"Doctor Who" The Dæmons: Episode Four (TV Episode 1971) Poster

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7/10
The one with the evil morris dancers!
poolandrews21 January 2008
Warning: Spoilers
Doctor Who: The Dæmons: Episode Four starts as the Dæmon Azal (Stephen Thorne) appears before the Master (Roger Delgado) who ask's for the power of the Dæmons to take control of the Earth, Azal is the last of his kind & senses that neither the Master or the Doctor (Jon Pertwee) are of this planet & wants to speak to the Doctor before he decides what to do whether he passes the power of the Dæmons onto the Master or simply destroy the Earth himself. Meanwhile Bert (Don McKillop) has orders from the Master to kill the Doctor before Azal returns...

Episode 24 from season 8 this Doctor Who adventure originally aired here in the UK during June 1971, directed by Christopher Barry The Dæmons is considered a real highlight of the Pertwee era & I for one find it hard to disagree with that. The script by producer Barry Letts & Robert Sloman under the pseudonym of Guy Leopold is really strong here with a real cinematic Hammer horror film type feel to it, sure there are typical Doctor Who traits but it's just better than a lot of the overly padded stories that marked the Pertwee era. Surprisingly there has been very little repetition (unlike my comments?) & The Dæmons does flow like a proper film although it's not perfect. For instance how does Jo know about the cavern? Why does she suddenly wake up & urgently feel the need to go there? Also why didn't she tell anyone else? She is still part of UNIT isn't she? Don't even get me started on the ultra conveniently placed ladder outside her window which lets her sneak out unseen! This is also the episode where a group of killer morris dancers try to kill the Doctor & Benton! It feels like a scene from The Wicker Man (1973) just to emphasise The Dæmons horror influences.

The production values are high on The Dæmons with some good acting as well, The Dæmons was Roger Delgado's fifth consecutive Doctor Who story playing the Master (his character in The Dæmons is named Magister which is apparently Latin for the word Master) & he puts in a really good performance here & he looks striking in his scarlet red robe in which he performs the satanic rituals (the incantation spoken by the Master to summon Azal was the nursery rhyme Mary had a Little Lamb backwards!). I am happy to report that The Dæmons is a largely Jo Grant free story as she doesn't feature that much, it's all down to personal opinion but I don't like the character or the actress that much. Jon Pertwee is great in The Dæmons & it's an often told rumour that Pertwee considered The Dæmons to be his personal favourite story. The end of this episode also sees the first appearance of the Dæmon Azal who is just a guy in hairy stockings & a disappointingly poor half mask, considering The Dæmons has been so impressive on a production level the way Azal looks brought me back down to the ground with a big thud.

Doctor Who: The Dæmons: Episode Four is another great episode in a great five part story that features action, monsters, the Master, a relatively adult storyline & evil killer morris dancers, what more do you want?
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9/10
Menacing Morris dancers.
Sleepin_Dragon8 February 2019
The Doctor has had many foes down the years, for me those that work best are real life ones, so you must hand it to the Villagers and Morris dancers that turn on The Doctor, producing a really memorable scene.

I love this episode, so much going on, so well shot, terrific production values, lots of action, and of course a threat in the form of Azal, a threat capable of putting even The Master in his place.

Damaris Hayman continues to be my favourite aspect, she is a joy to watch. The effects of a growing Azal are decent, fitting for the time.

Such a winner. 9/10
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9/10
Magic!
A_Kind_Of_CineMagic28 September 2014
Review of all 5 episodes:

This story begins with an absolutely fantastic episode which is Doctor Who at its very best. The atmospheric, eerie goings on and brilliantly believable characterisations exude sheer class. The acting and writing are of the highest standard and the production values are good for the day. This excellence continues as the story continues into a great 2nd episode. The middle and end part of the story is slightly more variable in a way with moments that are not perfectly executed and parts that are less well thought through (such as the Master's manipulation of villagers, satanic rituals and morris dancing) than the magnificent best aspects of the story but there is enough really great stuff going on all the way through to keep every episode at a minimum of 9/10. The Doctor and the UNIT team are at their absolute peak with engaging and funny performances all round.

The story involves magic versus science with The Master using black magic incantations to summon an ancient and ultra-powerful being to try to conquer the Earth. There is a sleepy English village, a mysterious barrow, a stone gargoyle coming to life to attack, an enormous cloven-hooved being, a wonderful white witch, an impressively exploding church and some great guest performances. For example there is a terrific cameo by Robert Wentworth as the cynically gritty but amusing archaeologist Professor Horner and a funny but realistic TV crew led by David Simeon as Alastair Fergus. One such nice cameo is from UNIT technical expert Sgt. Osgood who Steven Moffatt much later intended to be the father of the character Osgood in 21st Century Doctor Who. He apparently decided against officially naming him as her father because he worried it would have annoyed fans by contradicting Osgood's life as portrayed in extended universe material although fear of upsetting fans seems out of character.

The final episode is basically all brilliant fun except for a very slight anticlimax with how the Daemon Azal suddenly overreacts to Jo's willingness to sacrifice her life for the Doctor. It is a small complaint though as the Doctor's performance makes up for it with the moral and environmental themes raised very well indeed. Jon Pertwee is exceptional throughout this story with fine support from Nicholas Courtney. There is great action with John Levene and Richard Franklin particularly active in punch ups, helicopter/motorcycle chases and shootouts. Roger Delgado exudes class and charisma as the Master and the dialogue all the way through is excellent.

Magic is in the air in more ways than one and that magic touch and charm shines through this story overcoming any production limitations or small issues.

My ratings: Episodes 1 & 2 - 10/10, Episode 3 - 9.5/10, Episode 4 - 9/10, Episode 5 - 9.5/10. Overall - 9.6/10.

Season 8 Overall Review:

Season 8 was a great season introducing the iconic villain The Master and maintaining high standards of script and fun ideas.

Season 8 average rating: 8.66/10.
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