"Law & Order" American Dream (TV Episode 1993) Poster

(TV Series)

(1993)

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9/10
Wickedly Clever Episode, With Two Superb Performances
chrstphrtully16 June 2015
Warning: Spoilers
A skeleton found on Roosevelt Island turns out to be the victim of a murder prosecuted by Stone wit years earlier. The only problem is that the body is nowhere near the location Stone's prime witness said it had been buried, and the cause of death is different. Enter Philip Swann (Zeljko Ivanek), the Wall Street manipulator Stone prosecuted eight years before, seeking a new trial, just as the evidence supporting the conviction starts to disappear.

This episode stands out as one of the best of Michael Moriarty's last season on the show, establishing yet one more case that puts Stone's undying faith in the justice system to the test, with this case as the most personal yet. Ivanek is superb as the slick defendant, who has an answer to every question, and takes an almost sociopathic glee in building the walls around Stone; Moriarty is every bit his equal, subtly conveying the growing frustration with being headed off at every proverbial pass by Swann's machinations. Steven Hill nicely rounds the performances out, as Schiff's amazement at the effectiveness of Swann's plan counterpoints Stone's growing desperation.

***SPOILER*** While the episode is, for the most part, extremely well written, it does have two glaring plot holes (at least, from the perspective of this lawyer) that prove critical to the plot and, specifically, how Stone draws the connection fhat enables him to finally trip Swann up. While Swann's lawsuit against Stone is believable (given the character's ego), Swann's comment in deposing Stone that, because he was acquitted in his second trial, Stone was somehow legally precluded from arguing in his own defense that the key witness in the first trial was testifying truthfully, is simply wrong as a matter of law (something both Stone and Kincaid should pick up on). Further, contrary to what Kincaid states, the names of "jailhouse lawyers" don't normally appear on the briefs filed by inmates in court documents -- thus, the clue that leads Stone to be able to prove Swann's fraud upon the court is nothing more than a contrivance -- perhaps a minor point, but one that kind of what mars an otherwise elegant and wickedly clever episode.
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9/10
A Worthy Adversary for Ben Stone Makes This One a Law & Order Classic
Better_TV29 April 2018
Zeljko Ivanek is Phillip Swann, a wealthy Wall Street financier/investor and (allegedly) cold-blooded murderer who Ben Stone successfully prosecuted and convicted back in the day. (We're told it's the case that got Ben the promotion to Executive Assistant District Attorney). He gives Stone a run for his money when the body from the original case is uncovered, in a location that casts doubt on the original testimony that led to Swann's conviction.

The dynamic between Ben and ADA Claire Kincaid is great in this one; I loved Richard Brooks as the straight-laced, perpetually pensive Robinette character, but Jill Hennessy as his replacement is great too. Here, she's a cool and collected foil to a particularly stressed-out and emotionally-charged Stone; Swann proves more than capable of defending himself, and he's itching for revenge against the man who put him away all those years ago.

"Don't be seduced," Ben warns the jury. "Beware that man."

The legal stuff in this one is super cool, with references to real-life cases like Buckley v. Fitzsimmons, People v. Rodriguez, and People v. Serrotti. Probably one of the most memorable episodes of Michael Moriarty's tenure on the show.
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9/10
A Unique and Tense Early Episode
jlthornb513 June 2015
A very powerful performance by Zeljko Ivanek highlights this unique and tense episode of Law and Order. Skillfully directed by Constantine Makris, this is one of the outstanding entries in the "Ben Stone" era of the show. Michael Moriarty is superb as prosecutor Ben Stone, New York ADA, and it's a shame the actor didn't stay with the program a bit longer and develop his character more deeply. His ethics and moral struggles, frustration and outrage, are in sharp contrast with ADA Jack McCoy, Sam Waterston, and are fascinating to explore. Jill Hennessy is also excellent and Stephen Hill is a wonder as Adam Schiff, the anchor of the District Attorney's office. Jerry Orbach, sorely missed and often remembered fondly, and Chris Noth both give wonderful performances and their chemistry is extraordinary. This particular episode, however, belongs to Zeljko Ivanek and his work here is simply some of his best.
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10/10
Really really impressive episode !!
JonanthanNewOrleans21 April 2020
This episode is what law and order is all about, top quality cratfy, witty and wise.

The dialogues etc... really really good !!

10/10
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10/10
Fighting with fire
TheLittleSongbird16 September 2020
Up to this point of Season 4, of which "American Dream" is the eighth episode, all the episodes ranged between pretty good ("Discord") to outstanding ("Profile"). Like Seasons 2 and 3, it did have to undergo changes, with two new characters introduced (both at this point already making a big impression) and the changes that this season underwent settled much quicker than especially those for Season 2. With one of the most interesting premises of the season and also that it was Stone-heavy, "American Dream" had real potential to be good.

It turned out to be more than good. Would actually go as far to call "American Dream" amazing. Not just one of the top 3 best episodes of Season 4, but also an early season standout. One of Stone's best episodes, that saw him shining even more so than usual, too and with one of his most fascinating and creepiest opponents. The episode also is a masterpiece of character interaction, which is great as that is one of the biggest pleasures of the 'Law and Order' franchise at its best.

