The Love Boat (TV Series)
The Man Who Loved Women/A Different Girl/Oh, My Aching Brother (1978)
Full Cast & Crew
Directed by
| Allen Baron | ||
Writing Credits (in alphabetical order)
| Howard Albrecht | ... | (written by) (segment "The Man Who Loved Women") |
| Wilford Lloyd Baumes | ... | (developed by) (as W.L. Baumes) |
| Bruce Howard | ... | (written by) (segment "Oh, My Aching Brother") |
| Cynthia Santillo | ... | (written by) (segment "A Different Girl") |
| Jeraldine Saunders | ... | (suggested by) |
| Sol Weinstein | ... | (written by) (segment "The Man Who Loved Women") |
Cast (in credits order)
Produced by
| David Auerbach | ... | associate producer |
| Henry Colman | ... | producer |
| Douglas S. Cramer | ... | executive producer |
| Gordon Farr | ... | producer |
| Lynne Farr | ... | producer |
| Aaron Spelling | ... | executive producer |
Music by
| Artie Kane | ||
Cinematography by
| Irving Lippman | ... | director of photography |
Editing by
| Robert Moore | ... | (as Bob Moore) |
Casting By
| Susan Newell | ... | (casting) |
Art Direction by
| Eugene Harris | ... | (as Gene Harris) |
| Paul Sylos | ||
Set Decoration by
| John McCarthy Jr. | ||
Costume Design by
| Nolan Miller | ... | (wardrobe designed by) |
Makeup Department
| Naomi Cavin | ... | hair stylist (as Naoma Cavin) |
| Robert Sidell | ... | makeup artist (as Robert A. Sidell) |
Production Management
| Wilbur D'Arcy | ... | unit production manager |
| Norman Henry | ... | executive production manager |
| Al Kraus | ... | supervising production manager |
| William A. Porter | ... | unit production manager |
| Dick Reilly | ... | post-production supervisor |
| Arnold Baker | ... | assistant post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
| Dirk Petersmann | ... | first assistant director |
| Richard A. Wells | ... | second assistant director (as Richard Wells) |
Art Department
| Gordon Kirschbaum | ... | supervising construction co-ordinator |
| Roger Montesano | ... | property master |
Sound Department
| Bruce Smith | ... | sound engineer |
Special Effects by
| Robert W. King | ... | special effects foreman (uncredited) |
Camera and Electrical Department
| Steve Lydecker | ... | first assistant camera |
| J.B. Richner | ... | lighting technician (uncredited) |
Costume and Wardrobe Department
| Chad Harwood | ... | costumer: men |
| Lee Peters | ... | costumer: women |
Editorial Department
| Michael S. McLean | ... | supervising film editor |
| Virgil E. Hammond III | ... | A.D.R./Looping/Foley/Processing (uncredited) |
Music Department
| Charles Fox | ... | composer: theme music |
| Laurie Higgins Tobias | ... | assistant music editor |
| Franklin Jones Jr. | ... | score mixer |
| Jack Jones | ... | singer: theme music |
| Rocky Moriana | ... | music supervisor |
| Paul Williams | ... | lyricist: theme music |
| Michael Boddicker | ... | musician: synthesizer (uncredited) |
| Steve Livingston | ... | music editor (uncredited) |
Script and Continuity Department
| Cleo Anton | ... | script supervisor |
| Art Baer | ... | executive script consultant |
| Ben Joelson | ... | executive script consultant |
Transportation Department
| Kenneth Newland | ... | driver |
Additional Crew
| Barry E. Blitzer | ... | story editor (as Barry Blitzer) |
| Ray Jessel | ... | story editor |
| Phill Norman | ... | title design |
| Charles Konya | ... | stand-in: Gavin MacLeod (uncredited) |
