Hungarian drama from award-winning filmmaker previously screened at Film Festival Cottbus and Russia’s Sofia International Film Festival.
Sovereign Film Distribution has acquired UK and Ireland rights to Szabolcs Hajdu’s Hungarian drama Treasure City in a direct deal with the filmmakers.
The film received its international premiere at Germany’s Film Festival Cottbus in December and was also selected for Russia’s Sofia International Film Festival.
Sovereign is scheduling a theatrical release in the UK on June 18 and is also making the title available for virtual cinema release, currently closing agreements with several sites.
Treasure City explores the darker side of human relationships,...
Sovereign Film Distribution has acquired UK and Ireland rights to Szabolcs Hajdu’s Hungarian drama Treasure City in a direct deal with the filmmakers.
The film received its international premiere at Germany’s Film Festival Cottbus in December and was also selected for Russia’s Sofia International Film Festival.
Sovereign is scheduling a theatrical release in the UK on June 18 and is also making the title available for virtual cinema release, currently closing agreements with several sites.
Treasure City explores the darker side of human relationships,...
- 4/20/2021
- by Michael Rosser
- ScreenDaily
The final film of Jan Nemec, who died in March, to play in the main competition.Scroll down for competition line-ups
The 51st Karlovy Vary International Film Festival (July 1-9) has unveiled the competition titles in its Official Selection, East of the West and Documentary sections.
The 12-strong main competition will comprise eight world premieres and four international premieres, including the last film from renowned Czech director Jan Nemec, who died in March.
The Czech filmmaker was a notable voice of the country’s New Wave movement of the 1960s with titles such as Diamonds Of The Night (1964). His final film, The Wolf From Royal Vineyard Street, will world premiere at Kviff and is an adaptation of his own quasi-autobiographical short stories.
Other titles include Slovak-Czech drama The Teacher from Jan Hrebejk while Roberto Andò is returning to Kviff with The Confessions, three years after his hit Viva la Libertà.
Debut features...
The 51st Karlovy Vary International Film Festival (July 1-9) has unveiled the competition titles in its Official Selection, East of the West and Documentary sections.
The 12-strong main competition will comprise eight world premieres and four international premieres, including the last film from renowned Czech director Jan Nemec, who died in March.
The Czech filmmaker was a notable voice of the country’s New Wave movement of the 1960s with titles such as Diamonds Of The Night (1964). His final film, The Wolf From Royal Vineyard Street, will world premiere at Kviff and is an adaptation of his own quasi-autobiographical short stories.
Other titles include Slovak-Czech drama The Teacher from Jan Hrebejk while Roberto Andò is returning to Kviff with The Confessions, three years after his hit Viva la Libertà.
Debut features...
- 5/31/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
European Film Promotion has special programs highlighting talent in Berlin (Shooting Stars), a Producer Lab in Toronto, 10 Directors to Watch at Karlovy Vary, European Directors at Busan and a great networking party at Afm. For 14 years Efp has hosted Producers on the Move in Cannes. This year 29 producers from 29 different European countries will take part in the event from 18 to 21 May, 2013. The Republic of Kosovo* and Montenegro will both be represented for the first time this year with a producer. These are the producers who set the ball rolling on projects, forge coalitions and conjure up a film out of an idea. Film producers are increasingly looking past their national borders. In order to facilitate an exchange with similarly ambitious colleagues from other European countries and showcase their range of achievements, European Film Promotion (Efp) offers a platform for networking to carefully selected producers. 12 of the 29 producers are women ♀.
Looking back at the 2012 edition of Producers on the Move, almost all of the producers are still in contact with one another to follow up on ideas. 17 from last year's 25 participants (68%) are already working on 15 co-productions.
The group of former participants includes such internationally known and award-winning producers as Ada Solomon from Romania (Child's Pose), Bettina Brokemper from Germany (Bal), Louise Vesth from Denmark (Melancholia) and Siniša Juričić from Croatia (Sofia’s Last Ambulance).
Scheduled during the Cannes International Film Festival, the program provides its participants with an additional visibility they get at this melting pot for filmmakers, sales agents, financiers and the international media. Producers On The Move's schedule with pitching sessions, one-on-one speed-dating meetings and various opportunities to build up business relationships and to exchange knowledge enables the selected filmmakers to return home with advanced film projects and, sometimes, with a co-production deal. At the Producers' Lunch, they can, moreover, get in contact with participants from previous years.
The participants have already realized joint European film projects which were noticed on the international radar, but they still are on their way to becoming international players. Many of them produced feature films as well as documentaries, and some are additionally active in the field of animation films.
For the fourth time, Efp will be cooperating for Producers On The Move with the pan-European co-production fund Eurimages.
