424 reviews
I read that this film has been labeled by parents as a "Disney Bomb" because it's too scary for their young children. Parents who take kids to see any movie need to be aware of something: if it's rated PG there are likely going to be scenes that your six year old will not enjoy -- even if the name Disney is attached to it. The cutesy versions of A Christmas Carol (The Muppet Christmas Carol and Disney's own Mickey's Christmas Carol for example) have little in common with the classic, and sometimes very scary Charles Dickens story. The plot should be familiar to just about anyone who has been alive sometime during the past 150 years, and the fact that there are spirits (ghosts) in the story should also be a red flag to parents. Especially since two of them are downright frightening in just about any version of the story.
The truth is that this is one of the most beautiful and faithful remakes of the Dickens classic. The dialogue is taken nearly word-for-word from the book, and the look and feel of the film brilliantly capture what you would imagine wintertime in London in the 19th century to be like. A few of the special effects are a bit over-the-top, but most work well and add enough pizazz for cynical modern-day audiences. The scenes featuring the Ghost of Christmas Present are worth the price of admission alone.
Once every few months I'm dragged kicking and screaming to see a new film. I can't stand wasting my hard-earned dollar on the crap Hollywood throws at us these days, but every once in a while I'm pleasantly surprised and thoroughly enjoy a movie. This was definitely one of those rare times.
The truth is that this is one of the most beautiful and faithful remakes of the Dickens classic. The dialogue is taken nearly word-for-word from the book, and the look and feel of the film brilliantly capture what you would imagine wintertime in London in the 19th century to be like. A few of the special effects are a bit over-the-top, but most work well and add enough pizazz for cynical modern-day audiences. The scenes featuring the Ghost of Christmas Present are worth the price of admission alone.
Once every few months I'm dragged kicking and screaming to see a new film. I can't stand wasting my hard-earned dollar on the crap Hollywood throws at us these days, but every once in a while I'm pleasantly surprised and thoroughly enjoy a movie. This was definitely one of those rare times.
After directing The Polar Express in 2004, Robert Zemeckis vowed to only make 3D movies using motion-capture technology from then on, never to return to traditional live action films again. What? How could he? Moviegoers everywhere were bemused at how the bloke who gave us Forrest Gump, the Back to the Future trilogy, Who Framed Roger Rabbit?, Contact and Cast Away could settle for some silly 3D business. Perhaps Zemeckis was smarter than us all though, his pledge to developing a decent 3D output coming half a decade earlier than most. It seems he was on to something.
It is credit to Zemeckis though that his use of 3D isn't the drawcard for this wonderfully told fable, it purely enhances it. The opening title sequence is one of the most breathtaking of the year, as we soar over - and through - the old Victorian town in which Scrooge inhabits in only one shot. It doesn't end there however, with no less than two more flying scenes and a splendid chase sequence on foot, which capably show what mo-cap and 3D are capable of. One small gripe, as was present with Up, the glasses still make everything darker and subsequently duller; especially as this picture is intentionally not well-lit to begin with.
We all know the famous Charles Dickens novel for which this is based on and Zemeckis stays faithfully close to it, unworried about making a family movie that has very few laughs. Let's face it, the story of Scrooge isn't meant to be a light-hearted laughfest. With demonic horses (complete with glaring red eyes), ghosts with broken jaws and men withering away to a skeleton, this is anything but a hoot. But is that a bad thing? Not at all. In fact it is a relief to see a movie for young (but not too young) and old that doesn't shy away from evoking feelings of fear and regret rather than always sugar-coating them with funny moments. If dealt with rightly, emotions like these can be healthy and will have a longer lasting effect on you and your kids than something that only makes you laugh.
Providing the voice of Scrooge from childhood to old-age, along with the three Ghosts of Christmas, Carrey does a fine job, even with his normal over-the-top voicing toned down a few hundred decibels. He is barely recognisable in all his parts - a result that I'm sure Zemeckis would have been aiming for - which allows the characters to stand on their own two feet rather than be a typical Carrey product. The experienced supporting cast of Oldman, Hoskins, Firth, Elwes and Wright Penn add a nice level of class to the proceedings.
The dark and morose atmosphere might at first shock, but ultimately both children and adults will gain more from this experience than most family films. See it on the big screen.
4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
It is credit to Zemeckis though that his use of 3D isn't the drawcard for this wonderfully told fable, it purely enhances it. The opening title sequence is one of the most breathtaking of the year, as we soar over - and through - the old Victorian town in which Scrooge inhabits in only one shot. It doesn't end there however, with no less than two more flying scenes and a splendid chase sequence on foot, which capably show what mo-cap and 3D are capable of. One small gripe, as was present with Up, the glasses still make everything darker and subsequently duller; especially as this picture is intentionally not well-lit to begin with.
We all know the famous Charles Dickens novel for which this is based on and Zemeckis stays faithfully close to it, unworried about making a family movie that has very few laughs. Let's face it, the story of Scrooge isn't meant to be a light-hearted laughfest. With demonic horses (complete with glaring red eyes), ghosts with broken jaws and men withering away to a skeleton, this is anything but a hoot. But is that a bad thing? Not at all. In fact it is a relief to see a movie for young (but not too young) and old that doesn't shy away from evoking feelings of fear and regret rather than always sugar-coating them with funny moments. If dealt with rightly, emotions like these can be healthy and will have a longer lasting effect on you and your kids than something that only makes you laugh.
Providing the voice of Scrooge from childhood to old-age, along with the three Ghosts of Christmas, Carrey does a fine job, even with his normal over-the-top voicing toned down a few hundred decibels. He is barely recognisable in all his parts - a result that I'm sure Zemeckis would have been aiming for - which allows the characters to stand on their own two feet rather than be a typical Carrey product. The experienced supporting cast of Oldman, Hoskins, Firth, Elwes and Wright Penn add a nice level of class to the proceedings.
The dark and morose atmosphere might at first shock, but ultimately both children and adults will gain more from this experience than most family films. See it on the big screen.
4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
- Troy_Campbell
- Nov 5, 2009
- Permalink
From an artistic viewpoint, the new Robert Zemeckis film from the man who gave us THE POLAR EXPRESS, is another of his animated features using the motion picture capture technique that allows the actors to play several roles. The cinematography is exceptionally well done.
JIM CARREY, as miserly Ebenizer Scrooge, looks nothing like his real self. He's a perfect Scrooge, using his voice and mannerisms to great effect, never overplaying the role as you might expect he would.
The visit from three spirits is more frightening than usual, since Zemeckis decided to throw everything he could into startling special effects--sometimes with very gruesome results. The sight of Marley's Ghost with a flapping jaw that has to be realigned by Marley is just one of the "extra" touches. Some of the "spirit" scenes are too intense for small children, more likely to frighten them than anything else.
There are times when the story remains very faithful to the Dickens book, sometimes even word for word. But when Zemeckis decides to show off that the camera can do with flying aerial scenes zooming over Victorian London, it begins to stray a bit. Biggest stray is a chase scene that has a miniature Scrooge going through drain pipes to escape an oncoming coach and horses trying to run him down.
