- Runtime
- 1h 55m(115 min)
- Sound mix
- Color
- Aspect ratio
- 1.78 : 1(open matte)
- 1.90 : 1(IMAX version: some scenes)
- 2.39 : 1(theatrical ratio, matted)
- Camera
- Arri Alexa 65, Panavision Primo 70 and System 65 Lenses
- Arri Alexa Mini, Zeiss Ultra Prime Lenses(some shots)
- Arri Alexa XT Plus, Zeiss Ultra Prime and Angenieux Optimo Lenses
- Arriflex 235, Zeiss Ultra Prime Lenses(some scenes)
- Arriflex 435, Panavision Primo and Zeiss Ultra Prime Lenses(some scenes)
- Panavision Panaflex Millennium XL2, Panavision Primo Lenses(some scenes)
- Phantom Flex4K, Zeiss Ultra Prime Lenses(some scenes)
- Laboratory
- Pinewood Digital, London, UK(digital dailies)
- SHED, Santa Monica (CA), USA(dailies: Los Angeles)
- Technicolor, Hollywood (CA), USA(digital intermediate)
- Negative Format
- 35 mm(Kodak)
- CineMag
- Codex
- Cinematographic Process
- ARRIRAW(3.4K, 6.5K, source format)
- Digital Intermediate(2K, master format)
- Dolby Vision
- Phantom RAW(4K, source format, high-speed shots, some scenes)
- ProRes 4:4:4(4K, source format, some shots)
- Super 35(3-perf, source format, some scenes)
- Super Panavision 70(source format)
- Printed Film Format
- 35 mm
- D-Cinema(also 3-D version)
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