"American Dream" is a slickly made episode, the editing especially having come on quite a bit from when the show first started (never was it a problem but it got more fluid with each episode up to this stage). The music is sparingly used and never seemed melodramatic, the theme tune easy to remember as usual. The direction is sympathetic enough without being too low key on the whole.

The script is full of tension, intelligence and tautness. Swann has some truly chilling lines and the exchanges between him and Stone leave a big impression in the dialogue and in the delivery. As said too the episode is masterful when it comes to how the characters interact. Not just Stone and Swann but also Stone and Kincaid, which was getting stronger and stronger all the time (likewise with Kincaid herself). Schiff's concern and amazement at how such a strong person like Stone was so easily gotten to is also telling.

Furthermore, the story is extremely clever and absorbing, with tension galore and some clever references to real life cases. Helped by the huge impression Swann leaves, giving Stone a run for his money on the juiciness factor. It never comes over as too easy to solve, neither does it become over-plotted or incoherent and also appreciated its change of pace (from highlighting mostly two characters and being less of a half-police half-legal story and instead being procedural heavy). The ending satisfies immensely, in fact to me the story was so good that for me it was easy to forgive how contrived one of the big clues is.

Can't fault the performances either. Michael Moriarty gives one of his ever performances of the role, the intensity, authority and torment beautifully balanced and riveting to watch. The other standout is Zeljko Ivanek, bone chilling in one of Season 4's (and early seasons) standout guest turns that is also classic 'Law and Order'.

In summary, amazing and a top 3 best episode of the season. 10/10
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7/10
Wise Guy Goes Pro Se.
rmax3048236 July 2012
Warning: Spoilers
By and large this is a superior series and this is one of the more interesting episodes.

A skeleton is dug up by some salvage archaeologists on Roosevelt Island and it turns out to be that of a man who disappeared eight years earlier. The man convicted of the killing was a Wall Street scam artists, the charming and persuasive Zeljko Ivanek. He's a fine actor, by the way, but he's never going to get anywhere with me until he changes his name to something that's easier to spell and pronounce, preferably some palindrome so that it comes out right even if you get it backwards.

At any rate, Ivanek, who has spent all these years in Sing Sing, was convicted mostly on the testimony of an accomplice, Guy Davis, who may have been involved in the murder but at least has an easy name. Ivanek is a smart young man, though, and has spent his years in the slams studying law. Representing himself, he not only wins a new trial but brings a civil suit against New York and against Michael Moriarty, who prosecuted him and sent him up the river. Says Stephen Hill, "You're being out-lawyered by an amateur." Things get complicated. Davis, Moriarty's prime witness, disappears. There is evidence that he took off for the Bahamas. But, aided by Jill Hennessy in her off hours, Moriarty manages to set things aright and Ivanek is back where he belongs with all the other reprehensible miscreants who have difficult names.

The acting, as usual, is quite good, and the plot is just complicated enough to be thoroughly engaging. Imagine trying to identify an eight-year-old skeleton recently unearthed in a vacant lot in New York City, where there are so many historic unmarked graves. The pathologist was unable to give Moriarty an estimate of the victim's age, but the cops should have asked the archaeologists who dug it up. The sutures in the skull gives you a strong hint, or so I was told in my Physical Anthropology class. We learned to make a good guess while blindfolded. You can do it with one fingertip.

It's interesting, too, because Moriarty's character is ordinarily so unflappable, so earnest and collected. Nothing much is made of his being successfully challenged by a particularly bright jailbird, aside from Hill's remark about being "out-lawyered," and yet Moriarty and the director lend Ben Stone an underlying sense of the anger and indignation of a professional who is being humiliated by an alien from outside the social borders.

The episode ends with Moriarty making a cutting remark as Ivanek is hauled off in handcuffs, and the camera lingers a while on Moriarty's face wearing an expression that can best be described as a smirk.
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7/10
Where is the body?
bkoganbing26 January 2018
While demolishing a building a body is uncovered. It turns out to be the body of someone who Zeljko Ivanek was convicted of murdering several years ago by Ben Stone. The only problem is that testimony was taken that the body was dumped in New Jersey and this man was shot not beaten to death. It's enough to get Ivanek a new trial.

Ivanek really dominates this episode. He's a combination of Gordon Gekko and Michael Milliken and he bankrupted a lot of people. But stupid he's not and he spent his years in the joint in the law library. Good enough to out lawyer Michael Moriarty.

He's truly one hateful human being and I'm sure if he was free long enough someone would shoot him. But Moriarty finds a much better way to deal with Ivanek and use the legal system to do it.

Watch this one for Zeljko Ivanek.
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7/10
Zeljko Ivanek guest stars
safenoe26 October 2023
Warning: Spoilers
Zeljko Ivanek guest stars as the devious Phillip Swann who gives Executive Assistant District Attorney Ben Stone a run for his money. Phillip plays mind-games that has resonance on the dirty streets of New York City and New Jersey where the bodies are buried. I remember Zeljko Ivanek when he played the a prosecutor in Homicide: Life on the Street from 1994 to 1999, so this was a prelude to that role.

I'm really enjoying watching the early seasons of Law and Order, along with Magnum, P. I. (not the reboot) and Father Brown. All good fun and daytime viewing with grit on the streets of New York City.
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