The lovely score by Alan Silvestri blends perfectly with the on screen action and includes a number of traditional Christmas favorites. GARY OLDMAN and COLIN FIRTH do well in key supporting roles but it's really Carrey's show all the way. He plays several main characters with great skill.
Not quite as festive as you might expect, it's a darker version of Scrooge, handsomely executed so that many of the scenes look like Victorian illustrations from the novel.
Warning: This is not a child's version of the tale. Parents should be advised that some of the content is too gruesome for young kids.
JIM CARREY, as miserly Ebenizer Scrooge, looks nothing like his real self. He's a perfect Scrooge, using his voice and mannerisms to great effect, never overplaying the role as you might expect he would.
The visit from three spirits is more frightening than usual, since Zemeckis decided to throw everything he could into startling special effects--sometimes with very gruesome results. The sight of Marley's Ghost with a flapping jaw that has to be realigned by Marley is just one of the "extra" touches. Some of the "spirit" scenes are too intense for small children, more likely to frighten them than anything else.
There are times when the story remains very faithful to the Dickens book, sometimes even word for word. But when Zemeckis decides to show off that the camera can do with flying aerial scenes zooming over Victorian London, it begins to stray a bit. Biggest stray is a chase scene that has a miniature Scrooge going through drain pipes to escape an oncoming coach and horses trying to run him down.
The lovely score by Alan Silvestri blends perfectly with the on screen action and includes a number of traditional Christmas favorites. GARY OLDMAN and COLIN FIRTH do well in key supporting roles but it's really Carrey's show all the way. He plays several main characters with great skill.
Not quite as festive as you might expect, it's a darker version of Scrooge, handsomely executed so that many of the scenes look like Victorian illustrations from the novel.
Warning: This is not a child's version of the tale. Parents should be advised that some of the content is too gruesome for young kids.
I took my grandson to see this, but I was dreading it. I'm not a Jim Carrey fan but it's a Christmas movie, after all , so I bit the bullet and we saw it at the IMAX in 3-D.
The visual effects are great, even though a lot of it was :"Look, we have 3-D!" They stayed very close to the original story, though they added a miniaturization segment that was unnecessary. Carrey was muted and did a great job with some occasional clowning around. It was actually scary in some parts, as it should be, but not overwhelmingly, and there were some laughs as well.
I have always enjoyed this story, because it's one of redemption, and there is no better time than Christmas to tell it. It shows people being compassionate, even in the face of someone as seemingly heartless as Ebeneezer Scrooge. I was first exposed to this story as a little boy watching the animated version with Mr. Magoo that came out in 1962 and is shown every year on TV. There are many such movies that define the season and I truly expect this to be one of them, along with Christmas Story, Home Alone, Miracle on 34th Street, and It's a Wonderful Life.
Like the Macy's Parade, we all have our list of must-see holiday movies, no matter how many times we have seen them. I really expect this to make this list, with one caveat- I'm not sure how well the non 3-D version will translate to the TV screen. But the story is timeless and this movie does a good job of telling it.
The visual effects are great, even though a lot of it was :"Look, we have 3-D!" They stayed very close to the original story, though they added a miniaturization segment that was unnecessary. Carrey was muted and did a great job with some occasional clowning around. It was actually scary in some parts, as it should be, but not overwhelmingly, and there were some laughs as well.
I have always enjoyed this story, because it's one of redemption, and there is no better time than Christmas to tell it. It shows people being compassionate, even in the face of someone as seemingly heartless as Ebeneezer Scrooge. I was first exposed to this story as a little boy watching the animated version with Mr. Magoo that came out in 1962 and is shown every year on TV. There are many such movies that define the season and I truly expect this to be one of them, along with Christmas Story, Home Alone, Miracle on 34th Street, and It's a Wonderful Life.
Like the Macy's Parade, we all have our list of must-see holiday movies, no matter how many times we have seen them. I really expect this to make this list, with one caveat- I'm not sure how well the non 3-D version will translate to the TV screen. But the story is timeless and this movie does a good job of telling it.
- mccurdy444
- Nov 8, 2009
- Permalink
I wonder if Robert Zemeckis weren't a filmmaker if he would have become a pilot. Look at his films and you may find a recurring shot in them, if not all then at least a good lot of them: a shot up in the sky, flying around and bringing the audience along (i.e. the feather in Forrest Gump, the pull-back through the valley and mountains in Beowulf, Back to the Future with the flying Dolorean), and here too are shots like that, more than one in fact. It's exhilarating to see Zemeckis at a mastery of this particular shot, and in the full scope and awe in 3D it's even stronger to watch and wonder 'how did they do it(?)' With motion-capture, anything is possible... except, sadly, making one feel a true emotional connection to the material.
Oh, don't get me wrong. It's an improvement over The Polar Express, whose creepiness was more unto itself and jarring as opposed to serving the story, and one can already see advancements in the technology from Beowulf, which was also lots of fun and had an edge to it allowed only with the digital animation. But for some reason- maybe my heart is a lump of coal or I wasn't in the right Christmas spirit or something- the material in the film didn't connect with me, except those moments that were funny (intentionally or not, sometimes due to Jim Carrey's performance), and it became something peculiar. It's a story that is practically timeless, and the director is at the top of his game, almost at the same control of the medium for a particular story like Forrest Gump or Back to the Future - maybe more-so.
It's also still a WOOSH experience, not carrying the same time and effort for characters to really feel fully human before our eyes like, for example, Up did back in the summer. I mention all of this first since the story we all know pretty much (as an aside, I kept thinking back to the first incarnation of the story I saw as a child, the Muppet Christmas Carol, and marveled at how both that and this film kept much of the book's dialog and storytelling devices exactly), and it's almost pointless to recant it here. What is paramount to mention though is that Zemeckis, in keeping with the tone of the original Dickens text (and having the clout that he has), makes it a true Victorian horror movie.
It should be said also that children will be hit or miss with this version; while they'll delight and be awed by the animation and moments of craziness (my favorite being the scene with the ghost Marley and his entire presentation before Scrooge, unhooked jaw uneasily included), they may be put off by the "old" language, some of it in that olde 19th century English Dickens wrote in. Perhaps this is why, against his own better judgment, Zemeckis decided to add in a few scenes to change the very faithful adaptation, the key one being the chase through the streets of London in the Christmas-Future sequence. This is smack dab in the middle of what is the best segment of the film - seeing death as a silhouette with a bony finger and Scrooge's stark pleas is truly chilling - and it suddenly makes it also the worst. It kills the tension and makes a strange sensation: does one laugh at a tiny-voiced Scrooge running around like a mini Daffy Duck cartoon while he's supposed to be facing down his own demise? It's entertaining to watch, but awkward to behold at this point of the story.
