"Once Were Brothers: Robbie Robertson And The Band" invites you to sit back and relax, while Robbie Robertson and other music royalty dive into the mystical journey of a great rock band.
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In this documentary, singer/songwriter Robbie Robertson tells the candid story about the creation of one of the most enduring bands in the history of popular music, The Band.
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There's something about The Band that always draws me in. Maybe it's the music, maybe it's their short lived musical journey, maybe it's how mysterious they seemed, but one thing is for sure is that not all bands have withstood what these guys have been through. Seeing Robertson tell personal stories about himself and the band is ultimately gratifying. I still think that Scorsese's "The Last Waltz" is the ultimate music doc and concert but this doc is a solid full framed story about these incredible musicians. The final moments of this film are nothing short of heart-wrenching and beautiful. Fans of music and The Band will enjoy this ride.
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43 Reviews
In-depth look at the Band's history
paul-allaer7 March 2020
"Once Were Brothers: Robbie Robertson and the Band" (2019 release from Canada; 100 min.) is a documentary about the Band. As the movie opens, today's Robbie Robertson addresses the camera and talks about his music-writing process. We then go back in time to the origins of the Band, as talking heads like Bruce Springsteen and Eric Clapton comment on how tight these 5 guys were, "like a brotherhood". We then go back even further in time, to Robbie Robertson's upbringing in Canada and how he was exposed to music at an early age. At this point we are 10 min. into the movie.
Couple of comments: this movie is directed by documentarian Daniel Roher, but more importantly executive-produced by Martin Scorsese (who of course directed "The Last Waltz") and Ron Howard. In the end credits, we learn that the documentary is "inspired by" Robbie Robertson's 2017 memoir "Testimony", and indeed this is very much Robertson's perspective on how things unfolded. The documentary is absolutely tops in its first half, where we revisit how Robertson, at age 15, wrote a couple of songs for Ronny Hawkins & the Hawks (where the drummer was a certain Levon Helms), and a year later he was invited to join the Hawks. Plenty of archive footage along the way livens up the big screen, and it's like sitting at the feet of a music history teacher. Indeed, Robertson proves to be quite the master story teller ("joining Bob Dylan was a detour but we decided it was a worthwhile detour"). The movie's second half is not quite as formidable, as we follow the Band's demise (leading to the brilliant 1976 farewell concert "The Last Waltz"), and the subsequent bitter falling-out between Helms and Robertson. But in the end, the proof is in the pudding: I couldn't believe how quickly the theater's house lights came back on, as the movie had simply flown by in no time. When in the last scene of the movie we watch them play "The Night They Drove Old Dixie Down" in "The Last Waltz" and we are reminded that it was the very last time these 5 guys ever played on stage together, I readily admit that I choked up. What a loss for rock music that was!
"Once Were Brothers: Robbie Robertson and the Band" premiered last Fall at the Toronto International Film Festival to great acclaim. It opened last weekend at my local art-house theater here in Cincinnati and I finally got a chance to see it this weekend. The Friday early evening screening where I saw this at was not attended well (3 people, to be exact), and I can't see this playing much longer in theaters. But it you are a fan of rock music history or simply a fan of the Band, I'd readily suggest you check this out, be in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
Couple of comments: this movie is directed by documentarian Daniel Roher, but more importantly executive-produced by Martin Scorsese (who of course directed "The Last Waltz") and Ron Howard. In the end credits, we learn that the documentary is "inspired by" Robbie Robertson's 2017 memoir "Testimony", and indeed this is very much Robertson's perspective on how things unfolded. The documentary is absolutely tops in its first half, where we revisit how Robertson, at age 15, wrote a couple of songs for Ronny Hawkins & the Hawks (where the drummer was a certain Levon Helms), and a year later he was invited to join the Hawks. Plenty of archive footage along the way livens up the big screen, and it's like sitting at the feet of a music history teacher. Indeed, Robertson proves to be quite the master story teller ("joining Bob Dylan was a detour but we decided it was a worthwhile detour"). The movie's second half is not quite as formidable, as we follow the Band's demise (leading to the brilliant 1976 farewell concert "The Last Waltz"), and the subsequent bitter falling-out between Helms and Robertson. But in the end, the proof is in the pudding: I couldn't believe how quickly the theater's house lights came back on, as the movie had simply flown by in no time. When in the last scene of the movie we watch them play "The Night They Drove Old Dixie Down" in "The Last Waltz" and we are reminded that it was the very last time these 5 guys ever played on stage together, I readily admit that I choked up. What a loss for rock music that was!
"Once Were Brothers: Robbie Robertson and the Band" premiered last Fall at the Toronto International Film Festival to great acclaim. It opened last weekend at my local art-house theater here in Cincinnati and I finally got a chance to see it this weekend. The Friday early evening screening where I saw this at was not attended well (3 people, to be exact), and I can't see this playing much longer in theaters. But it you are a fan of rock music history or simply a fan of the Band, I'd readily suggest you check this out, be in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
Americana as it was--seminal music influencing even today.
