers? In which ways does this attention harm young and volatile? What poses a more serious threat - creepy guys watching you online or your own loneliness that pushed you into this mess?

While on a certain level, it does manage to successfully illustrate the vulnerability and mental health issues in teens, it completely fails as a horror movie.

The part of the problem is that it brings nothing new into YouTube horror lore. The final result completely relies on the overused tropes of YouTube's "dark" corner.

It would've worked better as drama about the mental health risks in teens oversharing on social media, but that would require much more serious exploration of the broader context.

All set-up and no pay-off

[eddie_baggins · 5/10 · 7 August 2022]

Produced by indie darling director David Lowery, Jane Schoenbrun's internet themed drama We're All Going to the World's Fair (wrongly marketed as a straight up horror) is a film that portrays a scarily accurate example of the dangers of internet double lives and our global epidemic of tech obsessed culture but can't make the most of its loaded and topical subject as it meanders along its 90 minute runtime without enough noteworthy material in between.

Gaining attention at the 2021 Sundance Film Festival and other various showcases across the world, Fair has done well to become the talked about property it has in certain film circles and Schoenbrun works some wonders with her minuscule budget and tiny cast that is lead by a committed Anna Cobb as lonely teenager Casey, in what is her feature film debut.

Taking part in a viral online horror game known as The World's Fair, Casey's lonely existence that consists of mainly hanging out in her room browsing the web, watching online videos and having Skype sessions with complete strangers is upturned by her participation in the World's Fair game as her blurred reality makes her question what is and isn't real as she tries to deal with the mental and potentially physical effects of taking part in the online craze.

Watching the marketing materials for Fair one would think as viewer you may be in for some type of Paranormal Activity type event but Fair is a much slower and ponderous film than that type of genre offering and there's barely a scare in sight here outside of the well known dangers that lurk on the web, present in the film with Casey's uneasy and odd relationship with the much older and equally lonely JLB who has taken a keen interest in Casey's journey through the after effects of the game shes started.

One undeniable aspect of Fair that is as good as a film has ever been in the particular area is the capturing of the feeling of isolation that leads them to seek comfort many can find on the web and like many teenagers from around the world, Casey's quest to feel a part of something bigger than her own isolated life and self-doubts leads her to be somebody she isn't to try and gain attention or friends through trickery and in this instance Fair is a worthwhile warning about our modern culture and strange obsession with fads and crazes that are nothing short of dangerous.

Final Say -

A far from enjoyable film that lacks the character connection and narrative drive that would've made its bleakness more bearable, We're All Going to the World's Fair doesn't work to the level one might've hoped for but has enough to say about our modern world to ensure it's not a complete waste of valuable time.

2 1/2 plush toys out of 5

For more reviews check out Jordan and Eddie (The Movie Guys)

It may sound strange but I don't want people to relate to this

[SoumikBanerjee1996 · 7/10 · 26 May 2022]

Films are a subjective medium, therefore the interpretations can vary depending on who is watching and what kind of background they are coming from. I had read reviews from other critics suggesting that this might be a direct reference to creepypasta obsession or a general tendency of the naive youth who incline toward such supernatural happenings.

While I do not completely refute this set of statements, yet, with all due respect, I beg to differ. The film doesn't reflect any single obsession towards a particular subject, there's a broader thing at play, it is about this relentless infatuation with finding relevancy on the internet, finding comfort, or finding much-needed solace in the virtual space.

The narrative won't carry much weight for the people who hadn't experienced true loneliness, who hadn't had to endure the extreme ends of existential dread, who didn't suffer from any sort of depression, anxiety, or had to deal with a suicidal mindset, very rarely I say this but I will be much happier if you aren't able to relate.

To those who could, this message is for you...

I know life is hard, it's difficult dealing with the pain, at times it becomes intolerable, this pain becomes so excruciating that we often think of letting it all go, to disappear, I know, I had gone through that phase. To whoever reading this, just be aware that you are not alone in this battle, there are millions of people around the globe like you, trying to find their own places, their own identities. I just want you to hang on, keep going, keep fighting, trust me, you can overcome it, I know you will, till that day arrives, don't give up.