That the motion-capture, for all of its beauty and detail in the faces and people and locations and dazzling set-pieces, doesn't engage on a purely spiritual level (not even to the extent that 'Muppet Christmas' did, that at least had the ghost of Henson on the production to keep things truly haunting), is somewhat forgivable for what Zemeckis does accomplish here. He puts a modern spin on a classic tale, makes it approximately dark and mostly uncompromising for all ages- adults will jump possibly more than the kids at the WHOA effects- and Jim Carrey is nothing short of astonishing.
Carrey plays Scrooge in such a bravura way that only calls attention to itself as a dramatic part (only toward the end, when he becomes "happy" Scrooge are there a few unintentional laughs), and it may even be the best Scrooge seen in many years in any medium. Added to this are his *other* parts in the film, as the ghosts of Christmas past and present, the former creepy just on the pronunciation of 's'. Others like Gary Oldman and Colin Firth come off more or less fine if not remarkable (Oldman as Marley is fantastic - as Cratchit, a Oldman-faced Hobbit, is another thing).
Oh, don't get me wrong. It's an improvement over The Polar Express, whose creepiness was more unto itself and jarring as opposed to serving the story, and one can already see advancements in the technology from Beowulf, which was also lots of fun and had an edge to it allowed only with the digital animation. But for some reason- maybe my heart is a lump of coal or I wasn't in the right Christmas spirit or something- the material in the film didn't connect with me, except those moments that were funny (intentionally or not, sometimes due to Jim Carrey's performance), and it became something peculiar. It's a story that is practically timeless, and the director is at the top of his game, almost at the same control of the medium for a particular story like Forrest Gump or Back to the Future - maybe more-so.
It's also still a WOOSH experience, not carrying the same time and effort for characters to really feel fully human before our eyes like, for example, Up did back in the summer. I mention all of this first since the story we all know pretty much (as an aside, I kept thinking back to the first incarnation of the story I saw as a child, the Muppet Christmas Carol, and marveled at how both that and this film kept much of the book's dialog and storytelling devices exactly), and it's almost pointless to recant it here. What is paramount to mention though is that Zemeckis, in keeping with the tone of the original Dickens text (and having the clout that he has), makes it a true Victorian horror movie.
It should be said also that children will be hit or miss with this version; while they'll delight and be awed by the animation and moments of craziness (my favorite being the scene with the ghost Marley and his entire presentation before Scrooge, unhooked jaw uneasily included), they may be put off by the "old" language, some of it in that olde 19th century English Dickens wrote in. Perhaps this is why, against his own better judgment, Zemeckis decided to add in a few scenes to change the very faithful adaptation, the key one being the chase through the streets of London in the Christmas-Future sequence. This is smack dab in the middle of what is the best segment of the film - seeing death as a silhouette with a bony finger and Scrooge's stark pleas is truly chilling - and it suddenly makes it also the worst. It kills the tension and makes a strange sensation: does one laugh at a tiny-voiced Scrooge running around like a mini Daffy Duck cartoon while he's supposed to be facing down his own demise? It's entertaining to watch, but awkward to behold at this point of the story.
That the motion-capture, for all of its beauty and detail in the faces and people and locations and dazzling set-pieces, doesn't engage on a purely spiritual level (not even to the extent that 'Muppet Christmas' did, that at least had the ghost of Henson on the production to keep things truly haunting), is somewhat forgivable for what Zemeckis does accomplish here. He puts a modern spin on a classic tale, makes it approximately dark and mostly uncompromising for all ages- adults will jump possibly more than the kids at the WHOA effects- and Jim Carrey is nothing short of astonishing.
Carrey plays Scrooge in such a bravura way that only calls attention to itself as a dramatic part (only toward the end, when he becomes "happy" Scrooge are there a few unintentional laughs), and it may even be the best Scrooge seen in many years in any medium. Added to this are his *other* parts in the film, as the ghosts of Christmas past and present, the former creepy just on the pronunciation of 's'. Others like Gary Oldman and Colin Firth come off more or less fine if not remarkable (Oldman as Marley is fantastic - as Cratchit, a Oldman-faced Hobbit, is another thing).
- Quinoa1984
- Nov 8, 2009
- Permalink
The best Christmas carol is and always will be Alastair sims 1951 a Christmas Carol, but this is 2nd. Adding the phenomenal special effects and incredible 3d this is a work of art. Zemeckis is the king of Stop motion animation ( I think that's what its called) anyway this and polar Express are absolute must watch movies every year!! Jom Carey does an amazing job no one can compare to sims version of scrooge but now no one can compare to jim careys version of ALL the characters he performs in this movie , shows his acting genius. This is a perfect 10!! A Christmas Carol from 1951 is a 10 as well but for acting alone both are a must watch every Christmas. So merry Christmas and try to be the transformed scrooge or as close as u can!!
In the Victorian era of the United Kingdom, the stingy and cranky Ebenezer Scrooge (Jim Carrey) that hates Christmas and people loses his partner Jacob Marley in a Christmas Eve. For seven years, he runs his business exploiting his employee Bob Cratchit (Gary Oldman) and spends a bitter treatment to his nephew and acquaintances. However, in the Christmas Eve, he is visited by the doomed ghost of the chained Marley that tells him that three spirits would visit him that night. The first one, the spirit of past Christmas, recalls his miserable youth; the spirit of the present Christmas shows him the poor situation of Bob's family; and the spirit of future Christmas shows his fate. Scrooge finds that life is good and God bless us everyone, changing his behavior toward Christmas, Bob, his nephew and people in general.
This dark adaptation of "A Christmas Carol" by Charles Dickens to the screen is one of those optimistic films that follows the style of Frank Capra's "It's a Wonderful Life" and it is impossible not loving it. The redemption of the mean Ebenezer Scrooge in a Christmas Eve is one of the most known worldwide novels and this animation produced by Disney Company follows the style of Tim Burton and may not be the best adaptation to the cinema, but it is indeed effective and a good family entertainment. My vote is seven.
Title (Brazil): "Os Fantasmas de Scrooge" ("The Ghosts of Scrooge")
This dark adaptation of "A Christmas Carol" by Charles Dickens to the screen is one of those optimistic films that follows the style of Frank Capra's "It's a Wonderful Life" and it is impossible not loving it. The redemption of the mean Ebenezer Scrooge in a Christmas Eve is one of the most known worldwide novels and this animation produced by Disney Company follows the style of Tim Burton and may not be the best adaptation to the cinema, but it is indeed effective and a good family entertainment. My vote is seven.
Title (Brazil): "Os Fantasmas de Scrooge" ("The Ghosts of Scrooge")
- claudio_carvalho
- Mar 29, 2010
- Permalink
There have been many films based on Charles Dickens' Christmas carol and each one has their own way of telling it. This version is no different story wise (obviously). The only things changed were the visuals and tone. There was nothing I didn't like about this film but there were parts that make me question whether this movie was intended for children.
