Directed by
Tom Shankland |
Writing Credits
Paul Andrew Williams | ... | (story) |
Tom Shankland | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Eva Birthistle | ... | Elaine | |
Stephen Campbell Moore | ... | Jonah | |
Jeremy Sheffield | ... | Robbie | |
Rachel Shelley | ... | Chloe | |
Hannah Tointon | ... | Casey | |
Rafiella Brooks | ... | Leah | |
Jake Hathaway | ... | Nicky | |
William Howes | ... | Paulie | |
Eva Sayer | ... | Miranda |
Produced by
Mark Brooke | ... | executive producer (uncredited) |
Celia Duval | ... | line producer (as Célia Duval) |
Simon Fawcett | ... | executive producer |
Emma Hartley | ... | associate producer |
Nick Love | ... | executive producer |
Rob Morgan | ... | executive producer |
Allan Niblo | ... | producer |
Brock Norman Brock | ... | associate producer |
Rupert Preston | ... | executive producer |
James Richardson | ... | producer |
Lee Thomas | ... | executive producer |
Nigel Williams | ... | executive producer |
Music by
Stephen Hilton |
Cinematography by
Nanu Segal | ... | director of photography |
Editing by
Tim Murrell |
Casting By
Gary Davy | ||
Amanda Tabak |
Production Design by
Suzie Davies |
Art Direction by
Kevin Woodhouse |
Costume Design by
Andrew Cox |
Makeup Department
Stuart Conran | ... | prosthetic technician |
Jacqueline Fowler | ... | hair designer / makeup designer |
Vesna Giordano | ... | prosthetics makeup artist |
Paul Hyett | ... | special makeup effects designer |
Craig Leong | ... | special effects armature technician |
Alison Rainey | ... | hair stylist / makeup artist |
Production Management
Rebekka Garrido | ... | post-production supervisor |
Louise Killin | ... | post-production supervisor |
Second Unit Director or Assistant Director
Andy Hodgson | ... | additional third assistant director |
Ian Hughes | ... | third assistant director |
Elaine Mackenzie | ... | second assistant director (as Elaine MacKenzie) |
Tim Murrell | ... | second unit director |
Jake Rollins | ... | third assistant director |
Nickie Sault | ... | first assistant director |
Art Department
Michael Blake | ... | graphic designer |
Kevin Day | ... | stand-by props |
Kimberley Fahey | ... | production buyer |
Helen Jones | ... | art department assistant |
Ian Newton | ... | props |
Dorothy Sullivan | ... | assistant buyer |
Sound Department
Felix Andriessens | ... | ADR supervising / sound editor |
Anja Bause | ... | foley mixer |
Christian Conrad | ... | supervising sound editor |
Tom Deane | ... | adr mixer |
Alex Ellerington | ... | sound effects editor |
Tobias Fleig | ... | re-recording mixer |
Eric Horstmann | ... | re-recording mixer |
Thomas Kalbér | ... | re-recording assistant mixer |
Stephen Longstaff | ... | boom operator |
Günther Röhn | ... | foley artist |
Dominik Schleier | ... | dialogue editor |
Lionel Strutt | ... | adr coordinator |
Roman Volkholz | ... | supervising foley editor |
Simon Willis | ... | sound mixer (as Simon J. Willis) |
Special Effects by
Dave Crownshaw | ... | snow effects supervisor |
David Johns | ... | snow effects technician |
Martin 'Marty' McLaughlin | ... | snow effects floor supervisor |
Visual Effects by
Jan Berner | ... | visual effects supervisor: at Elektrofilm Postproduction Facilities GmbH |
Jan Burda | ... | visual effects supervisor |
Anna-Lena Carl | ... | visual effects coordinator |
Britt Dunse | ... | title designer |
Philipp Großmann | ... | scanning supervisor |
Sebastian Leutner | ... | visual effects producer |
Florian Obrecht | ... | visual effects |
Niels Rinke | ... | head of visual effects: Elektrofilm |
Ralph Schamberger | ... | junior compositor |
Kolja Schoon | ... | scanning operator |
Benjamin Seide | ... | digital compositor |
Daniel Stübner | ... | digital colorist (as Daniel Stuebner) |
Stunts
Julian Spencer | ... | stunt coordinator |
Helen Steinway Bailey | ... | stunt performer |
Camera and Electrical Department
Nick Beeks-Sanders | ... | additional camera operator (as Nick Beeks Sanders) / camera operator: second unit |
Howard Bourne | ... | camera trainee |
Mark Davenport | ... | first assistant camera - "b" camera |
Graeme Dunn | ... | additional camera operator |
Patrick Duval | ... | additional camera operator |
David Katznelson | ... | additional camera operator / director of photography: second unit |
Roland Keane | ... | camera facilities coordinator |
Sally Low | ... | first assistant camera: "a" camera |
Joanne McIvor | ... | assistant camera (as Jo McIvor) |
Matt Nettheim | ... | still photographer |
Ben Oliver | ... | clapper loader: a camera |
Luke Stone | ... | trainee grip |
Robin Stone | ... | grip |
Casting Department
Daniel Edwards | ... | casting assistant |
Costume and Wardrobe Department
Beth Lewis | ... | key costume stand-by |
Lupt Utama | ... | costume supervisor |
Shirley Wilson | ... | costume assistant |
Editorial Department
Gwillym Hewetson | ... | first assistant editor |
George McKenzie | ... | second assistant editor |
Location Management
Mally Chung | ... | location scout |
Marisha Mukerjee | ... | location scout |
Patrick Stuart | ... | location manager |
Music Department
Matt Dunkley | ... | conductor / orchestrator |
Lol Hammond | ... | music supervisor |
Basil Moore | ... | composer: additional music (as Basil Moore-Asfouri) |
Pati Yang | ... | musician: vocals |
Warren Zielinski | ... | musician: violin |
Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
San Davey | ... | script supervisor |
Additional Crew
Stephen Badham | ... | production liaison manager: Screen West Midlands |
Mark Birmingham | ... | production accountant |
Victoria Chapple | ... | production assistant |
Stephen Hole | ... | head of finance: Vertigo Films |
