Iryna Tsilyk’s documentary offers a female perspective on the war in Ukraine.
Iryna Tsilyk’s Red Zone received a special €20,000 Eurimages development award at Cph:dox, as part of the Cph:Forum industry winners on March 23.
The first-time award was given in support of and solidarity with the Ukrainian film industry, to the best pitch by a Ukrainian film.
It was selected by jurors Emma Scott, head of distribution and short film production at Screen Ireland, plus producers Rikke Tambo Andersen of Tambo Film and Heino Deckert Makri of ma.je.de.
The jurors praised an “innovative look at the inner...
Iryna Tsilyk’s Red Zone received a special €20,000 Eurimages development award at Cph:dox, as part of the Cph:Forum industry winners on March 23.
The first-time award was given in support of and solidarity with the Ukrainian film industry, to the best pitch by a Ukrainian film.
It was selected by jurors Emma Scott, head of distribution and short film production at Screen Ireland, plus producers Rikke Tambo Andersen of Tambo Film and Heino Deckert Makri of ma.je.de.
The jurors praised an “innovative look at the inner...
- 3/24/2023
- by Ben Dalton
- ScreenDaily
Cph:forum, the financing and co-production event held during Cph:dox documentary film festival in Copenhagen, will introduce new projects by filmmakers such as Ljubomir Stefanov (“Honeyland”), Jessica Kingdon (“Ascension”), Finlay Pretsell (“Time Trial”), Ousmane Samassekou (“The Last Shelter”), Mila Turajlić (“The Other Side of Everything”), Tonislav Hristov (“The Good Postman”), Iryna Tsilyk (“The Earth Is Blue as an Orange”) and Brett Story (“The Hottest August”), among others.
Stefanov, who was nominated for an Oscar for “Honeyland,” will be pitching “House of Earth.” He teams with producer Maya E. Rudolph, who produced Emmy-nominated “The Andy Warhol Diaries,” and Sarah D’hanens. The film centers on transgender sex worker Pinky, who returns to her Roma community after 30 years, and finds two families in need of a matriarch. Torn between her biological kin and chosen queer family, Pinky attempts to build a future that feels like home.
Kingdon, who was Oscar nominated for “Ascension,” arrives with “Untitled Animal Project,...
Stefanov, who was nominated for an Oscar for “Honeyland,” will be pitching “House of Earth.” He teams with producer Maya E. Rudolph, who produced Emmy-nominated “The Andy Warhol Diaries,” and Sarah D’hanens. The film centers on transgender sex worker Pinky, who returns to her Roma community after 30 years, and finds two families in need of a matriarch. Torn between her biological kin and chosen queer family, Pinky attempts to build a future that feels like home.
Kingdon, who was Oscar nominated for “Ascension,” arrives with “Untitled Animal Project,...
- 2/10/2023
- by Leo Barraclough
- Variety Film + TV
This page will update with the latest support measures from the screen industries.
The international film and TV industry is responding to the war in Ukraine with various support initiatives to try to help the millions of people affected.
Screen is collecting a list, below, of initiatives that are seeking to benefit or offer support to the people of Ukraine and those displaced from the country.
We are looking to gather as many relevant initiatives as possible. Please email details about the initiative, where it is based and how people can get involved, to Screen here.
Ukraine: film & TV support...
The international film and TV industry is responding to the war in Ukraine with various support initiatives to try to help the millions of people affected.
Screen is collecting a list, below, of initiatives that are seeking to benefit or offer support to the people of Ukraine and those displaced from the country.
We are looking to gather as many relevant initiatives as possible. Please email details about the initiative, where it is based and how people can get involved, to Screen here.
Ukraine: film & TV support...
- 6/2/2022
- by Ben Dalton
- ScreenDaily
India’s All That Breathes followed up its victory at the Sundance Film Festival by winning top documentary honors in Cannes.
The film directed by Shaunak Sen, which documents a pair of Muslim brothers in Delhi who devote countless hours to restore the health of ailing black kite birds, earned the L’Œil d’or (“Golden Eye”) award in a ceremony on Saturday.
“From their makeshift bird hospital in their tiny basement, the ‘kite brothers’ care for thousands of these mesmeric creatures that drop daily from New Delhi’s smog-choked skies,” notes a description of the documentary. “As environmental toxicity and civil unrest escalate, the relationship between this Muslim family and the neglected kite forms a poetic chronicle of the city’s collapsing ecology and rising social tensions.”
The Golden Eye jury, headed by filmmaker Agnieszka Holland, saluted All That Breathes for reminding “us that every life matters, and every small action matters.
The film directed by Shaunak Sen, which documents a pair of Muslim brothers in Delhi who devote countless hours to restore the health of ailing black kite birds, earned the L’Œil d’or (“Golden Eye”) award in a ceremony on Saturday.
“From their makeshift bird hospital in their tiny basement, the ‘kite brothers’ care for thousands of these mesmeric creatures that drop daily from New Delhi’s smog-choked skies,” notes a description of the documentary. “As environmental toxicity and civil unrest escalate, the relationship between this Muslim family and the neglected kite forms a poetic chronicle of the city’s collapsing ecology and rising social tensions.”
The Golden Eye jury, headed by filmmaker Agnieszka Holland, saluted All That Breathes for reminding “us that every life matters, and every small action matters.
- 5/29/2022
- by Matthew Carey
- Deadline Film + TV
As the boundaries in cinema become increasingly fluid, emerging filmmakers whose films have been selected at the Cannes Film Festival have been discussing their journey from documentary to fiction at the Cannes Market’s Cannes Docs sidebar.
Curated by the Documentary Assn. of Europe, the panel on Sunday brought together Ukrainian director Maksym Nakonechnyi, the director of Un Certain Regard title “Butterfly Vision,” and Erige Sehiri (“Railway Men”), the Tunisian director of “Under the Fig Leaves,” which had its world premiere in the Directors’ Fortnight sidebar.
The titles are fiction debuts for Nakonechnyi and Sehiri, who are both experienced documentary filmmakers.
Inspired by the conflict in Ukraine’s Eastern Donbas region that has been ongoing since 2014, “Butterfly Vision” is the story of a young Ukrainian soldier who returns home after being held captive for months and discovers she is pregnant after being raped by her Russian warden.
Nakonechnyi, whose credits...