The voice cast to this story is pretty remarkable. Just like how Tom Hanks was able to do multiple voices for The Polar Express (2004), Jim Carrey plays Scrooge and various other characters throughout. Along side Carrey is Carey Elwes, Robin Wright, Bob Hoskins and much more. Surprisingly, the audience will be able to identify which actor/actress is doing the voice for whomever the character they are portraying. I suppose the voice characterizations were not needed to be enhanced. But it's blatantly clear whose speaking for whom.
Visually, the film's animation is nothing to scorn at either. Much of the characters, the backgrounds and lighting is accurately spaced, colored and shaded. Perhaps the most colorful spectacle is the transition between the spirits who visit Scrooge during his sleep. But what's extremely odd is how all the animated characters in this movie look like the actors who give them their voice; especially Scrooge! Look closely when he's on screen; Scrooge at the current time, looks like a weathered Jim Carrey and the younger version of Scrooge looks like Carrey as he is now. I'm curious if the animators knew this while making the film.
Nevertheless, I am leery about the reactions small children will have if they are given the chance to view this film. Scenes where Marley, Scrooges' partner, pays him a visit from hell, or when the ghost of Christmas present dies, is on the edge of being dark. Marley having a lazy eye, or dislocating his jaw? Ehh...not quite sure what those parts were put in for. Comedy? Or the dying ghost of Christmas present having a maniacal laugh? That kind of stuff could freak out a child. The ghost of Christmas yet to come is always a spooker for kids. I'm surprised Disney went through with it. It's not bad though. I liked the change, but it's not suitable for a child maybe under twelve.
Overall Zemeckis' take on Dickens' Christmas carol is visually intriguing and has a great voice cast. All the same, there are some elements in this film that are darker than usual and that's puzzling especially for Disney.
The voice cast to this story is pretty remarkable. Just like how Tom Hanks was able to do multiple voices for The Polar Express (2004), Jim Carrey plays Scrooge and various other characters throughout. Along side Carrey is Carey Elwes, Robin Wright, Bob Hoskins and much more. Surprisingly, the audience will be able to identify which actor/actress is doing the voice for whomever the character they are portraying. I suppose the voice characterizations were not needed to be enhanced. But it's blatantly clear whose speaking for whom.
Visually, the film's animation is nothing to scorn at either. Much of the characters, the backgrounds and lighting is accurately spaced, colored and shaded. Perhaps the most colorful spectacle is the transition between the spirits who visit Scrooge during his sleep. But what's extremely odd is how all the animated characters in this movie look like the actors who give them their voice; especially Scrooge! Look closely when he's on screen; Scrooge at the current time, looks like a weathered Jim Carrey and the younger version of Scrooge looks like Carrey as he is now. I'm curious if the animators knew this while making the film.
Nevertheless, I am leery about the reactions small children will have if they are given the chance to view this film. Scenes where Marley, Scrooges' partner, pays him a visit from hell, or when the ghost of Christmas present dies, is on the edge of being dark. Marley having a lazy eye, or dislocating his jaw? Ehh...not quite sure what those parts were put in for. Comedy? Or the dying ghost of Christmas present having a maniacal laugh? That kind of stuff could freak out a child. The ghost of Christmas yet to come is always a spooker for kids. I'm surprised Disney went through with it. It's not bad though. I liked the change, but it's not suitable for a child maybe under twelve.
Overall Zemeckis' take on Dickens' Christmas carol is visually intriguing and has a great voice cast. All the same, there are some elements in this film that are darker than usual and that's puzzling especially for Disney.
- breakdownthatfilm-blogspot-com
- Jun 7, 2012
- Permalink
A Christmas Carol (2009) is a movie that I recently watched with my daughter on Disney+. The storyline delivers the classic Charles Dickens storyline in a fresh animation format with far more intensity and darkness than you'd expect from an animated picture.
This movie is directed by Robert Zemeckis (Back to the Future) and contains the voices of Jim Carrey (The Mask), Gary Oldman (True Romance), Colin Firth (The King's Speech), Cary Elwes (Princess Bride), Robin Wright (Forrest Gump) and Bob Hoskins (Who Framed Roger Rabbit).
The animation in this is remarkably good as are the presentation of the ghosts. I was thoroughly impressed by the settings and visualizations. The voices are well selected and Scrooge looked very similar to Carrey. There were many intense and scary elements, especially at the beginning and end. There were a couple elements they went a bit too far, like the scene on the cover, but it didn't detract from the enjoyment of the film.
Overall this is a nice, fresh delivery of the classic A Christmas Carol Dickens masterpiece that is definitely worth a viewing. I would score this a 7/10 and recommend seeing it once.
This movie is directed by Robert Zemeckis (Back to the Future) and contains the voices of Jim Carrey (The Mask), Gary Oldman (True Romance), Colin Firth (The King's Speech), Cary Elwes (Princess Bride), Robin Wright (Forrest Gump) and Bob Hoskins (Who Framed Roger Rabbit).
The animation in this is remarkably good as are the presentation of the ghosts. I was thoroughly impressed by the settings and visualizations. The voices are well selected and Scrooge looked very similar to Carrey. There were many intense and scary elements, especially at the beginning and end. There were a couple elements they went a bit too far, like the scene on the cover, but it didn't detract from the enjoyment of the film.
Overall this is a nice, fresh delivery of the classic A Christmas Carol Dickens masterpiece that is definitely worth a viewing. I would score this a 7/10 and recommend seeing it once.
- kevin_robbins
- Dec 9, 2021
- Permalink
This is a review for the 3D version of A Christmas Carol. I was astounded by the 3D in the film and I would recommend it because seeing it in 3D is worth the experience.
The only other 3D film I've seen is Journey to the Center of the Earth and there is no comparison. Director Robert Zemeckis seemed to have a handle on how to effectively use 3D and not let it get in the way of the story. A few scenes got "oohs and aahs" from the audience. I thought the CGI in the film though was uneven. Some of the scenes, the closeups with Jim Carrey and some of the other characters, looked very realistic. But others, such as the chase down the streets at the end looked flat and unrendered. I suppose it could have to do with technical limitations. Anyway, there are enough visuals in the film to please most anybody. Seeing it snow in 3D was worth it. Based on this movie I am definitely going to see more 3D films in the future.
As for the content of the film itself, everyone has probably seen A Christmas Carol before and the story is the same as it always has been. Jim Carrey plays many roles including Scrooge and all three of the ghosts. He manages to have his humor come through even though he is mostly CGI. The "candle" ghost is particularly amusing as is the ghost of Christmas present. Gary Oldman and many other well known actors are in the film but it is hard to tell who they are because of the CGI and effects.
The film showed previews for two other 3D films that looked spectacular: Avatar and Alice in Wonderland (Tim Burton.) I think I've just seen the future of films and it's 3D. It's only a matter of time before someone makes a great work of art using 3D. It may take a few decades but it will happen. One other thought: if someone makes an R rated horror film in 3D it will probably give people heart attacks. The 3D effects are just too realistic and they are right in your face. I'm not sure I would want to see one of those.
