Leelee Sobieski is the main reason for seeing this low-budget train thriller. From a mousy medical student in a watch cap in the beginning to a cleaver-wielding, blood-spattered maiden of death by the end, she gives a performance of unsettling ferocity.
A train has stopped in the darkness during a snowstorm and two conductors, one of them Danny Glover in decent-guy mode, are on the tracks smoking when a man clutching a package stumbles out of the woods. The conductors allow him on board with the understanding he'll buy his ticket later. Once aboard, the stranger settles in a lounge car, where he swallows a bunch of pills, washing them down with vodka. Next thing you know, he's dead of an overdose.
Only two other people were in the lounge car to witness this, an alcoholic salesman played by Steve Zahn in his usual goofball-loser mode and a medical student with a studious, ultra-serious demeanor played by Sobieski. They call the death to the attention of the conductor played by Glover.
They become curious about the man's package and look inside. It contains a small wooden box with perforations allowing them to see what's inside, which is apparently worth a king's ransom because everybody who looks inside gasps in wonder. This is our macguffin and it serves much the same purpose as the briefcase in "Pulp Fiction." It doesn't really matter what's inside; you just know everybody wants it.
The three conspire. First order of business -- disposing of the body (black, black humor). Then things get complicated. Turns out the three conspirators are not the only ones who knew the stranger was on the train with his package. You know nothing good is going to come of this and you are absolutely right. Betrayal. Mayhem. Murder.
In order to enjoy this movie, you have to overlook a lot of major implausibilities. For such a long train, there's hardly anyone aboard. Plot points involving night ice fishing and murderous electrical tape are also hard to swallow.
All the exteriors of the train hurtling down the track at what looks like 200 mph are cheap CGI. Doesn't matter. We get it -- fast train, darkness, lots of snow, in the middle of nowhere.
And then there's Leelee Sobieski, icily delivering lines with blood on her face and insanity in her eyes. Whoa.