The Understudy
- Episode aired May 18, 1995
- TV-PG
- 24m
Jerry's girlfriend cries easily. George runs over Bette Midler during a softball game and Kramer gives in to her every demand. Elaine meets a new potential employer.Jerry's girlfriend cries easily. George runs over Bette Midler during a softball game and Kramer gives in to her every demand. Elaine meets a new potential employer.Jerry's girlfriend cries easily. George runs over Bette Midler during a softball game and Kramer gives in to her every demand. Elaine meets a new potential employer.
Photos
- Ruby
- (as June Kyoko Lu)
- Lotus
- (as Bok Yun Chon)
- Player #2
- (as Michael James McDonald)
Storyline
Did you know
- TriviaElaine's (Julia Louis-Dreyfus) adventure is based on an experience of writer Carol Leifer. Carol brought a spy with her to a nail salon in real life.
- GoofsIn the Korean Nail salon scene, as George's father is speaking and yelling at the Korean manicurists, the camera cuts to the back room, where the father's former Korean girlfriend is sitting. The background shows Chinese, not Korean. (However, due to centuries of Chinese predominance in Asia, the Chinese language still plays a very prominent part in Korean culture. Most educated Koreans can read some Chinese, and Chinese is often used in calligraphy.)
- Quotes
J. Peterman: Then, in the distance, I heard the bulls. I began running as fast as I could. Fortunately, I was wearing my Italian cap toe oxfords. Sophisticated yet different; nothing to make a huge fuss about. Rich dark brown calfskin leather. Matching leather vent. Men's whole and half sizes 7 through 13. Price: $135.00.
- ConnectionsFeatured in Seinfeld: The Chronicle (1998)
- SoundtracksWind beneath My Wings
(uncredited)
Written by Larry Henley and Jeff Silbar
Performed by Bette Midler
Sung by Michael Richards
Not all the scenarios are as sharp as the show at its best here. There isn't really a total episode that doesn't work but there are certainly individual threads that come over as being too elaborate or perhaps a bit too silly to really function. The best scenarios are the simplest ones where one or two really nice touches can make all the difference – the messier it becomes the less effective it is. Messy nonsense is best left to Kramer and his stuff is generally the exception because his character can carry it but the others not so much, they tend to require a base of some form of reality from which to go from.
Season 6 contains fewer "classic" episodes than the previous fewer seasons. I think for sure "The Switch" is classic Seinfeld but the rest are not quite there, partly for the weaknesses discussed already. However this is not to say that any of them are bad or even weak, just that they are coming in to my head having to compete with the previous two seasons. The finale and the clip-show were the only two episodes that didn't really do much for me, but I did still enjoy them regardless. This is to the show's credit – if you can have a season where it is clearly not quite as good as you have done before but yet still have it be really funny and enjoyable then you're doing a lot right. And so it is with season 6; it is not quite as brilliant as I have seen the show be before, but yet it is still of a very high standard.
The cast are perhaps a bit too comfortable as well and there are signs of occasional over-playing of their characters here and there, but not too much. Seinfeld and Louis-Dreyfuss continue to be funnier and more important to the comedy than they were and both actors benefit by maintaining from previous seasons. Alexander and Richards remain my favourite characters, they have the most colour and they work with it well with the only downside/risk being that they both do occasionally overplay the quirks that they normally deliver in controlled (and funnier) ways. The additional cast are mostly good. Knight continues to be my favourite second tier character but Stiller continues to dominate like he did in season 5. Although he is used sparingly, George's boss is a hoot whenever called upon to deliver a long rambling story that goes nowhere.
I have sounded a little negative here but I think that is mainly down to how strong the previous two seasons of Seinfeld have been, Season 6 is still of a very high standard, very funny and cleverly done. Some bits are a bit weaker than I would have liked but these do not really damage any specific episode and certainly not the season. Not quite as classic as 4 and 5 then, but there is more than enough to season 6 to make it fit into the high standards of the series generally.
- bob the moo
- Sep 7, 2010
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