Curated by the Documentary Assn. of Europe, the panel on Sunday brought together Ukrainian director Maksym Nakonechnyi, the director of Un Certain Regard title “Butterfly Vision,” and Erige Sehiri (“Railway Men”), the Tunisian director of “Under the Fig Leaves,” which had its world premiere in the Directors’ Fortnight sidebar.
The titles are fiction debuts for Nakonechnyi and Sehiri, who are both experienced documentary filmmakers.
Inspired by the conflict in Ukraine’s Eastern Donbas region that has been ongoing since 2014, “Butterfly Vision” is the story of a young Ukrainian soldier who returns home after being held captive for months and discovers she is pregnant after being raped by her Russian warden.
Nakonechnyi, whose credits...
- 5/24/2022
- by Lise Pedersen
- Variety Film + TV
Ukrainian industry players gathered in Cannes are determined to show they can provide a variety of new content, as well as stories that look beyond the current Russian invasion.
“I have been repeating this since 2014 — it’s a trap to be only associated with war,” says producer Julia Sinkevych, now behind Marysia Nikitiuk’s upcoming feature “Lucky Girl.”
Presented at the Cannes Market as part of the Ukrainian Features Preview, it shows a successful TV star who has everything, until she is diagnosed with cancer.
As noted by Ukrainian Institute’s Natalie Movshovych, several projects focus on the 1990s, including “When We Were 15” — awarded at Meeting Point Vilnius in April — “Do You Love Me?” by Tonia Noyabriova, Philip Sotnychenko’s “Lapalissade” and “Rock. Paper. Grenade” by Iryna Tsilyk, also behind festival favorite “The Earth Is Blue as an Orange.”
“We have to show as much range as we can now.
“I have been repeating this since 2014 — it’s a trap to be only associated with war,” says producer Julia Sinkevych, now behind Marysia Nikitiuk’s upcoming feature “Lucky Girl.”
Presented at the Cannes Market as part of the Ukrainian Features Preview, it shows a successful TV star who has everything, until she is diagnosed with cancer.
As noted by Ukrainian Institute’s Natalie Movshovych, several projects focus on the 1990s, including “When We Were 15” — awarded at Meeting Point Vilnius in April — “Do You Love Me?” by Tonia Noyabriova, Philip Sotnychenko’s “Lapalissade” and “Rock. Paper. Grenade” by Iryna Tsilyk, also behind festival favorite “The Earth Is Blue as an Orange.”
“We have to show as much range as we can now.
- 5/20/2022
- by Marta Balaga
- Variety Film + TV
"A remarkable documentary about this family's resilience and cinema's ability to be a means of escape." Film Movement has revealed an official US trailer for a documentary film titled The Earth is Blue as an Orange, made by the Ukrainian filmmaker Iryna Tsilyk. This was shot and made entirely before the current war in Ukraine, focusing on one family living in Eastern Ukraine in a region that was already occupied a few years earlier. Krasnohorivka: a town on the front lines. A single mother Anna and her four children are managing to keep their home as a safe haven, full of life and full of light. Every member of the family has a passion for cinema, it feels natural for them to shoot a film during this time. The creative process questions what kind of impact cinema might have during times of disaster, and how to picture war through a camera.
- 4/29/2022
- by Alex Billington
- firstshowing.net
Maksym Nakonechnyi’s first feature revolves around a female Ukrainian soldier returning home after months of being held a prisoner in the Donbas.
Wild Bunch International (Wbi) has acquired world sales on Ukrainian director Maksym Nakonechnyi’s drama Butterfly Vision ahead of its premiere in Un Certain Regard at the Cannes Film Festival in May.
The feature has also been acquired by Paris-based distribution and production company Nour Films for theatrical release in France.
Butterfly Vision is Nakonechnyi’s feature directorial debut and as such will also be in the running for the Caméra d’Or covering all the first...
Wild Bunch International (Wbi) has acquired world sales on Ukrainian director Maksym Nakonechnyi’s drama Butterfly Vision ahead of its premiere in Un Certain Regard at the Cannes Film Festival in May.
The feature has also been acquired by Paris-based distribution and production company Nour Films for theatrical release in France.
Butterfly Vision is Nakonechnyi’s feature directorial debut and as such will also be in the running for the Caméra d’Or covering all the first...
- 4/25/2022
- by Melanie Goodfellow
- ScreenDaily
Valentyn Vasyanovych’s film to open on May 6.
Film Movement has acquired North American rights from New Europe Film Sales to Ukrainian filmmaker Valentyn Vasyanovych’s timely Venice 2021 selection Reflection.
The drama centres on a Ukrainian surgeon who tries to rebuild his life after he is released by Russian forces and is a chilling foreshadowing of the ongoing Ukraine-Russia war that erupted in late February.
The story opens in 2014 as Ukrainian surgeon Serhiy is captured by the Russians after he enlists to fight against them in the contested southeastern Donbas region.
As a prisoner of war he witnesses horrifying scenes...
Film Movement has acquired North American rights from New Europe Film Sales to Ukrainian filmmaker Valentyn Vasyanovych’s timely Venice 2021 selection Reflection.
The drama centres on a Ukrainian surgeon who tries to rebuild his life after he is released by Russian forces and is a chilling foreshadowing of the ongoing Ukraine-Russia war that erupted in late February.
The story opens in 2014 as Ukrainian surgeon Serhiy is captured by the Russians after he enlists to fight against them in the contested southeastern Donbas region.
As a prisoner of war he witnesses horrifying scenes...
- 4/14/2022
- by Jeremy Kay
- ScreenDaily
Belgium-based Iranian filmmaker Vida Dena’s debut feature documentary follows two Syrian girls adjusting to life in Brussels.
Paris-based sales agent Cat&Docs has acquired international rights to Visions du Réel competition title My Paper Life about two Syrian girls adjusting to a new life in Belgium.
The debut feature documentary of Belgium-based Iranian filmmaker Vida Dena will world premiere at the Swiss documentary film festival, running from April 7-17 in the lakeside town of Nyon.
My Paper Life centres on the two eldest daughters of a Syrian refugee family living in Brussels and their growing collection of drawings and dreams.
Paris-based sales agent Cat&Docs has acquired international rights to Visions du Réel competition title My Paper Life about two Syrian girls adjusting to a new life in Belgium.
The debut feature documentary of Belgium-based Iranian filmmaker Vida Dena will world premiere at the Swiss documentary film festival, running from April 7-17 in the lakeside town of Nyon.
