Any discussion of Gundam Hathway requires the disclaimer that an understanding of the Universal Century timeline is required; at the very least, Gundam 0079, Zeta, and Char's Counterattack. I suspect this limits the movie's overall appeal, since many people - even some Gundam fans - may have not seen any or all of those previously mentioned media. For the purposes of this review, I'll be approaching the movie as a film first and Gundam entry second.
The story is fairly straightforward - the enigmatic Mafty is waging de facto war on the Earth Federation, having assassinated many top officials. We're thrown into this story with an early action set piece set on a plane, which is fairly well-executed but ultimately doesn't do much to lead into the rest of the story; it's good filler, though, and introduces the characters well enough. It's the first of three major action set pieces, and I'd rank it as the middle best.
After the introduction is where the movie starts to get bogged down. The main character, Hathaway, is suddenly tied to the hip with a strange girl named Gigi, who in turn brings in the military character Kenneth (previously appears during the plane sequence but disappears for a bit afterwards). I'm not sure why Hathaway is enamored with Gigi apart from her beauty - even Hathaway remarks during the movie that he's not sure why he can't let her go during a crucial part of his plan as well. It's also during this part that the audience is introduced to Mafty's ideology, which is presented in pretty stark terms as police forces brutalize the populace - somewhat heavy-handed execution. I'm also not a big fan of the internal thoughts that Hathaway uses more during this part of the movie, which seems like a crutch as part of the adaptation process from novel to movie.
Thankfully, the second act is topped off by the best action set piece in the movie, which is a night-time raid by Mafty forces. Clever use of the darkness hides the 3D CGI mobile suit models, which would be jarring in light, and we're given a unique perspective as the main character runs for his life while giant robots do battle above him. Even something as simple as a mobile suit dropping its beam rifle suddenly becomes a dangerous situation for the people below, and the movie does a good job showing the scale of mobile suit combat in an urban area.
Unfortunately, we then arrive at the third act, which I would say is the weakest part of the movie topped by the weakest of the movie's three action set pieces. The pacing slows to an absolute crawl here, and the only noteworthy event in the story is that Mafty is to take delivery of a new Gundam model, which leads into the movie's first and only Gundam vs. Gundam battle. This battle is a disappointment - the entire set piece is so dark that the audience can barely see anything, which is likely to hide the fact that both Gundams are 3D CGI rather than 2D hand-drawn animation. Frankly, I'm not a fan of the modern 3D CGI-style animation for mecha, as the weight and intensity of the mecha get lost in the overly-shiny and jarring 3D CGI. However, Gundam Hathaway leans heavily into this, and as such, the set pieces need to be dark. This worked for the second set piece, but not the third.
Overall, the movie is somewhat disappointing as both a moviegoer and a Gundam fan. As a moviegoer, the movie is poorly paced and remnants of its past as a novel are clearly seen in the adaptation process. Even at its already-brisk 96 minute runtime, it feels slow as if there isn't quite enough story to match the runtime. The action is disappointing compared to Gundam's usual bombastic affairs, lacking any kind of emotional engagement or tension as we know that the main character can't lose and the relationship between the two combatants is non-existent. As a Gundam fan, the series doesn't tread over any new territory - anti-war and anti-authoritarian ideas have long been explored in a variety of Gundam media, and Gundam Hathaway is just the latest in that history. Without the usual flair of most Gundam series, Gundam Hathaway doesn't really stand out from the crowd.
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