Flawless

Most heist movies of the last 10 years tend to share the similar done-to-death storyline as they fail to come up with any originality. Such films mostly rely on extravagant special effects and over-the-top action sequences to capture the audience's attention. Of course there are a few exceptions and a majority of these exceptions tend to be gems. Such is Radford's 'Flawless'. Of course merely labelling it as a heist movie wouldn't be doing justice for the depth of the story exceeds beyond the robbery.

The opening sequence of a diamond being extracted from the African mud and then it's transformation till it lands on a woman's finger may look familiar but it doesn't feel stale especially how it gets straight to the point in the following sequence where a pompous young journalist meets an aged Laura Quinn for an interview. The sequence thereafter takes us back to 60's London. Radford cleverly tackles themes of sexism, blood diamond, class etc by incorporating them withing the story and never sounding preachy. He deals with some heavy issues in a cleverly subtle way.

Through scenes in the bank, he also distinguishes the contrast between the status of men and women in 60's London. It doesn't feel to be such a long time ago yet it is surprising that Quinn is the only woman in the bank (and perhaps the world as is hinted) to work as an administrator while each and every one of her colleagues are men. Clearly she's a woman trying to survive in a man's world and continues to struggle as she is continuously passed over for promotion and soon learns that her employment at the bank will be terminated shortly. However, when the janitor comes up with an unexpected proposition, she reluctantly sees a way out.

'Flawless' is both story driven and character driven while being atmospheric. The writing is solid. The witty dialogues are loaded with dry and sarcastic humour and there's a philosophical element to most of them. The characters are wonderfully developed and the story moves at a smooth pace. The 60s atmosphere is well created and I liked how it contrasted with modern day London.

Caine and Moore are in top form. Caine's gentlemanlike Mr. Hobbes is not your typical criminal. He's polite, charming but eventually the viewer sees that things are not as they seemed. Michael Caine easily plays his part with élan. Demi Moore is fantastic too. Many have complained her accent bouncing back and forth between British and American but that makes sense because Quinn is an American who's been living in London for more than fifteen years. Thus it is believable that her accent would be distorted. Her reaction in the scenes with Hobbes and Finch are remarkable. Some of the best sequences in 'Flawless' are the ones between Moore and Caine and Moore and Wilson. Lambert Wilson delivers a very good performance in a strong supporting role.

I didn't know much about the film before seeing it. Unfortunately, such movies do not get the deserved attention during its release but I hope it gradually gets the well deserved recognition. What caught my attention prior to viewing was the odd but seemingly interesting pairing of Caine and Moore and when I finally got to see this refreshing gem, I was more than glad with a more than satisfying film experience. I've already included this little film treasure in my shelf of DVDs.

"Flawless" is a very unusual heist film. While this is generally a wonderful genre with MANY great caper pictures (such as "Rififi", "Oceans Eleven", "Grand Slam" and "Bob le Flambeur"), it's also a genre that seems to have little in the way of twists to make newer heist films worth seeing. With "Flawless" they managed to come up with a dandy twist...making it yet another lovely heist film worth your time.

When the story begins, Laura (Demi Moore) is an elderly woman in the present day being interviewed by a reporter about her extraordinary career. It seems that back in the 1950s, Laura was a real groundbreaker...an executive in the diamond industry in London when other women only became secretaries. But the interview goes in a way the reporter didn't suspect when Laura admits that long, long ago she was involved in a huge diamond robbery...one for which she managed never to be caught. Now, with the statute of limitations behind her, she's about to tell her story.

It seems that in the 1950s, Laura is a very talented and capable executive with London Di, a huge diamond firm. But again and again and again, men are being advanced to upper management and she has come to realize she has hit the so-called 'glass ceiling' and because she was a woman, she'd never go any further. This is rough....but imagine how frustrated she becomes when the company janitor, Hobbs (Michael Caine), tells her that he read a letter in the CEO's office...and it said that they were going to fire her and blackball her in the industry!

Why would Hobbs tell Laura this? Well, after showing her a copy of the letter, he lets her in on his plan...to rob the vault of many millions of pounds worth of gems. And, with her being angry and hurt, she reluctantly agreed to help. What's next? See the film.

There were some very good performances in this movie. Joss Acklund is wonderful as the soulless CEO....a vicious and imposing figure that few other living actors would be able to play well. Moore is also very good....and gave a much better performance than usual because she was given excellent material. And, well, Michael Caine is Michael Caine! Fine acting all around in this one.

So is the film worth seeing? Absolutely. But I must warn you....folks with short attention spans, teenagers and children or folks who need explosions and boobs instead of plot might not enjoy this picture. But I thought it was terrific...and I do like how it managed to make you feel no sorry for the victims (after all, the whole blood diamond angle is alluded to in the film) and breathe new life into the genre. My only quibble, and it's a minor one, is that Moore's character seems a bit wishy-washy about the robbery late in the movie...something I would have preferred hadn't been in the story.

I cannot, however, for the life of me understand why the film only has a paltry 6.8 average currently on IMDB...it's much better than that.

"Flawless" from 2007 is filled with the "bling" of not only diamonds, but of Michael Caine and Demi Moore, the stars of this caper movie.

The story starts in the present day with the elderly Laura giving an interview about female executives of the past. She shows the interviewer an absolutely huge diamond and tells her story.

