"The Wire" Not for Attribution (TV Episode 2008) Poster

(TV Series)

(2008)

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10/10
A classic episode up with the best!
dstanmyer21 May 2011
Warning: Spoilers
Ever since I started becoming aware of The Wire and knew I had to soon start watching it, I've always heard, as a mantra, that Season 5 wasn't quite in the same ballpark as seasons 3 and 4. Season 5 seemed like an afterthought to some people I've spoken to, or read. Like, the series really ended after Season 4, for all intents and purposes. So, I went into the seasons with those thoughts, though knowing in the back of my mind that I might very well indeed love Season 5 just as much. After all, I sometimes hold Season 2 as my favorite, which few do.

Seasons 3 and 4 were great and I can see how they have become the standard bearers for the show. However, Season 5 so far has been tremendous to me, almost seeming like a "surprise", as I felt myself feeling down that I was done with the hyped-up seasons 3 and 4.

Episode 3 of the 5th season is brilliant. The newspaper/media angle is great and I foresee an awarding finish, rife with societal commentary and astute observations. After all, Simon saved his forte, journalism, to be the 5th and final institution that he examines, critiques, and ultimately holds accountable for some of our society's failings. He knows this stuff and you can bet that everything portrayed is going to be transcendentally real. The seeming set-up for journalistic in-fighting and strife is obvious and has me looking forward to how journalist Scott is going to make a contribution to the paper, and the show, in a major way.

"Not Attribution" continues the downward spiral of Jimmy, including a classically comedic scene of him having sex with a woman on a car hood, flashing his badge, as police roll by. Its entertaining as hell to watch him go about setting up a serial killer story, getting giddy and almost high from the prospects of what it would mean. And then to see the moral compass of Bunk in this regard is intriguing. At the end, the willingness of Lester to continue down that path with Jimmy was surprising and made me not want to wait to see where that storyline would go.

The dogs are closing on the Master Snake Clay Davis and that interplay with Burrell is great. There's a brutal scene where Butchie is tortured, still refusing to give up the whereabouts of Omar. After that, its priceless to see Chris Partlow and Snoop obviously express fear that Omar would be coming after them now, and questioning Marlo's plan. Speaking of Marlo, its great to see his "uncivilized" ways when dealing with the Greeks and their insistence on clean money. Then, at the end, the episode is capped as the writers finally show us what Omar is up to (living it up in an ocean front little town somewhere south of here), and its dramatic perfection to watch him learn of Butchie's fate (via Spanish) and the look that comes over his face, with tears in his eyes.
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10/10
... he mostly f_____ himself
snoozejonc13 January 2023
Warning: Spoilers
McNulty continues to falsify evidence to generate a suspicion of serial killings, whilst Marlo continues his pursuit for control of Baltimore's drug supply.

This is another excellent episode with strong plot and character moments.

When I first watched season 5 of The Wire many years ago, McNulty's antics were a stretch of my willingness to suspend the disbelief. However, I now realise that I once felt the same when hearing about doctors and nurses using their positions to kill patients, pilots deliberately crashing passenger planes, and any number of endless political corruption scandals where positions of responsibility are abused by either self-serving or mentally disturbed individuals. I now find his behaviour a darkly funny and inventive storyline, that says to me, under the right circumstances, what is to prevent this from happening? I particularly like his interactions with the likes of Freamon, Jay, and Bunk.

What I struggled more to accept is the plausibility of Prop Joe unquestioningly helping Marlo obtain a certain asset, when a character written as tactically astute as Joe should, for me, put two and two together and figure out the angle. That being said, it does make for great drama.

The return of Omar would be a welcome one under different circumstances, but the portrayal of what might be drawing him back to Baltimore is a brutal and sadistic scene that involves more clever and manipulative writing. It makes the audience despise Marlo further and get thoroughly invested in Omar's wellbeing and forthcoming crusade.

There are several scenes of note that take place outside of Baltimore and say a lot about the associated characters.

All actors are on brilliant form, with Dominic West and S. Robert Morgan just about standing out for me.

As ever the cinematography, editing and art design are top drawer. The standout visual has to be Omar's face at the end.

For me it's a 9.5/10, but I round upwards.
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9/10
I usually don't give high ratings
davidkallebring14 July 2023
Warning: Spoilers
I haven't given out that many 9s or 10s throughout my watching, and I rarely give reviews like this unless it's a really special episode.

And man, this ought to be one of my favorite episodes I've ever watched.

There were 3 major plotlines that I absolutely loved in this slow, unthrilling, yet fascinating episode.

Firstly, we got the dialogue between Norman and Gus at the bar that stirred up one of the biggest headlines of the show so far; The controversy of the Deputy Commissioner position. It heated up the entire stage among the big people in Baltimore. (The Mayor, Colonel, Deputy and many more). Clay Davis was furious. It was just incredible to see how one little talk between two half drunk men at a bar could stir up an entire city.

The second thing I loved about this episode revolves around Marlo (+his people), Prop Joe, Butch and Omar.

The immense stubbornness in Marlo was interesting for me, he comes back to that Greek twice, laundering his money within just one episode to get hold of this Russian guy. He also commands Chris and Snoop to do those horrifying things against Butch. (Which everyone, including Prop Joe was against). But f it, Marlo does whatever he wants.

The expression on Omar's face at the end was perfect acting. All the things Butch had done for him, even til his last breath; he was not gonna betray Omar. This both shows how great Butch is, as well as how brutal Marlo is.

But then of course we got Jimmy, man I found his parts of the episode funnier than anything I've watched recently, yet all his motives for these things are so perfectly written, deep and well played out. There are so many things to mention and explain here, but I'm too lazy to explain it all. Just watch the episode and pay attention to the scenes with McNulty in them. He's so obsessed with turning the job into something more interesting, he even risks going to prison for it. The way you can see how broken he is (probably after what happened with Bodie, as well as all of the stuff going on in the police department) with all of his drinking and also how he just ignores the possible "happy life" that he's already achieved with Beadie, taking some random girl at a bar to the carpark and doing the naughty naughty with her instead, I mean he's just lost his mind. And that's not even all, after being told by Bunk several times that he should stop the thing that he's trying to accomplish at the P. Dept., he just keeps on trying, and finally succeeding with it.

The best laugh I've had in a while was when I thought Lester was going to teach Jimmy a lesson (with Bunk present), but instead he just hops on the idea, trying to evolve it and being well open to breaking the law, just bc he loves some good police work.

This episode is so beautiful if you pay attention to all the little details, for anyone not enjoying it as much as me; REWATCH IT!
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7/10
5x03
formotog28 August 2020
Warning: Spoilers
This episode was ok, but largely uneventful and slow. McNulty is off his nut and I still think it's a bit too early to tell if I'm liking what he's doing, but I'm not really liking how he's acting. I think the whole alcoholism thing is a bit forced at this point. Marlo didn't do all the much this episode, but his meetings with Vondas are bound to not end very well for him. I think at this point he's biting more than he can chew. The journalism plot got a couple of links to the main story which was nice to see, and that will probably only continue. The whole Clay Davis charade just needs to be over with because that guy has definitely overstayed his welcome on this show as far as I'm concerned. The ending was pretty great though, because after that horrible execution of Butchie, Omar is definitely gonna want his revenge

Low 7
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