"The Sopranos" Sentimental Education (TV Episode 2004) Poster

(TV Series)

(2004)

User Reviews

Review this title
11 Reviews
Sort by:
Filter by Rating:
7/10
The Limits Of Education
Dan1863Sickles10 March 2020
At first I didn't like this episode. There's not much mob action, Tony Soprano isn't really featured, and it's basically three weak characters failing over and over. A.J. and his mother Carmela and Tony Blundetto all fail to break free from Tony Soprano, and all three fail to better themselves or conquer their own flaws.

But when you look closer there are some interesting things to learn in this episode. The three stories illuminate each other in very disturbing ways. Notice how AJ and Tony B are both "students." But where Tony B really cracks the books, studying day and night while holding down a full time job, AJ barely even makes an effort. He goes to sleep and his mother has to do the work for him! Meanwhile Carmela claims to be looking for love, yet when she hooks up with one of AJ's counselors all she does is blatantly manipulate him to help her son pass at school, even with minimal effort.

What's the point of showing all this?

It's not what we learn about these characters, but what we learn about Tony Soprano. He's at the center of the episode without even doing anything. The weak people fail but what's disturbing is how Tony reacts. Like when he finds out AJ is copying some girl's paper, he's pleased instead of angry or sad. He acts like AJ is wising up, becoming an adult, but it's really the other way around. An AJ who could do his own work or even ask for help outside the family would be a son that Tony couldn't control. By the same token, when cousin Tony B seems on the road to his own legitimate job and even starting a business Tony Soprano is sullen and resentful, but as things fall apart for Tony B Tony Soprano is obviously pleased. His most sinister line in the episode is when he observes, "it's hard doing business with strangers." What he means is that he needs to be surrounded by weak, dependent people. It's funny, Tony seems terrifying, strong, and ruthless. But real strength scares him. In this episode the three weak characters all receive an "education" that they either ignore or can't profit from. It's Tony Soprano who profits instead.

Literary note: AJ is supposed to read and analyze ANIMAL FARM by George Orwell and LORD OF THE FLIES by William Golding. These are very common high school texts, but they each comment on this episode in some way. Tony Soprano is a lot like Napoleon, the ruthless pig dictator who takes control of Animal Farm. Napoleon is supposedly the leader of a revolution that will benefit all the animals, but unlike Snowball (or Cousin Tony B,) he doesn't really believe in change, or progress. He literally pours filth all over Snowball's plans for the wind-mill. Like Tony Soprano, Napoleon doesn't talk much but "has a reputation for getting his own way." At the same time, Tony Soprano is also like Jack in Lord of the Flies. He promises freedom from rules and civilization to his followers, but instead they become slaves to fear and worshipers of "The Beast."

The shoe fits!
51 out of 55 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Be careful what you ask for...
AlsExGal23 May 2022
Warning: Spoilers
... coupled with "you can take the mobster out of the mob, but not vice versa". This episode is the tale of two totally unrelated characters on the Sopranos.

First, there is Tony Blundetto, recently paroled after 15 years in jail. He is burning the midnight oil studying for his state masseuse license and works for a laundry delivery service during the day. He passes his test, his boss at the delivery service sees something in him and offers to stake him in his own business, and it looks like he and his new girlfriend are getting along. And then one night someone in a speeding car throws a bag of drugs and money into the bushes as Tony and his girlfriend are walking along. They dump the drugs but keep the money for the new business. But then, Blundetto decides to hang out with the guys and do some gambling. Pretty soon he is back in the life - gambling all night, losing his money, fighting with the girlfriend, and his business plans go kaput.

In a completely unrelated story, Carmela starts up a romance with a counselor at AJ's school. She has somebody who listens to her, finds her attractive- This is what she has said she wants. . But she just can't help manipulating the guy into putting pressure on AJ's English teacher to give him a better grade than he deserves. And this causes the guy to end the relationship because he feels horrible about twisting the arm of that teacher. She was with Tony for so long that using all of the tools available to her has become second nature even if it drives people away.

In the end, Blundetto decides to get back into the mob life. Carmela decides that romance with a civilian on the straight and narrow is maybe not it is all cracked up to be. Both of these situations play right into Tony's hands.
6 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Remember Pear Harbour
snoozejonc17 November 2022
Carmela progresses her relationship with Mr Wegler, whilst Tony Blundetto attempts to further develop his non-criminal career.

