| Thelma Barlow | ... | Ena | |
| Michael Caine | |||
| Linzey Cocker | ... | Tanya | |
| Anne-Marie Duff | ... | Mum | |
| Garrick Hagon | ... | Dr. Mewling | |
| Rosemary Harris | ... | Elsie | |
| Ralph Ineson | ... | Mr. Kelly | |
| Angie Inwards | ... | Mavis | |
| Karl Johnson | ... | Arthur | |
| Miles Jupp | ... | Vicar | |
| Michael Keogh | ... | Paramedic | |
| Bill Milner | ... | Edward | |
| David Morrissey | ... | Dad | |
| Leslie Phillips | ... | Reg | |
| Ralph Riach | ... | Clive | |
| Elizabeth Spriggs | ... | Prudence | |
| Sylvia Syms | ... | Lilian | |
| Peter Vaughan | ... | Bob |
Directed by | |||
| John Crowley | |||
Writing credits(in alphabetical order) | ||
| Peter Harness | writer | |
Produced by | |||
| Rosie Alison | .... | co-producer | |
| Jeb Brody | .... | executive producer | |
| David Heyman | .... | producer | |
| Mark Hubbard | .... | line producer | |
| Christine Langan | .... | executive producer | |
| Peter Saraf | .... | producer | |
| David M. Thompson | .... | executive producer | |
| Marc Turtletaub | .... | producer | |
Original Music by | |||
| Joby Talbot | |||
Cinematography by | |||
| Rob Hardy | |||
Film Editing by | |||
| Trevor Waite | |||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| Kave Quinn | |||
Art Direction by | |||
| Lynne Huitson | |||
Set Decoration by | |||
| Gemma Ryan | |||
Costume Design by | |||
| Jane Petrie | |||
Makeup Department | |||
| Fae Hammond | .... | makeup designer | |
| Gemma Richardson | .... | hair stylist: crowd dailies | |
| Gemma Richardson | .... | makeup artist: crowd dailies | |
Production Management | |||
| Tania Blunden | .... | post-production supervisor (as Tania Windsor Blunden) | |
| Alice Dawson | .... | production manager | |
| Amie Tridgell | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Daniel Gill | .... | additional crowd third assistant director | |
| Heidi Gower | .... | third assistant director | |
| Martin Harrison | .... | first assistant director | |
| Chris Stoaling | .... | second assistant director | |
Art Department | |||
| Garry Dawson | .... | stand-by props | |
| Kevin Day | .... | stand-by props | |
| Gavin Grant | .... | props | |
| Douglas Ingram | .... | storyboard artist | |
| Loretta Lipworth | .... | art department trainee | |
| Chris Lunney | .... | graphic designer | |
| James Mannell | .... | props | |
| Steve Register | .... | property master | |
| Oliver Roberts | .... | stand-by art director | |
| Dorothy Sullivan | .... | assistant set decorator | |
Sound Department | |||
| Arthur Graley | .... | foley editor | |
| Nigel Heath | .... | sound re-recording mixer | |
| Dan Morgan | .... | dialogue editor | |
| Paul Munro | .... | boom operator | |
| Colin Nicolson | .... | sound recordist | |
| Marc Sampson | .... | sound trainee | |
| Julian Slater | .... | supervising sound editor | |
| Jessica Ward | .... | assistant sound editor | |
Special Effects by | |||
| James Davis III | .... | special effects senior technician | |
| Hugh Goodbody | .... | special effects technician | |
| Mark Holt | .... | special effects supervisor | |
| Chris Reynolds | .... | senior special effects technician | |
Visual Effects by | |||
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Kelly Bruce | .... | compositor | |
| Max Horton | .... | digital colourist | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Sona Pak | .... | visual effects producer | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
Stunts | |||
| Nick Chopping | .... | stunt double | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
| Ruth Key | .... | casting assistant | |
| Alice Searby | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Karen Beale | .... | costume assistant | |
| Anne T. Delaney | .... | costume maker | |
| Lucy Donowho | .... | costume assistant | |
| Poli Kyriacou | .... | costume buyer | |
| Richard Sale | .... | assistant costume designer | |
| Julie Telfer | .... | costume assistant | |
Editorial Department | |||
| Nina Bradley | .... | assistant editor | |
| Faye Stevens | .... | post-production coordinator | |
Music Department | |||
| Ben Foster | .... | orchestrator | |
| Liz Gallacher | .... | music supervisor | |
| Catherine Manners | .... | music score coordinator | |
Other crew | |||
| Danielle Bennett | .... | floor runner | |
| Oliver Butler | .... | base runner | |
| Valentina Coccia | .... | production coordinator | |
| Jonah Coombes | .... | location manager | |
| Jon Duncan | .... | production accountant | |
| Scott Eaton | .... | assistant production coordinator | |
| Adrian Hubbard | .... | production runner | |
| Diana Lander | .... | unit nurse | |
| Jill McCullough | .... | dialect coach | |
| Sharon Milton | .... | tutor | |
| Shailini Vijay Naik | .... | production assistant | |
| Claire Oakley | .... | assistant to director | |
| Sylvia Parker | .... | script supervisor | |
| Scott Penrose | .... | magic consultant | |
| Liam Winn | .... | runner | |
| Oliver Wiseman | .... | assistant: mr heyman | |
| Charlotte Wright | .... | location scout | |
| Josh Yudkin | .... | assistant location manager | |
| Recent Posts (updated daily) | User |
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| Rating? | moviegoer300 |
| Michael Caine | CensorshipSucks |
| 'Is Anybody There?' | griffic-2 |
| British acting talent... | D_R_Cran |
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Brilliant. I loved every minute of it.
The movie had the perfect mix of comedy and drama. It's a joy to watch Bill Milner (of Son of Rambow fame) go toe to toe with Michael Caine.
It was interesting to hear from the director how the movie originally had political undertones. As I recall from the Q&A at the TIFF screenings, the director said that the movie was set in the late 80s partly because of Margaret Thatcher - who declared that "There's no such thing as society... only individuals and families."
I'm glad they decided to skip the politics altogether though. It would have taken away from such a simple story that in itself is just beautiful one to watch.