The mysticism is definitely at the forefront and would rate it pretty good, as I was able to watch all the episodes to the end thanks to this part of the series. At first it was quite confusing and shocking to learn that the main character is the murderer. However, this theory was sold far too implausibly. This concept was a bit annoying, which was presented until the very end. Of course, because she couldn't remember the whole story and felt guilt, however, her guilt comes at the most inopportune moments and the constant repetition makes it monotonous.
The main actor was a bit inexperienced in his arts, which is why I found the rest of the plot average. Even his anger towards her at the beginning was unreasonable after he knew that his brother did not die from the knife wound. However, he blamed her relentlessly at first, and later he blamed her several times that his brother had died for a more offensive reason. The cause of death was somewhat incomprehensible and bland, as it seems too dubious, disappointing dissolution of truth.
The real killer was unnecessarily delayed far too long, even though the professor had poor emotional intelligence. Because he went out of his skin way too fast at every little thing, so I wondered how he lasted so long without being exposed. My point is that he started making too many mistakes when things didn't go according to his plan, although he probably barely had a plan, at least that's how it looked. I couldn't imagine him as the role of the murderer, that's not to say that the murderer was well hidden for suspense, but that with a character like that he wasn't suited for the role.
The conductor has been the suspect and abused as a person for far too long for that, as well as his girlfriend. I found their individualities very interesting, however very little, superficial screen time was provided. The relationship between the leading lady and the conductor seemed somewhat incomprehensible, as they seemed familiar. Did they keep in touch after school? Did the two have contact before the accident if the conductor and the victim were good friends? Was he really in love with her? But then he does have a thing for his girlfriend, doesn't he?
Well, a lot of it didn't connect, it mostly didn't go anywhere, or it left a ridiculous impression. Now for the relationship between the leads, which showed no chemistry. Unfortunately. . . I can say little about it, because this part of the series barely grabbed me. I can't give the love a suitable quality because it was not very expressive.
The significance of the title lasted a very short time, which was predictable. Singing a song to help her fall asleep didn't last much and you saw her sleeping normally most of the time. It took a circle right at the end, the victim had been singing to her to calm her down, to ease her anxiety, a bit of a mystery this concept to me. I watched the series without having any idea of the content and it sadly disappointed me.
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