My Paper Life centres on the two eldest daughters of a Syrian refugee family living in Brussels and their growing collection of drawings and dreams.
- 4/7/2022
- by Melissa Kasule
- ScreenDaily
Independent distributor Film Movement has picked up all North American rights to award-winning folk horror film “Seire.” The Korean chiller will be released theatrically in 2022, followed by launches on home entertainment and digital platforms.
The film takes as its central premise the Korean superstition that nobody in the family of a baby less than three weeks old – the ‘seire’ period – should attend a wake. And that failure to take precautions risks misfortune.
The story, penned by writer and first-time feature director Park Kang, sees the father of a newborn attend the funeral of an ex-girlfriend. His encounter with her twin sister is followed by a series of unexplained and discomforting episodes.
Park previously dipped his toe in the horror genre with short film “Deal” in which a man tries to trade away his nightmares with someone reputed to be a buyer.
The cast of “Seire” is headed by Seo Hyun-woo...
The film takes as its central premise the Korean superstition that nobody in the family of a baby less than three weeks old – the ‘seire’ period – should attend a wake. And that failure to take precautions risks misfortune.
The story, penned by writer and first-time feature director Park Kang, sees the father of a newborn attend the funeral of an ex-girlfriend. His encounter with her twin sister is followed by a series of unexplained and discomforting episodes.
Park previously dipped his toe in the horror genre with short film “Deal” in which a man tries to trade away his nightmares with someone reputed to be a buyer.
The cast of “Seire” is headed by Seo Hyun-woo...
- 3/22/2022
- by Patrick Frater
- Variety Film + TV
Organizers at the Copenhagen Intl. Documentary Film Festival (Cph:dox), which is going ahead in-person for the first time in three years, are taking a stand in solidarity with the people of Ukraine with a dedicated program of seven specially curated films.
Spirits may be high in the Danish capital at the prospect of finally having a live event after two editions that were pushed online due to the Covid-19 pandemic but, as the fest’s artistic director Niklas Engstrøm stressed, “All our thoughts go to Ukraine and the many refugees who are currently being forced to leave their homeland.”
As the event’s programmer, Mads Mikkelsen, explained to Variety, organizers had already put together a selection of films from or about Ukraine when they closed the program in late January. “But, of course, everything changed on February 24 when Russia invaded Ukraine. Up to the last minute, we added more films...
Spirits may be high in the Danish capital at the prospect of finally having a live event after two editions that were pushed online due to the Covid-19 pandemic but, as the fest’s artistic director Niklas Engstrøm stressed, “All our thoughts go to Ukraine and the many refugees who are currently being forced to leave their homeland.”
As the event’s programmer, Mads Mikkelsen, explained to Variety, organizers had already put together a selection of films from or about Ukraine when they closed the program in late January. “But, of course, everything changed on February 24 when Russia invaded Ukraine. Up to the last minute, we added more films...
- 3/22/2022
- by Lise Pedersen
- Variety Film + TV
Festival line-up includes 84 world premieres.
Elizabeth, the feature documentary directed by the late Roger Michell, heads the programme of the 53rd edition of Switzerland’s Visions du Réel (VdR) film festival.
The film will play as a special screening out of competition at the non-fiction festival in Nyon. Elizabeth looks at the life of Queen Elizabeth II, the longest-serving female head of state in history.
Elizabeth comes to VdR following a world premiere at Belgium’s Ostend Film Festival earlier this month.
It is produced by Kevin Loader for the UK’s Free Range Films, with Embankment Films handling sales...
Elizabeth, the feature documentary directed by the late Roger Michell, heads the programme of the 53rd edition of Switzerland’s Visions du Réel (VdR) film festival.
The film will play as a special screening out of competition at the non-fiction festival in Nyon. Elizabeth looks at the life of Queen Elizabeth II, the longest-serving female head of state in history.
Elizabeth comes to VdR following a world premiere at Belgium’s Ostend Film Festival earlier this month.
It is produced by Kevin Loader for the UK’s Free Range Films, with Embankment Films handling sales...
- 3/17/2022
- by Ben Dalton
- ScreenDaily
Festival line-up includes 84 world premieres.
Elizabeth, the feature documentary directed by the late Roger Michell, will have its world premiere at the 53rd edition of Switzerland’s Visions du Réel (VdR) film festival.
The film will play as a special screening out of competition at the non-fiction festival in Nyon. Elizabeth looks at the life of Queen Elizabeth II, the longest-serving female head of state in history.
It is produced by Kevin Loader for the UK’s Free Range Films, with Embankment Films handling sales and Signature distributing in the UK and Ireland.
It is one of 84 world premieres on the VdR line-up,...
Elizabeth, the feature documentary directed by the late Roger Michell, will have its world premiere at the 53rd edition of Switzerland’s Visions du Réel (VdR) film festival.
The film will play as a special screening out of competition at the non-fiction festival in Nyon. Elizabeth looks at the life of Queen Elizabeth II, the longest-serving female head of state in history.
It is produced by Kevin Loader for the UK’s Free Range Films, with Embankment Films handling sales and Signature distributing in the UK and Ireland.
It is one of 84 world premieres on the VdR line-up,...
- 3/17/2022
- by Ben Dalton
- ScreenDaily
Documentary festival expands programme in solidary with war-torn country.
Copenhagen International Documentary Film Festival (Cph:dox) has made three late additions of Ukrainian films to its line-up, as a mark of solidarity with the war-torn nation.
Sergei Loznitsa’s Maidan, Iryna Tsilyk’s The Earth Is Blue As An Orange and Alina Gorlova’s This Rain Will Never Stop have been added to the programme of the festival, which will return as an in-person event from March 23 to April 3.
It brings Cph:dox’s dedicated programme of films that focus on Ukraine to seven, having previously selected Olha Zhurba’s Outside, Simon Lereng Wilmont...
Copenhagen International Documentary Film Festival (Cph:dox) has made three late additions of Ukrainian films to its line-up, as a mark of solidarity with the war-torn nation.
Sergei Loznitsa’s Maidan, Iryna Tsilyk’s The Earth Is Blue As An Orange and Alina Gorlova’s This Rain Will Never Stop have been added to the programme of the festival, which will return as an in-person event from March 23 to April 3.
It brings Cph:dox’s dedicated programme of films that focus on Ukraine to seven, having previously selected Olha Zhurba’s Outside, Simon Lereng Wilmont...
