Directed by
| Lisa Mulcahy | ||
Writing Credits (in alphabetical order)
| Elisabeth Gooch | ||
| Sheridan Le Fanu | ... | (based on the novel by) |
Cast (in credits order)
| Agnes O'Casey | ... | Maud | |
| David Wilmot | ... | Silas | |
| Chris Walley | ... | Edward | |
| Holly Sturton | ... | Emily | |
 |
Grainne Keenan | ... | Madame |
| Mark Doherty | ... | Doctor Bryerly | |
| Elaine O'Dwyer | ... | Mary Quince | |
|
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Kieran Roche | ... | Captain Ilbury |
|
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John Olohan | ... | Mr. Rusk |
| Eleanor Methven | ... | Mrs. Rusk | |
|
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Heather Leonard | ... | Maud's Daughter |
Produced by
| Ruth Carter | ... | producer |
| Hugo Grumbar | ... | executive producer |
| Helen Murray | ... | line producer |
| Dearbhla Regan | ... | executive producer |
Music by
| Aza Hand | ||
Cinematography by
| Eleanor Bowman | ||
Editing by
| Weronika Kaminska | ||
Casting By
| Amy Rowan | ||
Production Design by
| Caroline Hill | ||
Art Direction by
| Hana Hall | ||
Costume Design by
| O'Brien Joanne | ||
Makeup Department
| Julie Caulfield | ... | makeup artist |
| Helen O'Connor | ... | key hair stylist |
| Aitana Silvana | ... | key makeup artist |
| Gabriel Tenorio | ... | assistant hair stylist |
Second Unit Director or Assistant Director
| Holly Greig | ... | second assistant director |
| Conor Thompson | ... | third assistant director |
| Neil Winterlich | ... | first assistant director |
Art Department
| Aoife Breathnach | ... | Art Department Trainee |
| Rebekah Bustos | ... | dressing props |
| John Carter | ... | Props Driver |
| Aoife Gillies | ... | standby props |
| Fabien Oman | ... | props |
Sound Department
| Nathan Batt | ... | sound trainne |
| Adrian Conway | ... | ADR Recordist / dialogue editor |
| Aza Hand | ... | re-recording mixer / sound designer |
| Damien Lynch | ... | sound effects editor |
| Eoghan McDonnell | ... | foley artist |
| Peter Nicell | ... | sound mixer |
| James Tebbitt | ... | boom operator |
| Daniel Walsh | ... | foley editor |
Special Effects by
| Kevin Byrne | ... | special effects supervisor |
Visual Effects by
| Aled Rhys Jones | ... | visual effects supervisor |
| Martina Regan | ... | compositor |
| Ricardo Rodriguez Gambini | ... | visual effects supervisor |
| Magdalena Turnier | ... | visual effects producer |
| Eimear Young | ... | compositor |
Stunts
| David Byrne | ... | stunt coordinator |
| Paul Reck | ... | Stunt Double: Kieran Roche / stunt double: Kieran Roche |
Camera and Electrical Department
| Sarah Dillon | ... | first assistant camera |
| Wade Enright | ... | camera trainee dallies |
| Noel Greene | ... | gaffer |
| Jessie Kamm | ... | camera trainee |
| Darren Kelly | ... | best boy |
| Niall Moore | ... | key grip |
| Madeline Mulqueen | ... | still photographer |
| Lauren O'Brien | ... | second assistant camera |
| Tiernan O'Rourke | ... | steadicam |
Costume and Wardrobe Department
| Susan Devitt | ... | costume standby |
| Sorcha Dianamh | ... | costume assistant |
| Tara Gannon Carr | ... | costume supervisor |
Editorial Department
| Nina Byrne | ... | post-production coordinator |
| Aisling Gilsenan | ... | post production supervisor |
| Sean Maher | ... | assistant editor |
| Nik Panteris | ... | colorist |
Location Management
| Colin Farrell | ... | location manager |
| David Kiernan | ... | location trainee |
Script and Continuity Department
| Benedict Goddard | ... | script supervisor |
| Sarah Golding | ... | script editor |
Additional Crew
| Andrea Ainsworth | ... | Voice Coach |
| James Cullen | ... | production accountant |
| Johanna Hogan | ... | Head of Legal & Business Affairs |
| Roisin O'Donovan | ... | intimacy coordinator |
| Sean Diarmaid Giacomelli O'Dwyer | ... | production trainee |
| Ross O'Riordan-Le Claire | ... | production trainee |
| Max Pirkis | ... | worldwide sales |
| Ruby Savage | ... | production coordinator |
| Maite Villarino Vicente | ... | International Sales |
Thanks
| Barry Grubb | ... | thanks |
