Oscar-winning producer Albert S. Ruddy's never-before-revealed experiences of making The Godfather (1972).Oscar-winning producer Albert S. Ruddy's never-before-revealed experiences of making The Godfather (1972).Oscar-winning producer Albert S. Ruddy's never-before-revealed experiences of making The Godfather (1972).
- Awards
- 3 wins & 6 nominations total
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Summary
Reviewers say 'The Offer' is acclaimed for its engaging narrative, strong performances, and authentic 1970s Hollywood setting. Miles Teller, Matthew Goode, and Juno Temple receive praise for their roles. The series offers a fascinating behind-the-scenes look at 'The Godfather,' though some note factual inaccuracies. High production values and immersive set design are highlighted, yet a few critics point out inconsistencies and anachronisms. Overall, 'The Offer' is a compelling watch for 'Godfather' enthusiasts and film production aficionados.
Featured reviews
I didn't really know what to expect from The Offer. Even though I love The Godfather as much as everyone else, I wasn't all the interested on how the film was made. I was wrong! After reading all the great reviews and seeing the great cast I thought I'd give it a chance. I'm absolutely blown away by how much I like this show. You don't have to be a fan of The Godfather or have even seen it to enjoy this show. It's not the best series I've ever seen but it's still a really good and interesting series. Miles Teller, Giovanni Robison, Matthew Goode and the rest of this fantastic cast all do an amazing job. If you have reservations like I did on how good a show about a a movie getting made can be...don't! I absolutely recommend this show!
This is a show about the making of a movie, but it's so very much more. It's about the people who birthed "The Godfather", and the extreme adversity which hindered the creation of this immortal film. I watched the first 5 episodes in a day.
We follow an amateur producer, Albert Ruddy (Miles Teller), with minimal experience on the Hollywood scene, but he is a force, a powerhouse with a vision. His primary role with Paramount is to make this "mafia" movie that it seems nobody (who was anybody) wants on the screen. There is a lot of pressure from Frank Sinatra, the government, the Italians, and others to halt the making of this film in its tracks. At any given time any or all of these powerful entities are fighting for any hint of this movie to be eradicated from existence - never to be conceived, and promptly to be forgotten. But Mr. Ruddy's persistence and sheer will are what eventually lead to the realization of the greatest, or at least one of the top five greatest films of all time. Miles Teller as an actor proves in this that he is literally capable of anything, and his inexhaustible skills are apparent. Bravo. 10/10. Award-worthy.
The over-indulgent and bloated executives at an ailing Paramount allow Ruddy to assemble what appears to be a bunch of aspiring indigents...novices so to speak; to piece together a fragmented but potentially splendorous film. This is their story.
Ruddy's persistence and focus alone is what brought this dream to fruition, but he needed direction, vision, and inspiration as well. A woman named Bettye McCart (Juno Temple), bulldozes her way into his good graces, and basically takes the assistant position. She senses his brilliance and unequaled drive immediately, and with her own seemingly limitless knowledge of "the biz", she is able to enhance his effectiveness. Ms. Temple gives a stellar performance. 9.0/10
Ruddy meets an alluring woman named Francoise Glazer (Nora Arnezeder), who wishes to share his aspirations, and they quickly fall in love. Kudos to Arnezeder's portrayal of this character, as I found her to be startlingly irresistible. Although her screen time was fairly minimal, her character was quite refined - yet another brilliant performance. 8.7/10
The executives at Paramount, Matthew Goode as Robert Evans, and Burn Gorman as Charles Bluhdorn are the most profound embodiment of uptight intensity that I've witnessed in a number of years. I'm reminded of some of the great Jack Nicholson roles. Gorman has a very bizarre tone unrivaled by most, and I found myself strangely drawn to his antics. 9.7/10. And Evans, the way he shows anger, disgust, and approval all in the same expression - is quite convincing, and fascinating. 9.3/10.
The writer of the novel "The Godfather", Mario Puzo, was also invited to write the screenplay for the movie, because Paramount had a limited budget. Oh how fate smiled upon these circumstances, because Puzo (Patrick Gallo) went on to write one of the greatest screenplays of all time. And Patrick Gallo engineered nothing short of a brilliance. I am amazed at all the great performances in this series, it's totally mind-boggling. 9.2/10
Guess what? There's still more...
Probably my favorite actor in this series is Dan Fogler who portrays Francis Ford Coppola. If Coppola's true nature is similar to what Fogler has illustrated - then I am in love with this man!! What a fascinating and thoroughly compelling director and person Fogler renders for us. The provocative style and essence of Coppola - sheer BRILLIANCE. I feel like I keep repeating that word. The way he fashions The Godfather, primarily sharing a co-vision with Puzo, it's so tangible and full of emotional depth. 10/10. Award-worthy.