JohnDeSando2 March 2020
"I pulled into Nazareth, I was feelin' 'bout half-past dead." The Band's The Weight featuring Levon Helm
With that song, the world of mid-century America became aware of a new sound, Americana: a country rock with soul and surpassingly genial musicians. Daniel Roher's Once Were Brothers: Robbie Robertson and the Band is a memorable documentary as well as a most engaging history of the colorful era of '60's and '70's rock, where loud, sensual music eclipsed any other form in previous cultural changes.
With the producing guidance of Martin Scorsese, who helmed The Last Waltz about the Band's final concert, Robbie Robertson, guitarist and songwriter, guides us through his teen years and hookup with musicians who themselves would hook up with Bob Dylan, to help him tour to the boos of audiences that just didn't get the electric guitar: Dylan exclaims, "They were gallant knights for standing behind me."
Deftly carrying us through photo album pics and original music, this remarkable doc makes it feel like we are there, reliving the charismatic troupe's glory days and eventually its struggle with drugs. As Robbie says, "It was so beautiful, it went up in flames."
However, it's a story well told, even down to the homely shots of Robbie courting Dominique and their eventually blissful marriage.
Heroin emerges (as it frequently seems to do) with devastating effect on the gifted Levon. Through it all, Robbie lets us know how much he loved this brotherhood, and we see the contribution he continues to make to the welfare of music and people.
We have been blessed in the last few years with outstanding films about music-let Once were Brothers be at the top of the list: It was "a sound you've never heard before, but like they've always been here." Bruce Springsteen
With that song, the world of mid-century America became aware of a new sound, Americana: a country rock with soul and surpassingly genial musicians. Daniel Roher's Once Were Brothers: Robbie Robertson and the Band is a memorable documentary as well as a most engaging history of the colorful era of '60's and '70's rock, where loud, sensual music eclipsed any other form in previous cultural changes.
With the producing guidance of Martin Scorsese, who helmed The Last Waltz about the Band's final concert, Robbie Robertson, guitarist and songwriter, guides us through his teen years and hookup with musicians who themselves would hook up with Bob Dylan, to help him tour to the boos of audiences that just didn't get the electric guitar: Dylan exclaims, "They were gallant knights for standing behind me."
Deftly carrying us through photo album pics and original music, this remarkable doc makes it feel like we are there, reliving the charismatic troupe's glory days and eventually its struggle with drugs. As Robbie says, "It was so beautiful, it went up in flames."
However, it's a story well told, even down to the homely shots of Robbie courting Dominique and their eventually blissful marriage.
Heroin emerges (as it frequently seems to do) with devastating effect on the gifted Levon. Through it all, Robbie lets us know how much he loved this brotherhood, and we see the contribution he continues to make to the welfare of music and people.
We have been blessed in the last few years with outstanding films about music-let Once were Brothers be at the top of the list: It was "a sound you've never heard before, but like they've always been here." Bruce Springsteen
I shall be released
ferguson-620 February 2020
Greetings again from the darkness. Based on Robbie Robertson's "Testimony: A Memoir", documentarian Daniel Roher's film is understandably told from the lead guitarist's point of view, and in fact, Mr. Robertson spends a good deal of time recollecting directly to the camera. For those familiar with the acrimonious-filled history since The Band split in 1976, you won't be surprised that Robertson's recounting of events varies greatly from those in the 1993 memoir of his former friend and bandmate in "This Wheel's on Fire - Levon Helm and the Story of the Band."
Mr. Robertson is now 76 years old, and in addition to his guitar skills, he has always been an articulate speaker, and one who comes across as prideful and mostly sincere. These days he is one of only 2 band member still living, and the other (Garth Hudson) has nothing to say publicly about The Band or its members. This is one man's version of reality, and from a perspective of music history, it's quite interesting and entertaining.
"The Band was greater than the sum of their parts", says Bruce Springsteen, in one of many interviews used for the film - including Eric Clapton, Taj Mahal, George Harrison, Peter Gabriel, David Geffen, Martin Scorsese, and "Rolling Stone" magazine founder Jann Wenner. Some of the initial interview clips play over an opening live performance of "Up on Cripple Creek", including Clapton stating he was "in awe of their brotherhood." The film then traces the timeline and early years as the pieces of the band came together ... much of it centered around Ronnie Hawkins, who is not only the most insightful of those interviewed, but also the most colorful. We learn that Robertson was writing songs at age 15, and that it was meeting Bob Dylan that changed everything.