- 3/16/2022
- by Michael Rosser
- ScreenDaily
Prominent Dubai-based satellite pay-tv and streaming service Orbit Showtime Network (Osn) is launching Osn Plus, a new premium streaming service that replaces its streaming app and marks Osn’s full-fledged entry into the Mena region’s increasingly crowded SVOD landscape.
The move comes after Osn in January re-upped its long-term exclusive partnership with HBO, and expanded its rapport with NBCU to include more premium content from Peacock and Sky Studios. The company also has new deals for premium shows in place with Endeavor Content and All3Media, supplementing existing partnerships with Paramount, Warner Media, Sony, Discovery, MGM and Lionsgate.
However, Osn recently lost the SVOD leverage it had under its exclusive deal with Disney, which will be launching Disney Plus in the region this summer and has rescinded the SVOD aspect of that arrangement.
Osn Plus is being headed by Nick Forward, the former chief content officer at Australian streamer Stan.
The move comes after Osn in January re-upped its long-term exclusive partnership with HBO, and expanded its rapport with NBCU to include more premium content from Peacock and Sky Studios. The company also has new deals for premium shows in place with Endeavor Content and All3Media, supplementing existing partnerships with Paramount, Warner Media, Sony, Discovery, MGM and Lionsgate.
However, Osn recently lost the SVOD leverage it had under its exclusive deal with Disney, which will be launching Disney Plus in the region this summer and has rescinded the SVOD aspect of that arrangement.
Osn Plus is being headed by Nick Forward, the former chief content officer at Australian streamer Stan.
- 3/15/2022
- by Nick Vivarelli
- Variety Film + TV
Film Movement has acquired all North American rights to two previous Ukrainian Oscar entries “Bad Roads” and “Donbass,” as well as the Sundance award-winning documentary “The Earth Is Blue as an Orange.”
“Bad Roads,” which was Ukraine’s Oscar candidate last fall, marks the feature debut of playwright-turned-filmmaker, Natalya Vorozhbit. The politically minded omnibus film, which premiered at Venice in 2020, is adapted from Vorozhbit’s play and unfolds in the recently invaded Eastern region of Donbass.
“Bad Roads” features four stories shedding light on life in the front-line war zone of Donbass: one man alleging to be a schoolmaster is accosted by the military at a checkpoint, two teenagers wait for their soldier boyfriends in a dilapidated town square; a journalist is held captive and gets brutally assaulted; and a young woman apologizes to an elderly couple for running over their chickens.
Variety’s review said the film “gains extra...
“Bad Roads,” which was Ukraine’s Oscar candidate last fall, marks the feature debut of playwright-turned-filmmaker, Natalya Vorozhbit. The politically minded omnibus film, which premiered at Venice in 2020, is adapted from Vorozhbit’s play and unfolds in the recently invaded Eastern region of Donbass.
“Bad Roads” features four stories shedding light on life in the front-line war zone of Donbass: one man alleging to be a schoolmaster is accosted by the military at a checkpoint, two teenagers wait for their soldier boyfriends in a dilapidated town square; a journalist is held captive and gets brutally assaulted; and a young woman apologizes to an elderly couple for running over their chickens.
Variety’s review said the film “gains extra...
- 3/8/2022
- by Elsa Keslassy
- Variety Film + TV
Samir Guesmi’s movie walks away with the French festival’s Grand Prize, while other prize winners include Paloma Sermon-Daï’s Petit samedi and Iryna Tsilyk’s The Earth is Blue as an Orange. Victory at the 33rd Angers European Premiers Plans Film Festival (organised online on account of the health crisis) was claimed by Ibrahim, directed by France’s Samir Guesmi to whom the jury presided over by Pierre Salvadori awarded the European feature film competition’s Grand Prize. The first feature film helmed by actor Samir Guesmi, Ibrahim has already earned itself the 2020 Cannes Film Festival’s Official Selection label, as well as triumphing at the Angoulême Film Festival and walking away with Rome’s Alice nella Città Golden Camera Award. Produced by Why Not and sold worldwide by Wild Bunch, Ibrahim stars Abdel Benhader, Samir...
Cinema Eye Honors (Ceh) announced the nominees for its 14th annual awards on December 10, raising the profile of three contenders in the Documentary Feature Oscar derby. Garrett Bradley‘s “Time,” Victor Kossakovsky‘s “Gunda,” and Alexander Nanau‘s “Collective” all reaped bids for Best Documentary Feature, Direction and Editing.
“Time” leads the Ceh’s nominees with six overall, including Debut, Score and Audience Choice. “Gunda” added Cinematography to its tally for four overall, equal to the four for “Collective” which added Production. The other two films nominated for Feature are Amanda McBaine and Jesse Moss‘s “Boys State” and Kirsten Johnson‘s “Dick Johnson Is Dead.”
In the last five years the group has matched with the academy’s documentary branch on three nominees, including a nomination and win last year for the eventual Oscar champ “American Factory.” With that precedent in mind, we might expect three of Ceh’s...
“Time” leads the Ceh’s nominees with six overall, including Debut, Score and Audience Choice. “Gunda” added Cinematography to its tally for four overall, equal to the four for “Collective” which added Production. The other two films nominated for Feature are Amanda McBaine and Jesse Moss‘s “Boys State” and Kirsten Johnson‘s “Dick Johnson Is Dead.”
In the last five years the group has matched with the academy’s documentary branch on three nominees, including a nomination and win last year for the eventual Oscar champ “American Factory.” With that precedent in mind, we might expect three of Ceh’s...
- 12/11/2020
- by John Benutty
- Gold Derby
Kiev-based Alina Gorlova vividly remembers the first time she saw the disputed region of Donbass, in the east of Ukraine and to the southwest of Russia. “I saw this nature in black-and-white,” she says, “because there was a lot of slag heaps in these industrial landscapes.”
A graduate of the Karpenko-Kary Kyiv National University of Theater, Film and TV, Gorlova had previously made a meditative, hour-long film, “Kholodny Yar,” about the eponymous region in the heart of the Ukraine. Her first feature film, “No Obvious Signs,” looks at Post Traumatic Stress Disorder through the eyes of a female soldier trying to reintegrate into society, and the film won four awards at Ukraine’s Docudays UA International Human Rights Film Festival in 2018.
The director initially planned just to shoot a short film in the territory that became a focus of world attention in March 2014, when pro-Russian separatists began demonstrating against the...
