| Photos (see all 50 | slideshow) | Videos (see all 13) |
| Diane Lane | ... | Adrienne Willis | |
| Richard Gere | ... | Dr. Paul Flanner | |
| Christopher Meloni | ... | Jack Willis | |
| Viola Davis | ... | Jean | |
| Becky Ann Baker | ... | Dot | |
| Scott Glenn | ... | Robert Torrelson | |
| Linda Molloy | ... | Jill Torrelson | |
| Pablo Schreiber | ... | Charlie Torrelson | |
| Mae Whitman | ... | Amanda Willis | |
| Charlie Tahan | ... | Danny Willis | |
| Carolyn McCormick | ... | Jenny | |
| Ted Manson | ... | Old Gus | |
| Ato Essandoh | ... | Jean's Lover | |
| Terri Denise Johnson | ... | Medical Resident | |
| Jessica Lucas | ... | Admiring Nurse | |
| Marisela Ramirez | ... | Ecuadorian Patient | |
| Kimberly Sauls | ... | Pregnant Woman | |
| Irene Ziegler | ... | Real Estate Woman | |
| Dihedry Aguilar | ... | Bus Passenger | |
| William D. Hooper | ... | Fisherman | |
| Hal Scarborough | ... | Ferry Boat Captain | |
| Candy Dennis | ... | Ferry Woman #1 | |
| Gail Lane | ... | Ferry Woman #2 | |
| Chookie Ramsey | ... | Ferry Woman #3 | |
| rest of cast listed alphabetically: | |||
| Mia Clarke | ... | Young Adrienne Willis (uncredited) | |
| James Franco | ... | Mark Flanner (uncredited) | |
| John H. Peebles | ... | Surgeon (uncredited) | |
Directed by | |||
| George C. Wolfe | |||
Writing credits(WGA) | ||
| Ann Peacock | (screenplay) and | |
| John Romano | (screenplay) | |
| Nicholas Sparks | (novel) | |
Produced by | |||
| Bruce Berman | .... | executive producer | |
| Doug Claybourne | .... | executive producer | |
| Denise Di Novi | .... | producer | |
| Dana Goldberg | .... | executive producer | |
| Alison Greenspan | .... | executive producer | |
Original Music by | |||
| Jeanine Tesori | |||
Cinematography by | |||
| Affonso Beato | |||
Film Editing by | |||
| Brian A. Kates | |||
Casting by | |||
| Lisa Mae Fincannon | |||
| Lynn Kressel | |||
Production Design by | |||
| Patrizia von Brandenstein | |||
Art Direction by | |||
| William G. Davis | |||
Set Decoration by | |||
| James Edward Ferrell Jr. | |||
Costume Design by | |||
| Victoria Farrell | |||
Makeup Department | |||
| Vivian Baker | .... | makeup artist: Diane Lane | |
| Wendy Bell | .... | assistant makeup artist | |
| LuAnn Claps | .... | personal makeup artist: Richard Gere | |
| Kari Delaney | .... | key hair stylist | |
| Robert Hall | .... | special makeup designer: Almost Human Inc. | |
| Sandra S. Orsolyak | .... | makeup department head | |
| Peter Tothpal | .... | hair stylist: Ms. Diane Lane | |
Production Management | |||
| Ravi D. Mehta | .... | executive in charge of production | |
| Charlene Olson | .... | post-production supervisor | |
Art Department | |||
| Susan Agnoff | .... | art department clearance coordinator | |
| McLean Alley | .... | art department coordinator | |
| Robert Beck | .... | property master | |
| Missy Berent | .... | scenic artist | |
| Thurston Edwards | .... | buyer | |
| Chris Holcombe | .... | set dresser | |
| Margie McLamb Holowaty | .... | additional buyer | |
| Tom Jones Jr. | .... | construction coordinator | |
| Alicia Lowe | .... | construction auditor | |
| Alex McCarroll | .... | assistant to production designer | |
| Paul Oliver | .... | charge scenic | |
| James F. Oñate | .... | scenic gang boss | |
| 'Jungle Jim' Shaughnessy | .... | set dresser | |
| Barbara S. Shelton | .... | stand-by painter (as Barbara Seinfeld) | |
| Bob Smith | .... | chargehand dresser | |
| Stephanie Waldron | .... | greens | |
| Michael A. Wells | .... | propmaker | |
| Jesse Williams | .... | carpenter | |
| Helen Williams Ward | .... | storyboard artist | |
Sound Department | |||
| Jeff Babb | .... | sound mixer: second unit | |
| Petra Bach | .... | adr supervisor | |
| David V. Butler | .... | dialogue editor | |
| C. Douglas Cameron | .... | boom operator | |
| Jessica A. Dickson | .... | dialogue editor | |
| Matt Fann | .... | sound utility | |
| Cameron Frankley | .... | sound designer | |
| Cameron Frankley | .... | supervising sound editor | |
| Jason W. Jennings | .... | sound effects editor | |
| Ai-Ling Lee | .... | sound effects editor | |
| Brian Magerkurth | .... | sound mix technician | |
| Jon Michaels | .... | assistant sound editor | |
| Alyson Dee Moore | .... | foley artist | |
| Steve Pederson | .... | sound re-recording mixer | |
| John Roesch | .... | foley artist | |
| Susumu Tokunow | .... | sound mixer | |
| Gregory H. Watkins | .... | sound re-recording mixer | |
Special Effects by | |||
| Robert Calvert | .... | special effects coordinator | |
| Geoffrey C. Martin | .... | special effects coordinator | |
| Cortney McLeod | .... | special effects technician | |
| Matt Mizell | .... | special effects technician | |
Visual Effects by | |||
