IMDb RATING
6.4/10
8.9K
YOUR RATING
The lives of a troubled veteran, his nurse girlfriend and a naive boy intersect first in Alberta and then in Belgium during the bloody World War I battle of Passchendaele.The lives of a troubled veteran, his nurse girlfriend and a naive boy intersect first in Alberta and then in Belgium during the bloody World War I battle of Passchendaele.The lives of a troubled veteran, his nurse girlfriend and a naive boy intersect first in Alberta and then in Belgium during the bloody World War I battle of Passchendaele.
- Awards
- 11 wins & 5 nominations
David Lawrence Brown
- Dr. Bernard
- (as Dave Brown)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPaul Gross wrote and directed this film, and its closing song "After the War." His grandfather, Michael Joseph Dunne, a WWI vet, once confessed to a young Gross about bayoneting a young lad in the forehead. Gross later said on Dunne's deathbed he was muttering for forgiveness and he was the only one who knew what was being talked about.
- GoofsIn the climactic battle sequence (1:33'51'' mark) as a German soldier stabs a fallen body, the bayonet bends as if made of rubber.
- Quotes
Michael Dunne: Do you think maybe I could accompany you to a dance, or...?
Sarah Mann: I don't dance with soldiers.
Michael Dunne: I could lose the uniform.
Sarah Mann: I don't dance with naked soldiers.
- Crazy creditsDuring the end credits, Black and White footage of the real battle of Passchendaele are shown.
- SoundtracksAfter the War
Performed by Sarah Slean
Written by Paul Gross and David Keeley
Courtesy of Debmeister Music Publishing
Produced by Asher Lenz and Jack Lenz
[Played during the end credits]
Featured review
There was great hoopla around "Passchendaele" in 2008, with the hope that it would bring in great audiences when released. However, the box office take in its native Canada was only average, and it faired worse in the international market - the only foreign market it played in theaters was with a (brief) British release, and in the United States the DVD label that picked it up was a small DVD company that specialized in releasing public domain movies.
Seeing the movie, it's easy to see why not that many people were attracted to it. The first half of the movie is pretty awful. I know the intent of this first half was to illustrate war on the home front - which you don't often see in war movies - but it fails in its intentions. The dialogue is downright awful at times, the characters are very familiar, and it's REAL slow going. Even worse is that despite the expense put into the movie, the look and feel of the movie here is like one found with a cheapo drama broadcast on the CBC television network.
The second half of the movie - moving to the Passchendaele battlefields - is a bit more successful than the first half. The battlefield and the battlefield fighting come across as gritty and authentic, and the movie finally has a theatrical feeling to it. However, the movie still suffers from bad dialogue, throwing in ridiculous symbolism as well. Worse of all, the struggle for Passchendaele doesn't last that long - all of a sudden, we're told Passchendaele has been taken. Huh?
Had writer/director/actor Paul Gross had set the movie entirely on the battlefield AND had someone smart working with him to correct the shortcomings of his screenplay, we might have had something here. But as it is, the movie ends up being a big disappointment. What's worse is that this movie's mostly bad reception means that it will probably be a long, long time before some other Canadian tries to make a "big" movie that will attract a large domestic audience - if ever.
Seeing the movie, it's easy to see why not that many people were attracted to it. The first half of the movie is pretty awful. I know the intent of this first half was to illustrate war on the home front - which you don't often see in war movies - but it fails in its intentions. The dialogue is downright awful at times, the characters are very familiar, and it's REAL slow going. Even worse is that despite the expense put into the movie, the look and feel of the movie here is like one found with a cheapo drama broadcast on the CBC television network.
The second half of the movie - moving to the Passchendaele battlefields - is a bit more successful than the first half. The battlefield and the battlefield fighting come across as gritty and authentic, and the movie finally has a theatrical feeling to it. However, the movie still suffers from bad dialogue, throwing in ridiculous symbolism as well. Worse of all, the struggle for Passchendaele doesn't last that long - all of a sudden, we're told Passchendaele has been taken. Huh?
Had writer/director/actor Paul Gross had set the movie entirely on the battlefield AND had someone smart working with him to correct the shortcomings of his screenplay, we might have had something here. But as it is, the movie ends up being a big disappointment. What's worse is that this movie's mostly bad reception means that it will probably be a long, long time before some other Canadian tries to make a "big" movie that will attract a large domestic audience - if ever.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Người Tình Trên Chiến Hào
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CA$20,000,000 (estimated)
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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