The Wicker Man, The Crucible and Lord of the Flies are referenced in this episode.
In 21st Century England a mob of deplorable villagers cry witch on a well meaning, patient and lovable young teacher while a curate is burned alive inside a giant straw woman while others, including the Reverend Hale, seem to be victims of "spontaneous" combustion. Is a murderous witch at work? As is often the case with Midsomer Murders, a village riven by rancorous conflict between competing tribes needs to rely on Barnaby to remain above it all and restore civilised values.
Unfortunately the distinction between Barnaby and the retrograde elements of Midsomer Parva becomes blurred as, for example, he seems to advocate for folk medicine as at least equivalent to modern medical science (tree bark is equivalent to the aspirin that is derived from it according to Kate Malpas). Elsewhere the voices opposing organised Christianity are powerful and sympathetic while its proponents in the story are narrow minded and hypocritical. The script seems to indulge in special pleading at the expense of the narrative perspective established over seven series and risks diminishing Barnaby's stature for the show's fans.
Balancing this is the story of Alan Clifford, known to some as "the pornographer" but who it is revealed is a benefactor. Dying of cancer he has chosen palliative care over traditional treatment and treating him are representatives of folk/homeopathic and scientific medicines.
But with Midsomer Murders it is better to journey than to arrive, so there is some disquiet to be endured among the surreal joys before we reach the final scenes that attempt to put everything to rights.
In 21st Century England a mob of deplorable villagers cry witch on a well meaning, patient and lovable young teacher while a curate is burned alive inside a giant straw woman while others, including the Reverend Hale, seem to be victims of "spontaneous" combustion. Is a murderous witch at work? As is often the case with Midsomer Murders, a village riven by rancorous conflict between competing tribes needs to rely on Barnaby to remain above it all and restore civilised values.
Unfortunately the distinction between Barnaby and the retrograde elements of Midsomer Parva becomes blurred as, for example, he seems to advocate for folk medicine as at least equivalent to modern medical science (tree bark is equivalent to the aspirin that is derived from it according to Kate Malpas). Elsewhere the voices opposing organised Christianity are powerful and sympathetic while its proponents in the story are narrow minded and hypocritical. The script seems to indulge in special pleading at the expense of the narrative perspective established over seven series and risks diminishing Barnaby's stature for the show's fans.
Balancing this is the story of Alan Clifford, known to some as "the pornographer" but who it is revealed is a benefactor. Dying of cancer he has chosen palliative care over traditional treatment and treating him are representatives of folk/homeopathic and scientific medicines.
But with Midsomer Murders it is better to journey than to arrive, so there is some disquiet to be endured among the surreal joys before we reach the final scenes that attempt to put everything to rights.