A substantial portion of the film deals with those early years, and the tales of being booed by audiences as they backed the newly "electric" Dylan are especially fascinating. In 1967 when The Band moved to the pink house in Woodstock, communal living led to artistic and creative productivity, including The Band's masterpiece album, "Music from Big Pink" (1968). There are some terrific old photos included here which give us a feel for the times, and the aforementioned 'brotherhood' of this band that seemed more tightly connected than most.
Of course, it was the late 1960's and heavy drinking and drug usage took its toll, and The Band began to unravel. In 1976, 34 year old Martin Scorsese was brought on to direct a documentary of The Band's final performance. THE LAST WALTZ was released in 1978 and included electrifying live performances from some of the all-time greats: Van Morrison, Eric Clapton, Neil Diamond, Joni Mitchell, and Bob Dylan, to name a few. The concert was held at Winterland Ballroom in San Francisco, which would later close after a 1979 New Year's Day marathon concert by The Grateful Dead. Scorsese's film included interviews with the band members, but it was his unique and varied camera placements that brought the stage show to life.
Director Roher's producers on this film include Scorsese, Ron Howard, and Brian Glazer. While it is often the story of Robbie Robertson's personal journey, it also serves as his perspective on The Band - a group of musicians who were right in the middle of things as popular music evolved. Levon Helm, Richard Manuel, and Rick Danko have passed away, and reclusive Garth Hudson refuses to re-live the past, so it's Robertson who tells their story, and his. We do get to see The Band perform "The Weight", "The Night They Drove Old Dixie Down", and most fittingly, "I Shall Be Released", but if it's the music that most interests you, track down and experience THE LAST WALTZ. It was the final time THE BAND performed all together on stage, and as Robertson says, "everybody just forgot to come back."
Mr. Robertson is now 76 years old, and in addition to his guitar skills, he has always been an articulate speaker, and one who comes across as prideful and mostly sincere. These days he is one of only 2 band member still living, and the other (Garth Hudson) has nothing to say publicly about The Band or its members. This is one man's version of reality, and from a perspective of music history, it's quite interesting and entertaining.
"The Band was greater than the sum of their parts", says Bruce Springsteen, in one of many interviews used for the film - including Eric Clapton, Taj Mahal, George Harrison, Peter Gabriel, David Geffen, Martin Scorsese, and "Rolling Stone" magazine founder Jann Wenner. Some of the initial interview clips play over an opening live performance of "Up on Cripple Creek", including Clapton stating he was "in awe of their brotherhood." The film then traces the timeline and early years as the pieces of the band came together ... much of it centered around Ronnie Hawkins, who is not only the most insightful of those interviewed, but also the most colorful. We learn that Robertson was writing songs at age 15, and that it was meeting Bob Dylan that changed everything.
A substantial portion of the film deals with those early years, and the tales of being booed by audiences as they backed the newly "electric" Dylan are especially fascinating. In 1967 when The Band moved to the pink house in Woodstock, communal living led to artistic and creative productivity, including The Band's masterpiece album, "Music from Big Pink" (1968). There are some terrific old photos included here which give us a feel for the times, and the aforementioned 'brotherhood' of this band that seemed more tightly connected than most.
Of course, it was the late 1960's and heavy drinking and drug usage took its toll, and The Band began to unravel. In 1976, 34 year old Martin Scorsese was brought on to direct a documentary of The Band's final performance. THE LAST WALTZ was released in 1978 and included electrifying live performances from some of the all-time greats: Van Morrison, Eric Clapton, Neil Diamond, Joni Mitchell, and Bob Dylan, to name a few. The concert was held at Winterland Ballroom in San Francisco, which would later close after a 1979 New Year's Day marathon concert by The Grateful Dead. Scorsese's film included interviews with the band members, but it was his unique and varied camera placements that brought the stage show to life.
Director Roher's producers on this film include Scorsese, Ron Howard, and Brian Glazer. While it is often the story of Robbie Robertson's personal journey, it also serves as his perspective on The Band - a group of musicians who were right in the middle of things as popular music evolved. Levon Helm, Richard Manuel, and Rick Danko have passed away, and reclusive Garth Hudson refuses to re-live the past, so it's Robertson who tells their story, and his. We do get to see The Band perform "The Weight", "The Night They Drove Old Dixie Down", and most fittingly, "I Shall Be Released", but if it's the music that most interests you, track down and experience THE LAST WALTZ. It was the final time THE BAND performed all together on stage, and as Robertson says, "everybody just forgot to come back."
