Directed by
| Josie Keys | ... | (as Josephine Keys) |
Writing Credits (in alphabetical order)
| Josie Keys | ... | (original story by) |
| Daniel Krige | ... | (screenplay) |
Cast (in credits order)
| Barry Otto | ... | Step-Father | |
 |
Penne Hackforth-Jones | ... | Mother |
| Inge Hornstra | ... | Daughter | |
|
|
Ruby Davidson | ... | Peta |
|
|
Ivan Zuvela | ... | Sam |
Produced by
| Jo-Anne McGowan | ... | producer |
Music by
| Stephen Lalor | ||
Cinematography by
| Brigid Costello | ... | director of photography |
| Josie Keys | ||
Editing by
| Anne Pratten | ||
Production Design by
| Louise Lammers | ||
Makeup Department
| Lorraine De Martin | ... | makeup artist |
Production Management
| Scott Briggs | ... | unit manager |
| Bernard Purcell | ... | production manager |
Second Unit Director or Assistant Director
| Karen Borger | ... | first assistant director |
| Darren Connell | ... | second assistant director |
| Andrew Dowling | ... | second assistant director |
Art Department
| Holly Barlow | ... | art department assistant |
| Brendan Boys | ... | standby props |
| Slave Jankulovski | ... | art department assistant |
| Lea Lennon | ... | art department assistant |
| Brent Taylor | ... | carpenter |
| Alistair Thornton | ... | carpenter |
Sound Department
| Leslie Bennett | ... | boom operator |
| Karen Borger | ... | foley artist |
| Bob Burns | ... | sound editor |
| Leonie Dickinson | ... | sound recordist |
| Mike Jones | ... | tracklay |
| Andrew Lancaster | ... | sound recordist |
| Kim Lofthouse | ... | boom operator |
| Harriet McKern | ... | foley artist |
| Sam Petty | ... | post-production sound engineer |
| Paul Saunders | ... | foley artist |
| Alicia Slusarski | ... | foley artist |
| Robert Sullivan | ... | sound mixer |
| Luis Trapaga | ... | post-production sound engineer / tracklay |
| Jenny Ward | ... | assistant sound editor |
Camera and Electrical Department
| Ossie Alfaro | ... | grip assistant |
| Tony Bosch | ... | grip |
| Ian Bosman | ... | gaffer |
| Peter Chittleborough | ... | grip assistant |
| Michele Duval | ... | clapper loader |
| James Graham | ... | focus puller |
| Josie Keys | ... | camera operator |
| Mira Lemberg | ... | still photographer |
| Darani Lewers | ... | still photographer |
| Tony Mandl | ... | gaffer |
Casting Department
| Joy Sargent | ... | casting (as Joy Sargant) |
Costume and Wardrobe Department
| Eliza Reid | ... | stand-by wardrobe |
Script and Continuity Department
| Marion Ord | ... | script consultant |
Additional Crew
| Allison Baillache | ... | production accountant |
| Mike McKeown | ... | lab liaison |
| Graham Sharpe | ... | opticals |
| Marilyn Sommer | ... | computer matching |
| Virginia Whitwell | ... | additional script material (as Virginia Murray) |
Thanks
| Sharon Bell | ... | special thanks |
| Josef Demian | ... | special thanks |
| Rosemary Hart | ... | special thanks |
| Emma Hay | ... | special thanks |
| Richard Keys | ... | special thanks |
| Daniel Krige | ... | special thanks |
| Helga Larsen | ... | special thanks |
| Gerald Letts | ... | special thanks |
| Darani Lewers | ... | special thanks |
| Ian MacArthur | ... | special thanks |
| John Mills | ... | special thanks |
| Steve Murphy | ... | special thanks |
| Andrew the Peacock | ... | special thanks |