The following producers were selected by Efp member organizations from their respective countries:
Belgium
Anton Iffland Stettner, Need Productions
i.e. Home by Ursula Meier ♀
selected by Wallonie Bruxelles Image
Bulgaria
Konstantin Bojanov, Argentum Lux Films
i.e. Avé by Konstantin Bojanov
selected by the Bulgarian National Film Centre
Croatia
Zdenka Gold, ♀ Spiritus Movens Production
i.e. A Stranger by Bobo Jelčić
selected by the Croatian Audiovisual Centre
Czech Republic
Viktor Tauš, Fog’n’Desire Films
i.e. House by Zuzana Liová
selected by the Czech Film Center
Denmark
Mikael Chr. Rieks, Nordisk Film Production
i.e. A Funny Man by Martin Zandvliet
selected by The Danish Film Institute
Estonia
Kiur Aarma, Traumfabrik
i.e. Disco & Atomic War by Jaak Kilmi & Kiur Aarma
selected by Baltic Films
Finland
Jussi Rantamäki, Aamu Filmcompany
i.e. The Painting Sellers by Juho Kuosmanen
selected by the Finnish Film Foundation
France
Mathieu Robinet, Révérence
i.e. Love is in the Air by Alexandre Castagnetti
selected by Unifrance films
Georgia
Zaza Rusadze, Zazarfilm
i.e. A Fold in my Blanket by Zaza Rusadze
selected by the Georgian National Film Center
Germany
Jochen Laube, teamWorx Ludwigsburg
i.e. Five Years by Stefan Schaller
selected by German Films
Greece
Giorgos Karnavas, Heretic
i.e. Boy Eating The Bird’s Food by Ektoras Lygizos
selected by the Greek Film Centre
Hungary
Andrea Taschler, ♀ Mirage Film Studio
i.e. Bibliothèque Pascal by Szabolcs Hajdu
selected by Magyar Filmunió / Hungarian National Film Fund
Iceland
Thorkell Hardarson, Markell Productions
i.e. Feathered Cocaine by Thorkell Hardarson & Örn Marinó Arnarson
selected by the Icelandic Fim Centre
Ireland
Conor Barry, Sp Films
i.e. Love Eternal by Brendan Muldowney
selected by the Irish Film Board
Italy
Viola Prestieri, Buena Onda
i.e. The Great Beauty by Paolo Sorrentino ♀
selected by Istituto Luce Cinecittà
Republic of Kosovo*
Valon Jakupaj, Gegnia Film
i.e. Adventures of Santa Clause by Valon Jakupaj
selected by the Kosova Cinematography Center
Luxembourg
Gilles Chanial, Red Lion
i.e. Le goût des myrtilles by Thomas de Thier
selected by Film Fund Luxembourg
Fyr of Macedonia
Labina Mitevska, ♀ Sisters and Brother Mitevski Production
i.e. The Woman Who Brushed Off Her Tears by Teona Mitevska ♀
selected by Macedonian Film Fund
Montenegro
Sehad Čekić, Cut-Up Production
i.e. The Ascent by Neminja Becanovic
selected by the Ministry of Culture of Montenegro
The Netherlands
Marleen Slot, ♀ Viking Film
i.e. Zurich by Sacha Polak ♀
selected by Eye International / Netherlands
Norway
Hans-Jørgen Osnes, Motlys
i.e. Oslo, August 31st by Joachim Trier
selected by the Norwegian Film Institute
Poland
Agnieszka Kurzydło, ♀ MD 4
i.e. In The Name Of by Małgośka Szumowska ♀
selected by the Polish Film Institute
Portugal
João Matos, Terratreme filmes
i.e. Lacrau by João Vladimiro
selected by Ica I.P. / Portugal
Romania
Anca Puiu, ♀ Mandragora
i.e. Rocker by Marian Crisan ♀
selected by the Romanian Film Promotion
Slovak Republic
Mira Fornay, ♀ Mirafox
i.e. My Dog Killer by Mira Fornay ♀
selected by Slovak Film Institute
Spain
María Zamora, ♀ Avalon P.C.
i.e. Todos están muertos by Beatriz Sanchis ♀
selected by Icaa / Spain
Sweden
Erika Wasserman, ♀ Idyll
i.e. Avalon by Axel Petersén
selected by the Swedish Film Institute
Switzerland
Joëlle Bertossa, ♀ Close Up Film
i.e. Body by Halima Ouardiri ♀
selected by Swiss Films
United Kingdom
Andrea Cornwell, ♀ Lobo Films Ltd
i.e. The Last Days On Mars by Ruairi Robinson ♀
selected by the British Council...
Looking back at the 2012 edition of Producers on the Move, almost all of the producers are still in contact with one another to follow up on ideas. 17 from last year's 25 participants (68%) are already working on 15 co-productions.