A compelling account of the rise of The Band, even if told from Robbie's perspective
krenskyc7 September 2019
Before even commenting on the film, which I had the pleasure to see during the TIFF opening night showing, one needs to address the controversy that precludes it. The feud between Levon Helm and Robbie Robertson, and the sides many fans fall into, paints the film into a corner. It constantly dances around the bitter aspects of their relationship, portraying Robbie as saddened by the visceral animosity directed at him. Yes, the movie is based on Robbie's book, and Levon can no longer refute the claims made, but perhaps it is time to give Robbie a chance to explain his perspective. There was no way an autobiographical film would display the conflict in an unbiased and fair manner, since that is not what the film is about. It is about Robbie and his journey with The Band, their rise and dissolution as seen through his eyes, and his final reminiscence on a time when he truly was part of a brotherhood that he lost. Robbie is never critical of Levon, perhaps even sympathetic, but his pain does feel real. The story is emotional and endearing, supported by the multitude of supporting voices including Ronnie Hawkins (who steals the show!), Bruce Springsteen, Martin Scorcese, and managers, friends, and family who knew The Band the best.
Beyond the story as told by the many participants lending their reflections to this doc, I must say that the filmmaking is quite well done. Daniel Roher weaves a film with archival footage, testimonials, and the legendary music into something that is exciting to watch for any fan of The Band. It is emotionally touching, funny, insightful, and ultimately a great tribute. Yes it is Robbie's portrait of The Band, but it nevertheless faithfully chronicles a musical force that would influence generations to come.
Beyond the story as told by the many participants lending their reflections to this doc, I must say that the filmmaking is quite well done. Daniel Roher weaves a film with archival footage, testimonials, and the legendary music into something that is exciting to watch for any fan of The Band. It is emotionally touching, funny, insightful, and ultimately a great tribute. Yes it is Robbie's portrait of The Band, but it nevertheless faithfully chronicles a musical force that would influence generations to come.
The Gospel According to Robertson
jcoffee027 April 2023
They say history is written by the victors, and in the case of the history of The Band, this tale is told by the last man standing, Robbie Robertson. (Garth Hudson is still around, but doesn't participate, which is telling.)
Apparently, Scorsese felt that his earlier concert film, The Last Waltz, didn't adequately sing enough of Robertson's praises (at the expense of the other members); now, as producer, he brings us another installment of Robbie's hagiography in narrative form.
It's definitely a tale worth telling, and the photos and abbreviated unreleased tunes are a treat for the fans. It's just too bad that other members weren't here to contribute, much as they did in the making of The Band's best songs.
That void is filled by Robbie's wife, some of the crewmembers, a couple of photographers, and a few of Robbie's famous musician buddies. Not the most impartial witnesses, in my mind.
Some of the criticisms Levon Helm claimed in his autobiography are addressed, charitably and in a respectful manner so as not to appear to be speaking ill of the dead, but the dismissal of his claims are slightly condescending and dismissive, the bitter ravings of an envious, drug-addled, damaged man.
Regarding those contributions by the other band members (categorized as merely arrangements to Robertson's songs), one only has to listen to 'Chest Fever,' credited solely to Robertson. Did Robertson write that organ intro? Did the bridge and vocal harmonies spring fully formed from Robertson's mind? Doubtful. One could find many such examples, especially on the first two records.
One only has to witness Robertson's sparse catalog since The Band's demise to realize how much he needed those guys to breathe life into his compositions.
Maybe someday Garth will tell his side of the story. I hope a couple of talented filmmakers will find that worthy of preserving for posterity.
Apparently, Scorsese felt that his earlier concert film, The Last Waltz, didn't adequately sing enough of Robertson's praises (at the expense of the other members); now, as producer, he brings us another installment of Robbie's hagiography in narrative form.
It's definitely a tale worth telling, and the photos and abbreviated unreleased tunes are a treat for the fans. It's just too bad that other members weren't here to contribute, much as they did in the making of The Band's best songs.
That void is filled by Robbie's wife, some of the crewmembers, a couple of photographers, and a few of Robbie's famous musician buddies. Not the most impartial witnesses, in my mind.
Some of the criticisms Levon Helm claimed in his autobiography are addressed, charitably and in a respectful manner so as not to appear to be speaking ill of the dead, but the dismissal of his claims are slightly condescending and dismissive, the bitter ravings of an envious, drug-addled, damaged man.
Regarding those contributions by the other band members (categorized as merely arrangements to Robertson's songs), one only has to listen to 'Chest Fever,' credited solely to Robertson. Did Robertson write that organ intro? Did the bridge and vocal harmonies spring fully formed from Robertson's mind? Doubtful. One could find many such examples, especially on the first two records.
One only has to witness Robertson's sparse catalog since The Band's demise to realize how much he needed those guys to breathe life into his compositions.
Maybe someday Garth will tell his side of the story. I hope a couple of talented filmmakers will find that worthy of preserving for posterity.
Amazing documentary, head-turning music history
jakeh26 April 2020
Robbie Robertson does a wonderful job taking us down the initial primrose path of the music of The Band, bluntly, honestly, with with compassion, up to the time when hard drugs changed two of the five.