Giovanni Ribisi as Joe Colombo (real mafia mob boss), is a very chummy sort of scary guy. You really want to like him, but we are reminded from time to time that he is indeed a real gangster, a true thug. Ribisi captures the essence of being a lovable bad guy. I have the faint impression that he wanted to be Marlon Brando (many similarities to Don Corleone), but was probably informed that it was too small a part. All said - 8.8/10
Colin Hanks as Barry Lapidus (another angry and impatient man) 8.5/10. I am surprised he had one of the very lesser roles in this, being such an accomplished actor himself.
Do you have to love The Godfather to love this show? I don't know, I love the Godfather, so I might be biased. However, my love for The Godfather notwithstanding, this is (and likely will remain) the #1 show of 2022 (for me). I find it difficult to imagine anything will surpass it. Everything is 10/10: writing, directing, pacing, cinematography, acting, dialogue.
We follow an amateur producer, Albert Ruddy (Miles Teller), with minimal experience on the Hollywood scene, but he is a force, a powerhouse with a vision. His primary role with Paramount is to make this "mafia" movie that it seems nobody (who was anybody) wants on the screen. There is a lot of pressure from Frank Sinatra, the government, the Italians, and others to halt the making of this film in its tracks. At any given time any or all of these powerful entities are fighting for any hint of this movie to be eradicated from existence - never to be conceived, and promptly to be forgotten. But Mr. Ruddy's persistence and sheer will are what eventually lead to the realization of the greatest, or at least one of the top five greatest films of all time. Miles Teller as an actor proves in this that he is literally capable of anything, and his inexhaustible skills are apparent. Bravo. 10/10. Award-worthy.
The over-indulgent and bloated executives at an ailing Paramount allow Ruddy to assemble what appears to be a bunch of aspiring indigents...novices so to speak; to piece together a fragmented but potentially splendorous film. This is their story.
Ruddy's persistence and focus alone is what brought this dream to fruition, but he needed direction, vision, and inspiration as well. A woman named Bettye McCart (Juno Temple), bulldozes her way into his good graces, and basically takes the assistant position. She senses his brilliance and unequaled drive immediately, and with her own seemingly limitless knowledge of "the biz", she is able to enhance his effectiveness. Ms. Temple gives a stellar performance. 9.0/10
Ruddy meets an alluring woman named Francoise Glazer (Nora Arnezeder), who wishes to share his aspirations, and they quickly fall in love. Kudos to Arnezeder's portrayal of this character, as I found her to be startlingly irresistible. Although her screen time was fairly minimal, her character was quite refined - yet another brilliant performance. 8.7/10
The executives at Paramount, Matthew Goode as Robert Evans, and Burn Gorman as Charles Bluhdorn are the most profound embodiment of uptight intensity that I've witnessed in a number of years. I'm reminded of some of the great Jack Nicholson roles. Gorman has a very bizarre tone unrivaled by most, and I found myself strangely drawn to his antics. 9.7/10. And Evans, the way he shows anger, disgust, and approval all in the same expression - is quite convincing, and fascinating. 9.3/10.
The writer of the novel "The Godfather", Mario Puzo, was also invited to write the screenplay for the movie, because Paramount had a limited budget. Oh how fate smiled upon these circumstances, because Puzo (Patrick Gallo) went on to write one of the greatest screenplays of all time. And Patrick Gallo engineered nothing short of a brilliance. I am amazed at all the great performances in this series, it's totally mind-boggling. 9.2/10
Guess what? There's still more...
Probably my favorite actor in this series is Dan Fogler who portrays Francis Ford Coppola. If Coppola's true nature is similar to what Fogler has illustrated - then I am in love with this man!! What a fascinating and thoroughly compelling director and person Fogler renders for us. The provocative style and essence of Coppola - sheer BRILLIANCE. I feel like I keep repeating that word. The way he fashions The Godfather, primarily sharing a co-vision with Puzo, it's so tangible and full of emotional depth. 10/10. Award-worthy.
Giovanni Ribisi as Joe Colombo (real mafia mob boss), is a very chummy sort of scary guy. You really want to like him, but we are reminded from time to time that he is indeed a real gangster, a true thug. Ribisi captures the essence of being a lovable bad guy. I have the faint impression that he wanted to be Marlon Brando (many similarities to Don Corleone), but was probably informed that it was too small a part. All said - 8.8/10
Colin Hanks as Barry Lapidus (another angry and impatient man) 8.5/10. I am surprised he had one of the very lesser roles in this, being such an accomplished actor himself.
Do you have to love The Godfather to love this show? I don't know, I love the Godfather, so I might be biased. However, my love for The Godfather notwithstanding, this is (and likely will remain) the #1 show of 2022 (for me). I find it difficult to imagine anything will surpass it. Everything is 10/10: writing, directing, pacing, cinematography, acting, dialogue.
