Oz (TV Series) You Bet Your Life (2000) User Reviews

Heart Stopping Adult Drama

[Theo Robertson · 16 September 2009]

OZ works at its best when it's at its most sadistic .Ever since Beecher turned psychotic at the end of the first season the show has really been missing a victim . Season two and three tried to make Alvarez something of a victim being pressured by El Cid in to carrying out things he didn't want to do but Alvarez was never an everyman type of character finding himself out of his depth in a shark infested sea in the way Beecher was . Episode one of series 4.1 sees Gill Tarrant introduced and the brutality committed against him is genuinely distressing to watch since he's merely a criminal who committed a crime against a statue . Television doesn't get more sadistic than seen here

Season 4.1 also sees Fontana write something else genuinely missing since season one and that is a running plot thread . In this case it's new warden Martin Querns replacing Mcmanus as head of Emerald City and Querns following his own agenda of making the unit all black . Out goes any notion on Fontana's part of " united colours of the Benneton gang " seen elsewhere in film and television because O'Reilly , Keller and co. find out they're going to have to try harder than usual just to survive the new racial mix . This mirrors reality . Try and find No Escape - Male Rape In Prison published by Human Rights Watch which is available on the net

Like other seasons there's several other subplots going on but they're all developed superbly , especially the ones involving character . Sister Pete finds her faith deserting her . Desmond Mobey a Jamician drug dealer is in fact an undercover cop , a job made even more difficult by becoming addicted to drugs . A new Latino kingpin wanting to take over El Cid's group Clayton Hughes starts to get really angry at the world There's even a subplot of a cell phone that is stolen by Stanislofsky and that O'Reilly wants to get his hands on that defies credibility as in " How did Ralph Gallino get that in to prison ? " but you can't help but be amused and compelled as this plot thread unravels

Fans of THE WIRE will watch this season scratching their heads wondering what's the casting deal with HBO ? The season introduces Lance Reddick , Domenick Lombardoz , and Reg E Cathey who would play prominent roles in the Baltimore police drama . Likewise JD Williams pernicious character Kenny Wangler is written out and Seth Gilliam's Clayton Hughes is reintroduced . I'm afraid this is maybe the reason why I never got in to THE WIRE since the cast will always be seen by me as the characters they played here . Perhaps the best performance by the cast happens at the final episode of season 4.1 between Eamon Walker and Adewale Akinnuoye Agbaje two British born black actors . I'm guessing if anyone in British Equity regardless of their colour wants to appear in high octane drama they'd better phone their agent and get them signed up to HBO . EASTENDERS loss is American television's gain

And season 4.1 is high octane drama . It's heads and shoulders above the previous two seasons and in some ways exceeds the debut season also . It doesn't always remain plausible ( The cell phone subplot for example ) but even when it doesn't it's still entirely gripping . It's just a great pity that the show was criminally neglected by channel 4 when such great television deserves massive critical praise lavished upon it

Season 4.1: Continues the flawed brutal path of season 3 (spoilers)

[bob the moo · 2 February 2013]

For some reason I remember Oz being better than this current re-watching has proved it to be. Maybe it was the impact it had on the 15 year younger me when I first saw it (was it almost 15 years ago? Lord, I'm getting old) when I found this incredibly brutal show late at night. Maybe it is just a simple matter of everything seeming better when looked back at fondly – but I suspect the fault lies with me as the show is no different now than it was then, only I have changed. Re-watching it has surprised me by how weak some of the writing is and how plots don't seem to have much build – things I remember unfolding over weeks and weeks actually happen within 15 minutes in one episode and as a result are not as engaging as I remembered them being. It is still a decent show though and I quickly put nostalgia out of my mind and just focused on watching it now.

The third season got more balance and it must have done well in terms of HBO ratings because the fourth season returns with an extended amount of episodes – albeit shown in two parts, which is how I have watched it this time. As with the third season, this first half of season four focuses on the impact of the material rather than worrying too much about making it really detailed or accurate or spending too much developing characters beyond the level required to make the betrayals and plot twists work. This approach continues to work but it is very much a flawed model as it tends to rush forward like a train hoping that its momentum takes it over a rickety bridge before the weak supports give out. As such we get another brutal series of episodes where characters come and go in violent and frankly unfair ways on the whim of internal politics or petty revenge. The season benefits from having some good threads running through it, so it isn't quite lots of standalone violence, but not too much is well rooted. We see Oz change racially due to some leadership and political changes, we see groups vying for power in the light of this and there are additional threads featuring individual characters – all of which do tend to fit into the overall flow. So in this regard it works reasonably well and I found the stories quite engaging.

It does still have too much speed and too little groundwork for my liking though. For example, this half-season does have some really impacting plots such as Said and Adebisi's relationship coming to a violent head – but this happens far too quickly and while it is still shocking as a device, it doesn't quite as the power it could have had with more patient development. Additionally, this plot line shares a common weakness with many others, that being that logic (even internal Oz logic) doesn't seem to apply. So the scenario that sees Adebisi essentially running Emerald City doesn't ring true and the conflict between O'Reily and Nikolai is also built on the unlikely scenario of a nobody naïvely managing to walk into a prison term with a cell phone the size of a kettle in his pocket; there are other examples of this lack of logic but the season just about manages to surge beyond them, hoping (correctly) that mostly you'll be too focused on current events to spend long thinking about how they came to occur.

The cast fit this rather superficial approach because they manage to give good performances without ever having to reach down too deep. There are good performances and memorable performances but the majority of the cast focus on having a tough presence and delivering the language, nudity and violence, which is as the material demands. Perrineau has the best of the material because his narrated asides are always inventive and interesting (or at least they are when compared to the normal material). Tergesen continues to carry emotional weight with him but isn't totally up to it (or given the space he needs). I like Winters, Walker, Acevedo, Simmons and Akinnuoye-Agbaje though, they do their characters well. This season, more than the previous one, sees a veritable parade of actors who would late feature in The Wire – it is a little distracting to see so many of them, not to mention those from Dexter and other high profile shows appearing in clumps.

The first half of the fourth season served to confirm the weaknesses of Oz to me and overwrite my memory from my first viewing, but it did remind me of how it was enjoyable and impacting on its own terms. There are some good threads here and lots of smaller stuff around these which also work. Mostly it is brutal and impacting for that, but I just wish it had more content and a bit more patience in developing and delivering the various betrayals and twists.