The only other 3D film I've seen is Journey to the Center of the Earth and there is no comparison. Director Robert Zemeckis seemed to have a handle on how to effectively use 3D and not let it get in the way of the story. A few scenes got "oohs and aahs" from the audience. I thought the CGI in the film though was uneven. Some of the scenes, the closeups with Jim Carrey and some of the other characters, looked very realistic. But others, such as the chase down the streets at the end looked flat and unrendered. I suppose it could have to do with technical limitations. Anyway, there are enough visuals in the film to please most anybody. Seeing it snow in 3D was worth it. Based on this movie I am definitely going to see more 3D films in the future.
As for the content of the film itself, everyone has probably seen A Christmas Carol before and the story is the same as it always has been. Jim Carrey plays many roles including Scrooge and all three of the ghosts. He manages to have his humor come through even though he is mostly CGI. The "candle" ghost is particularly amusing as is the ghost of Christmas present. Gary Oldman and many other well known actors are in the film but it is hard to tell who they are because of the CGI and effects.
The film showed previews for two other 3D films that looked spectacular: Avatar and Alice in Wonderland (Tim Burton.) I think I've just seen the future of films and it's 3D. It's only a matter of time before someone makes a great work of art using 3D. It may take a few decades but it will happen. One other thought: if someone makes an R rated horror film in 3D it will probably give people heart attacks. The 3D effects are just too realistic and they are right in your face. I'm not sure I would want to see one of those.
- StanleyStrangelove
- Nov 15, 2009
- Permalink
Having just come from a preview screening of "A Christmas Carol" I can confirm the worst suspicions of genuine film lovers. And anyone who has an ounce of love for Charles Dickens.
The film is spectacular to look at and the kids will no doubt enjoy all the whiz bang action. Unfortunately this is the Disney and Robert Zemeckis' version, not the Charles Dickens' version we know and love. The storyline is the same but .............
Of course it will probably make a fair amount of money, but gosh it was unsatisfying.
The film has no soul, no beating heart, no emotional lift at the end. I didn't even have a lump in my throat when it was over. What a bitter disappointment. The magic is gone, to be replaced by an f/x laden thrill ride. Tiny Tim (Gary Oldman, I kid you not - he does three characters) has one line of dialogue. Thus the character of Tiny Tim is barely a factor in this version. Tiny Tin, who for me has always been the heart and soul of this wonderful story. Are Disney and Zemeckis crazy?. Or just greedy? Where is their spirit of Christmas?
But wow, we get to see Scrooge (Jim Carrey, who plays nine characters) fly to the moon and back in 10 seconds in 3-D. Visually dazzling, but emotionally bland and hollow would describe the film perfectly.
It is an understatement to say that the 1951 film starring Alistair Sim is a fifty times more effective - and affecting, experience.
Let me just add that while I certainly enjoyed aspects of the performances of Gary Oldman, Colin Firth, Bob Hoskins, Cary Elwes (also in multiple parts) and even Jim Carrey, the actors are not well served by this format of film-making. In fact, while their names will help sell the picture, their wonderful talents are dimmed here.
You must see what they do to poor Robin Wright Penn; she's been bland-ed out visually.
Really, how could they mess this one up.
The film is spectacular to look at and the kids will no doubt enjoy all the whiz bang action. Unfortunately this is the Disney and Robert Zemeckis' version, not the Charles Dickens' version we know and love. The storyline is the same but .............
Of course it will probably make a fair amount of money, but gosh it was unsatisfying.
The film has no soul, no beating heart, no emotional lift at the end. I didn't even have a lump in my throat when it was over. What a bitter disappointment. The magic is gone, to be replaced by an f/x laden thrill ride. Tiny Tim (Gary Oldman, I kid you not - he does three characters) has one line of dialogue. Thus the character of Tiny Tim is barely a factor in this version. Tiny Tin, who for me has always been the heart and soul of this wonderful story. Are Disney and Zemeckis crazy?. Or just greedy? Where is their spirit of Christmas?
But wow, we get to see Scrooge (Jim Carrey, who plays nine characters) fly to the moon and back in 10 seconds in 3-D. Visually dazzling, but emotionally bland and hollow would describe the film perfectly.
It is an understatement to say that the 1951 film starring Alistair Sim is a fifty times more effective - and affecting, experience.
Let me just add that while I certainly enjoyed aspects of the performances of Gary Oldman, Colin Firth, Bob Hoskins, Cary Elwes (also in multiple parts) and even Jim Carrey, the actors are not well served by this format of film-making. In fact, while their names will help sell the picture, their wonderful talents are dimmed here.
You must see what they do to poor Robin Wright Penn; she's been bland-ed out visually.
Really, how could they mess this one up.
- JeffersonCody
- Nov 3, 2009
- Permalink
What would Christmas be without a visit to Charles Dickens' 'A Christmas Carol', a story that dates back to 1843 and has been loved and read every year at this time? There have been other films, stage productions, musicals, and family readings galore and it still holds the magic of what the spirit of Christmas is all about. Doubtless there will be flocks of naysayers who don't buy into this adaptation by Robert Zemekis, but given the ghost story magic Dickens' created, this film takes it one step further and makes the ghostly three spirits very much alive and beautiful fanciful.
Combining the actors with animation (animating the actors might be a better way of describing the magic) makes each of the many very well known actors who portray the characters that much more credible. Jim Carrey is at his peak as an actor in his ability to become the illusions his mind creates: he portrays all three ghosts as well a Scrooge at every level of his history. Other actors who are transformed by Zemekis and staff include Gary Oldman as the trio of Cratchit, Marley's Ghost, and Tiny Tim, Colin Firth as the jovial nephew, Cary Elwes, Robin Wright Penn, Bob Hoskins, Fionnula Flanagan and a host of others. The costumes and scenery are brilliantly executed.
One problem with the film that may require parental judgment is the fact that the ghosts are truly scary and children might not be able to get past the fear they instill. But they will grow into the film as it is likely a work that will be resurrected every Christmas season as a tradition. It is 'excellent, my good fellows'.
Grady Harp
Combining the actors with animation (animating the actors might be a better way of describing the magic) makes each of the many very well known actors who portray the characters that much more credible. Jim Carrey is at his peak as an actor in his ability to become the illusions his mind creates: he portrays all three ghosts as well a Scrooge at every level of his history. Other actors who are transformed by Zemekis and staff include Gary Oldman as the trio of Cratchit, Marley's Ghost, and Tiny Tim, Colin Firth as the jovial nephew, Cary Elwes, Robin Wright Penn, Bob Hoskins, Fionnula Flanagan and a host of others. The costumes and scenery are brilliantly executed.
One problem with the film that may require parental judgment is the fact that the ghosts are truly scary and children might not be able to get past the fear they instill. But they will grow into the film as it is likely a work that will be resurrected every Christmas season as a tradition. It is 'excellent, my good fellows'.