I got sucked in with The Offer. Incredible sets and definitely period correct. Yes there's some exaggerated performances, and it's bloated as Hell with subplots, and I don't know why, but that's what makes The Offer fun. I'm hooked, flaws and all. I love period pieces, I'm a movie and a Godfather lover from way back.
I know there's some whining, rich painfully out-of-touch with reality Hollywood folks (I've heard it all a million times), name-dropping, and talking about they knew the real people portrayed in this series, saying this not how it happened, blah, blah, blah, and who think they know it all...they're annoying. No one ever said this series was a Ken Burns documentary. Get over yourselves. But for the rest of us who love period pieces, sometimes you just want to time travel for some escapist fun. So take the bad reviews with a grain of salt, because some of these professional movie critics, know the rich people complaining and want to stay in their good graces.
Miles Teller is superb as Al Ruddy and Juno Temple nails per part as his trusted sidekick/secretary/friend/shrink. And though. Giovanni Ribisi is getting dragged for his portrayal of an Italian crime boss, I think he's perfect in that role. And Matthew Goode as Robert Evans is hilarious, and from what I've heard, he's also spot-on. There is no bad casting in The Offer and it harkens back to an era of pure hedonistic pleasure, early 70s fashion and a studio system that had no real vision and The Godfather scared them because it stepped outside of the norm.
I know there's some whining, rich painfully out-of-touch with reality Hollywood folks (I've heard it all a million times), name-dropping, and talking about they knew the real people portrayed in this series, saying this not how it happened, blah, blah, blah, and who think they know it all...they're annoying. No one ever said this series was a Ken Burns documentary. Get over yourselves. But for the rest of us who love period pieces, sometimes you just want to time travel for some escapist fun. So take the bad reviews with a grain of salt, because some of these professional movie critics, know the rich people complaining and want to stay in their good graces.
Miles Teller is superb as Al Ruddy and Juno Temple nails per part as his trusted sidekick/secretary/friend/shrink. And though. Giovanni Ribisi is getting dragged for his portrayal of an Italian crime boss, I think he's perfect in that role. And Matthew Goode as Robert Evans is hilarious, and from what I've heard, he's also spot-on. There is no bad casting in The Offer and it harkens back to an era of pure hedonistic pleasure, early 70s fashion and a studio system that had no real vision and The Godfather scared them because it stepped outside of the norm.
Can't believe how goo this is. There's is not one aspect of this series that is off the mark. The production, the acting, the dialog, the pace, drama, humor, tension, on and on there are no faults here. Very entertaining from beginning to end. Every episode is better that the prior one hands down.
Why not everyone's talking about this, Cinephiles it's about how they made one of your beloved movies. An incredible series that is surely to get its due credit with times. Loved it.
A series about the making of The Godfather by its producer Al Ruddy's perspective. Undoubtedly took many artistic liberties to tell the amazing true story, so many of the things I have seen, & read over the years, that gave credit to Coppola, this series gives those credits to Ruddy. Balances fact and fiction in such a lovable way. The real-life Mafia struggles juxtaposed against the backdrop of the film & it's making is really intriguing to watch. Acting performances are mind blowing! Matthew Goode, Juno Temple, Burn Gorman are obviously excellent, steals every scene but Miles Teller has really grown on me since Whiplash to this as Ruddy. The next big thing.. A Must Watch, if you love The Godfather Trilogy...
What a great way to celebrate the 51st anniversary of The Godfather, released on this day 1972.
A series about the making of The Godfather by its producer Al Ruddy's perspective. Undoubtedly took many artistic liberties to tell the amazing true story, so many of the things I have seen, & read over the years, that gave credit to Coppola, this series gives those credits to Ruddy. Balances fact and fiction in such a lovable way. The real-life Mafia struggles juxtaposed against the backdrop of the film & it's making is really intriguing to watch. Acting performances are mind blowing! Matthew Goode, Juno Temple, Burn Gorman are obviously excellent, steals every scene but Miles Teller has really grown on me since Whiplash to this as Ruddy. The next big thing.. A Must Watch, if you love The Godfather Trilogy...
What a great way to celebrate the 51st anniversary of The Godfather, released on this day 1972.
Storyline
Did you know
- TriviaWhen Al Ruddy meets Francis Ford Coppola to discuss The Godfather project, George Lucas is clearly in the background with several other individuals.
- GoofsThe show portrays Joe Gallo being released from prison, which happened in 1971, and then immediately cuts to Tommy Lucchese talking about how he served his time. But Tommy Lucchese died in 1967, so him being in the show at all past the first or second episode is factually incorrect.
- ConnectionsFeatured in The Cinema Snob: Matilda (2022)
- How many seasons does The Offer have?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Пропозиція
- Filming locations
- Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA(New York street, San Gennaro Festival)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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