A graduate of the Karpenko-Kary Kyiv National University of Theater, Film and TV, Gorlova had previously made a meditative, hour-long film, “Kholodny Yar,” about the eponymous region in the heart of the Ukraine. Her first feature film, “No Obvious Signs,” looks at Post Traumatic Stress Disorder through the eyes of a female soldier trying to reintegrate into society, and the film won four awards at Ukraine’s Docudays UA International Human Rights Film Festival in 2018.
The director initially planned just to shoot a short film in the territory that became a focus of world attention in March 2014, when pro-Russian separatists began demonstrating against the...
- 11/27/2020
- by Kaleem Aftab
- Variety Film + TV
War is blood and bombs and politics, but not in Alina Gorlova’s fascinating, fraught documentary “This Rain Will Never Stop.” Elliptically following 20-year-old Andriy Suleiman, a student Red Cross worker who “left one war for another” when his family fled Hasukah, Syria for his mother’s hometown of Lysychansk, Ukraine, this defiantly oblique, uncannily composed film instead reduces actual conflict to a dully thunderous, far-off roar. “It was fine for a while, but for the past four days there has been gunfire again,” says a disembodied voice from home over Skype. In Gorlova’s black-and-white doc, war is spoken of the same way one might speak about inclement weather.
Divided into glitchy chapters, numbered One through Nine before resetting to Zero for the epilogue, the film intersperses quasi-experimental glowering landscapes and portraiture among the more obviously narrative-driven segments. And so the overarching story of Andriy’s physical journeys — around Ukraine supplying provisions to civilians,...
Divided into glitchy chapters, numbered One through Nine before resetting to Zero for the epilogue, the film intersperses quasi-experimental glowering landscapes and portraiture among the more obviously narrative-driven segments. And so the overarching story of Andriy’s physical journeys — around Ukraine supplying provisions to civilians,...
- 11/23/2020
- by Jessica Kiang
- Variety Film + TV
Iryna Tsilyk’s film has emerged triumphant in the Official Section – Ziff. Zinebi First Film at the 62nd, hybrid edition of the Bilbao-based festival. The jury of the Official Section – Ziff. Zinebi First Film, made up of Argentinian audiovisual archivist Carolina Cappa, French filmmaker and artistic director of the La Roche-sur-Yon International Film Festival Charlotte Serrand, and Spanish director and editor Diana Toucedo (Thirty Souls), has announced its verdict at the 62nd Zinebi. Bilbao International Documentary and Short Film Festival, which was held both on site and online (via the Filmin and FestHome platforms) between 13 and 20 November. The winning title was the magnificent, optimistic and sensitive movie The Earth Is Blue as an Orange, a Ukrainian-Lithuanian production directed by Iryna Tsilyk. In the third Bilbao Professional Documentary Film Forum (organised by the Basque Producers’ Association and Zinebi, in conjunction with Etb, Creative Europe Media Desk Basque Country...
- 11/20/2020
- Cineuropa - The Best of European Cinema
The International Documentary Association has announced a shortlist of 30 films from which it will choose its nominations for the 2020 Ida Documentary Awards, with a list that includes “76 Days,” “Boys State,” “Crip Camp,” “MLK/FBI,” “The Reason I Jump,” “The Truffle Hunters,” “Time” and “Welcome to Chechnya.”
The list also included a generous helping of foreign-made docs, including “Notturno,” “Acasa, My Home,” “Collective,” “The Earth Is Blue as an Orange,” “Gunda,” “Me and the Cult Leader,” “A Metamorfose dos Passaros,” “Once Upon a Time in Venezuela” and “Softie.”
The rest of the list: “City Hall,” “Disclosure,” “The Forbidden Reel,” “I Walk on Water,” “The Mole Agent,” “Reunited,” “Self Portrait,” “Stray,” “‘Til Kingdom Come,” “To See You Again,” “Unapologetic,” “The Viewing Booth” and “Wintopia.”
The shortlisted films present a dramatically different view of the year in nonfiction filmmaking than the Critics Choice Documentary Awards, which were announced on Monday. Only three films — “Crip Camp,...
The list also included a generous helping of foreign-made docs, including “Notturno,” “Acasa, My Home,” “Collective,” “The Earth Is Blue as an Orange,” “Gunda,” “Me and the Cult Leader,” “A Metamorfose dos Passaros,” “Once Upon a Time in Venezuela” and “Softie.”
The rest of the list: “City Hall,” “Disclosure,” “The Forbidden Reel,” “I Walk on Water,” “The Mole Agent,” “Reunited,” “Self Portrait,” “Stray,” “‘Til Kingdom Come,” “To See You Again,” “Unapologetic,” “The Viewing Booth” and “Wintopia.”
The shortlisted films present a dramatically different view of the year in nonfiction filmmaking than the Critics Choice Documentary Awards, which were announced on Monday. Only three films — “Crip Camp,...
- 10/28/2020
- by Steve Pond
- The Wrap
The 2021 International Documentary Association (IDA) Awards has announced the shortlists for the Best Feature and Best Short categories. In a year crowded with top-notch documentaries (see the Critics Choice Documentary Awards nominations here), with more debuts unspooling at Doc NYC (November 11-19), every reputable non-fiction awards group helps to curate the sprawling list of eventual Oscar contenders, and the IDA is no exception. (Read IndieWire’s current list of documentary feature predictions here.)
The IDA will bestow 16 awards this year, for Best Feature, Best Short, Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best Short Form Series, Best Audio Documentary, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award, and the Pare Lorentz Award.
Honorees will be announced on Tuesday, November 10. Nominees will be announced on Tuesday, November 24, along with the other awards recipients.
The IDA will bestow 16 awards this year, for Best Feature, Best Short, Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best Short Form Series, Best Audio Documentary, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award, and the Pare Lorentz Award.
Honorees will be announced on Tuesday, November 10. Nominees will be announced on Tuesday, November 24, along with the other awards recipients.
- 10/28/2020
- by Anne Thompson
- Thompson on Hollywood
The 2021 International Documentary Association (Ida) Awards has announced the shortlists for the Best Feature and Best Short categories. In a year crowded with top-notch documentaries (see the Critics Choice Documentary Awards nominations here), with more debuts unspooling at Doc NYC (November 11-19), every reputable non-fiction awards group helps to curate the sprawling list of eventual Oscar contenders, and the Ida is no exception. (Read IndieWire’s current list of documentary feature predictions here.)