David Johnstone | ... | insurance services: Media Insurance Brokers |
Jane Karen | ... | children's acting coach / dialect coach |
Christopher Key | ... | cameraman: EPK/making-of documentary |
Louise Killin | ... | production coordinator |
George McKenzie | ... | director: EPK/making-of documentary |
Alyson Pengelly | ... | post production assistant / post production coordinator / production assistant |
David Pollison | ... | acquisitions for Ghost House Underground |
Yu-Fai Suen | ... | investors representative |
Huberta Von Liel | ... | production assistant |
Thanks
Eva Abraham | ... | the music department would like to thank |
Samuel Barnham | ... | the production would like to thank |
Elizabeth Bateman | ... | the makeup and hair department would like to thank: TIGI |
Lauren Bath | ... | the production would like to thank |
Matt Bell | ... | the production would like to thank |
Clive Bradley | ... | the director would like to thank |
Michaela Brooks | ... | the production would like to thank |
Alec Burt | ... | the production would like to thank |
Chee-Lan Chan | ... | special thanks |
Lily Charters | ... | the production would like to thank |
Sarah Chilman | ... | the production would like to thank |
John Collins | ... | the production would like to thank |
Denise Connell | ... | special thanks |
Emily Connell | ... | special thanks |
Linton Connell | ... | special thanks |
Mathew Connell | ... | special thanks |
Matthew Connell | ... | the production would like to thank |
Robert Cowburn | ... | the production would like to thank |
Phoebe Cox | ... | the production would like to thank |
Charles Davis | ... | the production would like to thank |
Josh Suinson Davis | ... | the production would like to thank |
Katie Davis | ... | the production would like to thank |
Cathrine Dawson | ... | the production would like to thank |
Louis Flothmann | ... | the production would like to thank |
Eve Gorman | ... | the production would like to thank |
Steven Grant | ... | the production would like to thank |
Harry Guy | ... | the production would like to thank |
Jack Guy | ... | the production would like to thank |
Jane Harris | ... | the director would like to thank |
Harry Hathaway | ... | the production would like to thank |
Olivia Hennessy | ... | the production would like to thank |
Albert Herbert | ... | the production would like to thank |
Ned Howes | ... | the production would like to thank |
Tom Howes | ... | the production would like to thank |
Ellie Isaacs | ... | the production would like to thank |
Jordan Keen | ... | the production would like to thank |
Neil Kindness | ... | further thanks |
Charles Lillwall | ... | the production would like to thank |
Rebecca Linfoot | ... | the production would like to thank |
Paulie Miles | ... | the director would like to thank |
Alex Morgan | ... | the production would like to thank |
Scott Nash | ... | the production would like to thank |
Scott Nash | ... | the production would like to thank |
Annie Newsam | ... | the production would like to thank |
Tim Norton | ... | the production would like to thank |
Oscar O'Brien | ... | the production would like to thank |
George O'Connor | ... | the production would like to thank |
Emily Owen | ... | the production would like to thank |
Emily Owen | ... | the production would like to thank |
Ritesh Patel | ... | the production would like to thank |
Emma Pearman | ... | the production would like to thank |
Ross Pelling | ... | the music department would like to thank |
Nyree Pinder | ... | the music department would like to thank |
Kezea Pugh | ... | the production would like to thank |
Rosie Pugh | ... | the production would like to thank |
Tristram Quiney | ... | the production would like to thank |
Ella Raybone | ... | the production would like to thank |
Peter Raybone | ... | the production would like to thank |
Sam Raybone | ... | the production would like to thank |
Stuart Reid | ... | the music department would like to thank |
Kate Richardson | ... | the production would like to thank |
Kate Richardson | ... | the production would like to thank |
Lucy Robinson | ... | the production would like to thank |
Helen Rowland | ... | the production would like to thank |
Caroline Russell | ... | the music department would like to thank |
Jenna Sayer | ... | the production would like to thank |
Megan Sayer | ... | the production would like to thank |
Jo Scicluna | ... | the makeup and hair department would like to thank: MAC |
Nik Seabright | ... | the production would like to thank: Harry the Hog |
Abigail Segall | ... | the makeup and hair department would like to thank: Dermalogica |
Millie Sephton | ... | the production would like to thank |
Ben Smith | ... | the production would like to thank |
Elliot Soards | ... | the production would like to thank |
Kassia Soards | ... | the production would like to thank |
Duncan Stahl | ... | the music department would like to thank |
Luke Stokes | ... | the production would like to thank |
Luke Stokes | ... | the production would like to thank |
Lee Stone | ... | the music department would like to thank |
Lionel Strutt | ... | further thanks |
Andrew Waterworth | ... | the music department would like to thank (as Andy Waterworth) |
Jake Watts | ... | the production would like to thank |
C.P. Whiteley | ... | the production would like to thank (as CP Whiteley) |
Jacqueline Williams | ... | the production would like to thank: Westmore Business Systems |
Madaleine Williams | ... | the production would like to thank |
Rob Williams | ... | the production would like to thank: Westmore Business Systems |
Susanna Wilson | ... | the production would like to thank |