Grady Harp
A Christmas CAROL is an enjoyable Hollywood production, a wonderful and straight forward approach to the Dickens's source material being splendidly adopted . It is given the full ¨Motion Capture¨ deluxe treatment in this superior Holiday film. The production values & acting are both excellent, with just enough attractive to appeal to the tenderhearted, and with touching doses of horror , case of the potentially frightening elements the Ghosts of Past, Present and Future , adding sentiment ; all of them are blended into the mix, until, like a nice Christmas punch, the result appeals to all. Scrooge (Jim Carrey) is a miserly old businessman in 1840's London. He displays no charity to mankind generally, and in particular, to his employee Bob Cratchett (Gary Oldman) and his unfortunate son, Tiny Tim . One Christmas Eve he is visited by the ghost of Marley, his dead business partner. He is warned that he must change his miserly ways or face damnation. Marley foretells that Scrooge will be visited by three spirits, each of whom will attempt to show Scrooge the error of his ways.In Just One Night, He Has Seen His Past, His Present, And His Future. And They've All Come Back To Haunt Him Will Scrooge reform his ways in time to celebrate Christmas? . To his delight, the spirits complete their visits in one night giving him the opportunity to mend his ways. The first spirit, the Ghost of Christmas Past, shows Scrooge visions of his own past in which had spent much of his childhood neglected by his father over the holidays at boarding school until he was finally brought home by his loving sister Fan (Robin Wright), who died prematurely after giving birth to his nephew Fred (Colin Firth).
A marvelous recounting of a Christmas vintage classic and Jim Carrey demonstrates once again his versatility on screen in this retelling of Charles Dickens' immortal story . Atmospherically, the movie is as comfortable and heartwarming as an old Christmas card .The whole concept of looking at your life in the past, present and future is creative in and of itself. After watching the movie, you may look at your life from the same perspectives. Special effects add a nice little touch,but it is Carrey's interaction with the 'ghosts' and various characters that really steal the show . Though most of us,if not all of us, have seen other adaptations in the past or read the story,and know already what to expect, Jim Carrey manages to capture pure magic with his stunningly awesome portrayal of main character Ebenezer Scrooge,and it is definitely worth a look. It's fun and different approach to the Christmas classic with top notch effects by means of ¨Motion Capture¨ a technique developed by Robert Zemeckis in previous films as Beowulf and Polar Express . A highly recommended film that nobody should miss it especially during Christmas time.¨Robert Zemeckis's Christmas Carol¨ still ranks as one of the best adaptations of the Dickens classic ever. This animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption will appeal to Jim Carrey fans .
Other versions about this stunning story courtesy of several mysterious Christmas apparitions are the following : The rather obscure 1935 version, with Sir Seymour Hicks, the 1951 British production, with Alastair Sim, adaptation released by MGM in 1938 with Reginald Owen , and the 1970 musical, with Albert Finney. Under the title of 'A Christmas Carol' a cartoon rendition (1997) by Stan Phillips and voiced by Tim Curry and another (1991) by Jimmy T Murakami with Simon Callow ,the made-for-TV productions: 1984 – With George C. Scott, 1999 – With Patrick Stewart, and the 2004 musical, with Kelsey Grammar .
A marvelous recounting of a Christmas vintage classic and Jim Carrey demonstrates once again his versatility on screen in this retelling of Charles Dickens' immortal story . Atmospherically, the movie is as comfortable and heartwarming as an old Christmas card .The whole concept of looking at your life in the past, present and future is creative in and of itself. After watching the movie, you may look at your life from the same perspectives. Special effects add a nice little touch,but it is Carrey's interaction with the 'ghosts' and various characters that really steal the show . Though most of us,if not all of us, have seen other adaptations in the past or read the story,and know already what to expect, Jim Carrey manages to capture pure magic with his stunningly awesome portrayal of main character Ebenezer Scrooge,and it is definitely worth a look. It's fun and different approach to the Christmas classic with top notch effects by means of ¨Motion Capture¨ a technique developed by Robert Zemeckis in previous films as Beowulf and Polar Express . A highly recommended film that nobody should miss it especially during Christmas time.¨Robert Zemeckis's Christmas Carol¨ still ranks as one of the best adaptations of the Dickens classic ever. This animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption will appeal to Jim Carrey fans .
Other versions about this stunning story courtesy of several mysterious Christmas apparitions are the following : The rather obscure 1935 version, with Sir Seymour Hicks, the 1951 British production, with Alastair Sim, adaptation released by MGM in 1938 with Reginald Owen , and the 1970 musical, with Albert Finney. Under the title of 'A Christmas Carol' a cartoon rendition (1997) by Stan Phillips and voiced by Tim Curry and another (1991) by Jimmy T Murakami with Simon Callow ,the made-for-TV productions: 1984 – With George C. Scott, 1999 – With Patrick Stewart, and the 2004 musical, with Kelsey Grammar .
How could they make "A Christmas Carol" into such a cold, uninspiring tale? It feels as if all the emotion has been taken out, from the characters, the story, and even the fantastical elements. The voice actors are badly miscasts, especially Jim Carrey himself, who feels out of place all the time and slips into some mannerisms a few times. The use of horrid 3D computer graphics certainly does not help: the characters look like ghastly marionettes, inhuman and unfeeling. The point of the story is completely missed, as is Scrooge's personal development, and even the ending, which was supposed to be a celebration of the Christmas spirit. Just compare to Pixar's "Up" and the range of deep emotion there, and then look at what a cold and hollow tale this 3D "Christmas Carol" is. I'm pretty sure this vast misstep will soon be forgotten, as it's so badly misdirected to ever become a true Christmas classic.
I love animation and I love Christmas films. Not to mention that I adore Dickens' story. 2009's A Christmas Carol mayn't quite be a classic for the Yuletide season, but it is a worthy film and one of the more loyal adaptations of the story, maintaining not just the details but the spirit as well.
CONS: There are few cons actually here. I did feel the film was too long, I personally think 80 minutes is a perfect length for telling the story, this was nearly 100 minutes. In order to do this, while they were musically and visually stunning, there were two scenes that didn't quite work for me and could have been omitted, one being the extinguishing of Ghost of Christmas Past, the other being the carriage chase. As impressive as they are, they don't enhance the storytelling much and feel odd in their placement too. The film does occasionally drag as well, particularly towards the end.
PROS: However, there is much to enjoy here. The story has a classic feel in how it is told, and it has the heart and sentiment of the original story. The dialogue is delightful and almost word-from-word from the original story as well. There are three outstanding things though. One is the vocal cast, Gary Oldman is excellent as is Colin Firth, but it is Jim Carrey's show all the way, while his distinctive acting style is here it is also naturally understated. Two is the score, I like Alan Silvestri a lot, and his score here is beautiful and compliments the spirit and meaning of Christmas wonderfully. Most impressive are the visuals, which in the colours, backgrounds, 3D effects and character designs are outstanding.
So all in all, while not a movie to treasure perhaps, it is definitely worth watching. 7/10 Bethany Cox
CONS: There are few cons actually here. I did feel the film was too long, I personally think 80 minutes is a perfect length for telling the story, this was nearly 100 minutes. In order to do this, while they were musically and visually stunning, there were two scenes that didn't quite work for me and could have been omitted, one being the extinguishing of Ghost of Christmas Past, the other being the carriage chase. As impressive as they are, they don't enhance the storytelling much and feel odd in their placement too. The film does occasionally drag as well, particularly towards the end.