The Ida will bestow 16 awards this year, for Best Feature, Best Short, Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best Short Form Series, Best Audio Documentary, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award, and the Pare Lorentz Award.
Honorees will be announced on Tuesday, November 10. Nominees will be announced on Tuesday, November 24, along with the other awards recipients.
The Ida will bestow 16 awards this year, for Best Feature, Best Short, Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best Short Form Series, Best Audio Documentary, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award, and the Pare Lorentz Award.
Honorees will be announced on Tuesday, November 10. Nominees will be announced on Tuesday, November 24, along with the other awards recipients.
- 10/28/2020
- by Anne Thompson
- Indiewire
The International Documentary Association has announced the shortlists for best feature and best short at the 36th annual Ida Documentary Awards.
The shortlist for possible nominees includes “Boys State,” “Crip Camp,” “Welcome to Chechnya,” “Gunda” and more. Up to 10 nominees in each of the feature and short documentary categories will be selected from the shortlist and announced on Nov. 24. The virtual awards ceremony will take place in January 2021.
This year, Ida received 1,056 submissions across all categories, including 365 documentary features from 67 countries, and 153 documentary shorts from 21 countries.
“It is exciting to see the IDA Awards Shortlist include so many films from around the globe,” said Simon Kilmurry, executive director of Ida. “The range of stories and of makers is as diverse as we have ever had. It reflects the broad range of approaches to documentary filmmaking and some of the most urgent issues of the day.”
Ida Documentary Awards Features Shortlist
76 Days
Acasă,...
The shortlist for possible nominees includes “Boys State,” “Crip Camp,” “Welcome to Chechnya,” “Gunda” and more. Up to 10 nominees in each of the feature and short documentary categories will be selected from the shortlist and announced on Nov. 24. The virtual awards ceremony will take place in January 2021.
This year, Ida received 1,056 submissions across all categories, including 365 documentary features from 67 countries, and 153 documentary shorts from 21 countries.
“It is exciting to see the IDA Awards Shortlist include so many films from around the globe,” said Simon Kilmurry, executive director of Ida. “The range of stories and of makers is as diverse as we have ever had. It reflects the broad range of approaches to documentary filmmaking and some of the most urgent issues of the day.”
Ida Documentary Awards Features Shortlist
76 Days
Acasă,...
- 10/28/2020
- by Jordan Moreau
- Variety Film + TV
Wayne Blair and Nel Minchin’s Firestarter – The Story of Bangarra has won Adelaide Film Festival’s documentary competition, pocketing a $10,000 cash prize.
The jury, consisting of playwright and screenwriter Andrew Bovell; director, producer and screenwriter Khao Do; film critic and programmer Zak Hepburn; producer Rebecca Summerton and actress, singer and dancer Natasha Wanganeen, rated the doc as the film that “resonated most profoundly”.
Produced by Ivan O’Mahoney, Firestarter follows the 30-year history of the Bangarra Dance Company and brothers Stephen, Russell, and David Page. Examining how ‘art can become a weapon that helps people to survive and a nation to heal’, the film combines the Page family’s home movies, interviews with the company’s leading figures, and archive footage.
Also vying in the comp was fellow local doc A Hundred Years of Happiness, from Jakeb Anhvu, as well as Sundance Special Jury Prize winner, Benjamin Ree’s The Painter and the Thief...
The jury, consisting of playwright and screenwriter Andrew Bovell; director, producer and screenwriter Khao Do; film critic and programmer Zak Hepburn; producer Rebecca Summerton and actress, singer and dancer Natasha Wanganeen, rated the doc as the film that “resonated most profoundly”.
Produced by Ivan O’Mahoney, Firestarter follows the 30-year history of the Bangarra Dance Company and brothers Stephen, Russell, and David Page. Examining how ‘art can become a weapon that helps people to survive and a nation to heal’, the film combines the Page family’s home movies, interviews with the company’s leading figures, and archive footage.
Also vying in the comp was fellow local doc A Hundred Years of Happiness, from Jakeb Anhvu, as well as Sundance Special Jury Prize winner, Benjamin Ree’s The Painter and the Thief...
- 10/20/2020
- by Staff Writer
- IF.com.au
Mariusz Wilczyski’s Polish animation film and the documentary by Ukraine’s Iryna Tsilyk were declared joint winners of the Jaguar Al Este for best film. Undaunted by the havoc caused by Covid-19, the eleventh edition of the Al Este Central and Eastern European Film Festival, held in Peru, bowed out last Saturday for another year. The awards ceremony marked the end of an unusual festival experience, filled with special moments from start to finish. The award for best film (the recently unveiled Jaguar Al Este) was shared by the Polish animated film Kill It and Leave This Town, directed by Mariusz Wilczynski, and the Ukrainian documentary The Earth Is Blue as an Orange, by Iryna Tsilyk. Both films were given rave reviews by the Press Jury, which ultimately decided in Tsilyk’s favour for its best entry in the competition, with Wilczynski’s film receiving a special mention alongside the Hungarian drama Those.
- 10/13/2020
- Cineuropa - The Best of European Cinema
Lemohang Jeremiah Mosese’s debut feature launched at Venice 2019.
Lemohang Jeremiah Mosese’s This Is Not A Burial, It’s A Resurrection won the main New Visions Award, the Golden Puffin, at the Reykjavik International Film Festival which wrapped its 17th edition on Sunday, October 4.
Set in Lesotho, the film is about an 80-year-old widow who learns her village will be resettled.
The jury, comprised of filmmakers Shahrbanoo Sadat and Ísold Uggadóttir and New Europe Film Sales CEO Jan Naszewski, praised the film as “a voyage to a magical and isolated place where the 80-year-old protagonist is fighting for nature...
Lemohang Jeremiah Mosese’s This Is Not A Burial, It’s A Resurrection won the main New Visions Award, the Golden Puffin, at the Reykjavik International Film Festival which wrapped its 17th edition on Sunday, October 4.
Set in Lesotho, the film is about an 80-year-old widow who learns her village will be resettled.
The jury, comprised of filmmakers Shahrbanoo Sadat and Ísold Uggadóttir and New Europe Film Sales CEO Jan Naszewski, praised the film as “a voyage to a magical and isolated place where the 80-year-old protagonist is fighting for nature...
- 10/6/2020
- by Wendy Mitchell
- ScreenDaily
The Amsterdan event is planned as a hybrid physical-digital edition.
