"Lost in Space" The Reluctant Stowaway (TV Episode 1965) Poster

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8/10
A promising start
BrandtSponseller24 August 2006
Warning: Spoilers
This first aired episode of "Lost in Space" shows the wisdom of 20th Century Fox's decision to add an antagonist and a robot to its show based on a sci-fi comic book version of the classic Swiss Family Robinson novel entitled Space Family Robinson.

The Robinsons are to be the first family to head to a planet orbiting Alpha Centauri in a colonization attempt. Sociologically, in the show's world, the impetus seems to at least partially be concerns over the population explosion. This reflects the actual world, of course, as does the plot development based on other political powers desiring that the United States not succeed in being the first country to send settlers out into space.

Enter the show's villain, Dr. Zachary Smith (Jonathan Harris). We don't know who Smith is working for, but he surreptitiously gets on board the Robinson's ship, Jupiter 2, before take-off and reprograms the ship's robot to sabotage the mission. Karmic retribution enters at warp-speed, however, as Smith ends up stuck on board as the ship leaves for its one-way journey. Smith is the strongest character, aided by Harris' off-kilter, creepy performance. The rest of the cast is good, but they do not get to do much until far into the episode.

Watching this first episode of "Lost in Space" now, you'll be just as entertained by the retrospectively funny vision of future high-tech for 1997. Although some aspects of the show were funny or awkward in 1965, too. It's hardly understandable why the ship would be not adjustable to accommodate an extra 200 pounds, which is a major plot hinge. The director, Anton Leader, seems to forget whether artificial gravity is supposed to be switched on or not at one point, and too many of the suspense scenes are written and directed in a clunky manner.

However, the aim here is to establish the basic, very promising premise of the show and the core characters and their relationships. At that, Leader did a good job, and even despite the awkwardness, the cliffhanger at the end of the episode fulfilled its purpose of making me have to immediately watch episode 2.
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8/10
An excellent start with a few minor flaws
BaseballRaysFan29 December 2010
Warning: Spoilers
Let me start by saying I loved the serious episodes of "Lost In Space", and this one ranks high among the serious episodes. In this episode, Dr. Smith gets trapped aboard the Jupiter 2 while programming the robot to destroy the spaceship 8 hours after lift-off. He is trapped aboard because he has to make last-minute adjustments to make sure the robot will be able to carry out the programmed sabotage.

Let me first talk about what's right with the episode: The special effects and the acting are, in my opinion, first-rate. The story is fast-paced and interesting.

Jonathan Harris is at his evil best as the corrupt Dr. Smith whose job is to sabotage the Jupiter 2 by programming the robot to destroy it 8 hours after lift-off. He was great as a villain, even though in interviews he always said that he hated the villainous Dr. Smith and loved playing the comical Dr. Smith of the later episodes.

Dr. Smith, in my mind, has always been one of the most interesting characters in television. He starts out as an evil saboteur whose plan is to destroy the Jupiter 2 and murder the Robinsons (and Major West). He ends up being a loved coward. Jonathan Harris is responsible to changing Dr.Smith into the loved coward.

All-in-all, a great episode. The biggest problem I have (and it isn't really all that big) revolves around the security, and in particular the one guard we see. The only guard we are shown is a young, seemingly inexperienced soldier on guard duty. In a big no-no, he turns his back on Dr. Smith, thus giving Smith the opportunity to karate-chop him across the neck. It appears as though Smith has murdered the guard, but I will allow that the guard could have been merely knocked unconscious. The guard is disposed of through a waste disposal unit and gets dumped into a trash bin.

Another problem I have with the episode is near the end, when John Robinson's line snaps. There is a debate among the others as to who should go out and rescue him with a rocket gun. Don is going to do it, but John says that Don is the only one who can pilot the ship and therefore he has to stay with the ship. The resulting confusion is slow, awkward, and there's no apparent sense of urgency, even though John is drifting further and further away. For one thing, Don suggests that Dr. Smith suit up and go out there. He's the worst possible choice! Don West has the most training. The rescue wasn't all that much of a risk, and what can John really do about it if Don ignores his request and goes out there anyway? John won't risk Don, but he's more than willing to risk his wife or Judy or maybe Penny and Will! No, that doesn't work for me.

