Directed by
| Christopher Chulack | ||
Writing Credits
| Edward Allen Bernero | ... | (created by) & |
| John Wells | ... | (created by) |
| John Wells | ... | (written by) |
Cast (in credits order)
Produced by
| Grant Anderson | ... | associate producer |
| Edward Allen Bernero | ... | supervising producer |
| Christopher Chulack | ... | executive producer |
| Lance Gentile | ... | consulting producer |
| Kristin Harms | ... | producer |
| Brooke Kennedy | ... | producer |
| Bonnie Mark | ... | supervising producer |
| John Ridley | ... | consulting producer |
| Neri Kyle Tannenbaum | ... | co-producer |
| Vicki Voltarel | ... | associate producer |
| John Wells | ... | executive producer |
Music by
| Martin Davich | ||
Cinematography by
| Glenn Kershaw | ... | director of photography |
Editing by
| Randy Jon Morgan | ||
Casting By
| Jeff Block | ... | (casting: New York) |
| John Frank Levey | ... | (casting: Los Angeles) |
Production Design by
| Steven J. Jordan | ... | (as Steve Jordan) |
Art Direction by
| Loren Weeks | ||
Set Decoration by
| Alan Hicks | ||
Costume Design by
| Stephanie Maslansky | ||
Makeup Department
| Kathryn Bihr | ... | key makeup artist |
| James Post | ... | key hair stylist |
| Francie Fillatti | ... | additional hair stylist (uncredited) |
Production Management
| Daniel R. Chavez | ... | executive in charge of post production |
| Blake McCormick | ... | executive in charge of post production |
| Neri Kyle Tannenbaum | ... | unit production manager |
| Patrick Ward | ... | post-production supervisor |
Second Unit Director or Assistant Director
| T. Sean Ferguson | ... | second assistant director |
| John Gallagher | ... | first assistant director |
Art Department
| James Bono | ... | props |
| Dennis Causey | ... | set dresser |
| Chris DeTitta | ... | leadman |
| Daniel Geary | ... | carpenter |
| Timothy Joliat | ... | on-set dresser |
| Ross La Terra | ... | set dresser |
| Steven E. Lawler | ... | construction foreman |
| Jeff Mazzola | ... | property master |
| Ken Nelson | ... | construction coordinator |
| John Victor Patterson | ... | scenic artist |
| Paul Robotti | ... | scenic artist |
| Patricia Walker | ... | scenic charge (as Pat Walker) |
Sound Department
| Kevin B. Barron | ... | assistant sound editor (as Kevin Poor) |
| Mike Brooks | ... | re-recording mixer (as Michael Brooks) |
| Damon Cohoon | ... | assistant sound editor |
| Dave Concors | ... | re-recording mixer (as David Concors) |
| Michael Crabtree | ... | foley artist |
| Al Gomez | ... | sound mixer |
| Eric Gotthelf | ... | adr mixer |
| Michael Jiron | ... | re-recording mixer |
| Marc Mailand | ... | sound effects editor |
| Kim Maitland | ... | b unit mixer / sound recordist |
| Daniel McIntosh | ... | sound: additional unit |
| Eric Moss | ... | assistant sound editor |
| Walter Newman | ... | supervising sound editor |
| T.J. O'Mara | ... | sound |
| Troy Porter | ... | adr mixer |
| Georgiana Ramsland | ... | sound editor |
| Neil Riha | ... | boom operator |
| Peter Schneider | ... | sound mixer |
| Allen L. Stone | ... | re-recording mixer |
| Noah Timan | ... | sound mixer: B unit |
| Wayne O'Brien | ... | m&e re-recording mixer (uncredited) |
Stunts
| Roy Farfel | ... | stunt driver |
| Cort Hessler | ... | stunt coordinator |
Camera and Electrical Department
| Guy Norman Bee | ... | steadicam operator |
| Gregory Cahill | ... | best boy grip |
| Peter Fernberger | ... | director of photography: second unit |
| John Keating | ... | grip |
| Derek Murphy | ... | lighting technician |
| Saade Mustafa | ... | electrician |
| Linda Phillips | ... | generator operator |
| Frank Rinato | ... | first assistant camera: "a" camera |
| Joseph Sciretta | ... | gaffer |
| Francis Spieldenner | ... | assistant camera |
| Paul Volo | ... | key grip |
Casting Department
| Barbara Miller | ... | executive in charge of casting |
Costume and Wardrobe Department
| Kevin Draves | ... | wardrobe supervisor |
| Daniel Lawson | ... | assistant costume designer |
| Tom Soluri | ... | key costumer |
Editorial Department
| Fred Eldridge | ... | senior colorist |
| Karen Dale Greene | ... | assistant editor |
Location Management
| Michael Nickodem | ... | location manager |
| Elias Scoropanos | ... | location coordinator |
| Tim Stacker | ... | assistant location manager (uncredited) |
Music Department
| The Crystal Method | ... | composer: theme "Keep Hope Alive" |
| Ann Kline | ... | music supervisor |
| Allan K. Rosen | ... | music editor |
Script and Continuity Department
| Lori Doherty | ... | script supervisor |
| Bill Rinier | ... | script coordinator |
Additional Crew
| Félix Enríquez Alcalá | ... | consultant |
| Ned Haspel | ... | executive vice president: John Wells Productions |
| Kyra Keene | ... | executive story editor |
| Terri Kopp | ... | executive story editor |
| Jeff Lomaglio | ... | shop craftsmen |
| John Malakoff | ... | production travel consultant |
| Yuell Newsome | ... | film librarian / stock librarian |
| John Ridley | ... | creative consultant |
| Janine Sherman Barrois | ... | executive story editor (as Janine S. Barrois) |
| Michael L. Walker | ... | production assistant |
| Max Yaney | ... | assistant accountant |
| Kelly Craig | ... | stand-in (uncredited) |
| Amy D'Alessandro | ... | titles (uncredited) |
| Timothy Klein | ... | stand-in (uncredited) |
| Thomas Maxwell | ... | production assistant (uncredited) |
| Chester A. Sims II | ... | stand-in (uncredited) |