International Documentary Film Festival Amsterdam (Idfa) has unveiled the first titles selected for edition, which is set to go ahead as a mix of physical and virtual events from November 18-29.
The festival will screen 30 documentaries first selected for the Berlinale, Sundance and Cannes under the banner Best of Fests.
Scroll down for full list of titles
The titles include The Truffle Hunters by Michael Dweck and Gregory Kershaw, which debuted at Sundance before being being selected for both Cannes and Telluride (although neither took place); and Elizabeth Lo’s Stray,...
International Documentary Film Festival Amsterdam (Idfa) has unveiled the first titles selected for edition, which is set to go ahead as a mix of physical and virtual events from November 18-29.
The festival will screen 30 documentaries first selected for the Berlinale, Sundance and Cannes under the banner Best of Fests.
Scroll down for full list of titles
The titles include The Truffle Hunters by Michael Dweck and Gregory Kershaw, which debuted at Sundance before being being selected for both Cannes and Telluride (although neither took place); and Elizabeth Lo’s Stray,...
- 9/29/2020
- by Michael Rosser
- ScreenDaily
“Charlatan”
Director: Agnieszka Holland
The true story of Czech healer Jan Mikolášek, who enjoyed protection under the Nazis and the Communists, but then fell from favor.
Sales: Films Boutique
Berlinale Special Gala
“The Earth Is Blue as an Orange”
Director: Iryna Tsilyk
Budding cinematographer Myroslava lives in the middle of the Ukraine war zone. She sets out to make a film with her family, one that can offer them new perspectives, in
this documentary.
Sales: Cat&Docs
Generation 14plus
“The Exit of the Trains”
Directors: Radu Jude,
Adrian Cioflanca
This documentary follows an atrocity against Jews in 1941 in which the majority of the perpetrators were Romanian.
Sales: MicroFilm
Forum
“Frem”
Director: Viera Cakanyova
This doc is an unsettling poetic reflection on our view of the natural world, and the limits of anthropocentric thinking.
Sales: Hypermarket Film
Forum
“Kill It and Leave This Town”
Director: Mariusz Wilczynski
A visually powerful labyrinth of memories and feelings,...
Director: Agnieszka Holland
The true story of Czech healer Jan Mikolášek, who enjoyed protection under the Nazis and the Communists, but then fell from favor.
Sales: Films Boutique
Berlinale Special Gala
“The Earth Is Blue as an Orange”
Director: Iryna Tsilyk
Budding cinematographer Myroslava lives in the middle of the Ukraine war zone. She sets out to make a film with her family, one that can offer them new perspectives, in
this documentary.
Sales: Cat&Docs
Generation 14plus
“The Exit of the Trains”
Directors: Radu Jude,
Adrian Cioflanca
This documentary follows an atrocity against Jews in 1941 in which the majority of the perpetrators were Romanian.
Sales: MicroFilm
Forum
“Frem”
Director: Viera Cakanyova
This doc is an unsettling poetic reflection on our view of the natural world, and the limits of anthropocentric thinking.
Sales: Hypermarket Film
Forum
“Kill It and Leave This Town”
Director: Mariusz Wilczynski
A visually powerful labyrinth of memories and feelings,...
- 2/23/2020
- by Variety Staff
- Variety Film + TV
“Everybody smile and say ‘cinema,'” young Myroslava Trofymchuk instructs several Ukrainian soldiers, as they obligingly pose and perform for her camera, their brawny tank reduced to a prop in the rubbly, wintry background. It’s the only time we see the masculine agents of conflict in “The Earth Is Blue as an Orange,” a documentary with its multiple lenses otherwise turned entirely on the women and children living through the War in Donbass. Under the fledgling filmmaker’s direction, however, the soldiers briefly become benevolent players in her vision of life under siege in Ukraine, where cinema sometimes feels like all she has to smile about; a momentary memory of kindness and goodwill is fashioned from the ashes of damage and trauma.
Trofymchuk is not the director of “The Earth Is Blue as an Orange”: That task falls to Kyiv-based poet and filmmaker Iryna Tsilyk, though as she...
Trofymchuk is not the director of “The Earth Is Blue as an Orange”: That task falls to Kyiv-based poet and filmmaker Iryna Tsilyk, though as she...
- 2/19/2020
- by Guy Lodge
- Variety Film + TV
MinariU.S. – DRAMATICGrand Jury PrizeMinari (Lee Isaac Chung)Directing PrizeRadha Blank (The 40-Year-Old Version) Audience Award Minari (Lee Isaac Chung) Special Jury Award for Ensemble CastCharm City Kings (Angel Manuel Soto) Special Jury Award for Auteur FilmmakingShirley (Josephine Decker)Special Jury Award for Neo-RealismNever Rarely Sometimes Always (Eliza Hittman)Waldo Salt Screenwriting AwardEdson Oda (Nine Days)U.S. – DOCUMENTARYGrand Jury Prize Boys State (Jesse Moss and Amanda McBaine) Directing Prize Garrett Bradley (Time) Audience Award Crip Camp (Nicole Newnham and Jim LeBrecht)Special Jury Award for EditingTyler H. Walk (Welcome to Chechnya)Special Jury Award for Innovation in Non-fiction StorytellingDick Johnson Is Dead (Kirsten Johnson)Special Jury Award for Emerging FilmmakerFeels Good Man (Arthur Jones)Special Jury Award for Social Impact FilmmakingThe FightWorld Cinema – DRAMATICGrand Jury Prize Yalda, A Night For Forgiveness (Massoud Bakhshi) Directing Prize Maïmouna Doucouré (Cuties) Audience Award Identifying Features (Fernanda Valadez)Special Jury Award for...
- 2/2/2020
- MUBI
World Cinema Dramatic entries Surge, Cuties among winners.
Mexican missing persons drama Identifying Features has won the World Cinema Dramatic audience award and the section’s juried screenplay prize for director Fernanda Valadez and co-writer Astrid Rondero at the Sundance awards ceremony.
Saturday’s (February 1) event in Park City, Utah, also honoured the UK’s Ben Whishaw with the World Cinema Dramatic special jury award for acting for Aneil Karia’s Surge, which Protagonist Pictures sells internationally, while Cuties on the Netflix slate from director Maïmouna Doucouré won the World Cinema Dramatic directing award.
Kino Lorber acquired North American rights...