Very slow

[aprilsfriendorin · 3/10 · 23 April 2022]

Be warned- this is a slow movie. Like, really slow. About 50% of the time, it feels like absolutely nothing is happening. The only highlight is that the main character is a good actress (but not good enough to save this rather lackluster film).

I get it but it's not great

[mgalercail · 5 August 2022]

This is one of those films where you do see the directors intention to make a sort of low key teen drama spiced with a bit of horror, yet it comes across rather dull.

The leading lady is quite talented and elevates the very thin script. Too bad it's all for nothing.

I get that it's all about isolation with technology, yet nothing is interesting about this. It's a sort of matter of fact scenario presented in such a lackluster way.

There are no stakes nor consequences for anything that happens. It's simply window dressing of a potentially decent film.

Even with familiar cliches. This would've been an ok slow burn found footage style.

This whole movie is a complete bait and switch I'm afraid.

The worlds fair challenge plays upon the various creepy pasta stories and fake scare challenges on YouTube that many They set it up like the Ring where if you watched a cursed video. You will die. In this case. You will transform into a manifestation of some fear sub consciously.

I liked the little montage of videos all about people A cool body horror segment is shown as well. But of course. Nothing but a tease.

Not one thing comes out in the end as real. We get a marvelous take when she makes a video where her face transforms into something ghastly, nope, sorry not at all

The first Skype call with an online viewer is something you'd see in any urban legend/cursed movie. JBL is the guy trying to warn her. It's creepy though. Hes close to 50. Another angle could be that he really is a creeper and uses the urban legend to entrap her and try to get her.

Once again. Nope.

I'd continue. But I don't want to take up any more of your time. I'd advise to skip.

Would've been alright as a short film. Under 25 min.

Shame really wanted to like this.

Art house drama, NOT a horror film

[krmssr-534-778208 · 6/10 · 20 April 2023]

This is not a bad movie, it's just marketed to the wrong people. At no point is this movie actually scary, or even thrilling. It's a cerebral, artsy drama, with coming of age elements. There are a few times where it's pretty clear what's about to happen, not much of it is terribly interesting though. Will I watch it again? No. Is the screenshot on HBO misleading? I would say so. I think the main thing is that the characters are lonely, and it shapes the movie. Being a teenager is hard, especially when you're constantly alone, like our main character, Casey. Then, when most attention you get is coming from a random stranger on the internet? That thought is scarier than the movie, lol.

This was not it. Boring, plain and simple

[adamoz-94687 · 3/10 · 24 April 2022]

I like indie movies, even slow ones at that. However, this was boring, nothing interesting happened, these long takes of walking and empty space fill the movie up to feature-length time. As a 20-minute short, sure, interesting. This was the longest 1.5 hours of my life. I love weird eerie movies, but this movie mistakes strangeness and emptiness as an introspection into internet culture. Alex G's score is the only reason I give it any stars. I don't understand the positive critical reviews. I've read them, and they are plain wrong, please take my word for it.

Nothing Happens

[sweidman-28016 · 8/10 · 1 February 2021]

I feel like I'm missing something based on the positive reviews from everyone else. We're All Going to the World's Fair sets up to be promising. A teenage girl becomes immersed in an online horror role-playing game. From the picture I expected it to be freaky weird. And the very opening made me think that. The first 30-minutes aren't bad. There's an eerie sense all around and we see some messed up videos from others doing the World's Fair challenge. But then nothing happens. I kept waiting for something disturbing to occur, but the rest of the movie does literally nothing. I understand the message that it's sending about how we should be careful and take things more seriously. Yet, the stakes never get high enough where I felt like our lead, Casey, was in any danger. There's a perspective from another man watching Casey and checking in on her, but he doesn't add anything to the story till the end. The music didn't work at all. We needed something off putting. Instead we got indie music with lyrics playing randomly in spots that didn't work. I'm just really disappointed, especially after one of the extremely messed up videos from another playing. If someone else was attached to the project, I think it would be better.

Interesting movie idea

[bellad-86264 · 6/10 · 23 April 2023]

This movie shows the loneliness of a person and how far they will go to not be lonely. It makes you think a lot. If you want a movie to make you think, you should watch it. There is a lot of disturbing and unsettling scare tactics that mess with you mind. If you don't think psychological movies are good for or will mess with your head too much, do not watch this movie. I think this movie could have pushed the limits but decided to take a lighter approach with it. They also show a relationship between her and an older guy that are both really lonely. The guy plays a big part in representing loneliness.