I can vividly remember getting the 'brown' album, which I still have, and being blown away by what I thought were former Confederate soldiers (which they resembled on the cover, old Civil War photos come to life). The music, vocals, and lyrics were indelibly fixed in my mind and I played the album for days even up to today. I played the tape out in my car (perfect driving music). 'Once Were Brothers' is music history iwell thought out and told by Robertson with archival footage of the other members and guest historians (Ronnie Hawkins, their road manager, Clapton, Van Morrison, etc.). Lots of stuff here that I didn't know. I thoroughly enjoyed every minute, and the doc prompted me to get out my Band LPs and CDS for a nice listen.
If you are a fan or even new to The Band you shouldn't be disappointed in this film. Just take a trip back and enjoy the scenery.
I can vividly remember getting the 'brown' album, which I still have, and being blown away by what I thought were former Confederate soldiers (which they resembled on the cover, old Civil War photos come to life). The music, vocals, and lyrics were indelibly fixed in my mind and I played the album for days even up to today. I played the tape out in my car (perfect driving music). 'Once Were Brothers' is music history iwell thought out and told by Robertson with archival footage of the other members and guest historians (Ronnie Hawkins, their road manager, Clapton, Van Morrison, etc.). Lots of stuff here that I didn't know. I thoroughly enjoyed every minute, and the doc prompted me to get out my Band LPs and CDS for a nice listen.
If you are a fan or even new to The Band you shouldn't be disappointed in this film. Just take a trip back and enjoy the scenery.
Wonderful, but horribly biased
Win-523 September 2023
I love the history and the old footage of one of my favorite groups, both the concert films and the personal shots, but this documentary is horribly biased toward Robbie Robertson, while three people who might tell a different tale are dead. In particular, Robbie says that after The Last Waltz, "everybody just forgot to come back." This ignores the fact that he declared the group done, without asking the other four members, and ignores the fact that they went on to record multiple albums without him. Again, I'm glad this film exists, but I worry that anyone would consider it to be the complete story.
One of the truly great music films
zken-129 February 2020
This writer grew up with this music, so I must be biased. When I was living a few miles from the Big Pink house, neither I or any of my friends had any idea who they were and what was going on. That is the reason that this film seems like such a revelation. It opens the door to the real feel of where the magical music came from, and why it seems so strong today. This is film is a joy from first to last frame, and has a simply amazing rhythm and poetry. It is a story of love, destruction, creation and the ecstasy around one of the truly great pop bands. It is true that the POV is from Robbie, but since he is one of only two survivors, that issue is irrelevant. What we see is what they saw. And the feeling runs through us with the same joy and excitement they felt playing right to the last notes of the last show. What a beautiful trip it was.
to much hype for an average band?
maessen9 July 2020
Warning: Spoilers
Comparing The Band to the Beatles?? Wuttt
I mean its The Band, The Weight is a hit, but besides that one???
These documentaries seem to be in fashion these days i notice, now every band and artist gets one. Sure fellow artists are eager to appear and blow them up to epic proportions.
But the truth is that the band was just a brotherly group of artists, who played as the band for Bob Dylan and made one hit song afterwards. Comparing them to the Beatles is just nonsense and totally ridiculous even.
The movie makes you feel like they were all thight and there was never any words or fueds (besides driving drunk and almost killing Robbie's wife in the process)
But they drank heavily and consumed a lot of drugs so its ok not to focus on that part, but dont make it a holy bunch please.
For the person commenting to be in tears at the end?? What kinda pansy are you??????
I rate it a six due to the musical history shown and due to the proper production.
The Band, yes they were a group of decent musicians who scored a hit.
Loved this
breiver25 May 2020
Interesting documentary, especially if you're a Band fan
tpbradbury1 September 2021
I'm a fan of The Band, listening to the Brown Album many times, as well as the Big Pink. Surprised i'd not watched a doc on them before. Great to hear the background, photos and description of their creative process. It is biased and a shame not to hear from other band members in detail, as most of have died. Why no interviews with Garth, who is still alive? This bias is signposted in the full title. There's another doc, Ain't in It for My Health on Levon, which might provide people with balance, I've not seen it yet. This Robbie doc is a good intro for those who want to know more about this great band.
Nice puff piece
snakester-999558 July 2020
I love the Band and watching this documentary made me really think about things and how it all turned out... Unfortunately, Robertson took all the writing credit $ for songs the rest of the band helped arrange and SING, causing an unnecessary rift.
Only after decades not talking does he sees his old 'best friend', Levon Helm, when he's unconscious on his deathbed. The only living member, Garth Hudson, is not interviewed. Net worth Robbie Robertson, $40 million. Garth Hudson, $1million..Hmm...Just sayin.
Excellent documentary on a superb, highly influential band
grantss17 October 2021
Told from the perspective of guitarist-songwriter Robbie Robertson, the story of The Band, one of rock music's most influential groups.