The problems are minor and easily forgiven in this otherwise superb, special-effects laden, wonderful episode that shows what Lost In Space was capable of when it was done well!
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8/10
Where it all began!
SystemGirls17 April 2021
This is the first episode of Lost in Space! The Classic Series that is, and the way that the family gets lost and the characters of Dr. Smith and the Robot are completely different in this version! This episode mostly focuses on the character of Dr. Smith, who is shown to be much more evil here then he is in later episodes. This first episode starts off like a documentary and captures the feeling of a real space mission with space technology and the best spaceship ever, the Jupiter 2. But its not all science fiction- there is a adorable scene where the kids Penny and Will float around the ship in microgravity and play together. But the feeling is much darker than other episodes, and we see how Dr. Smith manipulates young Will. This episode is really good because it shows how adults and kids might see the world (or rather the universe) differently, going back and forth from a dark adult world into the eyes of the family. The parents also get good character development and Maureen actually avoids sexist stereotypes in this episode. I like how different characters have different opinions about going back to Earth or not. But mostly this episode is just pure action and drama with a realistic feeling science fiction setting.
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10/10
This is the best of the best..10.0..
jimbotc200626 September 2012
Well, I just discovered this site and all the feedback and information I can add. I plan to make plenty of comments, reviews, opinions, quotes and such in the months to come. One quick correction from the credits listed above on this site...Byron Morrow and Hoke Howell do NOT obviously appear anywhere during this episode. Don't know what somebody is thinking. I've seen this error before. Byron Morrow and Hoke Howell were guests far away in a Season Three episode entitled, "Time Merchant", which has absolutely nothing to do with this beauty. "The Reluctant Stowaway" is the best the series had to offer. All of classic B&W Season One is one of the very best years in television history. It's all galactic, out of this world adventure. Nothing in the series, or many other series, can approach this greatness. This is my input #1!
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Sci-Fi & Disaster
StuOz6 February 2015
In 1997 an American family and a reluctant stowaway become lost in space.

The start of one of the greatest TV shows ever made. All 83 episodes of Lost In Space are not perfect but nearly every episode has a good moment or two that makes the whole hour worthwhile. Sometimes that good moment is a knockout bit like the teaser of season two's The Forbidden World where the Jupiter 2 crash lands on an alien planet.

If you are a fan of shows like The Outer Limits (1963), Voyage to the Bottom of the Sea (1964), Batman (1966), The Time Tunnel (1966), Star Trek (1966), QM's The Invaders (1967), Land Of The Giants (1968), Shazam! (1974) and Irwin Allen's Captain Nemo (1978) you will love Lost In Space.

Producer Irwin Allen is very much the star of anything he makes. His control-freak quirks are all over Lost In Space (but less so in season two). I wrote Irwin's IMDb Bio so if you don't know what I mean by Irwin quirks...read his Bio.

The Reluctant Stowaway is one of my two favourite episodes of the series (the other favourite is The Derelict) as it is just totally outstanding from the first frame to the last frame.

A sight and sound wonder with Dick Tufeld narrations and John Williams music providing the sounds. The sights include amazing footage of spaceship Jupiter 2.

We also see Jonathan Harris at his very best as the EVIL Dr Smith.

I am both a sci-fi nutcase and a disaster nutcase, this hour covers both genres...so what more could I want?

I have many more Lost In Space episode reviews on this site.
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10/10
A rip-roaring way to start a cult TV series that has never lost it's fan base.
mark.waltz6 April 2020
Warning: Spoilers
You don't have to be from the baby boomer generation or prior to enjoy the intrigue set forth in the premiere episode of this classic Irwin Allen TV series. everything is present to draw you into the serialized account of the Robinson family, chosen to go into outer space on a lengthy mission to visit a supposedly new planet (whatever that means) in hopes of eventually civilizing it to deal with overpopulation. what they do not realize is that there is another member aboard, and not a friendly one. The Robinsonvfamily already has the assistance of Major West (Mark Goddard), a hot-tempered but handsome scientist who will become the love interest for daughter Marta Kristen and The fo4 unwanted visitor Jonathan Harris, introduced as the reluctant stowaway Dr. Smith, working for an unknown enemy in attempts to sabotage the mission and kill the Robinson family. he makes his first contact with the robot by programming it to come out of it's helpful shell after 8 hours to destroy the spaceship, but he is trapped aboard and frantically try to get off, ultimately becoming resigned to his fate and forced to strap in as the spaceship takes off. Eventually, he has to wake everybody up in order to prevent himself from being a victim of his own plot.