Many thoughts

[JerSim94 · 3/10 · 24 April 2022]

Synopsis: Casey is a video blogger who posts the "World's Fair" challenge, which has been an ongoing online trend that leads posters to change who they are, become psychotic, or something within the myriad of "changing." One night, JLM--a fellow World's Fair community member--sends her a message saying that she is in danger. From there, the spiral into internet insanity begins.

Review: Here's the problem... I REALLY wanted to like this movie. I wanted to give it a chance and be wowed. But that just didn't happen. The acting is quite good, provided what they were given (which isn't much, frankly). Both leads did a great job creating suspense, committing to their performances, and the mystery of the world and what is real permeates. The question of what truly is real is what garnered the most attention from me at the credits: Did everything that happened happen at face value? Did JLM develop a relationship with Casey and this is a story about the dangers of online grooming? Did any of this even happen and, instead, this is a tale of JLM's wishes to be a young woman in a medium where it is possible? Did JLM create The World's Fair? Is Casey's story, amongst others, just a CreepyPasta that JLM is writing to gain more money--which he seemingly has a lot of given his home, whether that comes from his mother (?) who we see for five seconds at one point in the film--or notoriety?

So many questions, no answers. Which would normally be fine, and the speculative material of the movie would be icing on the cake aside from the solidity of the product itself. But unfortunately, this is not the case for We're All Going to the World's Fair. There is too much that is intangible, unknown, to give more of a punch of story. The cinematography is fine, the editing okay for the most part, and the dialogue fair. My biggest qualm is that this is a drama film masqueraded as a horror film, and while this has been somewhat of a trend lately, this film is the worst offender since there is nothing in it that is remotely scary. It relies way too much on the fact that it is sometimes nighttime outside, and the one scene where I genuinely felt something was when the stuffed animal was ripped apart. It is a good character moment, because Casey is messed up enough to do it thinking it's just a game but also only seemed to connect to the stuffed animal compared to all else in the world so it would have been a stretch for a normal her to do this. JLM mentions her going to in-patient treatment after so perhaps this was also just face value.

I don't feel robbed, I'm just disappointed in what could have been a much scarier or much more approachable film. Again, the speculative nature of the ending and the prompt itself, along with the main stars' acting, are the highlights of the work, but there is nothing that makes this movie worth the price. Not for everyone, and this proverb is certain truly: never again will I be viewing the World's Fair.

Explanation for the bad reviews; Not a horror

[cgearheart · 10/10 · 28 May 2022]

Hello! So, I recently watched this movie and all I can say for myself is that I absolutely loved it. Obviously, the same thing cannot be said for other people. Why? Because this movie was not and is not a horror movie when it's being blatantly advertised as one on IMDB, streaming services, and by the critics reviewing it. Many of the people who gave this movie bad ratings were more than likely expecting an internet horror film. Many of those people were likely (and understandably) very disappointed when they were instead treated to a niche, coming of age art drama with lots of ambiguity and different interpretations. When I first saw the trailer, I had a feeling it was going to be more drama, but with that said, not everyone else sees that. If they see that something says horror, they will believe it's horror because that's what they're being sold. This movie should absolutely not be advertised as a horror film. It's 100% a drama, and with that, I certainly think that's why so many people hated this movie. Had it been advertised for what it was, I'm sure a lot more people would see it for it's true, strange, and very sad beauty. Please give this film a chance, you won't regret it.

A+

7.3/10. Recommended

[athanasiosze · 7/10 · 27 May 2022]

I thought this was a horror movie and i was kinda scared watching this because it is eerie and eldritch.

When i realised what was this movie about, i still liked it, even though this movie's "target group" probably does not include me (I am a 43 years old guy, i guess that younger generations will understand this movie better).

In any case, i felt the pain and the agony of Casey. Tremendous acting, i must say.

The ending is very strange, i would prefer it less ambiguous. It's not bad, however i believe that, some times, the audience must got some answers.

