Directed by
Fred Gallo |
Writing Credits (in alphabetical order)
Tracy Barone | ... | (story) |
Elisa Bell | ... | (screenplay) |
Elisa Bell | ... | (story) |
Cast (in credits order)
Robin Riker | ... | Magenta (as Robin Riker-Hasley) | |
Eric Waterhouse | ... | Andrew | |
Jack L. Harrell | ... | Mel (as Jack Harrell) | |
Annie O'Donnel | ... | Lorette | |
Julie Rhodes | ... | Red Head #1 | |
Kimberly Nelson | ... | Red Head #2 | |
Avi Simon | ... | Motel Manager | |
Clement Blake | ... | Cabbie | |
Stacy Bell | ... | Dead Girl |
Produced by
Bob Ducsay | ... | associate producer |
Fred Gallo | ... | producer |
Mark Parry | ... | producer |
Harry Zimmerman | ... | associate producer |
Music by
Daniel May |
Cinematography by
Mark Parry |
Editing by
Bob Ducsay |
Casting By
Stacy Bell |
Art Direction by
Mark Parry |
Makeup Department
Linda A. Dresie | ... | makeup artist (as Linda Dresie) |
Jai Lone | ... | makeup designer: Robin Riker |
Second Unit Director or Assistant Director
Asbed Bedrossian | ... | assistant director |
Suzette Craft | ... | second assistant director |
Art Department
Marc Messenger | ... | set designer |
Sound Department
Brad Brock | ... | adr mixer |
Eric Dosch | ... | re-recording mixer |
Bob Ducsay | ... | re-recording mixer / supervising sound editor |
Freddy Gee | ... | additional sound effects recordist |
David W. Gray | ... | sound consultant: Dolby (as David Gray) |
David Miranda-Hardy | ... | foley mixer (as David Miranda) / re-recording mixer (as David Miranda) |
Special Effects by
Thaine Morris | ... | special effects supervisor |
Stunts
Debby Lynn Ross | ... | stunt coordinator |
Camera and Electrical Department
Brian Agnew | ... | first assistant camera |
David Dechant | ... | first assistant camera |
Dan Jackson | ... | first assistant camera |
Gray Marshall | ... | first assistant camera / second assistant camera |
Hugo Pallete | ... | best boy electric |
John F.K. Parenteau | ... | gaffer (as John Parenteau) |
Aaron Schneider | ... | gaffer |
Steve Wagner | ... | additional assistant camera |
Harry Zimmerman | ... | camera operator |
Editorial Department
Mike Milliken | ... | color timer |
Kelly Takemura | ... | assistant editor |
Script and Continuity Department
Cindy Maxwell | ... | script supervisor |
Thanks
Dean N. Ayers | ... | the producers wish to thank: Anheuser Busch (as Dean Ayers) |
Don J. Bassman | ... | the producers wish to thank: 20th Century Fox (as Don Bassman) |
Don Buckles | ... | the producers wish to thank: FPC |
John Campbell | ... | the producers wish to thank: Paramount Pictures |
Bob Dykes | ... | the producers wish to thank: Galpin Ford |
Jim Elias | ... | the producers wish to thank: FGV Panther Corporation |
Aziz Ghazal | ... | the producers wish to thank |
David W. Gray | ... | the producers wish to thank: Dolby Laboratories (as David Gray) |
Bob Heiber | ... | the producers wish to thank: Warner-Hollywood Studios |
Sandy Hermans | ... | the producers wish to thank |
John Hughes | ... | the producers wish to thank: Reel EFX |
Fiona Jan | ... | the producers wish to thank |
Dana Knowles | ... | the producers wish to thank |
George Lehr | ... | the producers wish to thank |
Bebe Louie | ... | the producers wish to thank |
David Mannix | ... | the producers wish to thank: Paramount Pictures |
Ken Miura | ... | the producers wish to thank |
Albee Patnesky | ... | the producers wish to thank: Panavision |
Bud Stone | ... | the producers wish to thank: Deluxe Laboratories |
Arlene Waxman | ... | the producers wish to thank |
David Wolpa | ... | the producers wish to thank: Beverly Hills Sound (as Dave Wolpa) |
Jacqueline Woolf | ... | the producers wish to thank |