| Patrick Clancey | .... | digital opticals | |
| Eric Durst | .... | visual effects supervisor | |
| Greg Groenekamp | .... | digital compositor | |
| Andreas Jablonka | .... | digital compositor: Pixel Magic | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Steven Lloyd | .... | digital artist | |
| George Macri | .... | visual effects producer: Pixel Magic | |
| Ray McIntyre Jr. | .... | visual effects supervisor | |
| Daniel Mellitz | .... | compositor | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
Stunts | |||
| Jennifer Badger | .... | stunt double: Diane Lane | |
| John Copeman | .... | stunt coordinator | |
| John Gilbert | .... | co-stunt coordinator | |
| G. Grant Jewett | .... | stunt double: James Franco | |
Casting Department | |||
| Ashli Bogart | .... | extras casting assistant | |
| Chris Bustard | .... | extras casting: Los Angeles | |
| Mark Fincannon | .... | location casting | |
| Barbara Harris | .... | adr voice casting | |
| Matt Kane | .... | casting associate | |
| Kevin R. Kuffa | .... | casting associate | |
Costume and Wardrobe Department | |||
| Rachel Leek | .... | assistant costume designer | |
| Lynn Manock | .... | key costumer | |
| Kelly Southerland | .... | set costumer | |
| Beverly Woods | .... | wardrobe supervisor | |
Editorial Department | |||
| Ernest Leif Boyd | .... | assistant editor | |
| Ellen Hendrix | .... | assistant editor | |
| Yvan Lucas | .... | colorist: Efilm | |
| Ali Muney | .... | first assistant editor | |
| Amy Pawlowski | .... | digital intermediate editor | |
| Christian Prejza | .... | digital intermediate producer | |
| Jonathan Spafford | .... | second assistant editor | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Jeff Babb | .... | music playback | |
| Brandon J. Burton | .... | assistant music engineer | |
| Jay Duerr | .... | music editor | |
| Robert Fernandez | .... | scoring mixer | |
| Will Kaplan | .... | music editor | |
| Larry Mah | .... | digital score recordist | |
| Buryl Red | .... | orchestrator | |
| Peter Rotter | .... | orchestra contractor | |
| Robert Schaper | .... | scoring mixer | |
| Robert Schaper | .... | supervising music editor | |
| Peter Schwartz | .... | additional music production | |
| Jeanine Tesori | .... | conductor | |
Transportation Department | |||
| E. Michael Hewett | .... | van driver | |
| Randall Pickett | .... | driver | |
| Scott Siler | .... | prop truck driver | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Oh, my friend was just dying to see Nights in Rodanthe, I'm convinced she is absolutely in love with Richard Gere, not to mention she just loves romantic movies, so Richard Gere and romance? It's a no brainer, she just had to see this movie, guess who she begged to go with her? Yeah, me, I didn't really want to see it though, it looked too sappy for my tastes, but we got to see it for free, so I figured to just go ahead and give it a fair chance. Well, we saw it today, it was a little better than I expected, which is saying plenty. After seeing the movie Unfaithful, I really wasn't into the whole Diane and Richard being back together on screen, but for some reason they made this story more enjoyable. Even though it was predictable, it was a sweet movie, I hate the sappy movies, despite it's sappiness that I normally resent, it's still a nice movie and was just a breath of fresh air due to the recent movies that we're getting that are either thrillers, comedies, or action.
Adrienne Willis is a divorced mother of two who's ex-husband is begging to come back home after a nasty affair he had with one of her friends. She's debating on it since her children want them back together and she feels it should be that way. But when her friend leaves her to run her house on the beach that she rents out to people, Adrienne meets Paul Flanner, a doctor who has had a rough year after loosing a patient on a routine surgery, he's staying in the house with Adrienne. Loosing themselves has been so hard, but when they're together they find themselves once again and bring life back into their world realizing it's OK to be in love once more.
Nights in Rodanthe is a nice movie to watch... more so I'd say for either a rental or a matinée, I was more impressed with it than I thought I would be, but it does get predictable, which I hate to say I've just been seeing nothing but predictable films lately. Maybe I should start writing scripts if this is all it takes, I could write a number one movie maybe, wish me luck. But back onto the movie, it has decent acting and does give you watery eyes. It's a nice movie to watch, gives you a little smile and reminds you of the sweeter things in life. Richard and Diane made this movie enjoyable and were lovely on-screen together, it's worth the watch.
6/10