There are movies that an "open ending" is suitable. In my opinion, the whole story "demanded" a clear ending.

That does not mean that the movie is not worth watching. This is a good, maybe a very good movie, but you must know that this is a drama.

A slow, heart-wrenching indie drama.

If you are in the mood for a movie as it was described, watch it.

Don't even bother with this one...

[paul_haakonsen · 1/10 · 31 May 2022]

Never having heard about this 2021 horror drama titled "We're All Going to the World's Fair" from writer and director Jane Schenbrun, I happened to stumble upon the movie here in 2022. And of course, as I believe in given every movie I haven't seen a fair chance, I sat down to watch this movie.

Well, putting "We're All Going to the World's Fair" within the horror genre might be pushing the boundaries quite a bit, because the only thing scary in this 2021 movie was the lack of an interesting storyline, a pleasing narrative and the fact that something like this passes for a movie.

The storyline in "We're All Going to the World's Fair", as written by Jane Schoenbrun, was a complete and utter swing and a miss, especially in terms of it providing me with any entertainment. Nothing happened in this movie, aside from actress Anna Cobb - in the role of Casey - sitting in front of her computer and looking into the screen, doing a solo dance routine or sitting in the forest. It was just downright abysmal to watch, and even more so to suffer through.

Truth be told, after a mere 15 minutes then I was good and ready to turn off this train wreck of a movie, but I opted to stick with it. And I managed to endure a staggering 49 minutes of absolutely nothing. I kid you not, nothing happens in this movie. So if you have a grain of respect for our limited time on this world, do yourself a favor and skip on this movie.

I am rating Jane Schoenbrun's "We're All Going to the World's Fair" a one out of ten stars. This is definitely in the top three of worst movies I have ever come across.

If two hours of nothing happening turns you on...

[meowmasboy · 6/10 · 28 April 2022]

...then this is your lucky day! Aside from a really great performance from Anna Cobb (great upcoming actress, wish her great success in her career), the movie is boring. I mean, almost nothing happens, at all. The big "plot twist" at the end is silly and not even shocking in the slightest way. So, if you hate action and entertainment, then this is the movie for you!

Dull and Devoid of Meaning

[elmkim · 3/10 · 2 May 2022]

While I appreciate this film as a character study, through behavior rather than dialogue, that evokes idiosyncratic emotion, I could not be more disappointed with practically every other aspect. The movie was slapstick, cheaply shot, purposeless, and overall a waste of an hour and 25 minutes. There's an adage that if a gun is introduced in one act, it should be used in the following otherwise don't put it there. This movie did the exact opposite. Very dull on top of being dreadfully slow with nearly zero payoff.

You are in trouble

[begob · 7/10 · 3 June 2022]

A lonely teen takes the challenge of an online horror game, where she receives some unwelcome advice.

Interesting movie, which I don't class as a horror ... except for one chilling moment that truly captures the essence of the genre. The shape of the story is a coming of age in a sort of group therapy, where the person fesses up to a problem shared by the others, and gets to exchange war stories and listen to advice. And the problem? The death wish.

The opening scene is unusual, with an extended address to desktop-camera. Similar to the recent Intervention, but the performance here is much better, and so the director can take liberties with convention. In general, the direction and editing are experimental, sometimes naive, but the only real failure is in the jerky hand-held scene at the New Year's event.

The chilling moment is a great example, where the lighting is just a friggin' bedside lamp, the sound comes from a hissy microphone, and the camera is static - but the combination works just right, as the unexplained noise sets us on edge for a simple but creepy reveal. Even in that simplicity the performance is good, and also in a dance routine and an indignant tarot card reading.

So what's it all about? I don't think the movie makes a particular case, but it does point out plenty of evidence. The loneliness that an online existence hardly dispels, the desolation of American capitalism with its box stores and overriding traffic, the firepower casually lying about, the personal developmental problems that are never properly treated. What it doesn't do is point to a single cause, or transfer causation to a figure or symbol of horror. Yet, in the end, it does what a serious work of art ought to: show a way out of the trouble. So life online ain't so bad after all. As for the girl's mentor - a kindred soul, but a mysterious choice of character - maybe that mix of weird compassion suits a situation where the problem is next to nothing but its consequences are everything.

