Pariah

For me there is no denying it that this was simply being one great, little movie! I can see why some people love it but I can also see why some would hate it. That's the curse and blessing of an independent movie I guess; you'll either simply hate it or just love it!

For me this was being a very good and interesting watch, most likely due to its original concept. There are of course plenty of coming of age movies out there and also lots of movies about youngsters dealing with their sexuality, among many other issues. But as far as to my knowledge there never has been a coming of age movie, involving a lesbian character, set in the African-American community. It's weird to say, since it shouldn't be such a big deal. Nobody in the free-world should feel obligated to pretend to be someone that he or she just isn't and everybody has a right to be happy in his or her own way, no matter what your background or your sexual orientation is. And this movie of course deals with these issues and does it in a pretty realistic and effective way.

It's actually due to the movie its realistic feeling and look that it all works out so effectively. none of the situations or characters in this movie feel exaggerated in any way and the movie deliberate remains small and humble with its story, settings and characters. It never goes all out on anything and the movie luckily also doesn't feel pretentious at all, not even with its directing approach, which is the sort of approach that easily could had annoyed me.

The approach of this movie is a very fast pace, in which stuff happens, without having a 'normal' movie buildup to it (of course also mostly with hand-held camera-work involved). Some slower moments perhaps would had been nice, so things could sink in better and stuff could have a bigger impact as well but on the other hand this might had gone at the expense of the movie its realistic feeling. So I'm definitely contend with the approach this movie was taking, though I couldn't help but think that some things could had been better and could had made a bigger and more emotional impact. The movie as it is isn't being all that emotional and involving, at least not for me. Who knows, maybe there are age groups and persons out there who went through somewhat the same things and struggles as the movie its main character, who will get grabbed more by this movie and feel emotional involved with it, all the way through.

For me, this movie was still absolutely being one fine, little genre movie, despite that I still had some issues with it.

8/10

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There are three things, Dee Rees told the audience of the 2011 Out In Africa South African Gay & Lesbian Film Festival, that they shouldn't say in a pitch: "black", "lesbian" and "coming of age"; a true but problematic piece of advice. To suggest that a film about a young girl coming out is not just a gay film is equally awkward as it implies that the label is a negative one, which is only true if instant box-office and mass-appeal is an absolute priority. It's just that, in one way or another, the message should be conveyed that Rees's debut feature Pariah is a film about the essence of being.

Alike (Adepero Oduye) is a teenage Brooklyn girl who is struggling to live up to her mother's expectations while trying to figure out who she is. Certain about her sexual orientation, she's insecure about where she fits in as a young lesbian woman and a budding writer in search of her authentic voice. While the local gay club is offering some respite, she finds it difficult to identify both with the studs who throw money at strippers, and the femmes waiting to be picked up by the likes of her close friend Laura (Pernell Walker). And caught up between a controlling, disappointed and worried mother (Kim Wayans) and a disillusioned, tired and caring father (Charles Parnell), Alike, just like her parents and sister (Sahra Mellesse), is stuck in a suffocating web of lies that is keeping the fragile family unit from imploding, while preventing the family members from becoming all that they could be.

Dee Rees and her phenomenal cast don't shy away from complexity and contradiction. Too courageous and curious to surrender to stereotyping, and in possession of the sensibility and wisdom required to capture not just the extraordinary, Rees relies on nuance and small gestures to convey the fears of Alike's father, the archetypal man who is as gentle, loving and sensitive as he is dominating, as well as the qualms of her mother, who with piercing eyes and a sharp tongue observes and comments on Alike's journey.

"Who I am will always be part of my work." says Dee Rees, who hopes that one day her sexual orientation will be the premise of her stories, rather than the story. Pariah relates to blackness exactly like that; as a premise and not a defining condition and problem to be overcome, which is far from the only reason why Pariah is such an engaging and unique piece of well-written, well-directed and well-acted storytelling. One that speaks to anyone aspiring to or dreaming of reaching their full potential as human beings.

This and other movie reviews to be found on the blog "In the Words of Katarina"

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I don't think it's fair to say that PARIAH is this year's Precious, but I don't blame those who try to make the comparison. PARIAH does have themes about staying strong in the face of adversity, but just like Brokeback Mountain and Albert Nobbs, this film is also about being true to oneself and about acceptance. PARIAH is a bold, courageous feature debut by writer/director Dee Rees and a noteworthy performance by lead actress Adepero Oduye…

This obviously is not the first film to champion LGTB but what makes it intriguing, at least in my book, is that it's probably one of the few I've seen, to convey LGTB story by way of urban black neighborhood. Writer/director Dee Rees is not afraid to push the conflicts, to emphasize how hard it is to come out and how frustrating it is for a lesbian to get used to the fact that she may never be allowed to come home to the family she loves. Is your sexual orientation something to look down on or to be proud of? That particular identity conflict is at the heart of PARIAH, the word itself means outcast or despised. It's a very well written script with dialogues and story arc that are riveting. The film has effective humor and its serious tone is at the right dose.