This is very interesting character study of two individuals attempting to function independently of Tony Soprano.

It's nice to see Carmela find some enjoyment with a different person and I admire how the writers have developed her character from the earlier seasons. The scenes with Father Phil are particularly strong for her (not him). Without giving away too much detail, her arc with Wegler contains some quite painful realism.

Blundetto is cleverly portrayed through a similar arc to Carmela that takes him down a long road of hard work that it is littered with tempting shortcuts as the shadow of Tony looms over everything. One aspect of the plot is very random, but it works well for the arc.

The writers include strong themes of social and ethnic class structures in the choices made by Italian-America and Asian-American characters. Mr Wegler is an interesting foil coming seemingly from a different world to the others. There are numerous clever allusions and direct references to classical literature.

It is another powerfully cinematic episode with great symbolism like the fish out of water and other great sequences that tell the story visually.

All actors are excellent, especially Edie Falco who shows her usual great range in numerous scenes.
6 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Missing Hand
seanstylesdj17 August 2021
Warning: Spoilers
Did anyone notice the missing hand grenade from the hidden weapon stash in the Sopranos house.

I'm watching this and just noticed this..
14 out of 16 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Bogdanovich, back on form
MaxBorg8916 May 2008
Joining the cast of The Sopranos as Dr. Elliot Kupfenberg proved to be one of the smartest moves of Peter Bogdanovich's career, which had practically sunk after the disappointing experience of Texasville; and though his acting gig in the series is extremely enjoyable, he is best known as a director, which is why it is a particular joy to see him behind the camera again, bringing the sixth episode of Season Five to the screen. Needless to say, like another major guest director, Steve Buscemi, who also took on acting duties on the show, he succeeds beautifully.

With a title like Sentimental Education, the story can't possibly focus on violent crime, and indeed it doesn't: the core of the script is Carmela Soprano's ongoing affair with Robert Wegler (David Strathairn), frowned upon by Father Phil (Paul Sculze, always good) but wholeheartedly enjoyed by the two lovers, at least until Robert has the brilliant idea to ask a teacher of AJ's to be less hard on the kid and, when said request isn't satisfied, takes it out on Carmela.

As a matter of fact, this episode is less The Sopranos, more Sex and the City: cracking characterizations, witty, explicit dialogue and a pay-off to die for. Then again, Bogdanovich has always favored traditional drama over hard-boiled violence, so a departure of sorts from the conventional format isn't totally unpredicted. Of course, this being The Sopranos, something brutal has to happen, and the show doesn't disappoint on those terms, with a hilarious yet shocking change of mind for Buscemi's character, the apparently reformed Tony Blundetto, whose new actions serve as a delicious appetizer for the second half of the season. Yummy.
32 out of 44 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Fascinating insights on work ethics
ameenhojabr11 January 2007
Warning: Spoilers
I was glad to see such excellent handling by Peter Bogdanovich in his directorial role in this episode. I've always enjoyed his appearances as Dr. Melfi's therapist. His is a viewpoint that is marginalised because of his lack of contact with the Soprano world and its values. It's a refreshing outlook, and i was glad to see a similar theme in this episode. Only this time it was AJ's headmaster Mr. Wegler, that was focused upon.

His educational values in this episode have been put to the test with his relationship with Carmella, and in typical Sopranos fashion, the relationship dynamic is very complex, with Wegler jeopardising his values by influencing AJ's English teacher Mr. Fisk. Feeling used, Wegler projects resentment towards Carmella, however Carmella never asked him to do this. On the contrary for her, theirs is a relationship that allows her to feel young and passionate again, although her continuous remarks about AJ towards Wegler could be construed otherwise. A nice ambiguous touch.

Very much an episode about work ethics, this theme is also evident in Tony Blundetto's (Steve Buscemi) storyline. Being encouraged into a more stable "civilian" lifestyle by his Korean employer, he seems to be on a completely different trajectory to AJ in terms of work. He's refurbishing the offices into a massage parlour and studying hard for his test.