The music is curious, nothing outstanding.

Overall: interesting oddity, but not quite a horror.

little eery but not much happens

[Laura_Ratings · 5/10 · 25 April 2022]

I can appreciate the work that has gone into making the movie and production wise i'd say it's a good movie for being a low budget film, but it's definitely not my cup of tea.

It was very slow and I expected more from it. A lot of scenes took forever, like the moment when we're watching ASMR for about 3 minutes. Don't know I feel about that one either, if it's a brilliant choice for a horror movie or not. It is probably the only original thing in the movie I'd say.

IDK, it get points for trying and some people might like/love the movie, I just didn't.

A truly original, deeply frightening vision

[Stay_away_from_the_Metropol · 9/10 · 31 October 2022]

This is honestly the creepiest movie I have seen in years. Two nights in a row I crawled into bed and turned it on just before going to sleep, and both times I had to turn it off and switch to something goofy and nostalgic (Friends) before actually trying to sleep, because I knew I would have horrendously creepy nightmares otherwise. After the first night, I couldn't stop thinking about it but my girlfriend spent the night the following night and she already has sleeping problems, so there was no way I was gonna do that to her. I finally finished it this morning (Halloween morning) and I'm beyond impressed with this profound feature film debut from writer/director Jane Schoenbrun.

The problem with the majority of American horror films this century is they entirely lack 2 things: creativity, and psychological depth. The only way to truly shake (a.k.a. Scar) the mind is through one of these two things...to take the brain somewhere it's never been, or to shift someone's perception of an element of reality by showing them a side of it they've never seen before. Each of these 2 things are WAGTTWF's greatest strengths and the entire film stems from these two things...unique nightmarish concepts, and disturbing psychological themes. Even more surreal is that as I type this, I realize that what I'm describing is perhaps the most prominent theme in the entire film. The film focuses on depressed, lonely, reclusive characters who are very clearly drawn to "the darkness" and seemingly seeking out something darker within it - "waiting for something to happen" - and when I say "the darkness", I mean REAL darkness, not some cheesy CGI boogieman.

What begins as a film in which you feel like you might see a ghost in the background unfolds into a relatively Lynchian surrealist abyss that lurches its way through intense topics such as psychosis, suicide, parasocial relationships, and...more. Aside from the heavy psych stuff, this might be the first movie I've ever seen that takes the concept of getting lost in a "YouTube hole" late at night and it actually potentially being some sort of portal to Hell. (One must remember, it is very likely that Hell exists within - only to be accessed through "unlocking", again - very much one of the key themes of this entire film).

Another reason the film stands out and works so well is because the film feels deeply personal - it actually left me wondering if perhaps the director related to each of the two primary characters at one point in her life. There is an intense symbiosis between the two and the shared melancholy between them is genuinely frightening. The whole concept of "The World's Fair" is one of great intrigue and even when the movie is over, it is very much up to you to decide just what The Fair truly is. My girlfriend always talks about these "backrooms" on the internet, which I've never been to or seen, but I felt that this movie very much carried the same energy as that based on the way she describes it. There's always been a corner of the internet that's harnessed the darkest facets of human interests - this film harnesses that on its surface, and explores why the people who spend their time there might be the way they are. No other film has ever done it like this.

All that aside, the movie is a fantastic showcase of how to make a low-budget film that is more effective and more impressive than 99% of movies with large budgets. Young lead actress Anna Cobb carries the movie wonderfully and offers a very impressive amount of personality and understanding to a very demanding, very complex, very ambitious script. She handled it with flying colors. I am very happy to see that Luca G has included her in his next movie, Bones And All, alongside Timothee Chalamet - she very much deserves it. If I could have 3 wishes, one of them might be to get more scripts for films like this funding - this is the most original, most intensely personal movie I have seen this year, and I feel inspired and invigorated by having seen a film that actually scared me again, at 37 years old. If I had the money, Jane Schoenbrun would be one of the new filmmakers I'd be backing.

This movie has a lot of low ratings, and a lot of people seem to find it "boring", but I can say with full confidence that this is just one of those films that a lot of people aren't going to "get". Perhaps you need to have been in a dark enough place in your life at one point in order to understand it, but trust me, this one has a lot of TRUE horror in it, and I've never seen anything like it.

