"Law & Order: Special Victims Unit" Demons (TV Episode 2005) Poster

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8/10
We al have our devils to fight.
lastliberal21 July 2008
All the usual cast of Law & Order Special Victims Unit with the addition of Robert Patrick. Patrick is someone who can play a sleaze-bag to perfection.

He was spectacular as the robot in Terminator 2: Judgement Day, magnificent in The Marine, and perfect in First To Die. He has been in many films and always comes through.

He was fantastic in this role as a rapist, not for his crimes, but how he played against Christopher Meloni. Using his compulsion as a rapist he could easily get inside Meloni's head because he also has a compulsion. He is a character that explodes easily, and Patrick's character knew it.

This is one of my favorite episodes of the show because of these two characters and the two actors who made them so believable.
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10/10
If the guilty is a man, maybe an alien, maybe a monster ... that clear
yazguloner11 May 2021
In this section, the crime and its consequences are explained from the perspective of the killer. Elliot is at the center of the matter.

If the guilty is a man, the story always clearly.
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6/10
Surveillance or entrapment?
bkoganbing17 February 2014
Robert Patrick dominates this SVU episode playing a recently released rapist who is now living in a halfway house. According to Detective Robert Walden, Patrick has not changed his evil ways and he's responsible for a recent rape. though Walden can't prove it.

That's where SVU and specifically Christopher Meloni come in.. Meloni who is not believer that sex criminals can change in any event, goes undercover, lives at the same place Patrick does and participates in his group sessions.

An intriguing SVU episode because it deals with where does surveillance end and entrapment begin. Let's just say that when Patrick does show his true colors I doubt a defense attorney will have much to work with.

The scenes between Meloni and Patrick are high voltage. They're scenes are better than the episode as a whole.
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5/10
Controlling urges
TheLittleSongbird25 March 2021
Even on first watch years back, "Demons" left me with very mixed feelings. Loved the performances of Christopher Meloni and Robert Patrick and found their dynamic fascinating and the ending did stick in the head for a while, while also not getting that much out of the case and being frustrated by the way Stabler is written. 'Law and Order: Special Victims' had a good track record with the previous season premieres, especially "Chameleon" (Season 4) and "Birthright" (Season 6).

That good track record is lost sadly for me here with "Demons". My feelings on it now overtime are almost exactly the same as on first watch, except that the ending has gone down in my estimations. The good things are even stronger, but so are the flaws sadly. Not a particularly good start to Season 7, also not feeling that much like a season premiere, and doesn't make one hopeful about how the rest of the season would fare (thankfully it did get a lot better).

"Demons" does have things that work very well indeed. Meloni gives a fiercely intense and hard-boiled performance and Patrick superbly makes one feel uneasy while also not being sure of whether he's innocent or guilty. High-voltage absolutely perfectly sums up the chemistry between the two of them. All the cast are very good, though those two have the biggest roles and the only ones to have much meaty material.

Furthermore, the production values are slick and have a subtle grit, with an intimacy to the photography without being too claustrophobic. The music isn't used too much and doesn't get too melodramatic. There is some nice and taut scripting in the earlier stretches and the whole surveillance and entrapment concept was promising and was interesting to begin with.

Sadly, too much of the story didn't grab me. The idea was already quite a well worn one, here it feels tired and it felt like there was not enough story content. It could have done with more tension, or certainly more consistent tension, and some of the writing later on did come over as melodramatic. The ending should have been hair raising and answered questions, instead it was to me quite contrived, bordering on idiocy and left the questions that needed to be answered left hanging in the air. Keeping the truth about the opening crime ambiguous, the further the truth gets is heavy implication, was pretty much practically neglecting it and anything that was fascinating about Patrick's character goes.

He was an interesting character for a while and then from the ending onwards it was like the writers didn't know what to do with him and made him very vaguely written with inconsistent behaviour (namely not being clear on whether his manner throughout the episode was genuine or whether it was a facade, so the change in him was so abruptly introduced and hard to swallow). Did not like the underuse of the rest of the team, especially Munch, and to me Stabler's character writing was overdone. He was already showing a darker, more angsty side in Season 6 and was always defiant when it came to authority, but not many previous episodes had the "Stabler going too far to the point of being completely out of control" feeling to this extent. Even for his difficult situation it was overkill here.

All in all, a disappointment but watchable. 5/10
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1/10
Idiocy
siraljames13 October 2018
Warning: Spoilers
In a series of 20 seasons full of excellent episodes, one must wonder who was responsible for this travesty. This has got to rank as the most contrived storyline ever. So...we just don't give a damn about the initial rape victim??? We'd rather play pretend-rapist and traumitize an innocent young girl for life and then say "You were never really in danger, I just wanted to prove I was right about this guy"??? And again...back to the top...We just refuse to find out who raped the young lady from the beginning of the episode? Isn't the episode about HER rape??? Dumb.
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