Sienfeld has always been about life. It's known for their tackle on everyday situations, things that anyone can relate. To be more specific, Seinfeld has always been about the life of adults in NYC. This has being a key element in the series and a character in its own. But I can't think of a better episode about New York City than "The Subway".
It surely isn't the funniest episode, but there's no arguing it is one of the most clever, boldest and important episodes in its entire run. I believe that this one has three key factors: experimentation, humor and New York.
Experimentation: it may not seem as wild on this day and age, but making a sitcom episode about subway rides was pretty wild. Okay, they made The Chinese Restaurant and The Parking Space before but here there's so much to grab in this location. And it's not only the fact of the location, the writers showed some pretty literal inside of New York's characters (robbers, exhibitionists) not common for a sitcom. And of course, Elaine's story line with the lesbian wedding AND the use of bleeped cursing. They were miles ahead of its time.
Humor: it's phenomenal. From Jerry's reactions to Elaine's outburst, George being the ultimate loser and Kramer's fantastical riding motion show. More than ever, it is incredibly clever. The shifts between stories is relentless and every one is in pair with the other, no overshadowing. And, for our pleasure, the episode makes the full circle: the episode starts and ends at the coffee shop with everyone distinctively changed by the events of the day.
New York: here more that ever it is a character in its own. From the subway trains to every single secondary character: the woman Elaine speaks with, the street artist/cop that saves Kramer, the woman that robs George, the exhibitionist that ends up being friends with Jerry, the two guys that unintentionally give Kramer the tip on Pampernik. It's a beautiful painting about the incredibly diverse set of characters the city has.
One of the best realized episode on the show. Way ahead of its time.
It surely isn't the funniest episode, but there's no arguing it is one of the most clever, boldest and important episodes in its entire run. I believe that this one has three key factors: experimentation, humor and New York.
Experimentation: it may not seem as wild on this day and age, but making a sitcom episode about subway rides was pretty wild. Okay, they made The Chinese Restaurant and The Parking Space before but here there's so much to grab in this location. And it's not only the fact of the location, the writers showed some pretty literal inside of New York's characters (robbers, exhibitionists) not common for a sitcom. And of course, Elaine's story line with the lesbian wedding AND the use of bleeped cursing. They were miles ahead of its time.
Humor: it's phenomenal. From Jerry's reactions to Elaine's outburst, George being the ultimate loser and Kramer's fantastical riding motion show. More than ever, it is incredibly clever. The shifts between stories is relentless and every one is in pair with the other, no overshadowing. And, for our pleasure, the episode makes the full circle: the episode starts and ends at the coffee shop with everyone distinctively changed by the events of the day.
New York: here more that ever it is a character in its own. From the subway trains to every single secondary character: the woman Elaine speaks with, the street artist/cop that saves Kramer, the woman that robs George, the exhibitionist that ends up being friends with Jerry, the two guys that unintentionally give Kramer the tip on Pampernik. It's a beautiful painting about the incredibly diverse set of characters the city has.
One of the best realized episode on the show. Way ahead of its time.