Worst Movie I've Ever Seen In My Life

[jprkns · 20 February 2023]

This is by far the worst movie I've ever watched in my life. I literally created this account just to express that. What looked like a promising preview, ultimately left us with disappointment, confusion and regret for family movie night. Whoever wrote, directed and acted in this movie should be forever banned from ever creating anything within the film industry. It's time to retire. It's time for a new career. And it's time we ban this movie from ever being broadcasted on any streaming network. I wish there were negative stars to give because Jesus Christ. The people giving positive reviews have no idea what is going on. They think there are metaphors but there are not. This film is simply just horrible. Please don't ever create anything ever again or so help me God I will find a way to sue for wasted time.

Cobb gives a remarkable debut peformance as well as Schoenberg's first feature film - a bit more desired but the effect is genuinely felt in the pains of loneliness.

[george.schmidt · 7/10 · 29 April 2022]

WE'RE ALL GOING TO THE WORLD'S FAIR (2022) **1/2 Anna Cobb, Michael J. Rogers. Filmmaker Jane Schoenbrun's slow burn debut about a lonely horror film fan, teenager named Casey(newcomer Cobb - whose heart-shaped ethereal face resembles a cross between Jessica Harper and Jane Adams - in a remarkable performance) who embarks upon a unique journey via an Internet website which offers a change in its participants which may or may not have deadly consequences. Eerie in its stillness the atmosphere is perfectly captured of the angst and anomie of a young woman trying to find out for herself what life can promise mixed with dread is definitely engrossing but there seems to be less is more in the outcome. Rogers, as a stranger befriending Cobb, borderlines genuine compassion with unsettling creepiness.

Nothing Happens...

[icocleric · 1/10 · 29 August 2022]

There's a lot of scenes that don't feel they are needed or add anything to the film... It's very slow, and very dull. The idea sounds cool, and I really feel so much more could have been done with it. But nothing actually happens!?

There's one cool scene in the whole film where tickets come out of a guys strange rash on his arm. But apart from that it's dull. It is like watching someone else watch YouTube but they don't have much of a personality. She has a couple of "weird feelings" but then everything is fine.

There's so much of nothing in this film that it was difficult to get my review long enough.

Startling and impressive debut but probably won't suit everybody

[gillman11 · 8/10 · 18 October 2021]

Grimmfest 2021

A teenage girl enters a role playing horror game using social media and attracts the attention of an older man.

Schoenbrun's feature debut is a fascinating puzzle box, confident of its intent and increasingly unsettling as it progresses.

The tale is told through a combination of online videos, mainly produced by the two protagonists and some third person observation of their offline irl lives.

Not a film that feels particularly inclined to explain itself, information is provided and its up to the viewer how they interpret it (cue responses of 'pfft, well I could do that at home')

For this viewer it was an absorbing and unsettling meditation on teenage alienation, crisis of identity and cyber grooming, amongst a myriad of other things.

You will likely either love it or hate it,.

Subtly terrifying

[lilyinthedell · 7/10 · 18 February 2023]

Every parents nightmare.

It is also a comment on how easily the internet isolates us. There are moments that I wanted to fast forward but then it becomes something you can't look away from. I litterally had to get to the awful end.

It is a slow burn but as one realizes what is happening it gets scarier and scarier as it is a story that could actually happen. Has a train- wreck quality about.

Also has anyone else noticed how familiar the second house is? Paranormal activity indeed.

Good acting, slow moving. I will be interested in what comes from this group next. The young actress was impressive. Indeed.

Nothing happens, and the older man obsessed with a highschool girl? Wtf?

[mmilenica87 · 3/10 · 29 April 2022]

I simply love horror movies, even low-budget and slow-burning, I don't mind it really, and I can find something good in almost every horror movie. But this one... God... Nothing happens, and I mean it, NOTHING. The creepiest thing about the whole movie is an older man harrasing a high-school girl. He is obsessed with her, cannot sleep because he's "worried " and his speech at the end was just too much. Guys, THAT was creepy. And not those long scenes of the girl staring at the camera or acting "weird".