PROS: However, there is much to enjoy here. The story has a classic feel in how it is told, and it has the heart and sentiment of the original story. The dialogue is delightful and almost word-from-word from the original story as well. There are three outstanding things though. One is the vocal cast, Gary Oldman is excellent as is Colin Firth, but it is Jim Carrey's show all the way, while his distinctive acting style is here it is also naturally understated. Two is the score, I like Alan Silvestri a lot, and his score here is beautiful and compliments the spirit and meaning of Christmas wonderfully. Most impressive are the visuals, which in the colours, backgrounds, 3D effects and character designs are outstanding.
So all in all, while not a movie to treasure perhaps, it is definitely worth watching. 7/10 Bethany Cox
- TheLittleSongbird
- Jun 11, 2011
- Permalink
Ebenezer Scrooge (Jim Carrey) is a cold hearted miser with no love for the holidays and places value only on money. Following a visitation from the ghost of his friend and partner, Jacob Marley (Gary Oldman), Scrooge is informed he will be haunted by three spirits who are the only hope of Scrooge escaping Marley's fate.
Yet another adaptation of Charles Dickens' 1843 classic, A Christmas Carol, the film marks the final outing for director Robert Zemeckis in his trilogy of motion capture films (following Polar Express and Beowulf) with the underperformance of this film and the disastrous performance of Mars Needs Moms leading to the shuttering of Imagemovers Digital and the scrapping of Zemeckis' planned Motion Capture remake of The Yellow Submarine. Garnering mixed reviews like other Zemeckis' mo-cap films, A Christmas Carol has many of the same issues as other films of this ilk, but is probably the best from this wave of films by virtue of the strength of the source material and the additions and executions that do work.
While I was skeptical of Jim Carrey's performance as Scrooge, despite an over the top design Carrey surprisingly dials back his usual manic energy and gives a good performance as the iconic miser (though sometimes Carrey's Ace Ventura-esque deliveries and mannerisms eek their way in). In a unique approach to the story, all three ghosts are played and/or voiced by Carrey himself which I thought was a very clever twist on the material, at least in concept. The Ghosts are well realized with the Ghost of Christmas Past having an interesting design looking like a ethereal candle and flame but also has an overly breathy voice and an odd attempt at an Irish accent. The Ghost of Christmas Present is well rendered with a unique way in which he travels over London with Scrooge (which looked amazing when I saw this in 3D 12 years ago), but overdoes the laughing to a rather grating degree. And lastly is the design of Ghost of Christmas Yet-to-Come who is rarely portrayed in three dimensions and most of the time is only seen as a shadow on the floor or walls in a very visually interesting depiction, but unfortunately the design is undermined by many dumb chase/action sequences including Scrooge shrinking to the size of a mouse. The scenes where the movie goes for broad slapstick comedy or fast paced action sequences are very groanworthy, including a very stupid gag with Jacob Marley's ghost involving his corpse's slacked jaw. The movie also sometimes overdoes its over the top scare scenes including a scene where the Ghost of Christmas Present withers into a laughing skeleton. But despite my misgivings with the "rollercoaster" approach to the source material, there are some really good performances and sequences in the movie that are immersive and unique, especially with the rendering of 1840s London which is beautifully realized and in 3D on a big screen makes you feel like you're flying alongside Scrooge.
Robert Zemeckis' Christmas Carol has many of the same issues as other motion capture films of this ilk, but the strength of the source material and immersiveness of the world the movie creates overcomes the gimmicky nature of the shoehorned in action beats and slapstick comedy. This isn't a version of A Christmas Carol I revisit very often and I'm not sure if it would rank in the top 10 for adaptations of the source material, but it's a good adaptation that gets the spirit of the story down and adds its own spin on the material. Whether or not that spin is enough will vary from person to person, but for me I saw enough that I liked in this version to give it a pass.
Yet another adaptation of Charles Dickens' 1843 classic, A Christmas Carol, the film marks the final outing for director Robert Zemeckis in his trilogy of motion capture films (following Polar Express and Beowulf) with the underperformance of this film and the disastrous performance of Mars Needs Moms leading to the shuttering of Imagemovers Digital and the scrapping of Zemeckis' planned Motion Capture remake of The Yellow Submarine. Garnering mixed reviews like other Zemeckis' mo-cap films, A Christmas Carol has many of the same issues as other films of this ilk, but is probably the best from this wave of films by virtue of the strength of the source material and the additions and executions that do work.
While I was skeptical of Jim Carrey's performance as Scrooge, despite an over the top design Carrey surprisingly dials back his usual manic energy and gives a good performance as the iconic miser (though sometimes Carrey's Ace Ventura-esque deliveries and mannerisms eek their way in). In a unique approach to the story, all three ghosts are played and/or voiced by Carrey himself which I thought was a very clever twist on the material, at least in concept. The Ghosts are well realized with the Ghost of Christmas Past having an interesting design looking like a ethereal candle and flame but also has an overly breathy voice and an odd attempt at an Irish accent. The Ghost of Christmas Present is well rendered with a unique way in which he travels over London with Scrooge (which looked amazing when I saw this in 3D 12 years ago), but overdoes the laughing to a rather grating degree. And lastly is the design of Ghost of Christmas Yet-to-Come who is rarely portrayed in three dimensions and most of the time is only seen as a shadow on the floor or walls in a very visually interesting depiction, but unfortunately the design is undermined by many dumb chase/action sequences including Scrooge shrinking to the size of a mouse. The scenes where the movie goes for broad slapstick comedy or fast paced action sequences are very groanworthy, including a very stupid gag with Jacob Marley's ghost involving his corpse's slacked jaw. The movie also sometimes overdoes its over the top scare scenes including a scene where the Ghost of Christmas Present withers into a laughing skeleton. But despite my misgivings with the "rollercoaster" approach to the source material, there are some really good performances and sequences in the movie that are immersive and unique, especially with the rendering of 1840s London which is beautifully realized and in 3D on a big screen makes you feel like you're flying alongside Scrooge.
Robert Zemeckis' Christmas Carol has many of the same issues as other motion capture films of this ilk, but the strength of the source material and immersiveness of the world the movie creates overcomes the gimmicky nature of the shoehorned in action beats and slapstick comedy. This isn't a version of A Christmas Carol I revisit very often and I'm not sure if it would rank in the top 10 for adaptations of the source material, but it's a good adaptation that gets the spirit of the story down and adds its own spin on the material. Whether or not that spin is enough will vary from person to person, but for me I saw enough that I liked in this version to give it a pass.
