Directed by
Rupert Glasson |
Writing Credits
Rupert Glasson | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
Phil Hunt | ... | executive producer |
David Lightfoot | ... | producer |
Compton Ross | ... | executive producer |
Ayisha Taylor | ... | producer (as Ayisha Davies) |
Piers Tempest | ... | executive producer |
Music by
John Gray |
Cinematography by
David Foreman | ... | director of photography |
Editing by
Adrian Rostirolla | ... | picture editor |
Casting By
Brooke Howden |
Production Design by
Tony Cronin |
Costume Design by
Theo Benton |
Makeup Department
Eileen Brennan | ... | additional makeup assistant |
Jodee Lenaine-Smith | ... | key hair and make up artist (as Jodie Lenaine-Smith) |
Tracy Phillpot | ... | additional makeup standby (as Tracey Phillpot) |
Rachel Wells | ... | hair and make up assistant |
Production Management
Kate Butler | ... | post-production supervisor |
Michael Gill | ... | unit manager |
Fiona Lanyon | ... | production manager |
Ayisha Taylor | ... | post-production supervisor (as Ayisha Davies) |
Second Unit Director or Assistant Director
Shannon Crotty | ... | third assistant director |
Travis Kalendra | ... | second assistant director |
Mark Knight | ... | first assistant director |
Art Department
Michael Clarkin | ... | product placement |
Chris Jobson | ... | additional set decorator |
Peter Jobson | ... | props buyer |
Kylie Lawson | ... | additional scenic artist |
Brad Maddern | ... | art department attachment |
Geoffrey Tarr | ... | standby props (as Geoff Tarr) |
Richard Trayling | ... | storyboard artist |
Gareth Wilkes | ... | set dresser |
Sound Department
Russell Alexander | ... | foley recordist |
Marco Arlotta | ... | boom operator |
Mike Bakaloff | ... | additional boom operator |
Pete Best | ... | mix facility supervisor |
Craig Carter | ... | sound designer |
James Currie | ... | additional sound recordist |
Jason Hancock | ... | foley recordist |
James Harvey | ... | effects editor, adr editor |
David Macdonald | ... | boom operator (as David McDonald) |
Adrian Medhurst | ... | foley artist |
Rhys Richards | ... | foley editor |
John Simpson | ... | foley artist |
Pete Smith | ... | post-production sound mixer (as Peter Smith) |
Rob Stankovich | ... | sound recordist |
Belinda Trimboli | ... | dialogue editor |
Sam Rogers | ... | foley work experience (uncredited) |
Visual Effects by
Peter Amies | ... | laboratory operations manager |
Daniel Ashton | ... | film recording technician |
Nick Booth | ... | film recording supervisor |
Martin Edwards | ... | laboratory post-production coordinator |
Marty Pepper | ... | visual effects artist |
Stephen Roucher | ... | film recording technician |
Brian Scadden | ... | laboratory post-production supervisor |
Pete Williams | ... | film recording manager (as Peter Williams) |
Stunts
Mark Duncan | ... | stunt double: Joseph Del Re, stunt performer |
Mick Hodge | ... | assistant stunt coordinator: precision driver |
Bernard Ledger | ... | stunt coordinator, safety supervisor, precision driver (as Bernie Ledger) |
Philip Partridge | ... | stunt double: Sam Parsonson, stunt performer |
Camera and Electrical Department
Marcus Bosisto | ... | gaffer |
Mischa Chaleyer-Kynaston | ... | camera assistant |
Mark Dohring | ... | additional camera assistant |
John Foster | ... | focus puller/ additional second camera operator |
Werner Gerlach | ... | best boy |
Daniel Guerra | ... | still photographer (as Daniel 'Guido' Guerra) |
Joel Johnston | ... | additional still photographer |
Zane Roach | ... | additional still photographer |
Henry Smith | ... | clapper loader |
Andrew Stankovich | ... | steadicam operator (as Andy Stankovich) |
Darcy Sullivan | ... | grip |
Ben Taylor | ... | additional grip & electric |
Jules Wurm | ... | additional camera assistant |
Mischa Chaleyer-Kynaston | ... | additional camera operator (uncredited) |
Costume and Wardrobe Department
Meredith Goyne | ... | costume standby (as Meredith Hudson Goyne) |
Vicky Stimson | ... | costume buyer / costume assistant (uncredited) |
Editorial Department
Kate Butler | ... | post-production producer |
Sean Lahiff | ... | assistant editor |
Mark Machin | ... | HD neg reports |
Sam Matthews | ... | digital intermediate assistant |
Marty Pepper | ... | colourist |
Dale Roberts | ... | head of post-production |
Joshua Sutherland | ... | dubbing & transfers |
Location Management
Julie Lewington | ... | location manager |
Music Department
Gregg Arthur | ... | vocals |
Geir S. Brillian | ... | recording engineer and mixer (as Geir Brillian Gunnarsson) |
Patrick Brown | ... | assistant engineer |
Alex Henery | ... | music contractor |
Christopher O'Young | ... | assistant composer (as Chris O'Young) |
Jessica Wells | ... | conductor |
Script and Continuity Department
Eve Foreman | ... | script supervisor |
Additional Crew
George Adams | ... | completion guarantor |
Roger Brewitt | ... | completion guarantor |
Mark Broomhead | ... | legal: Screen Australia |
Michael Clarkin | ... | assistant to producer |
Sally Davis | ... | unit nurse |
Bettina Hamilton | ... | production coordinator |
Richard Hyde | ... | insurance broker |
Jenny Lalor | ... | entertainment lawyer |
Chad Leader | ... | production accounts assistant |
Toby Moritz | ... | legal: South Australian Film Corporation |
Ann Pashley | ... | animal handler |
Matt Pearson | ... | production runner |
Chris Pike | ... | caterer |
Phil Pike | ... | caterer |
Matt Richardson | ... | unit assistant |
Mark Roffell | ... | boat wrangler |
Trudy Talbot | ... | financial controller |