The group of former participants includes such internationally known and award-winning producers as Ada Solomon from Romania (Child's Pose), Bettina Brokemper from Germany (Bal), Louise Vesth from Denmark (Melancholia) and Siniša Juričić from Croatia (Sofia’s Last Ambulance).
Scheduled during the Cannes International Film Festival, the program provides its participants with an additional visibility they get at this melting pot for filmmakers, sales agents, financiers and the international media. Producers On The Move's schedule with pitching sessions, one-on-one speed-dating meetings and various opportunities to build up business relationships and to exchange knowledge enables the selected filmmakers to return home with advanced film projects and, sometimes, with a co-production deal. At the Producers' Lunch, they can, moreover, get in contact with participants from previous years.
The participants have already realized joint European film projects which were noticed on the international radar, but they still are on their way to becoming international players. Many of them produced feature films as well as documentaries, and some are additionally active in the field of animation films.
For the fourth time, Efp will be cooperating for Producers On The Move with the pan-European co-production fund Eurimages.
The following producers were selected by Efp member organizations from their respective countries:
Belgium
Anton Iffland Stettner, Need Productions
i.e. Home by Ursula Meier ♀
selected by Wallonie Bruxelles Image
Bulgaria
Konstantin Bojanov, Argentum Lux Films
i.e. Avé by Konstantin Bojanov
selected by the Bulgarian National Film Centre
Croatia
Zdenka Gold, ♀ Spiritus Movens Production
i.e. A Stranger by Bobo Jelčić
selected by the Croatian Audiovisual Centre
Czech Republic
Viktor Tauš, Fog’n’Desire Films
i.e. House by Zuzana Liová
selected by the Czech Film Center
Denmark
Mikael Chr. Rieks, Nordisk Film Production
i.e. A Funny Man by Martin Zandvliet
selected by The Danish Film Institute
Estonia
Kiur Aarma, Traumfabrik
i.e. Disco & Atomic War by Jaak Kilmi & Kiur Aarma
selected by Baltic Films
Finland
Jussi Rantamäki, Aamu Filmcompany
i.e. The Painting Sellers by Juho Kuosmanen
selected by the Finnish Film Foundation
France
Mathieu Robinet, Révérence
i.e. Love is in the Air by Alexandre Castagnetti
selected by Unifrance films
Georgia
Zaza Rusadze, Zazarfilm
i.e. A Fold in my Blanket by Zaza Rusadze
selected by the Georgian National Film Center
Germany
Jochen Laube, teamWorx Ludwigsburg
i.e. Five Years by Stefan Schaller
selected by German Films
Greece
Giorgos Karnavas, Heretic
i.e. Boy Eating The Bird’s Food by Ektoras Lygizos
selected by the Greek Film Centre
Hungary
Andrea Taschler, ♀ Mirage Film Studio
i.e. Bibliothèque Pascal by Szabolcs Hajdu
selected by Magyar Filmunió / Hungarian National Film Fund
Iceland
Thorkell Hardarson, Markell Productions
i.e. Feathered Cocaine by Thorkell Hardarson & Örn Marinó Arnarson
selected by the Icelandic Fim Centre
Ireland
Conor Barry, Sp Films
i.e. Love Eternal by Brendan Muldowney
selected by the Irish Film Board
Italy
Viola Prestieri, Buena Onda
i.e. The Great Beauty by Paolo Sorrentino ♀
selected by Istituto Luce Cinecittà
Republic of Kosovo*
Valon Jakupaj, Gegnia Film
i.e. Adventures of Santa Clause by Valon Jakupaj
selected by the Kosova Cinematography Center
Luxembourg
Gilles Chanial, Red Lion
i.e. Le goût des myrtilles by Thomas de Thier
selected by Film Fund Luxembourg
Fyr of Macedonia
Labina Mitevska, ♀ Sisters and Brother Mitevski Production
i.e. The Woman Who Brushed Off Her Tears by Teona Mitevska ♀
selected by Macedonian Film Fund
Montenegro
Sehad Čekić, Cut-Up Production
i.e. The Ascent by Neminja Becanovic
selected by the Ministry of Culture of Montenegro
The Netherlands
Marleen Slot, ♀ Viking Film
i.e. Zurich by Sacha Polak ♀
selected by Eye International / Netherlands
Norway
Hans-Jørgen Osnes, Motlys
i.e. Oslo, August 31st by Joachim Trier
selected by the Norwegian Film Institute
Poland
Agnieszka Kurzydło, ♀ MD 4
i.e. In The Name Of by Małgośka Szumowska ♀
selected by the Polish Film Institute
Portugal
João Matos, Terratreme filmes
i.e. Lacrau by João Vladimiro
selected by Ica I.P. / Portugal
Romania
Anca Puiu, ♀ Mandragora
i.e. Rocker by Marian Crisan ♀
selected by the Romanian Film Promotion
Slovak Republic
Mira Fornay, ♀ Mirafox
i.e. My Dog Killer by Mira Fornay ♀
selected by Slovak Film Institute
Spain
María Zamora, ♀ Avalon P.C.