Her story begins in London at London Diamonds, the largest supplier of diamonds in the world, where Laura (Moore) has a good position but is constantly passed over for promotion into the upper echelon.

One day, the janitor, Hobbs (Caine) tells her that she's going to be fired. She doesn't believe him but finds out by snooping around that it's true.

Hobbs wants her to get the codes to the vault, which are changed weekly. He is then going to enter the vault, fill his thermos with small diamonds, which the company probably won't even miss, and leave. He is going to cut her in.

The next day the executives, including Laura, are called down to the vault. I'll leave it at that, but that was a pretty big thermos.

Really excellent film with a charming, subtle performance by Caine as Hobbs and Moore as the unflappable, cool, beautiful Laura, a career girl at a time when that was much more unusual than it is today.

The story will keep you wondering and intrigued up to the very last frame. Highly recommended. I originally watched this because Nathaniel Parker of Inspector Lynley Mysteries has a role. I'm glad I did.

Flawless is a charming, tense, and nicely executed caper movie.

I had absolutely no idea how the robbery was done until the revelation: and, like most of us, I have watched enough heist movies to quickly go "Yup, got it!", more often than not, but not here.

Excellent understated performances from Demi Moore and Michael Caine, especially in the small facial gestures when stressed and so on. The settings etc; all add to a nice retro feel. You really get a sense that they tried hard to build the 1960s into this - very buttoned-down, very regimented, a very male world.

One of the major attractions for us was that the sense of pace builds slowly - and compared to the Bank Job I have to say this is the better movie.

All in all a clever, entertaining film, with a good script and very nice central performances, and even a human message.

Definitely recommended

Flawless? Not Quite, but it is certainly a little heist gem. This year, with so far a fairly disappointing turnout of high calibre movies, a very narrow niche has been reinvigorated. That little slice of the celluloid pie (mmmm, sounds good) belongs to the British heist flick. With The Bank Job, and now with Flawless, this could mark the beginning of a revamp of all capper films to follow. Or at least we can hope.

Directed by Michael Radford, who has had little mainstream acknowledgment, (save perhaps the star studded Merchant of Venice) makes his shove into the limelight with a film although never destined to make the big bucks, hopefully at least will be sought out by some. Similarly to The Bank Job, Flawless concentrates more on atmosphere and character development then flashy drawn out robbery sequences, although that can most defiantly be rewarding, as seen in The Italian Job. The opening sequence is a hybrid of Blood Diamond and Lord of War, showing the journey of a diamond from a muddy African field to a throne atop a ladies dainty finger. This film has similar political views to that of Blood Diamond, and such morals are imbedded into multiple facets of the story. It also has elements of Pay it Forward, numerous cat and mouse thrillers, even a scene reminiscent of the opening monologue of Titanic. But as such, Flawless never rips of any of these films, and instead, combines a number of classic elements to create a riveting and original picture.

Most heist films either follow a straightforward narrative, where we follow key characters as they assemble their teams, and carry out the theft or, the other broad characterization is to opt for a scattered chronology, beginning with the hero in prison, where their fate is (sometimes) certain. Flawless manages to incorporate wisps' of both these narrative flows, and is better off because of it. Set in 60's London, we meet Michael Caine, who plays janitor "Mr Hobbs", a 15-year veteran employee of the largest supplier of diamonds at the time, The London Diamond Corporation. Still coping with the loss of his wife, he recruits the help of American Laura Quinn (Demi Moore), who is a sour senior administrator; sour because she has been passed up for promotion one too many times. (In addition to the fact that she learns she will be terminated shortly) Using their opposite shift work and positions to their advantage, they plan to steal enough diamonds to live their lives out in comfort.

Demi Moore has never been much of an actress, but despite her slipping English accent, she gives probably her best performance to date, fading into her role, and for once, playing a character that looks their age. The problem with her character is not with Moore's performance but with how she is presented; unsympathetic and shrill. She always seems unwilling and bitchy, which could be partly due to the stark contrast between Moore and her male counterpart's composure and cool. That "male" of course being Michael Caine, who is solid as always and makes for a very atypical criminal which is part of the films charm. He is sweet, old and can barely walk, but his history (which does not include training for a career in janitorial work) makes him a formidable foe. We get nice supporting work from the always devilish Lambert Wilson, who we all remember as The Merovingian from The Matrix Reloaded, as the internal investigator and from Joss Ackland as one of London Diamond's heads and who is a powerfully menacing figure. (He played Arjen Rudd, the evil African diplomat in Lethal Weapon II)

Flawless has a good feel for the times, in reference to the setting, clothing, dialogue, etc. The inevitable twist that is associated with almost all heist films stands alone in its uniqueness, which you will have to see to truly understand why it is different. Director Radford gives us some powerful sequences; one which perfectly captures the political intentions of the film involves Michael Caine's character tossing one of the largest cut diamonds in the world into a bin of tiny uncut stones, which the executives wouldn't floss their teeth with. It is a vivid reminder of what diamonds really are, and what we are willing to give and do for such.

Destined to be a ghost in the theatres, this is definitely a film to scrounge for on DVD shelves. Presenting emotionally charged and involving performances and extracting a blind-siding twist from a source which I though must have been drained years ago, Flawless is a solid and intellectually stimulating movie experience.

View all my reviews at Simon Says Movie Reviews: www.simonsaysmovies.blogspot.com