Blundetto's interaction with the other wiseguys in relation to his studies provides much of the episodes humour, from Christopher's obscure and arbitrary words of "encouraging" wisdom to Paulie's "Remember Pearl Harbour!". Great stuff.

However at the end when Blundetto seems to throw it all in and work for Tony Soprano, its fascinating in the genius of Sopranos that it does not necessarily make you feel despair and tragedy for Blundetto. There is a degree of gladness that Tony Soprano feels happy that his cousin has come back to him.
19 out of 25 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
L'Éducation Sentimentale
julienlegiletier12 July 2020
Warning: Spoilers
The Flaubert novel evoked by the title is not immediately a cogent fit for the episode until its conclusion. The novel, for all its initial promises of romance and excitement, ultimately boils down to nothing. Its romantic protagonist ends the novel where he began, in his provincial hometown remarking with an old friend that a mundane experience was more memorable than everything else he experienced during his life in Paris.

In a sense, this episode does something similar. With Carmella's love affair and Tony's excitement about starting his massage parlour, the first half of the episode gives wholesome and positive promise for two characters who seem to deserve it. But by the time the credits roll, all of this is turned to dust. These two characters' fundamental flaws make these great achievements instead fleeting failures.

Tony asking the other Tony, a man with whom long ago he worked happily, to be let back into 'the business' at the end, in a brief scene, can mirror Frederic Moreau's brief conversation with his old friend Deslauriers in Flaubert's novel. For all of life's possible adventures, ultimately we stay who we are.
7 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Sentimental Education (#5.6)
ComedyFan201020 March 2014
Warning: Spoilers
Carmela is upset because AJ is not doing well in school and also is accused on plagiarism. She is also torn about her relationship with Wegler as the priest shames her for it. Wegler also dumps her because he thinks she is using him. Tony B. passes his exam and has a great opportunity to open a place, he also finds 12000. But he doesn't take the opportunity and returns to Tony.

Poor Carmela. This episode makes one really feel for her. Her desperation about it is so real.

I had trouble figuring out what make Tony B. snap, but I guess he just wanted to go back where he feels he belongs
8 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Passions run wild
ctomvelu-123 June 2008
Tony B. is given a golden opportunity to start his own business, with backing from his current boss. In addition, he comes across a sack containing $12,000 (don't ask). Within a few days, he has gambled away the money and ends up in a physical altercation with his employer. The violence as always is sudden, and in this case, on the slapstick side. Meanwhile, Carmela is grooving with David Straitharn's highly educated Mr. Wegler -- that is, until Wegler expresses serious misgivings about Carmela's motives (as well he should). What an episode. It doesn't get much better, even if Tony is in and out (mostly out) of the picture. A delicious moment: Carmela discovers AJ is copying a book report from an old report that got an A-Plus. Carmela is horrified while Tony smilingly wonders if AJ paid for it.
17 out of 22 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
AJ's teacher calling him "Fredo Corleone" was mvp of the episode
Neptune16518 July 2022
Warning: Spoilers
Tony Blundetto, He tries to work honestly by day and live it up with his mobster friends by night, even in one scene leaving them partying and going straight to work. This ultimately is what causes him to lash out at Kim who to be fair to Tony was expecting him to work at an unreasonable pace, as he wanted to open the parlour in a few days despite Tony being the only one working on the building, on top of his working at the laundry business still and the parlour being nowhere near ready to open. Adriana. I love her. She really deserved better. The FBI convinced her that she and Chris would literally be disappeared by Tony if she didn't cooperate. It's so sad. She's such a naive, innocent character. She truly loved Chris, unconditionally, and didn't understand the grave implications of her cooperation with the FBI. The feds threatened her and lied to her and manipulated her and she wasn't savvy enough to just ask for an attorney the first time they brought her in. This was a depressing, 'what might have been', 'I could've been a contender' (or more accurately, a massage therapist) episode. And, that said - I thank you ever so much for publishing these performances and your commentary, and those of others, b/c - well, for one reason, I never really realized that Christopher had such a DV record w/ Adriana.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
1/10
An episode of Carmela.
gastonr190818 April 2019
I remember an episode of Family Guy where Peter says "Yes, this is an episode about Meg, you can switch to another channel." I find it hard to believe that the writer of this episode is the same guy who created Mad Men.
19 out of 92 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed