There's a pacey, jazzy, nocturnal style about this story about a con-man who can morph his face into a perfect likeness of anyone else's. It's well shot will neon signs illuminating the darkness. A little human depth is added to this snappy fantasy with Beverley Garland torch singing for a musician who died. Arch Hammer's first con here is to make Maggie (Garland) believe he is her lost love, so the rascal is not always fraudulent for financial gain. This scene is impressive and I wonder if Maggie would still be singing 'It's Much Too Wonderful' or stlll be conned after greater intimacy with him? Ross Martin plays the first change of face of Hammer taking over from Harry Townes (Hammer's own face). The facial relay continues with Phillip Pine and then Don Gordon (who went on to play the somewhat tangential personality traits swapping Salvadore Ross in series five).All the actors are good, though the narrative peaks early with Martin and Garland.
Not the kind of stuff that made TZ great, but it's good pulp fiction fantasy of it's era.