Excellent documentary. Shows well the origins of The Band, their early history, playing with Ronnie Hawkins, the Dylan era, forging their own path, how things started to unravel, how it ended and post-breakup. Also shows their profound influence on music with the Dylan electric folk revolution and their debut album being watershed moments in music history.
Great use of archival interviews and concert footage plus interviews made for the film. Other than Robbie Robertson and other members of The Band, the list of interviewees is like a who's who of the entertainment industry: Bruce Springsteen, Van Morrison, Eric Clapton, George Harrison, Martin Scorsese, Taj Mahal, Ronnie Hawkins, Bob Dylan, Peter Gabriel, David Geffen.
More than just giving the history of The Band you also get a great sense of the camaraderie in the band and the feeling of brotherhood between the members. This makes for joyous viewing during the good times and emotional viewing once things start to unravel. A very engaging experience.
A negative is that the story is essentially told from Robbie Robertson's perspective so we never get the full picture regarding the decline and break-up of The Band or the aftermath. For most of the movie the perspective doesn't matter as the narrative and content are quite objective but the aforementioned periods could have done with a second point of view. Not really the producers' faults though: at the time the documentary was made three of the other members of The Band were dead and the fifth, Garth Hudson, was a recluse. Plus, the film's title alone lets you know this is as much about Robbie Robertson the individual as The Band.
Excellent documentary. Shows well the origins of The Band, their early history, playing with Ronnie Hawkins, the Dylan era, forging their own path, how things started to unravel, how it ended and post-breakup. Also shows their profound influence on music with the Dylan electric folk revolution and their debut album being watershed moments in music history.
Great use of archival interviews and concert footage plus interviews made for the film. Other than Robbie Robertson and other members of The Band, the list of interviewees is like a who's who of the entertainment industry: Bruce Springsteen, Van Morrison, Eric Clapton, George Harrison, Martin Scorsese, Taj Mahal, Ronnie Hawkins, Bob Dylan, Peter Gabriel, David Geffen.
More than just giving the history of The Band you also get a great sense of the camaraderie in the band and the feeling of brotherhood between the members. This makes for joyous viewing during the good times and emotional viewing once things start to unravel. A very engaging experience.
A negative is that the story is essentially told from Robbie Robertson's perspective so we never get the full picture regarding the decline and break-up of The Band or the aftermath. For most of the movie the perspective doesn't matter as the narrative and content are quite objective but the aforementioned periods could have done with a second point of view. Not really the producers' faults though: at the time the documentary was made three of the other members of The Band were dead and the fifth, Garth Hudson, was a recluse. Plus, the film's title alone lets you know this is as much about Robbie Robertson the individual as The Band.
Y'all don't realize it yet ...
sminsos-080778 May 2020
very good
kevinjosephonline28 February 2020
The film is told from the vantage of RR. His story is very different from Levon Helms version of things. Great archival footage. The title--RR and the Band, to me is off-putting. Even more off-putting is the absence of the other surviving member of the Band, except in archival footage. garths opinions are more important than
Eric Clapton. Who cares that EC was in the Last Waltz? 10 stars for most of the archival footage, 6 stars for the 'star gazing'--which is what some dismiss the Last Waltz as.
Great interviews and footage
rbronews221 June 2022
The recently deceased Ronnie Hawkins was one of the highlights; he always had great insights, and also a great sense of humour.
Several reviewers here were critical of Robertson over the issue of Robertson hogging the copyrights. Just three months ago, I felt the same way, but I recently learned that sometime prior to the Last Waltz, Robertson actually bought out the other Band members' rights. This went unmentioned in Helm's well-worth-reading autobiography.
Several reviewers here were critical of Robertson over the issue of Robertson hogging the copyrights. Just three months ago, I felt the same way, but I recently learned that sometime prior to the Last Waltz, Robertson actually bought out the other Band members' rights. This went unmentioned in Helm's well-worth-reading autobiography.
SELF SERVING SAD STORY
alanl06-662-7702012 August 2020
Even as an old man now , I had to hold back the tears while I watched a one time hero , Robbie Robertson, give such a one sided account of the demise of " The Band " .It seemed like some kind of self justification which I am surprised the distinguished Martin Scorcese had anything to do with. I note that not one of the artists featured did not exactly concur with Robbies version , or indeed disagree, which I think speaks for itself . I am reminded of the fan , in Dublin I think it was , who paid to see THE BAND and shouted up " Wheres Robbie Robertson " and got the reply ..." I dont know but if you see him tell him he can kiss my ass " ( or words to that effect ) . The common thread was that " The Band " together , were much greater as a whole than the individual talents . AMEN TO THAT
Family
SnoopyStyle22 June 2023
It's a Robbie Robertson biopic interviewing him and his musical supporters. It deals a lot with his time with The Band. Her mother is Native Canadian and he grew up in Toronto. As a 15 year old, he led a band which opened for Ronnie Hawkins and the Hawks. He writes a couple of songs for Ronnie and joins Ronnie's band. It's the start of a musical journey.