Mexican missing persons drama Identifying Features has won the World Cinema Dramatic audience award and the section’s juried screenplay prize for director Fernanda Valadez and co-writer Astrid Rondero at the Sundance awards ceremony.
Saturday’s (February 1) event in Park City, Utah, also honoured the UK’s Ben Whishaw with the World Cinema Dramatic special jury award for acting for Aneil Karia’s Surge, which Protagonist Pictures sells internationally, while Cuties on the Netflix slate from director Maïmouna Doucouré won the World Cinema Dramatic directing award.
Kino Lorber acquired North American rights...
- 2/2/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
The narrative feature “Minari” and the documentary “Boys State” have won the top prizes from the U.S. jury at the 2020 Sundance Film Festival, which announced its winners at an awards ceremony on Saturday night. “Minari,” director Lee Isaac Chung’s coming-of-age story about a Korean-American boy, also won the festival’s audience award.
The only other films to win more than one award were “Identifying Features” (“Sin Senas Particulares”), Fernanda Valadez’s drama about a Mexican woman searching for a son who disappeared while attempting to cross the border; and “I Carry You With Me,” in which documentary director Heidi Ewing makes her narrative feature debut about an aspiring Mexican chef whose life changes when his sexuality becomes public. “Identifying Features” won the audience award in the World Cinema Dramatic section and a jury award for its screenplay, while “I Carry You With Me” won the audience award in...
The only other films to win more than one award were “Identifying Features” (“Sin Senas Particulares”), Fernanda Valadez’s drama about a Mexican woman searching for a son who disappeared while attempting to cross the border; and “I Carry You With Me,” in which documentary director Heidi Ewing makes her narrative feature debut about an aspiring Mexican chef whose life changes when his sexuality becomes public. “Identifying Features” won the audience award in the World Cinema Dramatic section and a jury award for its screenplay, while “I Carry You With Me” won the audience award in...
- 2/2/2020
- by Steve Pond
- The Wrap
The Sundance Film Festival had its share of big deals this year, from the record-setting $17,500,000.69 that Neon and Hulu paid for Palm Springs to a pair of $12 million deals for The Night House (Searchlight) and Uncle Frank (Amazon).
With the powder still settling, the 2020 fest handed out its annual awards Saturday night in a ceremony at Basin Fieldhouse in Park City, where it also revealed that Tabitha Jackson has been named the new Director, succeeding the retiring John Cooper.
Lee Isaac Chung’s Minari was the big winner tonight, taking both the Grand Jury Prize and the Audience Award in the U.S. Dramatic Competition. Based on Chung’s real life, the drama follows a Korean-American family that moves from L.A. to Arkansas to chase the American Dream.
Other films that have managed to take the top two awards at the fest recently include Birth of a Nation in...
With the powder still settling, the 2020 fest handed out its annual awards Saturday night in a ceremony at Basin Fieldhouse in Park City, where it also revealed that Tabitha Jackson has been named the new Director, succeeding the retiring John Cooper.
Lee Isaac Chung’s Minari was the big winner tonight, taking both the Grand Jury Prize and the Audience Award in the U.S. Dramatic Competition. Based on Chung’s real life, the drama follows a Korean-American family that moves from L.A. to Arkansas to chase the American Dream.
Other films that have managed to take the top two awards at the fest recently include Birth of a Nation in...
- 2/2/2020
- by Patrick Hipes
- Deadline Film + TV
The 2020 Sundance Film Festival is coming to a close in Park City, and that means that this year’s award winners have been announced. The awards spotlight standout films across the festival’s various categories, including U.S. films spanning fiction and documentary, as well as foreign-made films, and Next and Midnight selections.
This year’s fest brought a bounty of riches that are continuing to attract buyers, including high-profile pickups from Neon and Hulu (“Palm Springs”), Sony Pictures Classics, Searchlight Pictures (“The Night House”), and more. The 2020 Sundance Film Festival broke a number of records, from diversity in its programming to sales. Culled from 15,000 submissions, the 2020 edition offered up a range of timely, boundary-pushing documentary and narrative storytelling, promising new voices and satisfying new heights from established filmmakers. (Check out IndieWire’s roundup of the best 15 films out of Sundance here.)
Netflix, which owned this year’s Academy Awards nominations,...
This year’s fest brought a bounty of riches that are continuing to attract buyers, including high-profile pickups from Neon and Hulu (“Palm Springs”), Sony Pictures Classics, Searchlight Pictures (“The Night House”), and more. The 2020 Sundance Film Festival broke a number of records, from diversity in its programming to sales. Culled from 15,000 submissions, the 2020 edition offered up a range of timely, boundary-pushing documentary and narrative storytelling, promising new voices and satisfying new heights from established filmmakers. (Check out IndieWire’s roundup of the best 15 films out of Sundance here.)
Netflix, which owned this year’s Academy Awards nominations,...
- 2/2/2020
- by Ryan Lattanzio
- Indiewire
The Sundance Film Festival concluded with the announcement of its grand jury awards, honoring Lee Isaac Chung’s “Minari,” a semi-autobiographical glimpse into the Korean American director’s Arkansas upbringing, and “Boys State,” an immersive vérité look at an impassioned class of politically inclined Texas teens who participate in an annual mock-government competition.
Ethan Hawke and his fellow U.S. dramatic competition jurors Wash Westmoreland and Rodrigo Garcia gave the directing prize to Radha Blank for her “The 40-Year-Old Version.”
Caught off-guard by the award, Blank riffed, “Anybody who feels there’s an expiration on a passion, f— that shit. If it’s in you to be a rapper, a parent, a director in your 40s, do that sh–.” Many of the night’s speeches reflected similar attitudes, as directors who’d confronted discrimination in order to make their films shared their experiences from the podium.
The U.S. dramatic...
Ethan Hawke and his fellow U.S. dramatic competition jurors Wash Westmoreland and Rodrigo Garcia gave the directing prize to Radha Blank for her “The 40-Year-Old Version.”
Caught off-guard by the award, Blank riffed, “Anybody who feels there’s an expiration on a passion, f— that shit. If it’s in you to be a rapper, a parent, a director in your 40s, do that sh–.” Many of the night’s speeches reflected similar attitudes, as directors who’d confronted discrimination in order to make their films shared their experiences from the podium.
The U.S. dramatic...
- 2/2/2020
- by Peter Debruge
- Variety Film + TV
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