- IonicBreezeMachine
- Dec 5, 2021
- Permalink
Jim Carrey is full of surprises and the entire movie is a theatrical outburst of his talent, under the brilliant direction of Robert Zemeckis. Brilliant because it manages to make take the Dickens story and walk us through all its dimensions, without fear of sadness and, in the same time, he has the cold blood to use the magic wand for a happy end. I wasn't a big 3D fan until this movie, maybe because I didn't see any possibility to enrich the classical format, perfect as it became with the years... 'A Christmas Carol' gains a lot from 3D being a sensorial experience enhanced by IMAX technology.
All in all, it's not a story for kids, because it's rather disturbing and contemplative. Gary Oldman's pointing finger will stay with you for a while... It's an enchanting story and I encourage you to go and see it.
All in all, it's not a story for kids, because it's rather disturbing and contemplative. Gary Oldman's pointing finger will stay with you for a while... It's an enchanting story and I encourage you to go and see it.
- maria-neacsu
- Nov 2, 2009
- Permalink
- Smells_Like_Cheese
- May 19, 2012
- Permalink
Greetings again from the darkness. This is a stunningly visual film with animation that will take your breath away. My eyes could hardly keep up with the opening credits as we "flew" through the city. However, as amazing as the film looks and as wonderful as the Jim Carrey voices are, the film still lacks something.
What may have happened is that some of the Dickens story was cut due to costs and the desire to concentrate on Scrooge. I am not saying it was a mistake, it just prevents us from ever connecting to the plight of Cratchet (Gary Oldman) or Scrooge's nephew (Colin Firth).
One thing is for sure, the spirits are frightening. Marley's spirit will have kids running for the exits or hiding behind parents. That will probably hurt the film as it will need kids to build any type of box score.
Definitely worth seeing for the visuals, but certainly not in the top versions if you really want to capture the spirit of Dickens' novel.
What may have happened is that some of the Dickens story was cut due to costs and the desire to concentrate on Scrooge. I am not saying it was a mistake, it just prevents us from ever connecting to the plight of Cratchet (Gary Oldman) or Scrooge's nephew (Colin Firth).
One thing is for sure, the spirits are frightening. Marley's spirit will have kids running for the exits or hiding behind parents. That will probably hurt the film as it will need kids to build any type of box score.
Definitely worth seeing for the visuals, but certainly not in the top versions if you really want to capture the spirit of Dickens' novel.
- ferguson-6
- Nov 8, 2009
- Permalink
Disney managed to dehumanize this very human story with cartoonish renditions of characters and stunts for the sake of 3-D effects. It is not that it is animated; but, the characters are not convincing like they are in the movies, Polar Express or Cloudy With a Chance of Meatballs. Scrooge has this unrealistically huge head, spindly body and he appears near death from the beginning. One wonders how he could possibly live long enough to gain the reputation of keeping Christmas well. Scrooge seems to be some ghastly bobble head with his head precariously swiveling on his little body, floating about the screen. Tiny Tim gets scant attention. One is not endeared to his character as he is in almost any other version of this tale.
The movie is set in very dark scenes throughout much of the movie making it unnecessarily oppressive. There are gratuitous scenes throughout apparently designed just to be able to make use of 3-D and Dolby sound which add little to the movie. In particular there is a scene that goes on and on in which Scrooge is chased by a hearse for reasons unclear. It is a pity, since 3-D effects used properly could have made this a stellar version of this classic. I will say that the 3-D is well done, but in this case detracts from the story rather than enhancing it.
Save your money. Any other version is a more rewarding experience.
The movie is set in very dark scenes throughout much of the movie making it unnecessarily oppressive. There are gratuitous scenes throughout apparently designed just to be able to make use of 3-D and Dolby sound which add little to the movie. In particular there is a scene that goes on and on in which Scrooge is chased by a hearse for reasons unclear. It is a pity, since 3-D effects used properly could have made this a stellar version of this classic. I will say that the 3-D is well done, but in this case detracts from the story rather than enhancing it.
Save your money. Any other version is a more rewarding experience.
- shaded-589-252593
- Nov 21, 2009
- Permalink
A Christmas Carol was very entertaining and the animation was superb. You must see it in 3D! However, kids who go and see this movie probably won't understand the majority of the dialogue and will probably get lost. It has a lot of adult situations and the accents are pretty thick as well. Also, don't let the PG rating fool you. It's actually quite mature and in my opinion it's more suited for adults than kids as far as the dialogue and story goes. I think both kids and adults will love the animation and have a lot of fun - especially in 3D! Unfortunately, that might be the only thing the kids will like...Nonetheless, it's a great film and it's definitely Oscar worthy for the animation. I'll definitely be seeing it again in theaters and in 3D!
I HAVE REVIEWED OVER 400 Christmas MOVIES.
BEWARE OF BOGUS REVIEWS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE PRODUCTION. I HAVE NO AGENDA! I AM HONEST!
Disney's A Christmas Carol is a 2009 American 3D computer animated motion-capture fantasy film written and directed by Robert Zemeckis. It is an adaptation of the Charles Dickens story of the same name and stars Jim Carrey in a multitude of roles, including Ebenezer Scrooge as a young, middle-aged, and old man, and the three ghosts who haunt Scrooge. The film also features supporting roles done by Gary Oldman, Colin Firth, Bob Hoskins, Robin Wright Penn, and Cary Elwes.
The film & its visuals and the performances of Carrey and Oldman are great its dark tones will scare smal ones. The 3D film was produced through the process of motion capture, a technique Zemeckis previously used in his films The Polar Express.
The film was released in Disney Digital 3-D and IMAX 3-D. The film however is one that has been made too many times. THE 3-D effects aside this version offers nothing new. Since most of us do not have 3-D at home then there is no need in purchasing this film. The Best thing about it was the 3-D and watching this in a theater.
If you want a Great Version of the film then I recommend the 1938 MGM Version in which this version closely follows
BEWARE OF BOGUS REVIEWS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE PRODUCTION. I HAVE NO AGENDA! I AM HONEST!
Disney's A Christmas Carol is a 2009 American 3D computer animated motion-capture fantasy film written and directed by Robert Zemeckis. It is an adaptation of the Charles Dickens story of the same name and stars Jim Carrey in a multitude of roles, including Ebenezer Scrooge as a young, middle-aged, and old man, and the three ghosts who haunt Scrooge. The film also features supporting roles done by Gary Oldman, Colin Firth, Bob Hoskins, Robin Wright Penn, and Cary Elwes.
The film & its visuals and the performances of Carrey and Oldman are great its dark tones will scare smal ones. The 3D film was produced through the process of motion capture, a technique Zemeckis previously used in his films The Polar Express.
The film was released in Disney Digital 3-D and IMAX 3-D. The film however is one that has been made too many times. THE 3-D effects aside this version offers nothing new. Since most of us do not have 3-D at home then there is no need in purchasing this film. The Best thing about it was the 3-D and watching this in a theater.
If you want a Great Version of the film then I recommend the 1938 MGM Version in which this version closely follows
- Christmas-Reviewer
- Dec 16, 2016
- Permalink
- DarthVoorhees
- Nov 21, 2009
- Permalink