Directed by
| Danny Daneau | ||
Writing Credits (in alphabetical order)
| Danny Daneau | ... | (writer) |
| Eric Ernst | ... | (writer) |
Cast
 |
Kay D'Arcy | ... | Old Caroline |
| Madison Davenport | ... | Caroline | |
| Tom Fitzpatrick | ... | Old Darrell | |
| Jake Johnson | ... | Darrell | |
Produced by
| Danny Daneau | ... | producer |
| Eric Ernst | ... | co-producer |
| Rachel Hargreaves-Heald | ... | associate producer |
| Erica Harrell | ... | executive producer / producer |
| Bryce Hudson | ... | line producer / producer |
| Natalie Sakai | ... | associate producer |
Music by
| Kristin Øhrn Dyrud | ... | (original music by) |
Cinematography by
| Scott Uhlfelder | ||
Editing by
| Danny Daneau | ||
| Sean Lagrange | ||
Casting By
| Erica S. Bream | ... | (as Erica Silverman) |
Production Design by
| Alex Eastwood | ||
Art Direction by
| Erin E. Riegel | ||
Set Decoration by
| Eleni Roussos | ||
Costume Design by
| Claudia Judd | ... | (as Claudia Clarke Villa) |
Makeup Department
| Brittani Fernandez | ... | key hair / key makeup |
Production Management
| James Holden | ... | production manager |
Second Unit Director or Assistant Director
| Sean Heyboer | ... | second assistant director |
| Cory Johnson | ... | first assistant director |
Art Department
| Linda Alderman | ... | art department coordinator |
| Cristina Allica | ... | prop master |
| Caroline Atkins | ... | art department assistant |
| Drew Blatman | ... | graphics |
| Ana Bruno | ... | concept artist / storyboard artist |
| Lindsay Daughtrey | ... | leadperson |
| William Anthony Duncan | ... | key scenic artist (as William A. Duncan) |
| James Holden | ... | art department assistant |
| Becca Kenyon | ... | prop production assistant |
| Phil Peters | ... | production design consultant (as Philip Peters) |
| Brian Joseph Potter | ... | carpenter |
| Jessica J. Randolph | ... | drafting |
| Brant Rhinehart | ... | art department production assistant |
| Ronald Walkshorse | ... | set constructor |
| Joshua Zeigler | ... | construction coordinator |
Sound Department
| Gregory Clark | ... | additional production sound mixer (as Greg Clark) |
| Evan Frankfort | ... | re-recording mixer |
| Jonathan Larson | ... | additional sound mixer / boom |
| Erik Schuiten | ... | sound designer / supervising sound editor |
| Zack Wilcox | ... | production sound mixer |
Visual Effects by
| George Papabeis | ... | visual effects |
Camera and Electrical Department
| Kevin Akers | ... | first assistant camera / focus puller |
| Terry Alderman | ... | set photographer |
| Eduardo Barraza | ... | key grip |
| William B. Demeritt III | ... | swing |
| Nicholas Emanuele | ... | best boy electric |
| Barry Glazier | ... | set photographer |
| Joseph Olandese | ... | best boy grip |
| Janice Pearson | ... | gaffer |
| Adam Rasmussen | ... | clapper loader / second assistant camera |
| Brian J. Weeks | ... | dolly grip |
Editorial Department
| Doug Fox | ... | digital intermediate producer |
| Leandro Marini | ... | digital intermediate colorist / digital intermediate producer |
| Toby Martisius | ... | on-line editor |
| Mary Liz Thomson | ... | on-line editor |
Location Management
| Jackie Rife | ... | location manager (as Jackie Hamblin Rife) |
Music Department
| Paul Apelgren | ... | scoring assistant |
| Susie Bench | ... | orchestra conductor (as Susie Benchasil) |
| Kristin Øhrn Dyrud | ... | piano |
| Armen Ksajikian | ... | cello |
| Alex Levy | ... | scoring mixer |
| Matt Novack | ... | music preparation |
| Nancy Roth | ... | viola |
| Karl Vincent | ... | contrabass |
Script and Continuity Department
| Carmen Tabanyi | ... | script supervisor |
Transportation Department
| Brian J. Weeks | ... | transportation coordinator |
Additional Crew
| Alyssa Allan | ... | stand-in |
| Kobe Allan | ... | stand-in |
| Christine Daneau | ... | set medic |
| Gage Davenport | ... | stand-in |
| Caryn Johnson | ... | stand-in |
| Alexander Murphy Jr. | ... | legal counsel (as Alexander Murphy Jr Esq) |
| Nancy Neumann | ... | studio teacher |
| Megan Ozuna | ... | production assistant |
| Brian Joseph Potter | ... | assistant to: Danny Daneau |
| Roman Safiullin | ... | behind the scenes: documentary crew |
| Austin Scott | ... | additional production assistant |
| Linda Stanley | ... | additional studio teacher |
| Chris Walker | ... | behind the scenes: documentary crew |
Thanks
| Kay Connor | ... | this film was made possible through the generous support of |
| Brandon Davenport | ... | this film was made possible through the generous support of |
| Gage Davenport | ... | this film was made possible through the generous support of |
| Jennifer Davenport | ... | this film was made possible through the generous support of |
| Mimi Davis-Taylor | ... | this film was made possible through the generous support of |
| Randy Finch | ... | the producers would like to express their gratitude to |
| Ricky Flores | ... | this film was made possible through the generous support of |
| Tom Forsythe | ... | this film was made possible through the generous support of: and Frontier Movie Town |
| Ted Hallisey | ... | the producers would like to express their gratitude to |
| James Harrell | ... | the producers would like to express their gratitude to |
| John Honigmann | ... | this film was made possible through the generous support of |
| Kim T. Lawson | ... | this film was made possible through the generous support of (as Mayor Kim T. Lawson) |
| Laura C. Lopez | ... | the producers would like to express their gratitude to |
| Boni McCowan | ... | this film was made possible through the generous support of |
| Jim McCowan | ... | this film was made possible through the generous support of |
| Milo McCowan | ... | this film was made possible through the generous support of |
| Marshall Moore | ... | this film was made possible through the generous support of |
| Phil Peters | ... | the producers would like to express their gratitude to |
| Jackie Rife | ... | this film was made possible through the generous support of (as Jackie Hamblin Rife) |
| Stephen Schlow | ... | this film was made possible through the generous support of (as Steve Schlow) |
| Trevor Snarr | ... | this film was made possible through the generous support of |
| Don Sprecker | ... | this film was made possible through the generous support of: and everyone at La Estancia |
| Leigh Von Der Esch | ... | this film was made possible through the generous support of |
| Hugh Wolfe | ... | this film was made possible through the generous support of |
| Tommy Woodward | ... | this film was made possible through the generous support of |