i.e. Todos están muertos by Beatriz Sanchis ♀
selected by Icaa / Spain
Sweden
Erika Wasserman, ♀ Idyll
i.e. Avalon by Axel Petersén
selected by the Swedish Film Institute
Switzerland
Joëlle Bertossa, ♀ Close Up Film
i.e. Body by Halima Ouardiri ♀
selected by Swiss Films
United Kingdom
Andrea Cornwell, ♀ Lobo Films Ltd
i.e. The Last Days On Mars by Ruairi Robinson ♀
selected by the British Council...
- 4/26/2013
- by Sydney Levine
- Sydney's Buzz
Biblioteque Pascal is one of the strangest, most surreally erotic submission for an Academy Award Nomination I have ever seen, unless Walerian Borowczyk's Immoral Tales was submitted in the 70s, which I strongly doubt. The story of sex trafficking from Eastern Europe to the haute monde denizens of an English brothel has been told in various forms, the most engaging being The Whistleblower. But this tale of phantasy haunts me and repulses me at the same time. I'll never forget certain scenes and the understanding that the crimes are so great that the victim must live in a phantasy world…...
- 1/5/2011
- Sydney's Buzz
I'm not sure what the cutoff date is for from the individual countries for the Foreign Language Film nominations, but Sony Pictures Classics are glad to see Canada select Denis Villeneuve's Incendies. The company now has three horses in the race and once again, places the distributor in a pretty good position to grab the most of the spots in the final five nominations. Their solid trio so far includes: the Villeneuve film that played at Venice, Telluride and Tiff with Cannes items Xavier Beauvois' Of Gods and Men and Olivier Schmitz's Life, Above All. Having seen all three mentioned titles, I can say that this will please Academy voters. Cross your fingers for Dogtooth folks. Algeria: Outside the Law, Rachid Bouchareb Austria: La Pivellina, Tizza Covi and Rainer Frimmel Azerbaijan: The Precinct, Ilgar Safat Belgium: Illègal, Olivier Masset-Depasse Bosnia and Herzegovina: Circus Columbia, Danis Tanovic Bulgaria: Eastern Plays,...
- 9/22/2010
- IONCINEMA.com
The struggles of a single mother are many and when Mona Gajdó finds herself alone with her daughter, she starts to consider actions that usually wouldn’t cross her mind. A man convinces her that to ensure her daughter has everything she needs, Mona should be looking for work outside Romania so leaving her daughter behind in the care of a fortune-teller, she packs her bags, accepts the forged papers and heads to London to work at a night club which is reminiscent of the Milk Bar in A Clockwork Orange. This is were things go bad: she’s busted for working illegally, thrown in jail and eventually released into the custody of the bar owner who forces her to repay the debt as a prostitute.
Is Bibliothèque Pascal a new story? No but it’s unlikely you’ve ever seen the tale told quite like this. It’s not...
Is Bibliothèque Pascal a new story? No but it’s unlikely you’ve ever seen the tale told quite like this. It’s not...
- 4/29/2010
- QuietEarth.us
Moscow -- While Hungarian television no longer provides funding for theatrical features, co-producing with other countries is set to be a promising area, according to producers presenting their films at the 41st Hungarian Film Week, which came to a close in Budapest on Feb. 8.
The near bankruptcy of the Hungarian television sector came as a blow to film producers depending on cash from TV, but many saw it coming a while ago.
"It didn't happen all of a sudden," says Jozsef Berger, producer at Mythberg Films, who presented the feature "The Camera Murderer," adding that country's TV sector has been moving towards focusing more on television products rather than films intended for theatrical release, anyway.
"There was a big effort form the Motion Pictures Public Foundation of Hungary (Mmka) to establish long-time cooperation with television, and Mmka was even giving money for television films," Berger said. "But it didn't work...
The near bankruptcy of the Hungarian television sector came as a blow to film producers depending on cash from TV, but many saw it coming a while ago.
"It didn't happen all of a sudden," says Jozsef Berger, producer at Mythberg Films, who presented the feature "The Camera Murderer," adding that country's TV sector has been moving towards focusing more on television products rather than films intended for theatrical release, anyway.
"There was a big effort form the Motion Pictures Public Foundation of Hungary (Mmka) to establish long-time cooperation with television, and Mmka was even giving money for television films," Berger said. "But it didn't work...
- 2/9/2010
- by By Vladimir Kozlov
- The Hollywood Reporter - Movie News
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