"Murder, She Wrote" Incident in Lot 7 (TV Episode 1992) Poster

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7/10
"Psycho" revisited
WeatherViolet31 October 2009
This episode marks one of the last appearance by, and final television role for, Jackie Gayle, who endured a long career as a night club comic, and who began to perform in film and on television in 1969. Henry Gibson has also since passed.

When Universal Studios, in Hollywood, California, sets to adapt the non-fiction novel "Messengers of Midnight" to the screen, they welcome its author, Jessica "J.B." Fletcher (Angela Lansbury) to tour the facility.

Jessica meets Production Head Ben Miller (Stuart Whitman) on the lot before Secretary Caroline Pryce (Lar Park-Lincoln) ushers her to a meeting with self-serving Producer Darryl Heyward (Ron Leibman), his Agent Willy Montego (Jackie Gayle), and Screenwriter John Cavershaw (Daniel Bardol), who plans to embellish the script with automobile chases and fact changes, to Jessica's objections, until she convinces him otherwise.

Actress Leonora Holt (Paula Prentiss) is cast to play the role patterned after J.B. Fletcher and, therefore, requests plenty of time with Jessica to capture her character and mannerisms, sprinkling a few clichés along the way, to Jessica's surprise. Leonora demands of Darryl that he not hire the unseen actor Kevin Mason to co-star opposite her, but Darryl goes behind her back after promising to respect Leonora's wishes.

Monica Chase (Michelle Johnson), a woman whom Darryl has been seeing during his unexplained absences from the studio, has been given favors for her husband's benefit in exchange for seeing Darryl, but now that Darryl dumps her, Monica seeks revenge.

Oliver Thissle (Henry Gibson) sneaks onto the Universal Studios lot via a plant nursery truck, and into the Bates Hotel (the setting of the 1960 Hitchcock Thriller "Psycho") building atop a hill on Lot 7, before Ben Miller gives Jessica a tour of its exterior premises. He later sneaks into Leonora's office, drawing a prop pistol.

But after Darryl returns from ditching Monica, he returns to the Studios to fire Willy Montego, in the commissary, and to usurp Ben Miller's position as Head of Productions, on a sound stage.

When Jessica returns to enter the Bates Hotel, to discover a body in a pool of blood, Lieutenant Hanrahan (Ron Glass) is summoned to investigate this "Incident in Lot 7."

The cast is rounded out by Police Woman (Christina Rich) and T.V. Anchorman (Larry Carroll), who also broadcasts by the name "Larry" as he reports the murder in Tinseltown, customary to his acting forte.
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9/10
Murder At One Of The Most Iconic Movie Sets Of All Time.
buckikris10 September 2019
Warning: Spoilers
Jessica takes a trip to Universal Studios in Hollywood, California. Once there she has the opportunity to see one of the most famous sets in movie history; the Psycho house. While there she helps the police in a murder investigation. The murder happened at the psycho house. The victim is a movie producer that had his enemies. The clues, a pool of blood on the floor, clue two a shoe with a skid imprint in the blood, clue three missing blue papers. Jessica must collect more clue so she can discover the killer in this season 8 thriller.
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8/10
The talking house.
Sleepin_Dragon2 October 2023
Jessica is on hand to witness one of her books being adapted into a big action movie, but her Detective skills are needed when its product Darryl Heyward is killed.

Well they certainly took a chance with this one, but they got it absolutely spot on. I thoroughly enjoyed it, an intriguing mystery, but the mix up with Psycho was brilliantly done, and so unexpected.

A great mix of mystery and horror, it was a winning formula. The sets are brilliant, great looking episode.

Whenever Jessica's work has been adapted, be it for the big screen or stage, it's always carnage, you wouldn't think anyone would touch her books, but foolishly they keep coming back for more.

There are a few amusing moments, and that opening sequence featuring a Hitchcock stand in was brilliant.

8/10.
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8/10
The murder of a producer
coltras3521 May 2022
Sleuthing crime writer Jessica Fletcher goes to Hollywood to meet people who are filming one of her books, but the producer is murdered on a horror film set. Of course, the producer was rubbing certain people the other way, such as dumping his mistress, firing the movie carpenter - its fine entry, there's plenty of fun with all things Hollywood. Scenes in the Bates hotel is great. A satisfying ending.
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7/10
A worthwhile and creepy incident
TheLittleSongbird24 October 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

After three wonderful episodes in a row in "The List of Yuri Lermentov", "Danse Diabolique" and "The Witch's Curse" (especially "Danse Diabolique"), "Incident in Lot 7" is still a well above-average episode, elevated especially for its atmosphere. Does it have the most inspired plot and mystery in the world? No, a little bland and lacking in surprises generally on that front. Does it have the best guest support acting? No, there has certainly been worse before and since but after such great casting in the previous three episodes there was not much that was exceptional on display although still very competent.

The standout in the guest support cast is Paula Prentiss, who is actually very good and has a ball as the actress intending to base her character on Jessica herself. Angela Lansbury as always carries the episode faultlessly.

"Incident in Lot 7" has three notable things about it. One is the atmosphere, which is quite creepy in parts. Two is the setting and use of the Psycho house, which does give the chills and creeps. Three is the denouement which is very clever and not just the best and most memorable thing plot-wise of the episode but to me it's one of Season 8's better denouements.

Production values are high in quality as to be expected, with slick photography and a great setting. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

Writing is tight, thought-provoking and typically amiable and the characters and chemistry are good fun.

Overall, above average but could have been better. 7/10 Bethany Cox
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5/10
Another case of 'he had it coming'.
planktonrules14 February 2023
You'd think after Jessica's last disastrous time in Hollywood that she'd avoid it like the plague. However, once again, she's there to talk about seeing one of her books come to the big screen. But the studio boss she's working with is a real sleaze-bag...a guy who talks out of both sides of his mouth. Because of this and how awful he treats everyone, there's no shock when he's found murdered. What IS shocking is that he's found by Jessica inside the house from "Psycho". Jessica's job will be to narrow down the list of suspects...and there are many.

This is just an okay episode. Much of its okayness is that the killer turns out to be very willing to confess and there isn't the same amount of surprise with most killings on the show. Plus, with Jessica's previous movie experience, it's odd they wouldn't mention this and she's willing to have yet another book made into a film.
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5/10
Jess Bates another trap
feindlicheubernahme20 October 2023
Warning: Spoilers
In "Incident in Lot 7" dear Jessie is back in Hollywood, having agreed once again to have one of her books maBde into a film and, of course, discovering that the studio plans to distort her story beyond all recognition. Most unsurprisingly, a murder occurs. (Good Lord, will no one deal with this woman before she causes the extinction of the entire human race?)

This is strictly a so-so episode. It's not bad per se, it's just that nothing really seems to happen. Of course, things do happen, but they happen so languidly and unexcitingly that the episode just sort of slips by without grabbing you.

We have the usual set-up, showing us just what a nasty guy the eventual victim is and giving us a number of suspects for later. But, as in some other cases, the set-up seems to take longer than needed. The murder doesn't occur until the 20th minute of the 43-minute (without adverts) episode, which doesn't leave much time for the investigation...

...which is maybe just as well, because this is one bland investigation. It consists pretty much solely of Jessica or the detective asking a suspect a few questions, getting a bunch of lies, and then leaving without further probing. Then crazy little old Henry Gibson turns up, says something-something and voila! Jessica's got the whole thing solved. Even the entrapment and confession of the murderer are just sort of "meh." We're in the Psycho house, people! Absolutely nothing here should ever be just sort of "meh"!

5 stars, a rating which the Bates Motel would surely have received if its owner had had slightly better client relations skills.
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