The group of good guys are established as very good because they don't kill him on the spot and dump him out into the eternal abyss of space, but by the look that Major West gives Doctor Smith, it is very apparent that the instant dislike has been set in order. There are some humorous moments in this episode, but it is not anything like what will transpire down the road. There is tension when father Guy Williams, having to leave the ship to make outside repairs, finds himself floating around when his rope breaks, and it is heroic mother June Lockhart who proves her mettle by heading out to shoot a wire towards him so he can be pulled back in. right from the beginning, it is established that while he is basically a supporting character, much focus will be given to the character of Smith, and in spite of obvious passive/aggressive manipulation, a bond is created between Smith and youngest son Will, the always scene-stealing Billy Mummy. it's a great way to get an audience hooked, and with a space opera like element moving the story along, there will always be a cliffhanger, and that will always draw the audience to come back for more.
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10/10
A Gem of a start
bigfrankie-4346423 November 2022
The Reluctant Stowaway is a gem.

Dr./ Colonel Smith and The Robot are nothing like the characters they would evolve to. And the distinct characters of The Robinsons and Major West are already developing.

Dr. Smith is a ruthless villain spy determined to destroy the mission, with the aid of The Robot. The Robot moves much differently as well. He walks instead of gliding or rolling. Dr. Smith is already a liar but he is no coward and seems capable of doing whatever it takes to destroy the mission.

It is basically a Si-Fi thriller that spares no expense (which is obvious considering the heavy use of the pilot woven into it).

To produce such a stellar product like this in 1965 is amazing.
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8/10
Introducing Dr Smith
gcanfield-297274 July 2020
Warning: Spoilers
Watching this, it's hard to imagine that the show's original concept did not include Smith or the robot. Dr Smith's plan is to sabotage the mission. He gets trapped in the spaceship, and the others react to him as you might expect. He is labeled a "stoaway," but there is ambiguity about whether the others ever became aware of his plans for sabotage. This premiere episode establishes the friendship that would evolve between Smith and Will Robinson, as well as the animosity between Smith and Major West. Good episode, but a bit too technical at times.
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7/10
GOOD BEGINNING BUT A LITTLE SLOW
asalerno1013 June 2022
We are in 1997, NASA puts the first family of colonists in space to go to the planet Alpha Centaury as the vanguard of others. A spy who responds to foreign interests has orders to sabotage the mission. He accidentally gets trapped inside the Jupiter II at takeoff with no choice but to wake the crew from hibernation early as his additional weight plus the orders given to the robot on board endanger everyone. This first episode introduces the protagonists and introduces the dangers they will face, seeing it today the story lacks dynamics and becomes a bit slow. In any case, the result is satisfactory.
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7/10
A good start to the famously evolving sci-fi series
jamesrupert20141 May 2022
The Robinson Family, John, Maureen and their children Judy, Penny and Will, along with co-pilot Don West, stowaway Colonel/Doctor Zachary Smith and the "B-9 model environmental control robot" depart Earth in the Jupitar 2 for Alpha Centauri when Smiths unplanned for weight and nefarious plans ends up with them all 'Lost in Space'. It's fascinating to compare this ostensibly 'hard', almost sober 'science fiction adventure with the goofy, camp episodes for which the show is best remembered. The preliminary episode (with borrows footage from an unaired pilot) has much more depth, and a much larger cast, than later episodes and is generally pretty good. Johnathon Harris' 'Dr. Smith' (likely the series best remembered 'human' character) is actually evil as he sabotages the spaceship, dooming the Robinsons and their children - a stark contrast to his whiney, almost self-parodying characterisation toward the end of the series. The special effects are quite good and the acting, while strictly 'TV', isn't bad. A good start to an either reviled or fondly remembered icon from the 1960s.
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