The Garden (2020) Poster

(2020)

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7/10
"It is in giving that we receive"
evening126 January 2020
Warning: Spoilers
As a psychologist who saw this film in Reykjavik, I found it interesting to observe an Icelandic take on family dysfunction.

Here we have the story of Indiana (Sigrun Edda Bjornsdottir) and her pushing-40, single son Orri (played by "The 40-Year-Old Virgin" star Steve Carell look-alike Audunn Blondel), as toxic a related dyad as ever appeared on screen.

Indiana is the estranged daughter of an alcoholic mother, and she's still bitter about the love and attention she missed. She's tried to compensate for her deprivation by focusing obsessively on Orri, raising him to share her own real or imagined illnesses. It seems Indiana's sole, unadulterated joy has been the nurturance of an exotic, flowering tree in her courtyard.

Indiana's life starts to unravel when government bureaucrats condemn the golden-petaled Laburnum for being non-native to Iceland, and Orri develops a relationship with Daniella (played by the lovely Polish actress Karolina Gruszka, who grappled with Icelandic for the first time in taking this role), an aide at Orri's grandmother's nursing home.

Indiana decompensates as her two love objects slip from her grasp. Sigrun puts in an interesting performance that has her careening between mood swings. One definitely wonders why Orri and Daniela put up with her so long. (Indeed, there is a certain exaggeration to the direction here that is a little off-putting.)

Also good are Halldora Geirhardsdottir as Johanna, Indiana's kindly neighbor and best friend, and former Reykjavik Mayor Jon Gnarr as trawlerman Hjalti Petur, Indiana's highly insensitive lover.

I have been visiting Iceland every winter and was thrilled to have had a chance to view a recent Icelandic film with English subtitles at Reykjavik's premier movie theater, the Bio Paradis. It's a lovely place offering a cozy, candlelit waiting area where one can order delicious coffee and other fare.

This film and the place in which I viewed it made for a wonderful experience that I hope to repeat on future trips.
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8/10
More interesting than average synopsis suggests. Surpassing racial and immigration issues, by portraying complex family relations and swindling social services as a bonus
JvH4826 April 2021
Saw this during the Movies That Matter 2021 filmfestival, normally in The Hague but now 100% online. In the first hour I had the wrong impression that the migration/racial issues where the main ingredients of this movie, things we have seen in plenty of documentaries. Luckily, it becomes more complex and also more interesting when other sides of Indiana's life are revealed. She, for example, has swindled social services for many years already, which counters her disdain for migrants who work to earn their own salary, like her maybe-daughter-in-law does. This makes this movie surpassing the usual race/national supremacy theme, also making us curious while watching how these story lines can come together in the end.

I wanted to write much more about this movie, but it is easier for me to refer to an already existing review in MovieMovesMe(dot)com, under the title "TIFF 2020: The Garden", written by Ulkar Alakbarova. I fully agree with that review and cannot add anything useful.
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10/10
The ending will burn you to ashes
askervopros18 November 2020
Warning: Spoilers
This is a superb film that will haunt you for days. All reviews of this film that I've read so far concentrate on all the wrong aspects in my opinion. I was promised "dark comedy" and "weird characters" or something in that direction. Or "you will hate this woman so much, such a good portrayal" etc. Yes, it's all there if you are casual viewer and you have no way to draw real parralels to your own life or people you suddenly recognize in the movie. The film's true value comes out only in the end. It will burn you to ashes. Anyone who's life has been affected by alcoholism or parental neglect should watch this. It's a monumental picture that has so many nuances about the workings of our society, mindsets and amazing human coping mechanisms and why/how things go wrong. There's neverending red line of who's to blame. The symbolism of the tree (actually two of them) is oh so perfect. Comedy? Mmm... in the beginning you think maybe it's funny. Then you start to doubt. In the end there's just sorrow, haunting sorrow mixed with compassion for everyone. A masterpiece.
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