Actress Adepero Oduye's performance is one that deserves attention, it should not be ignored. As Alike, she's quiet and you can also tell when she's confused and scared before she finally gets to be certain and undeterred. Kim Wayans (one of the Wayans siblings) also gives an equally impressive performance. Because I still remember her back in her comedic days but now seeing her unleash her dramatic chops is quite an upgrade. Kim represents every parent who unfortunately considers their gay children dead and Kim plays that role down pat. And just like Brokeback Mountain and Albert Nobbs, PARIAH also presented the challenges of falling in love with someone who wouldn't want to or is too scared to take the chance in fear of what society may think of them. With a dysfunctional family disguised in conservatism and old fashioned values, the film gives the lead character Alike even more reason to break away and choose her self.

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Perhaps Pariah occupies a title that is a bit too heavy for its subject matter. The film around a seventeen year old girl, black and lesbian in an urban neighborhood, that is trying to come of age in a time where she is placed into the rare category of being "a minority within a minority." She has some friends, a distant relationship with her parents (not uncommon in teens), and, at the end, her future still has rays of light peaking through the gloom. I have hope for her, and believe that labeling her as a "pariah" is a bit too harsh.

The seventeen year old is named Alike (A-lie-kah, played by Adepero Oduye). Her parents are the heavily-Christian Audrey (Wayans) and the workaholic Arthur (Parnell). Alike usually spends her nights at seamy nightclubs, with her friends and a trusty fake ID. She finds it harder and harder to keep her desires and orientation concealed from her family, and, like most girls around that age, resorts to peer discussions which serve as her motivation.

Let's stop right there; it takes no expert to realize that this is a cliché premise. I understand that. What do I say about cliché premises? When taken with enough heart, seriousness, and personality, they can be involving pictures all the same. Pariah gets involved with a number of different areas in film, that usually go untouched in a coming of age picture.

For one, atmosphere is put to great use here. This is a story of urban alienation, depicting homosexuality in areas where we don't often see it. I was reminded of Scorsese's Taxi Driver while watching a lot of Pariah. Atmospheres are brightly colored and vividly shot. Lots of shots bleed with color, and a lot of silence is punctuated by inviting background music, sometimes cut with boombox hip-hop. Both stories depict lonely protagonists, hungering for acceptance in society, but are continuously left lost, wandering in the sea of despair.

Movies like Pariah are wonderful because they showcase new talents in a familiar world. Another fantastic debut this year was Josh Trank's Chronicle, which had a creative premise, determined actors, and a slick script that lacked in cheap exploitation and gimmicks. Pariah was originally a twenty-eight minute short film, created by director Dee Rees, and in just a few years, has expanded the idea into a fantastic film. Spike Lee serves as one of the executive producers, and in many ways, from the gritty writing to the unsettling atmosphere (just like in Do the Right Thing and Malcolm X) it mirrors a film he could've made.

Not to mention, aside from the film's behind the scenes work, it is also a beauty performance-wise. Adepero Oduye is forced to carry a grand weight of the film on her back, and accepts the challenge almost effortlessly, and Kim Wayans as the blatantly harsh mother, holding back fits of rage and attitude is also a well unsung role. Pariah's story is a great one, depicting homosexuality in places we don't think about, another fascinating story of urban alienation, and showcasing extremely well-cast actors performing beautifully written material. If it keeps up, Dee Rees could become the female Spike Lee.

Starring: Adepero Oduye, Kim Wayans, and Aasha Davis. Directed by: Dee Rees.

This is a tough little movie. Admittedly, a lot of people will be put off by the subject matter. They may not have even chosen to watch it, like I almost did, because of the synopsis which calls this a film about a "teenager's desperate search for sexual expression". My first thought was, "haven't we seen this a million times before." But I gave it a chance and I'm quite glad that I did.

At the beginning of the film, I thought I might have made a mistake. The opening sequence of the movie, and especially the lyrics of the song that is playing, reminded me of those movies made for teenage boys that begin with some sex scene to get them to pay attention to the rest of the film. Had I directed it, I would have lured the viewer in more carefully. However, maybe the director wanted to confront the viewer up front. I think this, combined with the synopsis, was simply bad marketing.

Anyway, if you hang in there and stay with it, the film pays off in the end. This is not a film about lesbianism or the trials of urban black families. This is a film about everyone. It is a film about being different from those around you. It just happens that this difference is lesbianism and this setting is a black community. Two distinct aspects of individualism are focused on here. The first is on that which makes each person unique, while the second is on that which keeps each person self-absorbed. Everyone in this film wants appreciation, understanding, and attention, yet, they are unable to see these needs in others.

The acting is superb. I could find no shortcomings in any of the actors. The relationships were believable, the characters, sympathetic, the storyline, strong. So, overlook the synopsis and the opening scenes and you will not be disappointed in this film. You may even wonder why it didn't receive more awards than it did.