This is Robbie's story as told by Robbie. The Band is well before my time, but I knew some of the basics. I didn't know about Ronnie, but it's not unexpected with Ronnie's Canadian connections. I never would have guessed he played with Bob Dylan during his booing electric era. Honestly, that's legendary stuff, even more than starting a legendary band. For people of that time, those two things are connected, but again... before my time. I always assumed that Robbie got tired of the other members and broke up The Band out of ambitions. I didn't know about the drugs or it could just be Robbie's version of history. This is The Band. It's Family. Nobody fights like family.
This is Robbie's story as told by Robbie. The Band is well before my time, but I knew some of the basics. I didn't know about Ronnie, but it's not unexpected with Ronnie's Canadian connections. I never would have guessed he played with Bob Dylan during his booing electric era. Honestly, that's legendary stuff, even more than starting a legendary band. For people of that time, those two things are connected, but again... before my time. I always assumed that Robbie got tired of the other members and broke up The Band out of ambitions. I didn't know about the drugs or it could just be Robbie's version of history. This is The Band. It's Family. Nobody fights like family.
Great documentary
rpabstnm2012 July 2020
An Entertaining Insight
lbenot6 March 2020
Smooth, well-done narration supported by archival photos and film of one band members recollection of the beginning, middle, and end of the musical group The Band. Unfortunately, yet another story of the personal and interpersonal destructiveness of drug use and addiction.
A flashback into one of the most extraordinary moments in American music history...
imseeg6 May 2021
I felt transported back in time, back to the sixties. A flashback to a period so wonderfully exceptional and important for music history. The music by The Band was luminous and soulful, caressing and from another era and here is a documentary about how it all came to be.
The good: the music. Some of the biggest names in American music history were inspired by and in awe by what The Band created musically in that small but wonderful period during the summer of love in the late sixties. Artists like Eric Clapton, Bruce Springsteen, Bob Dylan, Van Morrison and Neil Young were in awe of the music of The Band ! ! ! How cool is that?!
This documentary transcends me into feelings of joy and jubilance, into feelings of happiness and delight, because of THE MUSIC. What a great band. What a terrific place to be at that time. And now they made a movie about it. Highly, HIGHLY recommended for any, ANY music fan of the sixties and seventies....
The good: the music. Some of the biggest names in American music history were inspired by and in awe by what The Band created musically in that small but wonderful period during the summer of love in the late sixties. Artists like Eric Clapton, Bruce Springsteen, Bob Dylan, Van Morrison and Neil Young were in awe of the music of The Band ! ! ! How cool is that?!
This documentary transcends me into feelings of joy and jubilance, into feelings of happiness and delight, because of THE MUSIC. What a great band. What a terrific place to be at that time. And now they made a movie about it. Highly, HIGHLY recommended for any, ANY music fan of the sixties and seventies....
One side
leegielen22 September 2023
Robbie tells a good story, and by piecing old interviews from former band mates he supports his narrative.
Loved the old footage of the Band.
But the story in this film is not complete; what about how he sneakily got their publishing rights, and created a chasm between his "brothers"?
This is a piece of the puzzle, of the Band. But it's no way THE story. There's a lot more to their story. I'd love to know what Garth had to say about this film. Bob Dylan himself had no interest in being involved present day.
Robbie had talent. But to claim he wrote the Bands music and lyrics all by himself is bananas. Only reinforced by the fact he still claims the band ended when he left. Do your research viewer, the Band didn't die when he left. They played for years together after. Why does he ignore this? Doesn't fit his narrative...
This isn't a film about the Band as much as it is a film about Robbie and what he wants people to believe about the Band. Too bad. We needed a full doc.
Loved the old footage of the Band.
But the story in this film is not complete; what about how he sneakily got their publishing rights, and created a chasm between his "brothers"?
This is a piece of the puzzle, of the Band. But it's no way THE story. There's a lot more to their story. I'd love to know what Garth had to say about this film. Bob Dylan himself had no interest in being involved present day.
Robbie had talent. But to claim he wrote the Bands music and lyrics all by himself is bananas. Only reinforced by the fact he still claims the band ended when he left. Do your research viewer, the Band didn't die when he left. They played for years together after. Why does he ignore this? Doesn't fit his narrative...
This isn't a film about the Band as much as it is a film about Robbie and what he wants people to believe about the Band. Too bad. We needed a full doc.
Who Is A Bully ?
holdenhaz16 June 2021
I heard about The Band years ago when I was just a kid maybe 12 years old Im now 52 .My estranged Daddy (God rest his soul) was an old hippy with a very large collection of LPs.
