| Demetri Martin | ... | Himself | |
| John Agrapides | ... | Robot / Additional Cast | |
| Joseph Greca | ... | Star / Additional Cast | |
| Christene Martin | ... | Creature / Additional Cast | |
| David O'Doherty | ... | Star / Astronaut with Keyboard / Additional Cast | |
| Lawrence Rosenberg | ... | Additional Cast | |
| Eric Slovin | ... | Animal / Solar System / Additional Cast | |
| Bobby Tisdale | ... | Joke / Rocket / Additional Cast | |
| Jim Ziegler | ... | Additonal Cast | |
| rest of cast listed alphabetically: | |||
| Leo Allen | ... | Ears / Astronaut with Accordion / Additional Cast (uncredited) | |
| Mackenzie Firgens | ... | Additional Cast (uncredited) | |
Directed by | |||
| Jay Karas | |||
Writing credits(in alphabetical order) | ||
| Demetri Martin | writer | |
Produced by | |||
| Christene Martin | .... | associate producer | |
| Demetri Martin | .... | executive producer | |
| Robert Morton | .... | executive producer | |
| Jim Ziegler | .... | producer | |
Film Editing by | |||
| Eric B. Shanks | |||
Production Design by | |||
| Jeff Hall | |||
Art Direction by | |||
| Grant Van Zevern | |||
Costume Design by | |||
| Alison Freer | |||
Makeup Department | |||
| Donna Kaigler | .... | key makeup artist | |
Production Management | |||
| Nicole Walberg | .... | production manager | |
| Bill Wright | .... | production supervisor | |
Art Department | |||
| Pasquale del Villaggio | .... | carpenter | |
| Walter H. Norris | .... | art department production assistant | |
| Mark Porter | .... | property master | |
Sound Department | |||
| Nick Brophy | .... | house p.a. mixer | |
| Chris Kupeli | .... | sound: A2 | |
| Klaus Landsberg | .... | sound mixer | |
| Wally Skinner | .... | sound: A2 | |
Camera and Electrical Department | |||
| Ethan Balmer | .... | house electrician | |
| Stan Crocker | .... | lighting designer | |
| Michael Hanneman | .... | camera operator (as Mike Hanneman) | |
| Mike Hill | .... | camera operator | |
| Eugene Meienhofer | .... | gaffer | |
| Eric Moore | .... | camera operator | |
| George R. Niedson | .... | steadicam operator (as George Niedson) | |
| Tom Taylor | .... | camera operator | |
Costume and Wardrobe Department | |||
| Chris Hewetson | .... | wardrobe supervisor | |
| Karen Yan | .... | wardrobe supervisor | |
Editorial Department | |||
| Gus Comegys | .... | on-line editor | |
Music Department | |||
| Demetri Martin | .... | composer: additional music | |
| Demetri Martin | .... | composer: theme music | |
Other crew | |||
| Christine Gordon | .... | script supervisor | |
| Judi Lynne Gray | .... | script supervisor (as Judith Lynne Gray) | |
| Kent Green | .... | technical director | |
| Ron Mann | .... | flyman | |
| Gary Menotti | .... | stage manager | |
| Lily Pahlow | .... | production assistant | |
| Emily Peresta | .... | production assistant | |
| Keith Richmond | .... | stage manager | |
| Eric Scott Williamson | .... | field coordinator | |
| Leslie Wilson | .... | associate director | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Demetri's getting way too smooth, too predictable. The music hardly stops and it was an interesting counterpoint to break up the stand up when I first saw him do it a few years ago but NOT most of the time. Well into his thirties he is a little too old to go for 'cute', drag his relatives on stage and strike 12-year old poses.
Check out some of the early gigs on the bonus materials on this tape - he's edgier, awkward but there's a 'nervous energy' that's missing now. An excitement. What's really revealing are the deleted bits - his voice and movements are much more mature, he's more natural, he connects with the audience as a grown up person. It was like night and day.
The guitar, harmonica, bells and piano got VERY monotonous. It sounds like the kind of music children's toys used to make. Aaaargh. Martin's talent for a very particular kind of of one-liner gives you maybe one out of five zingers. He certainly doesn't take any risks here.
Since he hardly exists as a 'person' on stage he cannot grow as a person (check out Louis C.K.'s fabulous Shameless to see how a comedian can grow in a few short years). I was disappointed as I have seen many flashes of real talent early on in his Luna Lounge days.