One time I was staying the weekend at his place and we were sitting up late listening to music. He proudly said since its your birthday soon I would like to offer you any record you choose. Assuming he owned it I asked for "Daniel My Brother" which had been a big hit at the time, and since my names Daniel it struck a chord.
He told me that he felt that was a bit vain wanting a song on the strength that it had my name in it, and also that he did'nt really like that song because he thought it was too commercial and did'nt have it anyway. Then after a pause said but since you want a song with your name in it I've got a better one and he pulled out the album Stage Fright.
I was delighted to hear another song about me and grew up loving that album ! Thank you Robbie for writing those songs.
Jump forward to 15 or 16 years old and my Daddy puts on a video of The Last Waltz and there and then I knew what I want to do with my life, I wanted to play guitar like Robbie Robertson and be in a band and thats all I know WOW ! That guy (Robbie) was so cool so amazing, so kind of, I dont know but I felt like it was the answer.. I didnt even know he wrote the songs I just loved what he did on the guitar and I thought I looked a bit like him too and had similar hair.
My path in life as a musician was unfortunately not a great success but it has given me a huge appreciation of musicianship and the business from a distance.
It is with this in mind that I come to view Robbie in a different light from when I was younger. In many ways I am more in awe since he wrote the songs but and I mean but, why wasnt he fair. I mean if he was only a money grabbing agent I could get it. But he had a God given talent for writing songs but he refused to acknowledge the other members contribution to the success of the songs, which was huge ! It seems to me that they were used abused and abandoned left with a pittance whilst Robbie Robertson and a bunch of money grabbing cronies took all the all the dough.
Bob Dylan kindly but rightly shared the credits for 'This Wheels On Fire' with Rick Danko. Robbie Robertson offered no such Olive Branch with Richard Manuel (Shape Im In) ,Levon Helm (The Weight) Rick Danko (Stage Fright) or Garth Hudson (Chest Fever), even though their contribution so monumental. Oh I forgot they were a bunch of junkies REALLY !
This film is a sad reflection of a great artist trying for some reason to justify being a ruthless business man and getting away with it.
Robbie and his cronies might feel the others were a bunch of hicks they could get one over, but their power will shine for eternity WITH THEIR INTEGRITY INTACT and deep down he knows he has done wrong by them.
If you steal something sacred 'He noticed, no shadow did he cast'
Thank God I wasnt a success as a musician !
One time I was staying the weekend at his place and we were sitting up late listening to music. He proudly said since its your birthday soon I would like to offer you any record you choose. Assuming he owned it I asked for "Daniel My Brother" which had been a big hit at the time, and since my names Daniel it struck a chord.
He told me that he felt that was a bit vain wanting a song on the strength that it had my name in it, and also that he did'nt really like that song because he thought it was too commercial and did'nt have it anyway. Then after a pause said but since you want a song with your name in it I've got a better one and he pulled out the album Stage Fright.
I was delighted to hear another song about me and grew up loving that album ! Thank you Robbie for writing those songs.
Jump forward to 15 or 16 years old and my Daddy puts on a video of The Last Waltz and there and then I knew what I want to do with my life, I wanted to play guitar like Robbie Robertson and be in a band and thats all I know WOW ! That guy (Robbie) was so cool so amazing, so kind of, I dont know but I felt like it was the answer.. I didnt even know he wrote the songs I just loved what he did on the guitar and I thought I looked a bit like him too and had similar hair.
My path in life as a musician was unfortunately not a great success but it has given me a huge appreciation of musicianship and the business from a distance.
It is with this in mind that I come to view Robbie in a different light from when I was younger. In many ways I am more in awe since he wrote the songs but and I mean but, why wasnt he fair. I mean if he was only a money grabbing agent I could get it. But he had a God given talent for writing songs but he refused to acknowledge the other members contribution to the success of the songs, which was huge ! It seems to me that they were used abused and abandoned left with a pittance whilst Robbie Robertson and a bunch of money grabbing cronies took all the all the dough.
Bob Dylan kindly but rightly shared the credits for 'This Wheels On Fire' with Rick Danko. Robbie Robertson offered no such Olive Branch with Richard Manuel (Shape Im In) ,Levon Helm (The Weight) Rick Danko (Stage Fright) or Garth Hudson (Chest Fever), even though their contribution so monumental. Oh I forgot they were a bunch of junkies REALLY !
This film is a sad reflection of a great artist trying for some reason to justify being a ruthless business man and getting away with it.
Robbie and his cronies might feel the others were a bunch of hicks they could get one over, but their power will shine for eternity WITH THEIR INTEGRITY INTACT and deep down he knows he has done wrong by them.
If you steal something sacred 'He noticed, no shadow did he cast'
Thank God I wasnt a success as a musician !
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